|Starring||Douglas Wilmer (1964-65)|
Peter Cushing (1968)
|Composers||Max Harris (1965)|
Alan Fogg (1968)
|No. of series||2|
|No. of episodes||29 Episode list|
|Producers||David Goddard (1964-65)|
William Sterling (1968)
|Running time||50 minutes|
|Original release||1965 –|
Sherlock Holmes and Sir Arthur Conan Doyle's Sherlock Holmes (a.k.a. The Cases of Sherlock Holmes) are two British series of Sherlock Holmes adaptations for television produced by the BBC in 1965 and 1968 respectively. The 1965 production, which followed a pilot the year before, was the second BBC series of Sherlock Holmes adaptations, after one starring Alan Wheatley in 1951.
Set in the Victorian era, Sherlock Holmes is a brilliant consultant detective, as well as a private detective. He is consulted by the police and by other private detectives to aid them in solving crimes. He also takes private cases himself, and his clients range from paupers to kings. His deductive abilities and encyclopedic knowledge help him solve the most complex cases. He is assisted in his work by military veteran, Dr. John Watson, with whom he shares a flat at 221B Baker Street.
In 1964, the BBC secured rights to adapt any five Sherlock Holmes stories with an option for a further eight from the Doyle estate. A handful of Doyle's stories were excluded from the deal: The Hound of the Baskervilles because Hammer Films' rights would not expire until 1965 following their 1959 film adaptation, and "A Scandal in Bohemia", "The Final Problem" and "The Adventure of the Empty House" which had been secured by producers of the Broadway musical Baker Street.
In 1964, an adaptation of "The Adventure of the Speckled Band" was commissioned as a pilot for a twelve part series of Sherlock Holmes stories. Giles Cooper wrote the adaptation and Douglas Wilmer was cast as Holmes and Nigel Stock as Watson, with Felix Felton as Dr. Grimesby Roylott.
The hour-long pilot was aired as an episode of the BBC anthology series Detective on 18 May and was popular enough to re-air on 25 September this time under the banner of Encore which was a BBC2 repeat slot.
Wilmer and Stock were secured for a twelve part series (in black-and-white) to air the following year. Wilmer was a lifelong fan of Doyle's stories and looked forward to portraying the legendary sleuth.
The part interested me very much because I’d never really, I felt, seen it performed to its full capacity. There’s a very dark side to Holmes, and a very unpleasant side to him. And I felt that this was always skirted round which made him appear rather sort of hockey sticks and cricket bats and jolly uncles… a kind of dashing Victorian hero. He wasn’t like that at all. He was rather sardonic and arrogant, and he could be totally inconsiderate towards Watson. I tried to show both sides of his nature.
Wilmer responded to criticism of his portrayal by pointing out that he played the character as written.
People complained that I wasn't sympathetic but I didn't set out to be. I don't regard Holmes as a sympathetic character at all. It would have been hell to share rooms with him."
Once the series was underway, new opening and closing titles of The Speckled Band were recorded to better match the ongoing series so the pilot episode could be included in a package to be sold abroad. It has been reported that having viewed 25 September repeat of The Speckled Band, Wilmer came to the conclusion that his performance of Holmes was "too smooth, urbane, and civilised" and as filming progressed Wilmer altered his performance to reflect "a much more primitive person, more savage and ruthless." Wilmer himself disputed this in a 2009 interview.
I don’t remember saying that, no. I wonder where you read that! Certainly we had the finest director on that first one, a very good director. I have seen those two recently because I thought I’d better look at them again before writing the book. I don’t remember being unhappy with my performance in the first one; looking at it this time, I thought it was rather better.
At the time, due to strict agreements with the talent unions, BBC drama productions could generally only be repeated once within two years of the first transmission, and thus all twelve episodes were re-run over the late summer and early autumn of 1966, albeit in a different running order. The continued favourable reception led the BBC to proceed with the option of a second series.
