|The Two Faces of Dr. Jekyll|
|Directed by||Terence Fisher|
|Screenplay by||Wolf Mankowitz|
|Produced by||Michael Carreras|
|24 October 1960 (U.K.)|
The Two Faces of Dr. Jekyll is a 1960 horror film by Hammer Film Productions. It was directed by Terence Fisher, and stars Paul Massie as Dr. Jekyll, and co-stars Dawn Addams, Christopher Lee and David Kossoff. The screenplay was written by Wolf Mankowitz, based on the 1886 novella Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson.
In contrast to other film versions, Jekyll was portrayed as a rather bland and faceless person, while Hyde was presented as suave and handsome. This reflects director Fisher's belief in what critics (such as biographer Wheeler Winston Dixon) called "the charm of evil". The film is unusual in that it was one of the few adaptations of the story where the Jekyll/Hyde character does not die in the story's conclusion. It is also set 12 years before the publication of Stevenson's novella.
The film was released in North America to theaters by American International Pictures under the titles House of Fright and Jekyll's Inferno and on American TV under its original British title.
In London in 1874, Dr. Henry Jekyll's wife, Kitty, is secretly involved with his friend Paul Allen (who hounds money from Jekyll). Ignoring the warnings of his colleague and friend Dr. Ernst Littauer, the middle-aged, mild-mannered Jekyll concocts a chemical potion which he hopes will help him learn the depths of the human mind.
By testing the potion on himself, he transforms into Mr. Edward Hyde, a young and handsome but also murderous and lecherous man. Soon, Hyde becomes bored with conventional debauchery and when he sets his eyes on Kitty, he decides he must have her. When Kitty rejects him, Hyde rapes her and leaves her unconscious. When Kitty wakes up in the bed, she immediately notices that Hyde has scratched her neck in various places. Distressed, Kitty walks over to the table, where she finds a note written to her. When Kitty goes into the other room looking for Paul, she looks in to find out that her lover has been bitten by a venomous snake. To Kitty's misfortune, Paul is dead. Kitty walks over to the patio, puts her leg over the balcony, covers her ears in response to the loud music playing from the party and allows herself to fall off the balcony and through the glass roof covering the party guests. Hyde frames his other self for these crimes.
The next day, Jekyll is horrified to learn of what Hyde has done. After speaking to his other half via a mirror, Jekyll turns uncontrollably into Hyde. Hyde then kills a man in Jekyll's laboratory by shooting him in the back and sets his body up on a desk. Hyde then sets fire to the laboratory as the police arrive. Via a window, Hyde pretends that Jekyll is trying to kill him as the building burns. After escaping the building, Hyde claims Jekyll tried to kill Hyde and ended up shooting himself due to madness as the innocent man and Jekyll's laboratory burns.
A few hours later, Hyde is summoned to the police station where he and some officers discuss the crime. After declaring Dr. Jekyll responsible for the crimes, Hyde tries to leave the building, but at the last minute Jekyll fights him from the inside and takes over again. As Dr. Jekyll sits on a bench, he is surrounded by astonished people and arrested for his alleged crimes.
The film was to star Louis Jourdan. Argentinian actress Isabel Sarli was offered a role in the film.
Dr. Jekyll has brown eyes and wears a full beard with rather long hair and bushy eyebrows, whereas Mr. Hyde is blue-eyed, clean shaven and has a shorter haircut - beyond this, their physical appearance is nearly identical, making this portrayal different than the bulk of film adaptations of the novel. However the story is presented as though Hyde looks different enough from Jekyll that even Mrs. Jekyll notices no resemblance.
Reviews were mixed to negative. The Monthly Film Bulletin of the U.K. wrote that the film "may be forgiven for tampering with a classic, but not for doing so with such a depressing lack of either wit or competence...Silliness, in fact, has got the better of the film to such an extent that even its most calculatedly vicious episodes appear only mildly grotesque. The production, which uses up colour film lavishly on such episodes as a cancan sequence, is otherwise hard-up for ideas." Variety gave the film a good review, praising Paul Massie for an "interesting performance" and Jack Asher for "colorful and sure" camerawork. Eugene Archer of The New York Times called the film "lurid", and Massie "frankly ridiculous." Harrison's Reports graded the film as "Fair", adding, "Horror fans will hardly be scared by this well-mounted British import...Paul Massie does the best he can in the poorly written twin role."
The film lost Hammer an estimated £30,000.
The Face of Another, (1966) another film about a man who has an affair with his estranged wife by changing his face