Black Hawk Down had a limited release on December 28, 2001, and went into the public on January 18, 2002. The film received positive reviews from film critics, although it was criticized for inaccuracies. The film performed modestly well at the box office, grossing $172 million worldwide against a production budget of $92 million. Black Hawk Down won two Academy Awards for Best Film Editing and Best Sound at the 74th Academy Awards.[5] In 2006, an extended cut of the film was released on DVD. The cut contains an additional eight minutes of footage, increasing the running time to 152 minutes. This extended cut was released on Blu-ray and in 4K on May 7, 2019.[6]
Outside Mogadishu, Rangers and Delta Force capture Osman Ali Atto, a faction leader selling arms to Aidid's militia. The U.S. plans a mission to capture Omar Salad Elmi and Abdi Hassan Awale Qeybdiid, two of Aidid's top advisers.
Prior to the mission, Staff Sergeant Matthew Eversmann receives his first command of Ranger Chalk Four after his lieutenant has a seizure. Members of his chalk include fresh 18-year-old Private First Class Todd Blackburn and Specialist John Grimes, a former desk clerk.
The operation begins, and Delta Force operators capture Aidid's advisers inside the target building while the Rangers and helicopters escorting the ground convoy take heavy fire from the rallying militia. Blackburn is severely injured when he falls from one of the Black Hawk helicopters, so three Humvees led by Staff SergeantJeff Struecker are detached from the convoy to return Blackburn to the UN-held Mogadishu Airport. Grimes is separated from the rest of Eversmann's chalk after surviving an RPG explosion.
Just after Struecker's column departs, Black Hawk Super Six-One, piloted by Chief Warrant Officer Clifton "Elvis" Wolcott, is shot down by a rocket-propelled grenade. Wolcott and his co-pilot are killed, two crew chiefs are wounded, and two Delta Force snipers on board escape in an MH-6 Little Bird helicopter though one dies later from his wounds.
The ground forces are rerouted to converge on the crash site. The militia erects roadblocks, preventing Lieutenant Colonel Danny McKnight's Humvee column from reaching the area and forcing them to sustain heavy casualties. Meanwhile, two Ranger chalks, including Eversmann's unit, reach the crash site and set up a defensive perimeter. However, another helicopter, Super Six-Four piloted by Chief Warrant Officer Michael Durant, is also shot down by a rocket-propelled grenade and crashes several blocks away.
With the primary Ranger forces led by CaptainMike Steele pinned down and sustaining heavy casualties, no ground forces can reach Super Six-Four or reinforce the Rangers defending Super Six-One. Two Delta Force snipers, Sergeant First ClassRandy Shughart and Master SergeantGary Gordon, are inserted by helicopter to secure Super Six-Four's crash site, where they find Durant still alive. Despite their heroic actions, the site is eventually overrun, Gordon and Shughart are killed, and Durant is captured.
McKnight's column relinquishes their attempt to reach Six-One's crash site and returns to base with their prisoners and the casualties. The men prepare to go back to extract the Rangers and the fallen pilots, and Major General Garrison asks for reinforcements from the 10th Mountain Division, including Malaysian and Pakistani armored units from the U.N. coalition.
As night falls, Aidid's militia launches a sustained assault on the trapped Americans at Super Six-One's crash site. The militants are held off throughout the night by strafing runs and rocket attacks from AH-6J Little Bird helicopter gunships until the 10th Mountain Division's relief column is able to reach the American soldiers. The wounded and casualties are evacuated in the vehicles, but a few Rangers and Delta Force soldiers are forced to run on foot from the crash site to reach the Safe Zone at the soccer stadium.
A textual epilogue reveals Durant was released following 11 days of captivity; Gordon and Shugart became the first soldiers to receive the Medal of Honor posthumously since the Vietnam War, and General Garrison took full responsibility for the mission's outcome, retiring the day after Aidid was killed in August 1996.
