Colleen Dewhurst | |
|---|---|
 Colleen Dewhurst in The Trial of Susan B. Anthony (1971) | |
| Born | Colleen Rose Dewhurst June 3, 1924 Montreal, Quebec |
| Died | August 22, 1991 (aged 67) South Salem, New York, U.S. |
| Occupation | Actress |
| Years active | 1952–1991 |
| Spouses |
|
| Partner | Ken Marsolais (1975–1991; her death) |
| Children | 2, including Campbell Scott |
| Awards | |
| 11th President of the Actors' Equity Association | |
| In office 1985 – 1991 (died in the office) | |
| Preceded by | Ellen Burstyn |
| Succeeded by | Ron Silver |
Colleen Rose Dewhurst (June 3, 1924 – August 22, 1991) was a Canadian-American actress mostly known for theatre roles. She was a renowned interpreter of the works of Eugene O'Neill on the stage, and her career also encompassed film, early dramas on live television, and performances in Joseph Papp's New York Shakespeare Festival. One of her last roles was playing Marilla Cuthbert in the Kevin Sullivan television adaptations of the Anne of Green Gables series and her reprisal of the role in the subsequent TV series Road to Avonlea. In the United States, Dewhurst won two Tony Awards and four Emmy Awards for her stage and television work. In addition to other Canadian honors over the years, Dewhurst won two Gemini Awards (the former Canadian equivalent of an Emmy Award) for her portrayal of Marilla Cuthbert; once in 1986 and again in 1988. It is arguably her best known role because of the Kevin Sullivan produced series’ continuing popularity and also the initial co-production by the CBC; allowing for rebroadcasts over the years on it, and also on PBS in the United States. The initial broadcast alone was seen by millions of viewers.[1]
Dewhurst was born June 3, 1924, in Montreal, Quebec, the only child of Frances Marie (nee Woods) and Ferdinand Augustus "Fred" Dewhurst. Fred Dewhurst was the owner of a chain of confectionery stores and had been a celebrated athlete in Canada, where he had played football with the Ottawa Rough Riders.[2] The family became naturalized as U.S. citizens before 1940. Colleen Dewhurst's mother was a Christian Scientist, a faith Colleen also embraced.[3]
The Dewhursts moved to Massachusetts in 1928 or 1929, staying in the Boston area neighborhoods of Dorchester, Auburndale, and West Newton. Later they moved to New York City and then to Whitefish Bay, Wisconsin. Dewhurst attended Whitefish Bay High School for her first two years of high school, moved to Shorewood High School for her junior year, and graduated from Riverside High School in Milwaukee in 1942. About this time her parents separated. Dewhurst attended Milwaukee-Downer College for two years, then moved to New York City to pursue an acting career.[4]
One of her more significant stage roles was in the 1974 Broadway revival of O'Neill's A Moon for the Misbegotten as Josie Hogan, for which she won a Tony Award. She previously won the Tony Award for Best Featured Actress in 1961 for All the Way Home. She later played Katharina in a 1956 production of Taming of the Shrew for Joseph Papp. She (as recounted in her posthumous obituary in collaboration with Tom Viola) wrote:
With Brooks Atkinson's blessing, our world changed overnight. Suddenly in our audience of neighbors in T-shirts and jeans appeared men in white shirts, jackets and ties and ladies in summer dresses. We were in a hit that would have a positive effect on my career, as well as Joe's, but I missed the shouting.[5]
She played Shakespeare's Cleopatra and Lady Macbeth for Papp and years later, Gertrude in a production of Hamlet at the Delacorte Theatre in Central Park.
She appeared in the Alfred Hitchcock Presents episode Night Fever in 1965 and with Ingrid Bergman in More Stately Mansions on Broadway in 1967. José Quintero directed her in O'Neill's Long Day's Journey into Night and Mourning Becomes Electra. She appeared in Edward Albee's adaptation of Carson McCullers' Ballad of the Sad Cafe and as Martha in a Broadway revival of Who's Afraid of Virginia Woolf?, with Ben Gazzara which Albee directed.