In the late summer and early autumn of 1966, the Wilmer series was granted a repeat run and the success of the run convinced the BBC to take up an option on a second run of episodes. BBC television drama chief Andrew Osborn reached out to Wilmer's agent about potential availability for a second series. Wilmer declined the invitation after discovering the plan to reduce the number of rehearsal days. Wilmer later stated that the series was "fraught with difficulty", riddled with incompetence and the scripts often came in late. He claimed that the scriptwriters ranged from "the brilliant to the absolutely deplorable". Some of the scripts were so lacking in quality that Wilmer himself rewrote them, sometimes staying up until two o'clock in the morning rewriting. Years later, Wilmer would briefly return to the role (albeit in a supporting role) in Gene Wilder's The Adventure of Sherlock Holmes' Smarter Brother, with Thorley Walters as Dr. Watson.
The BBC searched for a new actor to play Holmes. The first person Osborn suggested was John Neville. Neville had previously assayed the role in A Study in Terror (1965) and Nigel Stock felt the film was quite good. Neville had prior commitments to the Nottingham Playhouse and was unable to appear in a series at the time.
Next, Osborn looked at Eric Porter. While Porter ultimately did not get the role, he did portray Professor Moriarty opposite Jeremy Brett's Holmes in Granada Television's The Adventures of Sherlock Holmes.
While the hunt continued for a new Sherlock Holmes, William Sterling was appointed to produce the second series. Sterling created a wish list of "International Guest Stars" to appear on the programme including Raymond Massey (an early interpreter of Holmes in the 1931 version of The Speckled Band) as Jefferson Hope in A Study in Scarlet, George Sanders as Mycroft Holmes in The Greek Interpreter, Leo McKern (who later portrayed Professor Moriarty in The Adventure of Sherlock Holmes' Smarter Brother) as Black Gorgiano in The Red Circle (though an adaptation of The Red Circle never took place in the series) and Hayley Mills as Alice Turner in The Boscombe Valley Mystery. None of which came to pass as the budgets would not allow for it.
Finally, Peter Cushing was approached to take over the role of Sherlock Holmes for the 1968 series. Having already played Holmes in the Hammer films adaptation of The Hound of the Baskervilles (1959), Cushing was eager to play the role again. Like Wilmer, Cushing was an avid fan of Doyle and looked forward to portraying the detective correctly.
What are the things that spring to mind about Sherlock Holmes? The way he keeps saying, "Elementary, my dear Watson," and the number of times he puffs that meerschaum pipe. But they are both untrue!
Unlike the Wilmer episodes, this series was produced in colour. Economic cut-backs required the production to abandon plans for celebrity villains such as Peter Ustinov, George Sanders, and Orson Welles.
The initial plan was for 90% of the programme to be shot on film on location. Production began with a two-part version of The Hound of the Baskervilles giving Cushing another go round at the tale. This version was the first actually filmed on Dartmoor and the cost ran £13,000 over budget causing the BBC to scale back their intentions and the bulk of the remainder of the series was shot on studio sets.
As filming continued Cushing found himself facing production difficulties the likes of which had prompted Wilmer to forgo another round. Wilmer later asked Cushing how he had enjoyed making the series:
I asked him how he had enjoyed doing the Holmes series. He replied tersely to the effect that he would rather sweep Paddington Station for a living than go through the experience again. He had my sympathies!
Filming time was cut back. Cushing stated that the hectic schedule affected his performance.
Whenever I see some of those stories they upset me terribly, because it wasn't Peter Cushing doing his best as Sherlock Holmes - it was Peter Cushing looking relieved that he had remembered what to say and said it!
Twelve of the Cushing episodes except the epiosdes The Second Stain, The Greek Interpreter, Black Peter, and The Blue Carbuncle were repeated between July and September 1970, again in a different running order.
