The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.

The result was no consensus. , but suggest considering a merge to fourth wall. MBisanz talk 06:52, 22 March 2009 (UTC)[reply]

Fifth wall (edit | talk | history | protect | delete | links | watch | logs | views) (delete) – (View log)

Non-notable neologism which has not received substantial coverage from reliable sources. After searching online, I found some references to the term "fifth wall" in a Shakespearean context, but they do not appear to have any relation to the usage indicated by this article. There were zero reliable references that mention this term at all in the way the article uses it. The actual content is an original research definition followed by an extensive list of unreferenced, likely unverifiable trivia and speculation, mostly of the sort "here's something I saw in a movie/cartoon/tv show that I like which may be related to something else I like". I removed the listing of cruft and tagged the article a few times, but those edits were consistently reverted so I raised my concerns on the talk page. There has been no response there and realistically I don't see how this article can be brought up to policy considering the lack of available sources, so I am bringing it to AFD. Doctorfluffy (robe and wizard hat) 00:55, 17 March 2009 (UTC)[reply]

Theatre Research International (2008), 33:127-144 Cambridge University Press
Copyright © International Federation for Theatre Research 2008
doi:10.1017/S0307883308003647

"The aim of this article to show that the space of the stage and the ways it is constructed are an important, meaning-generating element of every production. The space of the stage is seen as an artistic construct, the aim of which is to convey senses relevant to the goals of the director. The function of the scenic space goes far beyond a mere ‘representation’ of some fictional inhabited space; it has the ability to convey meanings that, among other things, evoke metaphorical readings. [blah blah blah] Golikov has introduced a scene in which the Euclidean geometry falls apart, and instead a simultaneous presentation of two subjective perspectives is provided [blah blah....] The essay raises theoretical issues connected with time and space in theatre." --Skandha101 06:19, 17 March 2009 (UTC) —Preceding unsigned comment added by Skandha101 (talkcontribs)

I looked through the sources you found and mentioned on the talk page. I am going to respond here to keep the discussion in one place.
The first three links (from gbooks) may be useful sources, but they have nothing to do with the current usage of the phrase in the article and they are probably not enough on their own to establish the phrase's notability, they appear to use the term simply to advance discussion of something else. Everything else (all links past the section break) is either promotional for places or companies that call themselves "Fifth Wall" or unreliable blogs/self-published sites which cannot be the basis for an articles. I don't think there's enough to establish notability or common usage of the term. Doctorfluffy (robe and wizard hat) 15:41, 17 March 2009 (UTC)[reply]
Comment Yes, and being less caffeinated today, I am finding it harder to be impressed that much of the current article is worth keeping. (And, "proliferant"?) To the extent that fifth wall is used in the real world, I'd have to agree that the article's alignment with the examples (including those I've cited) is pretty weak.--Skandha10123:46, 17 March 2009 (UTC)[reply]
Clarification: I'm perfectly willing to change my opinion and help adding references, but the first two examples refer to two different concepts, neither of which appears to me (ignorant completely of theatre terminiology) as the concept proposed in this page. The Shakespeare book seems the best bet, but it defines the concept as the "distance between the performer or critic and the audience". It also discusses the concept quite a bit. The second has one mention of "the fifth wall" where a critic is quoted proposing a meaning as "silence". That really can't contribute much. Per the google searches: they all define it differently. The Hunt work uses the term in relation to the shadow screen in Puppet Theatre. The Frencophone Africa work says " Soyinka establishes a fifth wall between the audience and the action, instead of creating a conventional living room space." Other uses include a 1962 German article which uses it as a metaphor, different from the article, books about design which call floor decorating the fifth wall, or references to at least two theatre troupes called "The Fifth Wall". I'm willing to accept this is a widely used term, but please propose what is actually means and provide some sources that support that meaning. The best bet appears to be the meaning defined in Hunter & Lichtenfels (2005), but it is a different meaning than that described in the article.T L Miles (talk) 16:38, 18 March 2009 (UTC)[reply]


the continuing conversation

[edit]

Unfortunately, I've been adding comments here as well as the article talk page. Which is the preferred forum when an afd debate is current? I've summarized my most recent thoughts there Talk:Fifth_wall . My last thought there was that perhaps this is just another instance of metafictional technique, and as such should be rolled into Metafiction (to the extent that it can coherently be summarized). 'Metafiction' isn't a great article, in my opinion, but may be a better place. On the other hand, it wouldn't stretch sense too much (again, IMO) to have a fifth wall entry, but with little else but the uses we've seen adduced so far (more documentation likely exists, but, it would take more digging). --Skandha10122:05, 18 March 2009 (UTC)[reply]

Comment: My understanding from what you've written is "this is a real concept, but different from the one described here". My quick troll through online searches makes me think you're right. The problem is, of the several meaning in the academic literature offered, I don't know which one folks are talking about when they say that this is a well known theatre concept. My only advice is to either let this get deleted and recreate it later once you've found good references for a clear concept delineated by experts in the field. Or you can (right now) erase most of what's written there now and replace it with something short, accurate, consistent, and supported by more than a couple of references. If you can find a couple of books or peer-reviewed articles that unquestionably support a single definition, you should rewrite this asap! T L Miles (talk) 01:57, 19 March 2009 (UTC)[reply]
The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.