Red paper lanterns for sale in Shanghai, 2012

A paper lantern is a lantern made of thin, brightly colored paper.[1] Paper lanterns come in various shapes and sizes, as well as various methods of construction. In their simplest form, they are simply a paper bag with a candle placed inside, although more complicated lanterns consist of a collapsible bamboo or metal frame of hoops covered with tough paper.


Paper lanterns are likely derived from earlier lanterns that used other types of translucent material like silk, horn, or animal skin. The material covering was used to prevent the flame in the lantern from being extinguished by wind, while still retaining its use as a light source. Papermaking technology originated from China from at least AD 105 during the Eastern Han dynasty,[2][3] but it is unknown exactly when paper became used for lanterns. Poems about paper lanterns start to appear in Chinese history at around the 6th century.[2] Paper lanterns were common by the Tang dynasty (AD 690–705), and it was during this period that the first annual lantern festival was established.[2] From China, it was spread to neighboring cultures in East Asia, Southeast Asia, and South Asia.


There are three general types of paper lanterns, they are:

By region

In addition to everyday usage as a light source in the past, paper lanterns are commonly associated with festivals in East Asian, Southeast Asian, and South Asian cultures.

East Asia

China & Taiwan

Main article: Palace lantern

Paper lanterns are called Dēnglóng (simplified Chinese: 灯笼; traditional Chinese: 燈籠) in China.


Main article: Traditional lighting equipment of Japan

In Japan the traditional styles include bonbori and chōchin and there is a special style of lettering called chōchin moji used to write on them.

Southeast Asia


Main article: Parol

In the Philippines, a traditional paper lantern is the parol, which is regarded an iconic symbol of Filipino Christmas. Traditionally constructed using bamboo and Japanese paper, modern parols have been made using other materials such as plastic, metal, and capiz shells. Its most-common form is a five-pointed star, although it can come in various shapes and sizes.[4][5][6]

Dating back to the Spanish colonial period of the Philippines, parols are a traditional part of the Panunulúyan pageant in the nine-day Christmas Novena procession leading up to the Simbang Gabi (midnight mass). It was initially rectangular or oblong in shape but eventually came to be made in various shapes. It became standardized to a five-pointed star (symbolizing the Star of Bethlehem) during the American colonial period.[7]


Main article: Loi Krathong

During the Yi Peng festival of Thailand, some people also decorate their houses, gardens, and temples with khom fai (Thai: โคมไฟ), intricately shaped paper lanterns which take on different forms. Khom thue (Thai: โคมถือ) are lanterns which are carried around hanging from a stick, khom khwaen (Thai: โคมแขวน) are the hanging lanterns, and khom pariwat (Thai: โคมปริวรรต), which are placed at temples and which revolve due to the heat of the candle inside. The most elaborate Yi Peng celebrations can be seen in Chiang Mai,[8] the ancient capital of the former Lanna kingdom, where now both Loi Krathong and Yi Peng are celebrated at the same time resulting in lights floating on the waters, lights hanging from trees/buildings or standing on walls, and lights floating in the sky. The tradition of Yi Peng was also adopted by certain parts of Laos during the 16th century.

Thousands of sky lanterns called khom loi (Thai: โคมลอย) are also released annually during the Yi Peng festival. However, this is a relatively new addition to the festival, only dating back to the first decade of the 21st century as part of tourism development.[9]


Two traditional festivals in Vietnam have prominent roles for lanterns:

  1. Vu Lan on the 15th day of the seventh lunar month. Buddhist temples traditionally would host the release of floating water lanterns down river courses on small paper crafts with sticks of incense and written prayers.
  1. Tết Trung Thu, (Mid-Autumn festival) also known as the Children's Festival (Tết Nhi Đồng) on the 15th day of the eighth lunar month. Children would parade in the streets with lit lanterns (rước đèn) with accompanying music and songs after sunset. The lanterns in this case are whimsical with a multitude of shapes and themes like fish, star... The lanterns are typically in transparent colored papers.