|001||00||1||"The Speckled Band"||Giles Cooper||Robin Midgley||18 May 1964 (episode of Detective)||Survives|
|002||01||1||"The Illustrious Client"||Giles Cooper||Peter Sasdy||20 February 1965||Survives|
|003||01||2||"The Devil's Foot"||Giles Cooper||Max Varnel||27 February 1965||Survives|
|004||01||3||"The Copper Beeches"||Vincent Tilsley||Gareth Davies||6 March 1965||Survives|
|005||01||4||"The Red-Headed League"||Anthony Read||Peter Duguid||13 March 1965||Survives|
|006||01||5||"The Abbey Grange"||Clifford Witting||Peter Cregeen||20 March 1965||First half of |
|007||01||6||"The Six Napoleons"||Giles Cooper||Gareth Davies||27 March 1965||Survives|
|008||01||7||"The Man with the Twisted Lip"||Jan Read||Eric Tayler||3 April 1965||Survives|
|009||01||8||"The Beryl Coronet"||Nicholas Palmer||Max Varnel||10 April 1965||Survives|
|010||01||9||"The Bruce-Partington Plans"||Giles Cooper||Shaun Sutton||17 April 1965||Second half of |
Full soundtrack exists
|011||01||10||"Charles Augustus Milverton"||Clifford Witting||Philip Dudley||24 April 1965||Survives|
|012||01||11||"The Retired Colourman"||Jan Read||Michael Hayes||1 May 1965||Survives|
|013||01||12||"The Disappearance of Lady Frances Carfax"||Vincent Tilsley||Shaun Sutton||8 May 1965||Survives|
|014||02||1||"The Second Stain"||Jennifer Stuart||Henri Safran||9 September 1968
(brought forward from
16 September 1968)
|015||02||2||"The Dancing Men"||Mollie and Michael Hardwick||William Sterling||16 September 1968||Missing|
|016||02||3||"A Study in Scarlet"||Hugh Leonard||Henri Safran||23 September 1968||Survives|
|017||02||4||"The Hound of the Baskervilles
|Hugh Leonard||Graham Evans||30 September 1968||Survives|
|018||02||5||"The Hound of the Baskervilles
|Hugh Leonard||Graham Evans||7 October 1968||Survives|
|019||02||6||"The Boscombe Valley Mystery"||Bruce Stewart||Viktors Ritelis||14 October 1968||Survives|
|020||02||7||"The Greek Interpreter"||John Gould||David Saire||21 October 1968||Missing|
|021||02||8||"The Naval Treaty"||John Gould||Antony Kearey||28 October 1968||Missing|
|022||02||9||"Thor Bridge"||Harry Moore||Antony Kearey||4 November 1968||Missing|
|023||02||10||"The Musgrave Ritual"||Alexander Baron||Viktors Ritelis||11 November 1968||Missing|
|024||02||11||"Black Peter"||Richard Harris||Antony Kearey||18 November 1968
16 September 1968)
|025||02||12||"Wisteria Lodge"||Alexander Baron||Roger Jenkins||25 November 1968||Missing|
|026||02||13||"Shoscombe Old Place"||Donald Tosh||Bill Bain||2 December 1968||Missing|
|027||02||14||"The Solitary Cyclist"||Stanley Miller||Viktors Ritelis||9 December 1968||Missing|
|028||02||15||"The Sign of Four"||Mollie and Michael Hardwick||William Sterling||16 December 1968||Survives|
|029||02||16||"The Blue Carbuncle"||Stanley Miller||Bill Bain||23 December 1968||Survives|
The Cushing series was a success and the BBC's Andrew Osborn was interested in making a third series. Had this third series commenced, the plan was to dramatise stories from The Exploits of Sherlock Holmes, a short story collection written by Adrian Conan Doyle and John Dickson Carr, but was not eventually made.
"Charles Augustus Milverton" (different adaptation)
"The Hound of the Baskervilles" (two episodes, different adaptation)
Many portions of this series are no longer held by the BBC. Between 1967 and 1978 the BBC routinely deleted archive programmes, for various practical reasons (lack of space, scarcity of materials, a lack of rebroadcast rights).
Sherlock Holmes is not unique in its losses, as many broadcasters regularly cleared their archives in this manner. Until the BBC changed its archiving policy in 1978, thousands of hours of programming, in all genres, were deleted. Other affected BBC series include the most famous present-day running series Doctor Who. Other non-running series that are lost include Dad's Army, Z-Cars, The Wednesday Play, Till Death Us Do Part and Not Only... But Also. ITV regional franchisees, such as Rediffusion Television and Associated Television, also deleted many programmes, including early videotaped episodes of The Avengers.
Since the latter half of the 1970s, British television networks, television fans and enthusiasts, and official institutions such as the British Film Institute (BFI), have developed an effort to recover and restore missing episodes of many 1950s and 1960s television programmes.