Ken Nolan was credited as screenwriter, and others contributed uncredited: Mark Bowden wrote an adaptation of his own book,[9]Stephen Gaghan was hired to do a rewrite,[10]Steven Zaillian[11] and Ezna Sands[12] rewrote the majority of Gaghan and Nolan's work, actor Sam Shepard (MGen. Garrison) rewrote some of his own dialogue,[13] and Eric Roth wrote Josh Hartnett and Eric Bana's concluding speeches.[11] Ken Nolan was on set for four months rewriting his script and the previous work by Gaghan, Zaillian, and Bowden.[14] He was given sole screenwriting credit by a WGA committee.[15]
The book relied on a dramatization of participant accounts, which were the basis of the movie. SPC John Stebbins was renamed as fictional "John Grimes." Stebbins had been convicted by court martial in 1999 for the rape and forcible sodomy of his six-year-old daughter.[16] Mark Bowden said the Pentagon, ever sensitive about public image, decided to alter factual history by requesting the change.[17] Bowden wrote early screenplay drafts, before Bruckheimer gave it to screenwriter Nolan.[10] The POW-captor conversation, between pilot Mike Durant and militiaman Firimbi, is from a Bowden script draft.
To keep the film at a manageable length, 100 key figures in the book were condensed to 39. The movie also does not feature any Somali actors.[18] Additionally, no Somali consultants were hired for accuracy, according to writer Bowden.[19][20]
For military verisimilitude, the Ranger actors took a one-week Ranger familiarization course at Fort Benning (now Fort Moore), the Delta Force actors took a two-week commando course from the 1st Special Warfare Training Group at Fort Bragg, and Ron Eldard and the actors playing 160th SOAR helicopter pilots were lectured by captured aviator Michael Durant at Fort Campbell.[21]
The U.S. Army supplied the materiel and the helicopters from the 160th Special Operations Aviation Regiment. Most pilots (e.g., Keith Jones, who speaks some dialogue) had participated in the historic battle on October 3–4, 1993.[22]
On the last day of their week-long Army Ranger orientation at Fort Benning, the actors who portrayed the Rangers received letters slipped under their doors. It thanked them for their hard work, and asked them to "tell our story true", signed with the names of the men who died in the Mogadishu firefight.[22] A platoon of Rangers from B-3/75 did the fast-roping scenes and appeared as extras; John Collette, a Ranger Specialist during the battle, served as a stunt performer.[23]
Many of the actors bonded with the soldiers who trained them for their roles. Actor Tom Sizemore said, "What really got me at training camp was the Ranger Creed. I don't think most of us can understand that kind of mutual devotion. It's like having 200 best friends and every single one of them would die for you".[22]
Filming began in March 2001 in Salé, Morocco, and concluded in late June.[21]
Although the filmmakers considered filming in Jordan, they found the city of Amman too built up and landlocked. Scott and production designer Arthur Max subsequently turned to Morocco, where they had previously worked on Gladiator. Scott preferred that urban setting for authenticity.[22] Most of the film was photographed in the cities of Rabat and Salé; the Task Force Ranger base sequences were filmed at Kénitra[24] and Mehdya.
The musical score for Black Hawk Down was composed by Hans Zimmer, who previously collaborated with director Scott on several films including Thelma & Louise (1991) and Gladiator (2000). Zimmer developed the score through a collaboration with a variety of musicians that blended "east African rhythms and sounds with a more conventional synthesizer approach."[25] In doing so, Zimmer avoided a more traditional composition in favor of an experimental approach that would match the tone of the film. "I wanted to do it like the way the movie was," said Zimmer. "So I got myself a band together and we just went into my studio [...] and we'd just be flailing away at the picture, I mean, you know with great energy."[26] A soundtrack album was released on January 15, 2002, by Decca Records.[27]
Rudy Schwartz, an army Ranger, was an advisor on this movie.
