Reversion warring[edit]

Changed article back to its original meaning after the article was hijacked from a redirect to Esham months ago, as the page listed at simply "Acid Rap" should be something that was first (and is most closely) associated with Acid Rap, a term coined by Esham. Ben0kto (talk) 06:46, 10 October 2013 (UTC)[reply]

Merger proposal/notability discussion for the genre[edit]

OK, here is the spot to question whether or not acid rap as a genre should merit its own article. If we decide whether or not it should have its own article, then we can decide what should belong at the specific entry of "Acid Rap". I personally feel that the subject has not been really talked about outside of the artist Esham. I can see where it exists, has been performed, and is mentioned, but I don't see any in-depth coverage of the musical genre. Existing is not notability and we need at least a few in-depth sources that talk about the genre to really show notability. For argument's sake, I'll say this here: listing database entries that show that something falls within a genre does not count towards notability. It shows that the genre exists. Also, a primary source or a blog source commenting on the genre does not count either. A reliable source would be something along the lines of say, XXL writing an in-depth article about the genre. This doesn't mean that Esham can't be mentioned in the article, but he should not be the sole or primary focus of the source in question. Another example would be a book that goes into depth about the genre but like the example above, does not do so in passing or briefly in relation to Esham. I simply can't find that there are any sources of this nature out there. Tokyogirl79 (。◕‿◕。) 16:30, 10 October 2013 (UTC)[reply]

Sources
  1. [1] This does mention it, but it's very brief. The main gist is that it was created by Esham and is performed by some musicians. It's a few lines of text overall.
  2. [2] Most of the mentions of this are offhand, saying that something is in the genre. Any in-depth coverage is mentioned in relation to Esham.
  3. [3] This is one brief trivial mention in relation to Esham.
  4. [4] Another trivial mention.
  5. [5] This is another mention and appears to be an interview with Esham, which again... isn't a source that is focusing on the genre specifically.
  6. [6] This is an example of the news articles I'm finding that only mention it in passing to Esham.
  7. [7] This does mention the genre, but it's overall about Esham and it could easily be argued that the influence is more Esham himself since almost all of the articles given associate this directly to Esham as in his specific albums and releases.
In any case, this highlights the issues I've had with trying to show that acid rap merits an article outside of Esham. I've yet to find anything that mentions acid rap without it being predominantly about Esham and how he has influenced others. The genre might have been around for a while, but I'm not finding where it merits its own article. Sometimes things can exist for a long time yet never garner any sources to where they merit an article outside of their creator. Tokyogirl79 (。◕‿◕。) 09:59, 11 October 2013 (UTC)[reply]

I am a direct source. I am from the Detroit underground acid rap scene. If you dont think its an actual genre you are deluded. Not only is it a style, its a major style as artists like Kid Rock and Eminem demonstrate. As these artists out-grew the scene they dropped the name because it was too underground and mainstream audiences dont get it. Its absurd that a single 3rd rate rapper would squat on a major genre and a bunch of know nothing experts on wikipedia would fall for a third rate marketing scheme. No acid rap is not Esham. He was a major influence on the sound and his label helped organize the scene, but the genre was a confluence of horrorcore and comedy rap influences that were popular at the time as well as underground rock rap acts like Wig. While the self identifying Acid Rap genre acts stand out with the more obvious tropes, the cultural sphere of the genre was larger and included Detroit shock comedy rap like Grand Poohbahs, as well as those influenced by Detroit Acid rap transplants. LA acts either consciously or unwittingly influenced by the genre include Medfly, Mickey Avalon, Shapeshifters, Orgasmo, Lovecrat Technologies, and Hawd GankStuh Rappuh Emceez Wid Gatz.

  • My issue wasn't that it isn't a genre, as much as whether or not the genre merits its own article specifically outside of its creator. We cannot accept the say so of a random person coming on to Wikipedia- this needs to be covered in independent and reliable sources like academic texts, newspapers, and the like. Also be extremely careful about your tone since it's extremely WP:BITE-y. I know that this is an old post but I want to make sure that people know that doing this is not acceptable. Tokyogirl79 (。◕‿◕。) 06:37, 18 June 2015 (UTC)[reply]

I think its truly a shame that some clown names his album "acid rap" and an entire rap genre gets swept under the rug. I'm reverting the page, because the article was clearly hijacked. -Robtalk 14:37, 8 April 2020 (UTC)[reply]

Though I'm not sure who will be visiting this 7-year-old discussion (or even the most recent one from 5 years ago), there are two topics here: Acid Rap and Acid rap. History of the pages aside, both pages can coexist, with hatnotes to clarify and I've updated them as such. Blanking an article is in not an appropriate way to handle this dispute; sine consensus can change, a new discussion should have been started to get to address the concerns. —Ost (talk) 15:25, 9 April 2020 (UTC)[reply]

Reliable sources[edit]

