|Rise of the Guardians|
|Directed by||Peter Ramsey|
|Screenplay by||David Lindsay-Abaire|
|Based on||The Guardians of Childhood|
by William Joyce
|Produced by||Christina Steinberg|
|Edited by||Joyce Arrastia|
|Music by||Alexandre Desplat|
|Distributed by||Paramount Pictures|
|Box office||$306.9 million|
Rise of the Guardians is a 2012 American 3D computer-animated action fantasy film produced by DreamWorks Animation and distributed by Paramount Pictures. The film was directed by Peter Ramsey (in his feature directorial debut) from a screenplay by David Lindsay-Abaire based on the book series The Guardians of Childhood and the short film The Man in the Moon by William Joyce. It stars Chris Pine, Alec Baldwin, Jude Law, Isla Fisher, and Hugh Jackman. The film tells a story about Guardians Santa Claus, the Tooth Fairy, the Easter Bunny, and the Sandman, who enlist Jack Frost to stop the evil Pitch Black from engulfing the world in darkness in a fight of dreams.
The film was released in the United States on November 21, 2012. It grossed $306.9 million worldwide against a budget of $145 million but lost an estimated $87 million due to marketing and distribution costs. It was nominated for the Golden Globe Award for Best Animated Feature Film and the Annie Award for Best Animated Feature.
It was the last DreamWorks Animation film to be distributed by Paramount Pictures. Starting with The Croods (2013), 20th Century Fox would distribute DreamWorks' films until Captain Underpants: The First Epic Movie (2017).
Jack Frost awakens from a frozen pond with amnesia. Upon realizing that no one can see or hear him, he disappears. Three hundred years later, Jack, as the young Spirit of Winter, enjoys delivering snow days to school kids, but is upset that they do not believe in him. At the North Pole, the Man in the Moon warns Nicholas St. North that Pitch Black is threatening the children of the world with his nightmares. He calls E. Aster Bunnymund/Bunny, the Sandman, and the Tooth Fairy to arms. They are told that Jack Frost has been chosen to be a new Guardian, and Bunny brings him to the North Pole. North explains to Jack that every Guardian has a center, something they are the Guardian of, but a call for help from Tooth's fairies ends the conversation.
Visiting Tooth's world, which resembles a palace in India, Jack learns that each and every baby tooth contains childhood memories of the children who lost it, Jack's teeth included. However, Pitch raids Tooth's home, kidnapping all of her subordinate tooth fairies except Baby Tooth and stealing all the teeth, thus preventing Tooth from sharing Jack's memories and weakening children's belief in her. In order to thwart Pitch's plan, the group decides to collect children's teeth. During their journey, a quarrel between North and Bunny awakens a boy, Jamie. Since he still believes, he can see everybody except for Jack. Pitch's nightmares then attack, provoking Sandy as the Guardian of Dreams. Jack tries to intervene, but Pitch overwhelms Sandy, who seemingly disappears.
As Easter approaches, the dejected Guardians gather in Bunny's home. With the unexpected aid of Jamie's little sister, Sophie, they begin the process of painting eggs for Easter. After Jack takes Sophie home, he is lured to Pitch's lair by a voice. Pitch taunts him with his memories and fear of non-belief, distracting him long enough for Pitch to destroy the eggs, causing children to stop believing in Bunny, who furiously berates Jack. With the Guardians' trust in him lost, a shamed Jack isolates himself in Antarctica, where Pitch tries to convince him to join his side. When Jack refuses, Pitch threatens to kill Baby Tooth unless Jack gives him his staff, the source of his magic. He agrees, but Pitch breaks Jack's staff and throws him down a chasm. Unlocking his memories inside his teeth, he learns that he was a mortal teenager who sacrificed himself to save his younger sister, dying from hypothermia and drowning. Inspired, Jack repairs his staff and returns to the lair to rescue the kidnapped tooth fairies.
Due to Pitch, every child in the world except Jamie disbelieves, drastically weakening the Guardians. Finding Jamie's belief wavering, Jack makes it snow in his room, renewing Jamie's belief and letting him become the first person to ever believe in and see Jack. They gather Jamie's friends, whose renewed belief bolsters their fight against Pitch. He threatens them, but their dreams prove stronger than his nightmares, resulting in Sandy's resurrection and the Guardians reuniting. Defeated and no longer believed in, Pitch tries to retreat, but his nightmares, sensing his own fears, turn on him and drag him to the underworld. Afterwards, Jamie and his friends bid goodbye to the Guardians as Jack accepts his place as the Guardian of Fun.