Reception
Box office
Black Hawk Down had a limited release in four theaters on December 28, 2001, in order to be eligible for the 2001 Oscars.[28] It earned $179,823 in its first weekend, averaging $44,956 per theater. On January 11, 2002, the release expanded to 16 theaters and continued to do well with a weekly gross of $1,118,003 and an average daily per theater gross of $9,982. On January 18, 2002, the film had its wide release, opening at 3,101 theaters and earning $28,611,736 in its first wide-release weekend to finish first at the box office for the weekend. Opening on the Martin Luther King holiday, the film grossed $5,014,475 on the holiday of Monday, January 21, 2002, for a 4-day weekend total of $33,628,211. Only Titanic had previously grossed more money over the Martin Luther King holiday weekend. Black Hawk Down finished first at the box office during its first three weeks of wide release. When the film closed on April 14, 2002, after its 15th week, it had grossed $108,638,746 domestically and $64,350,906 overseas for a worldwide total of $172,989,651.[4]
Critical response
On Rotten Tomatoes, the film has an approval rating of 77% based on 175 reviews, with an average rating of 7.00/10. The website's critical consensus reads, "Though it's light on character development and cultural empathy, Black Hawk Down is a visceral, pulse-pounding portrait of war, elevated by Ridley Scott's superb technical skill."[29] On Metacritic, the film has a weighted average score of 74 out of 100, based on reviews from 33 critics, indicating "generally favorable reviews".[30] Audiences surveyed by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[31]
Roger Ebert of the Chicago Sun-Times gave the film four stars out of four, saying that films like this "help audiences understand and sympathize with the actual experiences of combat troops, instead of trivializing them into entertainments."[32]Empire magazine said that, though "ambitious, sumptuously framed, and frenetic, Black Hawk Down is nonetheless a rare find of a war movie which dares to turn genre convention on its head".[33] Mike Clark of USA Today wrote that the film "extols the sheer professionalism of America's elite Delta Force—even in the unforeseen disaster that was 1993's Battle of Mogadishu," and praised Scott's direction: "in relating the conflict, in which 18 Americans died and 70-plus were injured, the standard getting-to-know-you war-film characterizations are downplayed. While some may regard this as a shortcoming, it is, in fact, a virtue".[34]
The film has had a small cultural legacy, which has been studied academically by media analysts dissecting how media reflects American perceptions of war. Newsweek writer Evan Thomas considered the movie one of the most culturally significant films of the George W. Bush presidency. He suggested that, although the film was presented as being anti-war, it was at its core pro-war: "though it depicted a shameful defeat, the soldiers were heroes willing to die for their brothers in arms ... The movie showed brutal scenes of killing, but also courage, stoicism and honor ... The overall effect was stirring, if slightly pornographic, and it seemed to enhance the desire of Americans for a thumping war to avenge 9/11."[35]
Stephen A. Klien, writing in Critical Studies in Media Communication, argued that the film's sensational rendering of war encouraged audiences to empathize with the film's pro-soldier leitmotif, to "conflate personal support of American soldiers with support of American military policy," and to discourage "critical public discourse concerning justification for and execution of military interventionist policy."[36]
Best Sound Editing – Effects & Foley, Domestic Feature Film
Per Hallberg Karen Baker Landers Craig S. Jaeger Jon Title Christopher Assells Dino Dimuro Dan Hegeman Michael A. Reagan Gregory Hainer Perry Robertson Peter Staubli Bruce Tanis Michael Hertlein Solange S. Schwalbe
Soon after Black Hawk Down's release, the Somali Justice Advocacy Center (SJAC) in California denounced what they felt was its brutal and dehumanizing depiction of Somalis and called for its boycott.[20] The SJAC in Minnesota called for a boycott of the film for its portrayal of Somalis as "savage beasts shooting each other."[58]
In a radio interview, Brendan Sexton, who portrayed ranger PVT. Richard "Alphabet" Kowalewski, said the version of the film which made it onto theater screens significantly differed from the one recounted in the original script. According to him, many scenes asking hard questions of the US regarding the violent realities of war and the true purpose of their mission in Somalia were cut.[59]
In a review featured in The New York Times, film critic Elvis Mitchell expressed dissatisfaction with the film's "lack of characterization" and opined that the film "reeks of glumly staged racism".[60]Owen Gleiberman and Sean Burns, the film critics for Entertainment Weekly and the alternative newspaper Philadelphia Weekly, respectively, echoed the sentiment that the depiction was racist.[61][62]
American film critic Wheeler Winston Dixon also found the film's "absence of motivation and characterization" disturbing, and wrote that while American audiences might find the film to be a "paean to patriotism", other audiences might find it to be a "deliberately hostile enterprise"; nevertheless, Dixon lauded the film's "spectacular display of pyrotechnics coupled with equally adroit editing."[63]
