|Directed by||John Frankenheimer|
|Based on||52 Pick-Up|
by Elmore Leonard
|Edited by||Robert F. Shugrue|
|Music by||Gary Chang|
|Distributed by||Cannon Group|
|Box office||$5.2 million|
52 Pick-Up is a 1986 American neo-noir crime film directed by John Frankenheimer and starring Roy Scheider, Ann-Margret, and Vanity. It is based on Elmore Leonard's 1974 novel of the same name.
Harry Mitchell (Roy Scheider) is a successful construction magnate living in the suburbs of Los Angeles, whose wife Barbara (Ann-Margret) is running for city council. One day, Harry is confronted by three hooded blackmailers who demand $105,000 per year for a videotape of him and his mistress, a young stripper named Cini (Kelly Preston). Because of his wife's political aspirations he cannot go to the police; however, guilt eventually drives him to confess, and she kicks him out of their bedroom.
Harry's stubborn inclination is to not surrender to the threats, and when his lawyer advises him that the blackmailers will never leave him alone, he refuses to pay. The trio kidnap Harry and force him to watch a video of Cini being murdered with a gun stolen from his house. They demand $105,000 a year for the rest of Harry's life in exchange for their silence. Harry, however, vows to get revenge.
Using deduction and his business contacts, Harry tracks down and confronts Alan Raimy (John Glover), the leader of the blackmailers and an amateur adult filmmaker. Knowing he has a background in accounting, Harry shows Raimy his financial records, which indicate that the majority of his wealth is tied up and he can't afford $105,000. Raimy agrees to accept Harry's offer of $52,000 instead, at least as a first payment. However, Raimy also breaks into Harry's house posing as an insurance salesman and subtly threatens Barbara.
Through Doreen (Vanity), a stripper who was friends with Cini, Harry learns the names of the other blackmailers: the sociopathic Bobby Shy (Clarence Williams III) and the cowardly Leo (Robert Trebor). He first makes Raimy suspicious by suggesting Leo gave up his name; Bobby, realizing the truth, violently interrogates Doreen but believes her when she says she didn't give him away. That night he breaks into the Mitchell house and tries to kill Harry, but Harry and Barbara overpower him. Harry realizes Raimy kept the revised deal to himself and tells Bobby as much before letting him go.
Leo, cracking under the pressure, confesses everything to Harry, saying he never wanted to hurt Cini and that both her body and the videotape have been disposed of. He also warns him that Raimy and Bobby will kill him and Barbara after the payment is made, since he knows who they are. Bobby later confronts Leo, who is planning to leave town, and kills him. Meanwhile, Raimy kidnaps Barbara and sedates her with drugs, to ensure Harry delivers the $52,000. He lures Bobby and Doreen to a warehouse and kills both of them before going to meet Harry.
Harry exchanges the money for Barbara, telling Raimy that if anything happens to them, his lawyer will send Raimy's fingerprints (from the financial records) to the police. Raimy had previously expressed interest in Harry’s sports car, so Harry offers it as a getaway vehicle. When Raimy turns the ignition key the doors lock, trapping him inside the car, which explodes in a ball of fire.
52 Pick-Up opened in New York and Los Angeles on November 7, 1986. The film was distributed by the Cannon Group. It debuted poorly at the box office.
Patrick Goldstein, writing in the Los Angeles Times, described the film as "a dull, plodding thriller that finds Mitchell in a deadly war with a trio of crazed blackmailers." On the other hand, Roger Ebert, writing in the Chicago Sun-Times, claimed it "provides us with the best, most reprehensible villain of the year and uses his vile charm as the starting point for a surprisingly good film. ... This is a well-crafted movie by a man who knows how to hook the audience with his story; it's Frankenheimer's best work in years." The New York Times film critic Janet Maslin described it as "fast-paced, lurid, exploitative and loaded with malevolent energy. John Frankenheimer, who directed, hasn't done anything this darkly entertaining since Black Sunday." Tom Milne (Monthly Film Bulletin) described the film as "enjoyable, up to a point, as anything Frankenheimer has done in recent years." while noting that the weakness in the film was that "the protagonist and his wife are much too sketchily realised"
On Rotten Tomatoes the film has an approval rating of 47% based on reviews from 15 critics.