In 2005, William Joyce and Reel FX launched a joint venture, Aimesworth Amusements, to produce CG-animated feature films, one of which was set to be The Guardians of Childhood, based on Joyce's idea. The film was not realized, but they did create a short animated film, The Man in the Moon, directed by Joyce, which introduced the Guardians idea, and served as an inspiration for the film.
Early in 2008, Joyce sold the film rights to DreamWorks Animation, after the studio assured him it would respect his vision for the characters and that he would be involved with the creative process. In November 2009, it was revealed that DreamWorks had hired Peter Ramsey to make his feature debut as director of what was then titled The Guardians, and playwright David Lindsay-Abaire to script, Lindsay-Abaire had previously worked with Joyce by co-writing the screenplay for Robots. Joyce acted as a co-director for the first few years, but left this position after the death of his daughter Mary Katherine, who died of a brain tumor. Joyce continued to work on the film only as an executive producer, while Ramsey took the helm solo as a full time director, making him the first African American to direct a big-budget CG animated film as well as making it one of the first Dreamworks films to have only one director instead of two and not have a co-director. As with some previous DreamWorks films, Guillermo del Toro came on board to join Joyce as an executive producer. Present almost from the beginning, he was able to help shape the story, character design, theme and structure of the film. He said he was proud that the filmmakers were making parts of the film "dark and moody and poetic," and expressed hope this might "set a different tone for family movies, for entertainment movies." The final title, Rise of the Guardians was announced in early 2011, along with the first cast.
Roger Deakins, the cinematographer who had already worked on the previous DreamWorks' film, How to Train Your Dragon, advised on the lighting to achieve its real look. He selected photographic references for color keys, and during the production gave notes on contrast, saturation, depth of field and light intensity. The film contains a lot of special effects, particularly the volumetric particles for depicting Sandman and Pitch. For this, DreamWorks Animation developed OpenVDB, a more efficient tool and format for manipulating and storing volume data, like smoke and other amorphous materials. OpenVDB had been already used on Puss in Boots and Madagascar 3: Europe's Most Wanted, and was released in August 2012 for free as an open-source project with a hope to become an industry standard.
Although the film is based on the Joyce's book series, it contains differences from the books. The book series, begun in 2011, explains the origins of the characters, while the film takes place about 300 years after the books, and shows how the characters function in present time. Joyce explained, "Because I don't want people to read the book and then go see the movie and go, 'Oh, I like the book better,' and I also didn't want them to know what happens in the movie. And I also knew that during the progress of film production, a lot of things can change. So I wanted to have a sort of distance, so we were able to invoke the books and use them to help us figure out the world of the movie, but I didn't want them to be openly competitive to each other." The idea for the Guardians came from Joyce's daughter, who asked him "if he thought Santa Claus had ever met the Easter Bunny." The film includes a dedication to her, as well a song, "Still Dream," sung over the end credits.
Originally, the film was set to be released on November 2, 2012, but DreamWorks Animation pushed the film to November 21, 2012 to avoid competition with Pixar's upcoming film Monsters University, which in turn had been pushed to November 2, 2012 to avoid competition with The Twilight Saga: Breaking Dawn – Part 2. Monsters University was then pushed to June 21, 2013, with Disney's Wreck-It Ralph taking its place.
French composer Alexandre Desplat composed the original music for the film, which was released on November 13, 2012 by Varèse Sarabande. The score was recorded in London at Abbey Road Studios and Air Studios, and performed by the London Symphony Orchestra, with a choral contribution by London Voices. David Lindsay-Abaire wrote the lyrics for the end-credit song, "Still Dream," which was performed by soprano Renée Fleming. Stravinsky's Firebird Suite can also be heard during the scene where North first appears. This film marks the first time that a DreamWorks Animation film has not been composed by Hans Zimmer or a member of his Remote Control Productions family of composers (mainly John Powell, Henry Jackman, Lorne Balfe, Harry Gregson-Williams or his brother Rupert Gregson-Williams).
Rise of the Guardians had its premiere on October 10, 2012, at The Mill Valley Film Festival in Mill Valley, California, followed by the international premiere at The International Rome Film Festival on November 13, 2012. Under distribution by Paramount Pictures, the film was released on November 21, 2012, in American theaters. Digitally re-mastered into IMAX 3D, it was shown in limited international and domestic IMAX theaters. It was the second film released in the firm Barco's Auro 11.1 3D audio format, after Red Tails. The film was also shown in Dolby Atmos, a surround sound technology introduced in 2012. Rise of the Guardians was the last DreamWorks Animation film distributed by Paramount, as DreamWorks has signed a five-year distribution deal with 20th Century Fox, which started in 2013 with The Croods.