Sources again
  1. [8] This isn't really a reliable source, as it's primarily a promotional venue.
  • Establishes ownership, copyright, and relevance per WP:REL. Ben0kto (talk) 14:06, 12 October 2013 (UTC)[reply]
  1. Behind the Paint: This is somewhat usable, but I'd need to verify that this actually goes into depth about acid rap as a genre and not just mentioning it briefly. Most everything I've found with ICP mentions this more as an aside in relation to Esham.
  • "Esham was doing something pretty much brand fuckin’ new in rap. He called his style Acid Rap. He was spitting what I call horror rap. Hardly anybody in Michigan had ever heard anything like that before, when Esham first came out, except us."[6] - the first few sentences of 4+ pages documenting the story of both "Acid Rap" and Esham's influence on ICP. Ben0kto (talk) 13:02, 12 October 2013 (UTC)[reply]
  1. [9] This mentions that he performs in the genre, but two problems: one, this isn't a reliable source and two, this review focuses solely on the album. It doesn't focus on the genre in depth.
  2. [10] This is a profile and as such, has been written by someone representing Esham. Even if it wasn't, this says more about Esham specifically inspiring other people. It doesn't show that the style is really all that independently noteworthy outside of Esham.
  3. All Music Guide to Hip-Hop: The Definitive Guide to Rap & Hip Hop. I linked to this above and I stand by my assertion that this book talked about acid rap in relation to Esham and didn't really show where it has individual notability.
  4. [11] Another article focusing almost solely on Esham and mentions the genre more as how Esham has influenced others.
  5. [12] Also focuses predominantly on Esham and how he's influenced others.
  6. [13] Focuses solely on Esham, acid rap is mentioned as "his" style more than anything else.
  7. [14] This only mentions it briefly, trivially, in relation to Esham.
  8. [15] This is just Esham's discography. It can't be used as a source to show notability.
  9. [16] Primary source, since it's a YT video on Esham's channel.
  10. [17] This goes over his album and doesn't show notability independently from Esham.
  11. [18], [19], [20], [21] These are more album listings.
  12. [22] This doesn't even mention acid rap, but just talks about Esham. This can't show notability for the genre, just for Esham.
  13. [23] I can't really find anything in the book that really goes into depth about acid rap as a genre enough to show that it merits its own article apart from Esham.
  14. [24] Doesn't really mention acid rap, so it can't show notability for the genre apart from Esham.
  15. [25], [26] More album reviews, these show notability for Esham but not to show that his specific style demands its own article.
  16. [27] Doesn't mention acid rap at all, let alone focus solely on it. Besides, this is a press release which cannot show notability.
  17. [28] Dead link.
  18. [29] This mentions acid rap in relation to Esham, suggesting again that Esham is the primary influence.
  19. [30] This doesn't actually talk about acid rap in relation to ICP, let alone to talk about it to where it'd really show any individual notability from Esham.
  20. [31] Doesn't mention anything about acid rap in relation to ICP. A search for acid rap specifically brings up nothing.
  21. [32] Database listing for ICP, doesn't mention acid rap at all.
  22. [33] Not only did this come up with nothing, but it's also a merchant site. Merchant sites cannot show notability.
  23. [34] Press release, can't show notability and besides... it doesn't even mention acid rap in it.
  24. [35] Database listing, it mentions that he performed with Esham and in an acid rap group, but it doesn't show any huge amount of individual notability for the genre.
  25. [36] This is a brief, trivial mention.
  26. [37], [38], [39] These are all either album database listings or they're reviews for albums. It doesn't really show a huge amount of notability for the genre even when they're mentioned.
  27. [40] This doesn't mention acid rap at all.
Now we have two problems here. First, you insist that the genre has independent notability from Esham. Second, you're insisting that it have "top billing" so to speak. The problem here is that we're having a lot of trouble showing that this is independently notable outside of Esham. I'm not arguing it's a genre, but in the end I can't see where it's wildly notable outside of Esham. I also have to argue over the search term. The problem is that when we list things by name we have to consider what is the more likely search topic. In this case we have to go by how much coverage each subject has. We have one that's a fairly obscure genre of music and then we have an album that's also slightly obscure as far as "mainstream music" goes, but has received an enormous amount of coverage that dwarfs the genre's hits by a longshot. It's far, far more likely that people typing in simply "Acid Rap" will be expecting to find the album rather than the genre itself. As such, that's what the main article should be: the album. Even if we could justify unmerging the genre of acid rap from Esham's article, in the end the most likely search topic would be the album and that's what the main article should be. I'll again repeat my example of Michael Jackson: We have several people by that name, many of which were active and alive before the singer was a twinkle in Tito's eye. However the singer is the far more likely search subject, so he's what will be found at the main article. This is how things have operated on Wikipedia for quite some time now. Tokyogirl79 (。◕‿◕。) 05:01, 12 October 2013 (UTC)[reply]
Please see Talk:Acid_Rap#Notability my for my naming example. It requires references (or lack thereof) to determine whether a subject is obscure or not. Ben0kto (talk) 00:33, 13 October 2013 (UTC)[reply]

References

  1. ^ http://acidrap.com
  2. ^ http://acidrap.com
  3. ^ Violent, J., and Hobey Echlin. "Chapter 9: The Dark Carnival." ICP: Behind the Paint. Royal Oak, MI: Psychopathic Records, 2003. N. pag. Print.
  4. ^ http://www.faygoluvers.net/v5/2012/06/mastamind-the-mastapiece/
  5. ^ http://www2.metrotimes.com/archives/artistprofile.asp?id=3046
  6. ^ Violent, J., and Hobey Echlin. "Chapter 9: The Dark Carnival." ICP: Behind the Paint. Royal Oak, MI: Psychopathic Records, 2003. N. pag. Print.