Much gratefully, the Sherlock Holmes series (including the pilot episode The Speckled Band which had already been released with the first episode from the series, The Illustrious Client possibly for overseas exploitations) survive largely intact to this day. The only exceptions to this are the episodes The Abbey Grange and The Bruce-Partington Plans. The former is missing its first half, while the latter is missing its second half. However much surprisingly, the audio (entire soundtrack) from the latter's second half still survives. Much shocking, the opening credits from the first reel of The Abbey Grange and the ending credits from second reel of The Bruce-Partington Plans survive intact to this day. The 2015 BFI release of the first series uses various techniques to reconstruct the incomplete halves that occur in two of the episodes. There comes the intelligence of the BFI. In The Abbey Grange, Douglas Wilmer was engaged to read the original story on which the episode is based to camera, this material was edited and placed between the complete second reel and a recreated opening title sequence, cutting to the surviving footage at the appropriate point. The episode then concludes as originally recorded. As for The Bruce-Partington Plans, the first reel was included, followed by a poor quality sound recording of the second half of the episode, recorded off the television during the programme's original transmission. This was matched with publicity photographs for the episode and images of the script to reveal the end of the story and enable a complete viewing experience.
Much unfortunate was the 1968 series. Only a handful of the episodes have survived fully intact, namely A Study in Scarlet, The Hound of the Baskervilles two-parter, The Boscombe Valley Mystery and The Sign of Four and The Blue Carbuncle. These were saved partly because they were chosen as samples of the series for distribution abroad. To date, they're also the only episodes of the mostly missing second series to be published on various home video formats. Missing material from the second series is still being tentatively searched for and in 2019 brief extracts from the episodes The Second Stain, The Dancing Men, The Naval Treaty and Black Peter and an entire soundtrack (the audio recorded off-air for the episode by a viewer at home) was found. Unlike the 1965 series, the episodes cannot be reconstructed specially now that neither Peter Cushing nor Nigel Stock are alive as of 2021.
This series is rewarded as being the first attempt at producing a faithful rendition of Sherlock Holmes. Since the 1951 mini-series is lost, nothing is known about its faithfulness. The Hound of the Baskervilles is seen as being more accurate in the depiction of the plot in general. Despite that, following changes were made for dramatization so that the narrative remains constant:
The changes made in absolutely lost episodes are unknown.
The West-German WDR channel produced Sherlock Holmes (1967-1968), a six-episode series based on the scripts from Detective and Sherlock Holmes. Erich Schellow starred as Holmes, and Paul Edwin Roth as Watson.
The initial 1965 series attracted over 11 million viewers per episode. The 1968 series was more successful, with upwards of 15.5 million viewers and one episode topping the top 20 programmes chart.
Reviewing the series for DVD Talk, Stuart Galbraith IV wrote, "To my surprise I generally preferred the Wilmer episodes to those starring Peter Cushing, even though I consider myself more a fan of Cushing while I merely admire Wilmer as an excellent actor. ... This series may seem downright prehistoric to some, but I found it to be surprisingly atmospheric, intelligent, and engaging, and Wilmer and Stock make a fine Holmes and Watson, in the top 25% certainly."
Galbraith further said of the Cushing episodes, "The 1968 Sherlock Holmes television series isn't really up to the level of the best film and TV adaptations, but it's still fun to see cult character actor Peter Cushing sink his teeth into the role again, and the adaptations themselves are respectable, just not distinctive."
In 1996 BBC Video released a single VHS cassette in the UK, containing The Speckled Band and The Illustrious Client.
In 2002, BBC Learning released The Hound of the Baskervilles on DVD, for sale by direct mail order in the UK only. The episodes was re-released by BBC Video for retail Region 2 sale in 2004, along with two further discs containing A Study in Scarlet and The Boscombe Valley Mystery, and The Sign of Four and The Blue Carbuncle respectively. The Region 1 release of these issues as a single box-set followed on 15 December 2009. These six episodes are the only ones to survive from the Cushing series.
Following the success of the Cushing release, the Region 1 Wilmer collection was released on 14 September 2010. This set contains all the surviving complete episodes from the 1965 series, but not the two incomplete episodes.
The BFI released a Region 2 collection of the Wilmer episodes on 30 March 2015. The set includes all surviving episodes and reconstructions of the incomplete episodes, as well as five audio commentaries, an interview with Wilmer, an illustrated booklet, and other special features.