Rise of the Guardians was released on Blu-ray Disc (2D and 3D) and DVD on March 12, 2013.
That was the last DreamWorks Animation home media release to be distributed by Paramount Home Entertainment, since 20th Century Fox announced its distribution agreement with DreamWorks Animation a few months before the theatrical release. The film was more successful at home media sales than at the box office, having at the end of the second quarter of 2013 "the highest box office to DVD conversion ratio among major releases." In the first quarter of 2013, it sold 3.2 million home entertainment units worldwide, and in the second quarter 0.9 million units, for a total of 4.1 million units.
It was re-released on DVD on November 5, 2013 and comes with a wind-up marching elf toy. As of October 2014, 5.8 million home entertainment units were sold worldwide. In July 2014, the film's distribution rights were purchased by DreamWorks Animation from Paramount Pictures and transferred to 20th Century Fox. The rights were moved to Universal Pictures in 2018 after the buyout of DreamWorks Animation by Comcast/NBCUniversal. It was re-released on DVD and Blu-ray on June 5, 2018 by Universal Pictures Home Entertainment.
On the review aggregator website Rotten Tomatoes, the film has an approval rating of 75% based on 161 reviews, with an average rating of 6.6/10. The website's critical consensus reads: "A sort of Avengers for the elementary school set, Rise of the Guardians is wonderfully animated and briskly paced, but it's only so-so in the storytelling department." Metacritic, which assigns a rating out of 100 top reviews from mainstream critics, calculated a score of 58 based on 37 reviews, which indicates "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.
Carrie Rickey of The Philadelphia Inquirer gave the film three and a half stars out of four and found that the film's characters have "a primal familiarity, as though they were developed by a tag team of Maurice Sendak and Walt Disney." Olly Richards of Empire wrote, "It's gorgeously designed, deftly written and frequently laugh-out-loud funny. For child or adult, this is a fantasy to get lost in." The Washington Post's Michael O'Sullivan also gave the film a positive review and said, "Thoughts become things. That's the message of Rise of the Guardians, a charming if slightly dark and cobwebbed animated feature about how believing in something makes it real, or real enough." Roger Ebert of the Chicago Sun-Times gave the film three stars out of four and wrote in his review, "There's an audience for this film. It's not me. I gather younger children will like the breakneck action, the magical ability to fly and the young hero who has tired of only being a name." Though he did say, "Their parents and older siblings may find the 89-minute running time quite long enough."
Todd McCarthy of The Hollywood Reporter called the film "a lively but derivative 3D storybook spree for some unlikely action heroes." Conversely, Justin Chang in Variety said, "Even tots may emerge feeling slightly browbeaten by this colorful, strenuous and hyperactive fantasy, which has moments of charm and beauty but often resembles an exploding toy factory rather than a work of honest enchantment." Joe Morgenstern of The Wall Street Journal found that the film "lacks a resonant center," and that the script, "seems to have been written by committee, with members lobbying for each major character, and the action, set in vast environments all over the map, spreads itself so thin that a surfeit of motion vitiates emotion."
Rise of the Guardians grossed $103.4 million in the United States and Canada, and $203.5 million in other countries, for a worldwide total of $306.9 million.
In North America, the film opened to $32.3 million over its extended five-day weekend, and with $23.8 million over the three-day weekend, it reached fourth place behind The Twilight Saga: Breaking Dawn – Part 2, Skyfall, and Lincoln. The film's opening was the lowest debut for a DreamWorks Animation film since Flushed Away. While the film did gross more than double of its $145 million budget, it still did not turn a profit for DreamWorks Animation due to its high production and marketing costs, forcing the studio to take an $87 million write-down. This marked the first time that the studio had lost money on an animated film since Sinbad: Legend of the Seven Seas. As a result of this combined with other factors, in February 2013, the studio announced it was laying off 350 employees as part of a company-wide restructuring.
Additionally, the studio was heavily dependent on the success of Rise of the Guardians to fund other studio projects, most notably, the ill-fated Me and My Shadow project. But due to the failure to gain a stable box office response, it heavily affected the studio's ability to release original movies.
