The plot summary here seems more concerned with literary criticism of Heinlein's "bungles" than with actually summarizing the novel's plot. Perhaps the critical analysis of the book could be given its own section (and scrutinized for NPOV) and an actual plot summary could be written? 66.17.118.195 16:26, 15 November 2006 (UTC)[reply]

Literary significance & criticism[edit]

Moreover, "the hero's love for his cat is little more than a funny hat that he wears; were Dan Davis to speak with a stutter, or collect postcards, the effect upon the structure of the novel would be the same. (I don't deny that it would deprive the novel of its title gimmick, but this would not be a major loss.)"

I'm sure this is an accurate quote from Blish's commentary, but I have to say, he's dead wrong on this point. Pete is a major character in the book, especially in the confrontation with Miles and Belle. While Blish is entitled to his opinion, I think this particular comment misrepresents the book. If there are no objections, I'm taking it out. -- Jim Douglas (talk) (contribs) 18:24, 23 November 2006 (UTC)[reply]

Well, I did say "if there are no objections". But I have to note that, while I do like the book, my motive here was anything but fannish worship, Hayford. The point is, I strongly believe that Blish is dead wrong on this point. He's entitled to his opinion, but it doesn't belong in the article if it misrepresents the book. If he'd written about, say, the improbability of the Twitchell sub-plot, I would have no objections about including it. And calling "The Door Into Summer" a "title gimmick" strikes me as a cheap shot; it's a nice metaphor for the search for happiness. -- Jim Douglas (talk) (contribs) 19:00, 23 November 2006 (UTC)[reply]

FWIW, here's the Wikipedia policy basis for my problem with those two sentences (and note that I left virtually all of Blish's comments intact): WP:NPOV#Undue weight:

"If a viewpoint is held by an extremely small (or vastly limited) minority, it does not belong in Wikipedia (except perhaps in some ancillary article) regardless of whether it is true or not; and regardless of whether you can prove it or not."

I understand that it's hard to find multiple citation-worthy critical commentaries of Heinlein's work. But Blish's opinion on this is dead wrong; he must be in a vanishingly small minority on this particular point. If we can find other opinions to balance it out, then fine, leave it in. If we can't, then I think it violates the "undue weight" policy. -- Jim Douglas (talk) (contribs) 19:40, 23 November 2006 (UTC)[reply]

I'll try to come at it from a slightly different direction, Hayford. We include critical commentary to illuminate the book for readers of the article. Our choice of quotes colors the reader's impression of it. By including those two sentences, we are saying that they offer the reader some useful insight into the book. My personal opinion about this (which, I believe, both you and David share -- and please correct me if I'm misrepresenting your opinion) is that Blish's comments about the cat are nonsense. I appreciate your offer to dig up contrasting opinions; that would help a lot here. And, in order to put those comments into perspective in my own head, I've ordered both of those books from Amazon. As I've already said, it's hard to find good quality citation-worthy references. But that doesn't mean we should include references that we all believe are not representative of the book. -- Jim Douglas (talk) (contribs) 20:58, 23 November 2006 (UTC)[reply]

Taking yet another twist on this, I haven't checked the page history, but who added those two sentences in the first place? Do you (or anyone reading this) have those books? Let's agree that we should include something from Blish's review in the article. Do those few sentences represent a useful summary of his review? Is it possible that he made other, more cogent observations? Do you understand where I'm coming from, Hayford? By choosing to include those particular quotes in a very short "literary criticism" section, we are implying that they offer valid insight into the book. I'm not opposed to including useful criticism. If Blish's comments include a reference to the Twitchell sub-plot verging on Deus ex machina, or the borderline silliness of the "Leo Vincent" stuff, I'd be all for including it. I'm not arguing for including my own editorial opinion in the article; I believe strongly in WP:NPOV. But I am saying that, if all of us are in agreement that those two sentences are nonsense, then perhaps we could choose something else from Blish's criticism that might offer more useful insight into the book. (As far as offering a counter-argument to his comparison of the cat to a "funny hat", I'd just note that the cat is an active player in the plot, particularly in the confrontation with Belle & Miles, but also throughout the book. I'm at a loss as to how Blish could have made such a nonsensical comment.) -- Jim Douglas (talk) (contribs) 22:21, 23 November 2006 (UTC)[reply]

I don't know anybody who has read the book who agrees with Blish about the importance/lack of importance of Pete. Knowing Mr. Heinlein's feelings about cats would also reinforce ones belief that he didn't just stick Pete in there as a gimick. None of that means that Blish's comment shouldn't be in the article. It just means that he's wrong. His dislike of the book in general is a different matter. Many people who love Heinlein's work are not that happy with DOOR. And, of course, some people don't like Heinlein's work. The cat, however, is an important part of the book. 65.79.173.135 (talk) 16:21, 22 January 2009 (UTC)Will in New Haven65.79.173.135 (talk) 16:21, 22 January 2009 (UTC)[reply]


I find Blish's comments about Pete to be a very strong example of mind-blindness. The central character of the novel _is_ very weakly characterized and it is a major flaw in the novel. However, Pete is the big exception to this flaw. While Blish is a respected critic, he is also a proponent of the "Heinlein's central characters are Heinlein" cliche. Since I can tell the characters apart very easily, I can only imagine he thought Heinlein had multiple personality disorder. Or he was mind-blind. 76.28.103.69 (talk) 00:05, 14 December 2009 (UTC)Will in New Haven76.28.103.69 (talk) 00:05, 14 December 2009 (UTC)[reply]


Continued from above

This is an old debate, but an important one.

Hayford Peirce's objection that "Blish's opinion is both interesting and informative" is not a sufficient reason to include the quote, and his accusation that Jim Douglas wants to let the article "degenerate into just a fannish bunch of praise" is inappropriate.

Everyone here agrees that Wikipedia should describe all significant views — but Blish's very assertion is that Petronius is not significant. Absent a contrarian view, Blish's statement is not significant.

As Peirce concedes, three editors (now six) agree that Blish is simply wrong about this. Pete is at least the second, if not the most developed character in the entire book. The threshold for inclusion is "verifiability, not truth", but this must be balanced with "Wikipedia is not an indiscriminate collection of information". In other words, we have a degree of editorial freedom. We cannot and should not include every quote from a critic: the issue is the significance of this quote, and I, frankly, do not see it. Feezo (send a signal | watch the sky) 21:02, 20 April 2011 (UTC)[reply]

I'd say that the character's devotion to his cat is a reaction to the fact that his human friends have all deserted him. You could not say the same about a funny hat. On that basis, I would say that Blish is wrong. 50.180.19.238 (talk) 13:44, 14 March 2015 (UTC)[reply]

Cultural Impact[edit]

I'm not sure it's possible to say that a novel that has been consistently rated in the top 50 novels of all time has no Cultural, or in this case, technological, impact. He's already credited with the water bed, it looks like he possibly should get credit for the Rhoomba and the mechanical drafting plotter as well?68.153.102.141 (talk) 15:44, 22 May 2008 (UTC)[reply]

Some notes for future editors[edit]

- James Blish’s reference here to his own bizarre theory about how every character in Heinlein’s work is a thinly-disguised version of Heinlein himself should be called out as such rather than left standing as a stipulated fact.

- From letters in the Heinlein archives at UCSC: Heinlein thought both Panshin and Blish were talking out of their asses, but refused to engage in debate with them in public. In Panshin’s case, he objected to unethical behavior where Panshin lied to the wife of a friend of Heinlein to get access to Heinlein’s correspondence. He also thought Panshin was simply wrong. He thought Blish was simply wrong.