In the visual arts bricolage is the construction or creation of a work from a diverse range of things that happen to be available, or a work created by such a process. The term is borrowed from the French word bricolage.

Instrumental bricolage in music includes the use of found objects as instruments, such as in the cases of:

• Irish Spoons
• Australian slap bass made from a tea chest
• comb and wax paper for humming through
• gumleaf humming
• Lagerphone (made from a stick and bottle tops)
• Trinidadian Steel drums (made from industrial storage drums)
• African drums and thumb pianos made from recycled pots and pans.
• American super instruments made from recorders and bicycle bells or metal rods and keys
• Stomp (dance troupe) is an example of the use of bricolage in music and dance. They utilize everyday objects, such as trash cans and broom sticks, to produce music.
• Many of the musical instruments created by American composer Harry Partch utilize unusual items, such as hubcaps and pyrex carboys.

Stylistic bricolage is the inclusion of common musical devices with new uses. Shuker writes "Punk best emphasized such stylistic bricolage".^[1]

Musical Bricolage flourishes in music of sub-cultures where:

• experimentation is part of daily life (pioneers, immigrants, artistic communities),
• access to resources is limited (such as in remote, discriminated or financially disconnected sub-cultures) which limits commercial influence (e.g. acoustic performers, gypsies, ghetto music, hippie, folk or traditional musicians) and
• there is a political or social drive to seek individuality (e.g. Rap music, peace-drives, drummers circles)

Unlike other bricolage fields the intimate knowledge of resources is not necessary. Many punk musicians, for instance, are not musically trained, because they believe training can discourage creativity in preference for accuracy. Also, careful observation and listening is not necessary, it is common in spontaneous music to welcome 'errors' and disharmony. Like other bricolage fields, Bricolage music still values trusting one's ideas and self-correcting structures such as targeted audiences.

In art, bricolage is a technique where works are constructed from various materials available or on hand, and is seen as a characteristic of postmodern works.

These materials may be mass-produced or "junk". See also: Merz, polystylism, collage, assemblage.

Bricolage can also be applied to theatrical form of improvisation. More commonly known as Improv. The idea of using one's environment and materials which are at hand is the main goal in Improv. The environment is the stage and the materials are often pantomimed. The use of the stage and the imaginary materials are all made up on the spot so the materials which are at hand ar actually things that the players know from past experiences. (i.e. an improvisation of ordering fast food: One player would start with the common phrase "How May I help You").

Bricolage is also applied in interior design, through blending styles and accessorizing spaces with what is "on hand". Many designers use bricolage to come up with innovative and unique ideas.

Bricolage is considered the jumbled effect produced by the close proximity of buildings from different periods and in different architectural styles.^[2]

It is also a term that is admiringly applied to Le Corbusier by Colin Rowe and Fred Koetter in their book "Collage City", suggesting that he assembled ideas from found objects of history of architecture. This, in contrast to someone like Mies Van der Rohe whom they call a hedgehog, for being overly focused on a narrow concept.

In cultural studies bricolage is used to mean the processes by which people acquire objects from across social divisions to create new cultural identities. In particular, it is a feature of subcultures such as, for example, the punk movement. Here, objects that possess one meaning (or no meaning) in the dominant culture are acquired and given a new, often subversive meaning. For example, the safety pin became a form of decoration in punk culture.

In his book The Savage Mind (1962, English translation 1966), French anthropologist Claude Lévi-Strauss used 'bricolage' to describe the characteristic patterns of mythological thought. In his description it is opposed to the engineers' creative thinking, which proceeds from goals to means. Mythical thought, according to Levi-Strauss, attempts to re-use available materials in order to solve new problems.^[3]

Jacques Derrida extends this notion to any discourse. "If one calls bricolage the necessity of borrowing one's concept from the text of a heritage which is more or less coherent or ruined, it must be said that every discourse is bricoleur." ^[4]

Gilles Deleuze and Félix Guattari, in their 1972 book Anti-Oedipus, identify bricolage as the characteristic mode of production of the schizophrenic producer.^[5]

In the discussion of constructionism, Seymour Papert discusses two styles of solving problems. Contrary to the analytical style of solving problems he describes bricolage as a way to learn and solve problems by trying, testing, playing around.

Joe L. Kincheloe has used the term bricolage in educational research to denote the use of multiperspectival research methods. In Kincheloe's conception of the research bricolage, diverse theoretical traditions are employed in a broader critical theoretical/critical pedagogical context to lay the foundation for a transformative mode of multimethodological inquiry. Using these multiple frameworks and methodologies researchers are empowered to produce more rigorous and praxiological insights into socio-political and educational phenomena. Kincheloe theorizes a critical multilogical epistemology and critical connected ontology to ground the research bricolage. These philosophical notions provide the research bricolage with a sophisticated understanding of the complexity of knowledge production and the interrelated complexity of both researcher positionality and phenomena in the world. Such complexity demands a more rigorous mode of research that is capable of dealing with the complications of socio-educational experience. Such a critical form of rigor avoids the reductionism of many monological, mimetic research orientations (see Kincheloe, 2001, 2005; Kincheloe & Berry, 2004).

In information systems, bricolage is used by Claudio Ciborra to describe the way in which strategic information systems (SIS) can be built in order to maintain successful competitive advantage over a longer period of time than standard SIS. By valuing tinkering and allowing SIS to evolve from the bottom-up, rather than implementing it from the top-down, the firm will end up with something that is deeply rooted in the organisational culture that is specific to that firm and is much less easily imitated.^[6]

There is also a content management system called Bricolage.

In her book Life on the Screen (1995), Sherry Turkle discusses the concept of bricolage as it applies to problem solving in code projects and workspace productivity. She advocates the "bricoleur style" of programming as a valid and underexamined alternative to what she describes as the conventional structured "planner" approach. In this style of coding, the programmer works without an exhaustive preliminary specification, opting instead for a step-by-step growth and re-evaluation process. In her essay "Epistemological Pluralism", Turkle writes: "The bricoleur resembles the painter who stands back between brushstrokes, looks at the canvas, and only after this contemplation, decides what to do next."^[7]

Karl Weick identifies the following requirements for successful bricolage in organizations.^[8]

• intimate knowledge of resources
• careful observation and listening
• trusting one's ideas
• self-correcting structures, with feedback

In his essay "Subculture: The Meaning of Style", Dick Hebdige discusses how an individual can be identified as a bricoleur when they "appropriated another range of commodities by placing them in a symbolic ensemble which served to erase or subvert their original straight meanings".^[9] The fashion industry uses bricolage-like styles by incorporating items typically utilized for other purposes. For example, candy wrappers are woven together to produce a purse. The movie Zoolander parodies this concept with "Derelicte", a line of clothing made from trash.

• MacGyver is a television series in which the protagonist is the paragon of a bricoleur,^[10] creating solutions for the problem to be solved out of immediately available found objects.
• The Wombles, a children's program based on creatures living in Wimbledon Common, is also a fine example of bricolage. In the theme song composed by Mike Batt, the lyrics include "making good use of the things that they find, things that the everyday folk leave behind".
• iCarly, a Nickelodeon television series, in which Carly's brother, Spencer, is a bricolage artist.

• Collage
• Détournement
• Do it yourself
• Syncretic

Notes

Look up bricolage in Wiktionary, the free dictionary.

• Bricolage Wiki
• Tips Bricolage in France