She appeared in 1962 as Joanne Novak in the episode "I Don't Belong in a White-Painted House" in the medical drama The Eleventh Hour, starring Wendell Corey and Jack Ging. Dewhurst appeared opposite her then husband, Scott, in a 1971 television adaptation of Arthur Miller's The Price, on Hallmark Hall of Fame, and an anthology series. There is another television recording of them together when she played Elizabeth Proctor to the unfaithful John in Miller's The Crucible (with Tuesday Weld). In 1977, Woody Allen cast her in his film Annie Hall as Annie's mother.
In her autobiography, Dewhurst wrote: "I had moved so quickly from one Off-Broadway production to the next that I was known, at one point, as the 'Queen of Off-Broadway'. This title was not due to my brilliance, but, rather, because most of the plays I was in closed after a run of anywhere from one night to two weeks. I would then move immediately into another."[5]
In 1972 she played a madam, Mrs. Kate Collingwood, in The Cowboys (1972), which starred John Wayne. Dewhurst also appeared with Wayne in the 1974 film McQ. She was the first actress to share a love scene with Wayne in bed. In 1985, she played the role of Marilla Cuthbert in Kevin Sullivan's adaptation of Lucy Maud Montgomery's novel Anne of Green Gables and reprised the role in 1987's Anne of Avonlea (also known as Anne of Green Gables: The Sequel) and in several episodes of Kevin Sullivan's Road to Avonlea.
Dewhurst was on hiatus from Road to Avonlea when she died in 1991. Sullivan Productions was unaware she was terminally ill, so her portrayal of Marilla ended posthumously. This was accomplished by shooting new scenes with actress Patricia Hamilton acting as a body double for Dewhurst and by recycling parts of scenes from Anne of Green Gables, Road to Avonlea, and using Dewhurst's death scene as Hepzibah in Sullivan's production of Lantern Hill. The latter was a 1990 television film based on L.M. Montgomery's Jane of Lantern Hill.
During 1989 and 1990, she appeared in a supporting role on the television series Murphy Brown playing Avery Brown, the feisty mother of Candice Bergen's title character; this role earned her two Emmy Awards, the second being awarded posthumously. Dewhurst won a total of two Tony Awards and four Emmy Awards for her stage and television work. Season 4, Episode 6 entitled "Full Circle" was the Murphy Brown episode filmed shortly after her death and dedicated to her memory.
In a review of Dewhurst's final film role as Ruth in Bed and Breakfast (1991), Emanuel Levy wrote “Bed and Breakfast is the kind of small, intimate picture that actors revere. The stunningly sensual Dewhurst, in one of her last screen roles, dominates every scene she is in, making the lusty and down-to-earth Ruth at once credible and enchanting.“
Dewhurst was president of the Actors' Equity Association from 1985 until her death. She was the first national president to die in the office.
Colleen Dewhurst was married to James Vickery from 1947 to 1960. She married and divorced George C. Scott twice. They had two sons, Alexander Scott and actor Campbell Scott; she co-starred with Campbell in Dying Young (1991), one of her later film roles as she died in August 1991.[citation needed]
During the last years of her life she lived on a farm in South Salem, New York, with her partner Ken Marsolais. They also had a summer home on Prince Edward Island, Canada.[citation needed]
Maureen Stapleton wrote about Dewhurst:
Colleen looked like a warrior, so people assumed she was the earth mother. But in real life Colleen was not to be let out without a keeper. She couldn't stop herself from taking care of people, which she then did with more care than she took care of herself. Her generosity of spirit was overwhelming and her smile so dazzling that you couldn't pull the ... reins in on her even if you desperately wanted to and knew damn well that somebody should.[5]
Dewhurst's Christian Science beliefs[6] led to her refusal to accept any kind of surgical treatment. She died of cervical cancer at the age 67 at her South Salem home in 1991. She was cremated and her ashes were given to family and friends; no public service was planned.[citation needed]
Over the course of her 45-year career, Dewhurst won the 1974 Sarah Siddons Award for her work in Chicago theatre, two Tony Awards, two Obie Awards, and two Gemini Awards. In 1989, she won the Genie Award for Best Performance by an Actress in a Supporting Role for her role in Hitting Home. Of her 13 Emmy Award nominations, she won four. She was inducted into the American Theatre Hall of Fame in 1981.[7]
| Year | Title | Role | Notes |
|---|---|---|---|
| 1959 | The Nun's Story | Archangel Gabriel (Sanatorium) | |
| 1960 | Man on a String | Helen Benson | |
| 1961 | The Foxes | television film | |
| 1962 | Focus | ||
| 1966 | A Fine Madness | Dr. Vera Kropotkin | |
| 1967 | The Crucible | Elizabeth Proctor | television film (adaptation of the play The Crucible) |
| 1971 | The Price | Esther Franz | television film |
| The Last Run | Monique | ||
| 1972 | The Cowboys | Kate | |
| The Hands of Cormac Joyce | Molly Joyce | television film | |
| 1973 | Legend in Granite | Marie Lombardi | |
| 1974 | Parker Addison, Philosopher | Hostess | |
| The Music School | |||
| McQ | Myra | ||
| The Story of Jacob and Joseph | Rebekah | television film | |
| 1975 | A Moon for the Misbegotten | Josie Hogan | television film (adaptation of the play A Moon for the Misbegotten) |
| 1977 | Annie Hall | Mrs. Hall | |
| 1978 | The Third Walker | Kate Maclean | |
| Ice Castles | Beulah Smith | ||
| 1979 | Silent Victory: The Kitty O'Neil Story | Mrs. O'Neil | television film |
| When a Stranger Calls | Tracy Fuller | ||
| And Baby Makes Six | Anna Kramer | television film | |
| Mary and Joseph: A Story of Faith | Elizabeth | ||
| 1980 | Death Penalty | Elaine Lipton | |
| Escape | Lily Levinson | ||
| Guyana Tragedy: The Story of Jim Jones | Mrs. Myrtle Kennedy | miniseries | |
| The Women's Room | Val | television film (based on the book The Women's Room) | |
| A Perfect Match | Meg Larson | television film | |
| Baby Comes Home | Anna Kramer | ||
| Final Assignment | Dr. Valentine Ulanova | ||
| Tribute | Gladys Petrelli | ||
| 1981 | A Few Days in Weasel Creek | Aunt Cora | television film |
| 1982 | Split Cherry Tree | Mother | |
| Between Two Brothers | television film | ||
| 1983 | Sometimes I Wonder | Grandma | |
| The Dead Zone | Henrietta Dodd | ||
| 1984 | You Can't Take It with You | Grand Duchess Olga Katrina | television film (adaptation of the play You Can't Take It with You) |
| The Glitter Dome | Lorna Dillman | television film | |
| 1985 | Anne of Green Gables | Marilla Cuthbert | |
| 1986 | Between Two Women | Barbara Petherton | |
| Johnny Bull | Marie Kovacs | ||
| As Is | Hospice Worker | ||
| The Boy Who Could Fly | Mrs. Sherman | ||
| Sword of Gideon | Golda Meir | television film | |
| 1987 | Hitting Home | Judge | |
| Bigfoot | Gladys Samco | ||
| Anne of Green Gables: The Sequel | Marilla Cuthbert | ||
| 1988 | Woman in the Wind | ||
| 1989 | Those She Left Behind | Margaret Page | television film |
| Termini Station | Molly Dushane | ||
| 1990 | The Exorcist III | Pazuzu | Voice, Uncredited |
| Kaleidoscope | Margaret | television film | |
| Lantern Hill | Elizabeth | ||
| 1991 | Dying Young | Estelle Whittier | |