Somali nationals say that the African actors chosen to play the Somalis in the film do not resemble the culturally unique features of the Horn of Africa, nor does the language they communicate in sound like the Afro-Asiatic tongue spoken by the Somali people. They also state that the abrasive way lines are delivered and lack of authenticity regarding Somali culture fails to capture the tone, mannerisms, and spirit of actual life in Somalia. No Somali actors were used in the movie.[18] Somalis attending a screening of a pirated copy of the film at a theater in Mogadishu said the film ignored the deaths of hundreds, if not thousands, of civilian adults and children caused by the Americans.[58][65]
In an interview with the BBC, the faction leader Osman Ali Atto said that many aspects of the film are factually incorrect. Taking exception with the ostentatious depiction of his character, Ali Atto claimed he looks nothing like the actor who portrayed him, nor that he smoked cigars or wore earrings.[66] These details were later confirmed by SEAL Team Six sniper Howard E. Wasdin in his 2012 memoirs. Wasdin also indicated that while the character in the movie ridiculed his captors, in reality, Atto seemed concerned that Wasdin and his men had been sent to kill rather than apprehend him.[67] Atto additionally stated that he had not been consulted about the project, nor was he approached for permission to use his likeness, and that the film sequence re-enacting his arrest contained several inaccuracies:[66]
First of all when I was caught on 21 September, I was only travelling with one Fiat 124, not three vehicles as it shows in the film[...] And when the helicopter attacked, people were hurt, people were killed[...] The car we were travelling in, (and) I have got proof, it was hit at least 50 times. And my colleague Ahmed Ali was injured on both legs[...] I think it was not right, the way they portrayed both the individual and the action. It was not right.[66]
Navy SEAL Wasdin similarly remarked that while olive green military rigger's tape was used to mark the roof of the car in question in the movie, his team in actuality managed to track down Atto's whereabouts using a much more sophisticated technique involving the implantation of a homing device. This was hidden in a cane presented to Atto as a gift from a contact who routinely met with him, which eventually led the team directly to the faction leader.[67]
Malaysian military officials whose own troops were involved in the fighting have likewise raised complaints regarding the film's accuracy. Retired Brigadier-General Abdul Latif Ahmad, who at the time commanded Malaysian forces in Mogadishu, told the AFP news agency that Malaysian moviegoers would be under the erroneous impression that the real battle was fought by the Americans alone, with Malaysian troops relegated to serving as "mere bus drivers to ferry them out".[68]
The outstanding performance of the Pakistani troops under adverse conditions is very well known at the UN. Regrettably, the film Black Hawk Down ignores the role of Malaysia and Pakistan in Somalia. When U.S. troops were trapped in the thickly populated Madina Bazaar area of Mogadishu, it was the Seventh Frontier Force Regiment of the Pakistan Army that reached out and extricated them. The bravery of the U.S. troops notwithstanding, we deserved equal, if not more, credit; but the filmmakers depicted the incident as involving only Americans.[69]
Mogadishu Mile
It is often believed that the soldiers involved in the Mogadishu Mile had to run all the way to the Mogadiscio Stadium, as shown in the film. However, in that scene the filmmakers took artistic license and dramatized the event, departing from the book. In the film, the Mogadishu Mile ends with about a dozen soldiers entering the Mogadiscio Stadium having run all the way through the city. In the book, it ends with soldiers reaching a rendezvous point on National Street (in the opposite direction from the stadium):
"As he approached the intersection of Hawlwadig Road and National Street, about five blocks south of the Olympic Hotel, he saw a tank and the line of APCs and Humvees and a mass of men in desert battle dress. He ran until he collapsed, with joy"[70]
The Rangers and Delta Force soldiers were not the only members of the U.S. military operation who walked the Mogadishu Mile; they included two CSO Marines that were also joined by soldiers from the U.S. 10th Mountain Division:
"We didn't ride off the crash site. We didn't run out. We walked expediently in a tactical formation for about a mile to get to an awaiting convoy."[71][72]
For the most part, the scene in the film where the convoy leaves the soldiers running through the city streets alone does not accurately portray what really happened:
"No one ran out of the city. The Mog mile was to a rally point where the Pakistani tanks and the vehicles from 10th Mountain were, waiting to take the men of TFR out to the Pakistani stadium."[73][74][72]
"These APCs were headed back about 800 meters to a strongpoint where reserve element has stayed behind with the tanks, and the plan was to move the wounded via the vehicles and the healthy by foot back to the strongpoint. That's exactly what happened. That, in all its non-dramatic form, is the so-called "Mogadishu mile"..."[75]
The "Only the dead have seen the end of war" quote
The film begins with the quote "Only the dead have seen the end of war.", which is misattributed to Plato. Research shows this quote first appeared in the works of George Santayana.[76][77][78]
^Dixon, Wheeler, Winston (2003). Visions of the Apocalypse: Spectacles of Destruction in American Cinema (Paperback ed.). London and New York: Wallflower Press. ISBN1-903364-74-4.((cite book)): CS1 maint: multiple names: authors list (link)ISBN1-903364-38-8 (hardcover), see page 76, lines 11-15
