Brillante Mendoza | |
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Born | San Fernando, Pampanga, Philippines | July 30, 1960
Alma mater | University of Santo Tomas |
Occupation | Film director |
Years active | 1990s–present |
Brillante Mendoza[1] (Tagalog: [brɪlˈjantɛ mɛnˈdɔsɐ]; born July 30, 1960),[2] also known as Dante Mendoza, is a Filipino independent filmmaker.[3] Mendoza is known one of the key members associated with the Philippine New Wave.[4]
Mendoza was born and raised in San Fernando, Pampanga. He took advertising arts of the College of Architecture and fine arts at the University of Santo Tomas.[5]
Mendoza has directed sixteen films since 2005, also he credited some cinematographer and production designer under his alias. His first collaborated with actor Coco Martin in seven films: Masahista, Kaleldo, Foster Child, Tirador, Serbis, Kinatay, and Captive.
Mendoza directed the first and second State of the Nation Addresses of President Rodrigo Duterte in 2016 and 2017, respectively.[6][7]
Year | Title | Original title | Credited as | Notes | |||
---|---|---|---|---|---|---|---|
Director | Producer | Screenwriter | Production designer | ||||
1985 | Virgin Forest | No | No | No | Yes | ||
1986 | Takaw Tukso | No | No | No | Yes | ||
Private Show | No | No | No | Yes | |||
Di Maghilom ang Sugat | No | No | No | Yes | |||
Materyales Fuertes | No | No | No | Yes | |||
Magic of the Universe | Salamangkero | No | No | No | Yes | With Arthur Nicdao | |
1987 | Mga Lihim ng Kalapati | No | No | No | Yes | ||
1989 | Si Baleleng at ang Gintong Sirena | No | No | No | Yes | ||
Gabriela | No | No | No | Yes | |||
Valentina | No | No | No | Yes | |||
Target... Police General (Maj. Gen. Alfredo S. Lim Story) | No | No | No | Yes | |||
1990 | "Ako ang Batas" -Gen. Tomas Karingal | No | No | No | Yes | ||
Mula Paa Hanggang Ulo | No | No | No | Yes | |||
Kristobal: Tinik sa Corona | No | No | No | Yes | |||
Iisa-isahin Ko Kayo! | No | No | No | Yes | |||
2005 | The Masseur | Masahista | Yes | Story | |||
2006 | Summer Heat | Kaleldo | Yes | Yes | Story | ||
The Teacher | Manoro | Yes | Yes | Also as cinematographer | |||
2007 | Fantasy | Pantasya | Yes | Also cinematographer | |||
Foster Child | Yes | ||||||
Slingshot | Tirador | Yes | Also as cinematographer | ||||
2008 | Service | Serbis | Yes | ||||
2009 | Butchered (The Execution of P) | Kinatay | Yes | Yes | |||
Grandmother | Lola | Yes | Yes | ||||
2012 | Captive | Yes | Yes | Yes | |||
Thy Womb | Sinapupunan | Yes | Yes | Yes | |||
2013 | Sapi | Sapi | Yes | Executive | Yes | Also as cinematographer | |
2015 | Trap | Taklub | Yes | Yes | |||
2016 | Ma' Rosa | Ma' Rosa | Yes | ||||
Asian Three-Fold Mirror 2016: Reflections | Asia sanmenkyô | Yes | Segment: "Shinauma" | ||||
2018 | Alpha: The Right to Kill | Yes | Executive | Yes | |||
Journey | Lakbayan | Yes | Yes | Co-director with Lav Diaz | |||
Amo (TV mini-series) | Yes | TV mini-series, distributed by Netflix (international) | |||||
2019 | Mindanao | Mindanao | Yes | Yes | Story | Yes | |
Verdict | Executive | ||||||
2021 | Gensan Punch | Yes | Executive | ||||
2022 | Apag | Yes | |||||
2024 | Pula | Pola | Yes | Executive | Story | No | Premiered on Netflix |
Mendoza is the first Filipino filmmaker to receive the Best Director award for his film Kinatay at the 62nd Cannes Film Festival.[8] His 2009 film Lola won the award for Best Film at the 6th Dubai International Film Festival.[9]
Mendoza's 2012 film Captive was shown in competition at the 62nd Berlin International Film Festival in February 2012.[10] His 2012 film Thy Womb competed for the Golden Lion at the 69th Venice International Film Festival[11] and earned Mendoza the award for Achievement in Directing at the Asia Pacific Screen Awards in 2012.[12]
Mendoza's film Taklub was selected to be screened in the Un Certain Regard section at the 2015 Cannes Film Festival.[13]
Mendoza is one of the few people and is the only Filipino filmmaker to be nominated in all three major prizes from "The Big Three" (Cannes, Berlin, Venice).[14]
Year | Film | Film festival | Category | Result | Refs. |
---|---|---|---|---|---|
1987 | Salamangkero | 3rd PMPC Star Awards for Movies | Best Production Design | Won | [15] |
Private Show | 5th Film Academy of the Philippines Awards | Best Production Design | Nominated | [16][17] | |
Takaw Tukso | 11th Gawad Urian Awards | Best Production Design | Won | [18] | |
Private Show | Nominated | [19] | |||
2008 | Service | 2008 Cannes Film Festival | Palme d'Or | Nominated | [20] |
2009 | Kinatay | 2009 Cannes Film Festival | Palme d'Or | Nominated | [21] |
Best Director | Won | [21] | |||
2009 | Grandmother | 66th Venice International Film Festival | Golden Lion | Nominated | [22] |
2012 | Captive | 62nd Berlin International Film Festival | Golden Bear | Nominated | [23] |
2012 | Thy Womb | 69th Venice International Film Festival | Golden Lion | Nominated | [24] |
2016 | Ma' Rosa | 2016 Cannes Film Festival | Palme d'Or | Nominated | [25] |
2021 | Gensan Punch | 26th Busan International Film Festival | Kim Jiseok Award | Won | [26] |
[...] Benjie de Guzman's incoherent production design triumphing over Dante Mendoza's atmospheric work in Private Show (which I gather was eventually disqualified due to FAP's internal quibbling over tenure)[...]
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