| Bed & Breakfast | Ruth Wellesly | final film role |
| Year | Title | Role | Notes |
|---|---|---|---|
| 1957 | Studio One | teleplay: First Prize for Murder | |
| 1958 | Kraft Television Theatre | teleplay: Presumption of Innocence | |
| Decoy | Taffy | episode: "Deadly Corridor" | |
| DuPont Show of the Month | teleplay: The Count of Monte Cristo | ||
| 1959 | Aldonza/Dulcinea | teleplay: I, Don Quixote | |
| Play of the Week | Mordeen Saul / Woman | teleplays: Burning Bright; Medea | |
| The United States Steel Hour | Vera Brandon | teleplay: The Hours Before Dawn | |
| 1961 | Play of the Week | teleplays: No Exit; The Indifferent Lover | |
| Ben Casey | Phyllis Anders | episode: "I Remember a Lemon Tree" | |
| 1962 | The Eleventh Hour | Joanne Novak | episode: "I Don't Belong in a White-Painted House" |
| The Virginian | Celia Ames | episode: "The Executioners" | |
| The Nurses | Grace Milo | episode: "Fly, Shadow" | |
| 1963 | The United States Steel Hour | Francie Broderick | teleplay: Night Run to the West |
| DuPont Show of the Month | Karen Holt | teleplay: Something to Hide | |
| 1964 | East Side/West Side | Shirley | episode: "Nothing but the Half Truth" |
| 1965 | Dr. Kildare | Eleanor Markham | episode: "All Brides Should Be Beautiful" |
| The Alfred Hitchcock Hour | Nurse Ellen Hatch | episode: "Night Fever" | |
| 1966 | The F.B.I. | Amy Doucette | episode: "The Baby Sitter" |
| The Big Valley | Annie Morton | episode: "A Day of Terror" | |
| 1971 | ITV Sunday Night Theatre | Mrs. Franz | teleplay: The Price |
| Hallmark Hall of Fame | |||
| 1972 | Molly Joyce | teleplay: The Hands of Cormac Joyce | |
| 1973 | Wide World Mystery | Margery Landing | episode: "A Prowler in the Heart" |
| 1979 | Studs Lonigan | Mary Lonigan | miniseries |
| 1982 | Quincy, M.E. | Dr. Barbara Ludow | episode: "For Love of Joshua" |
| The Blue and the Gray | Maggie Geyser | miniseries | |
| 1983 | Great Performances | Red Queen | teleplay: Alice in Wonderland |
| 1984 | Finder of Lost Loves | Rachel Green | episode: "Echoes" |
| The Love Boat | Maud | episode: "Welcome Aboard: Part 1 and 2" | |
| 1985 | A.D. | Antonia | miniseries |
| 1988 | The Twilight Zone | Hallie Parker | episode: "There Was an Old Woman" |
| 1989 | Moonlighting | Betty Russell | episode: "Take My Wife, for Example" |
| 1989–1990 | Murphy Brown | Avery Brown Sr. | 3 episodes: -"Brown Like Me: Part 1 and Part II" (1989) -"Mama Said" (1989) -"Bob & Murphy & Ted & Avery (1990) |
| 1990–1992 | Road to Avonlea | Marilla Cuthbert | 4 episodes: "Of Corsets and Secrets and True, True Love", "The Materializing of Duncan McTavish", "The Quarantine at Alexander Abraham's" and "Old Friends New Wounds (Marilla's Death)" |
| Year | Play | Role |
|---|---|---|
| 1952 | Desire Under the Elms | Neighbor |
| 1956 | Tamburlaine the Great | Virgin of Memphis / Turkish Concubine |
| 1957–1958 | The Country Wife | Mrs. Squeamish |
| 1960 | Caligula | Caesonia |
| 1960–1961 | All the Way Home | Mary Follet |
| 1962 | Great Day in the Morning | Phoebe Flaherty |
| 1963–1964 | The Ballad of the Sad Café | Miss Amelia Evans |
| 1967–1968 | More Stately Mansions | Sara |
| 1970 | The Good Woman of Setzuan | Shen Te |
| 1971 | All Over | The Mistress |
| 1972 | Mourning Becomes Electra | Christine Mannon |
| 1973–1974 | A Moon for the Misbegotten | Josie Hogan |
| 1976 | Who's Afraid of Virginia Woolf? | Martha |
| 1977–1978 | An Almost Perfect Person | Irene Porter |
| 1982 | The Queen and the Rebels | Argia |
| 1983–1984 | You Can't Take It with You | Olga |
| 1982 | Long Day's Journey into Night | Mary Cavan Tyrone |
| Ah, Wilderness! | Essie Miller | |
| 1989–1990 | Love Letters | Melissa Gardner |