In addition to the above two festivals, paper lanterns are also hung by Vietnamese people on the occasion of the Tết Nguyên Đán to look forward to a good new year.

Paper lanterns are also used to attract visitors, for example, Hoian city, a famous tourist destination of Vietnam, often hangs paper lanterns throughout the year to attract tourists.

Malaysia & Singapore

Paper lanterns are used especially in Chinatown areas in countries having notable Chinese ethnicity heritage.

South Asia

Sri Lanka

Main article: Vesak

Colorful paper lanterns called vesak kuudu are hung outside houses during the Buddhist festival of Vesak.[10]


United States

Main article: Luminaria

Placing candles or tea lights in a succession of small paper bags (known as luminarias or farolitos) is a common Christmas tradition in New Mexico. The tradition originated from the parol paper lanterns of the Philippines brought over to the Americas during the colonial period.[11][12][13][14]


During the Festa della Rificolona held in Florence, Italy, children carry colourful paper lanterns through the streets of the city.

In Germany, Austria, Switzerland and other German-speaking and some Dutch-speaking parts of Europe there is a tradition of the Sankt-Martins-Umzug (Sint-Maarten in Dutch), during which children parade with paper lanterns that are traditionally handmade.

In photography

High-wattage paper lanterns are commonly used in lighting for motion picture productions. Commonly referred to as "China balls", they provide soft, edgeless light to a scene.[15]

See also


  1. ^ "Chinese lantern". The Free Dictionary. Retrieved 18 May 2014.
  2. ^ a b c Tsien, Tsuen-Hsuin (1985). "Chemistry and Chemical Technology, Part 1: Paper and Printing". In Needham, Joseph (ed.). Science and Civilisation in China. Vol. 5. Cambridge University Press. p. 128. ISBN 0521086906.
  3. ^ Hogben, Lancelot. "Printing, Paper and Playing Cards". Bennett, Paul A. (ed.) Books and Printing: A Treasury for Typophiles. New York: The World Publishing Company, 1951. pp. 15–31. p. 17. & Mann, George. Print: A Manual for Librarians and Students Describing in Detail the History, Methods, and Applications of Printing and Paper Making. London: Grafton & Co., 1952. p. 77
  4. ^ J., John (2005). A Christmas Compendium. Continuum International Publishing Group. p. 67. ISBN 0-8264-8749-1. Retrieved December 20, 2007.
  5. ^ Magocsi, Paul R. (2006). Encyclopedia of Canada's Peoples. University of Toronto Press (published 1999). p. 510. ISBN 0-8020-2938-8. Retrieved December 20, 2007.
  6. ^ "Christmas decors, Filipino-style" (in Tagalog). GMA news.TV. December 10, 2007. Retrieved December 20, 2007.
  7. ^ Tan, Nigel (17 December 2016). "PH X'mas symbols, practices trace roots to Spanish era". Rappler. Retrieved 1 December 2020.
  8. ^ "Lantern Festival of the Yee Peng Month". Archived from the original on 2013-02-28.
  9. ^ "No urban place for Loy Krathong" (Opinion). Bangkok Post. 18 November 2018. Retrieved 18 November 2018.
  10. ^ "Vesak". Lakpura. Retrieved 1 December 2020.
  11. ^ Castro, Rafaela (2001). Chicano Folklore: A Guide to the Folktales, Traditions, Rituals and Religious Practices of Mexican Americans. OUP USA. p. 94. ISBN 9780195146394.
  12. ^ Greene, Bizia (27 December 2017). "Holiday charm of farolitos started in the Philippines". Santa Fe New Mexican. Retrieved 1 December 2020.
  13. ^ "Our View: Why luminarias should be your new (old) Christmas tradition". 21 December 2017. Retrieved 1 December 2020.
  14. ^ Ribera Ortega, Pedro (1973). Christmas in old Santa Fe (2 ed.). Sunstone Press. pp. 14–23. ISBN 0-913270253.
  15. ^ Ballinger, Alexander (2004). New Cinematographers. Laurence King Publishing. p. 186. ISBN 1-85669-334-1.