The Rome Film Festival and Vanity Fair magazine awarded the new Vanity Fair International Award for Cinematic Excellence in November 2012 to Rise of the Guardians. The film also received the Hollywood Animation Award at the 16th Annual Hollywood Film Festival, held on October 22, 2012.
|African-American Film Critics Association||Best Animation||Won|
|Alliance of Women Film Journalists||Best Animated Female||Isla Fisher (Tooth)||Nominated|
|American Cinema Editors||Best Edited Animated Feature Film||Joyce Arrastia|
|Annie Awards||Best Animated Feature|
|Animated Effects in an Animated Production||Andy Hayes, Carl Hooper, David Lipton||Won|
|Character Animation in a Feature Production||David Pate||Nominated|
|Music in an Animated Feature Production||Alexandre Desplat|
|Production Design in an Animated Feature Production||Patrick Hanenberger, Max Boas, Jayee Borcar|
Woonyoung Jung, Perry Maple, Peter Maynez
Stan Seo, Felix Yoon
|Storyboarding in an Animated Feature Production||Johanne Matte||Won|
|Voice Acting in an Animated Feature Production||Jude Law||Nominated|
|Editorial in an Animated Feature Production||Joyce Arrastia|
|Critics Choice Awards||Best Animated Feature|
|Cinema Audio Society||Outstanding Achievement in Sound Mixing for Motion Pictures Animated|
|Golden Globe Awards||Best Animated Feature Film|
|Golden Reel Awards||Best Sound Editing in an Animated Feature Film|
|Hollywood Film Festival||Best Animated Feature||Peter Ramsey||Won|
|International Film Music Critics Association Awards||Film Composer of the Year||Alexandre Desplat, also for Argo, Moonrise Kingdom, Rust and Bone, and Zero Dark Thirty||Nominated|
|Best Original Score for an Animated Feature||Alexandre Desplat||Won|
|Mill Valley Film Festival||Audience Favorite Children's Film||Peter Ramsey|
|Producers Guild of America||Outstanding Producer of An Animated Theatrical Motion Picture||Nancy Bernstein, Christina Steinberg||Nominated|
|Satellite Awards 2012||Best Animated or Mixed Media||Won|
|Visual Effects Society||Outstanding Animation in an Animated Feature Motion Picture||Nancy Bernstein, David Prescott, Peter Ramsey, Christina Steinberg||Nominated|
|Outstanding Created Environment in an Animated Feature Motion Picture||The North Pole: Eric Bouffard, Sonja Burchard, Andy Harbeck, Peter Maynez||Nominated|
|Outstanding FX and Simulation Animation in an Animated Feature Motion Picture||Last Stand: Andy Hayes, Carl Hooper, Andrew Wheeler, Stephen Wood||Nominated|
|Women Film Critics Circle||Best Family Film||Rise of the Guardians – tied with Life of Pi||Won|
Main article: Rise of the Guardians: The Video Game
A video game based on the film was released by D3 Publisher on November 20, 2012 in North America, and released on November 23, 2012 in Europe. It allows gamers to lead the Guardians in their battle against Pitch. The game is a 3D beat-em-up, where the player travels through each of the worlds: Burgess, North Pole, Bunnymund Valley, Tooth Palace, and Sandman's Ship, to fight Pitch's army of Nightmares. The player can switch between all five guardians at any time, and freely customize their powers, and they learn new special abilities as they level up. All the game versions support up to 4-player gameplay. It is available on the Wii, Wii U, Xbox 360, PlayStation 3, Nintendo DS, and Nintendo 3DS.
After the release of the film, the creators of Rise of the Guardians expressed hope that the strong average grade of "A" given to the film by audiences surveyed by CinemaScore and an enthusiastic word-of-mouth would gather support for the "chance to make a sequel or two." Author and co-producer of the series, William Joyce, also mentioned in March 2013 that he was still in talks about a sequel with DreamWorks Animation: "There is something that we are proposing that we hope they will want to do."
The Glendale, Calif.-based company posted a loss of $83 million in the fourth quarter of fiscal year 2012 due to development costs and the poor performance of its latest film, Rise of the Guardians.
Natives of the North Pole, Yetis are the blue-collar workers in North's toy factory. Not only did they build the Ice Castle and workshop for North, the Yetis would also do anything for him and serve him loyally.
I was [co-director] ... and then there was a tragic thing, my daughter became ill in post-production, and we lost her, so I had to bow out of directing at that point.
'Les versions PS3, Xbox 360, Wii, DS et 3DS sont attendues pour cet automne, et la déclinaison Wii U est déjà confirmée. / The PS3, Xbox 360, Wii, DS and 3DS are expected this autumn and the ... Wii U is already confirmed.