Notability[edit]

Furthermore, an artist or subject is notable if they (or it) had a major influence on the development of a notable musical style such as horrorcore. Existing is not notability, but influence on and creation of notable music (see wicked shit) is (per WP:MUSIC). An artist, rapper or performer has to actually further establish themselves in a music scene[1] to become more notable (see underground music), or for their work to become more notably (or nationally) recognized by simply its own name without trouble, if something or someone else with the same name (e.g. Soulja Boy vs. Mo Thugs’ Souljah Boy) already exists. A few favorable magazine reviews of a fairly new unknown rapper to the music industry with a limited catalog of 2 releases, one with no article, does not merit enough notability for his mixtape, official or unofficial, to take the place of an already existing page for an already existing, developed, recognized and referenced term which is more than distinctly defined and sourced (see Esham). The problem here is that you are leaving out and ignoring both clear facts and notable sources, such as the texts cited.

Genre outside of specific performer who originated term[edit]

[6] [7] [8] [8] [9] [10] [11][12] [4][4][11] [3][13]

[17] [18] [14] [15][16] [14] [19][20] [20] [14][15] [21] [22] is yet another acid rap artist who is most notably associated with the genre for appearing on Mastamind's first independent solo release, Lickkuiddrano; Natas' Doubelievengod; and his own independent acid rap[15] [16] release (produced by Esham), The Neighborhoodshittalka. To say that the genre doesn't exist or isn't notable outside of Esham is complete nonsense, but to say that it doesn't exist or isn't notable outside of early 1990's Detroit hip hop artists would be a wise statement. Ben0kto (talk) 13:32, 14 October 2013 (UTC)[reply]

References

  1. ^ http://www2.metrotimes.com/archives/artistprofile.asp?id=3046
  2. ^ "Mastamind - THE MASTAPIECE". Faygo Luvers. Retrieved October 11, 2013. ((cite web)): Italic or bold markup not allowed in: |publisher= (help)
  3. ^ a b c d Hess, Mickey (2009). "Esham". Hip Hop in America: A Regional Guide: Volume 1: East Coast and West Coast. ABC-CLIO. pp. 411–413. ISBN 0-313-34323-3.
  4. ^ a b c All Music Guide to Hip-Hop: The Definitive Guide to Rap & Hip-hop. Backbeat Books. 2003. p. 309. ISBN 0-87930-759-5.
  5. ^ deathofanindielabel 1. Gothom Inc. Event occurs at 11:39. ((cite AV media)): Cite has empty unknown parameter: |trans_title= (help)
  6. ^ "Charts and awards for Godlike". Billboard. Retrieved 10 January 2009. ((cite web)): Cite has empty unknown parameter: |coauthors= (help)
  7. ^ Birchmeier, Jason. "Biography of Natas". Allrovi. Retrieved 2008-08-12.
  8. ^ a b McLeod, Rodd (March 2, 2000). "The Wicket World of Natas". Rolling Stone. Archived from the original on July 8, 2008. Retrieved 2008-07-19. ((cite news)): Italic or bold markup not allowed in: |publisher= (help); Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  9. ^ a b c Keyes, Cheryl Lynette (2002). "Blending and Shaping Styles: Rap and Other Musical Voices". Rap Music and Street Consciousness. University of Illinois Press. p. 108. ISBN 0-252-07201-4, 9780252072017. ((cite book)): Check |isbn= value: invalid character (help)
  10. ^ Birchmeier, Jason. "Themindzi - Mastamind". Allmusic. Retrieved 27 June 2011.
  11. ^ a b About.com reviews N of Tha World
  12. ^ Birchmeier, Jason. "Review of WWW.Com (Wicket World Wide)". Allrovi. Retrieved 10 January 2009.
  13. ^ Bruce, Joseph (2003). "The Dark Carnival". In Nathan Fostey (ed.). ICP: Behind the Paint (second ed.). Royal Oak, Michigan: Psychopathic Records. pp. 174–185. ISBN 0-9741846-0-8. ((cite book)): Cite has empty unknown parameter: |origdate= (help); Unknown parameter |coauthors= ignored (|author= suggested) (help); Unknown parameter |origmonth= ignored (help)
  14. ^ a b c d Davison, Kahn (2006-07-19). "Dice roll". Metro Times. Retrieved 15 July 2011.
  15. ^ a b c d e "Dice Acid Rap legend still strong". PR Log. August 10, 2008. Retrieved 15 July 2011.
  16. ^ a b c Turner, Khary (June 2000). "The Motown Lowdown: Detroit Hip-Hop City". CMJ New Music Monthly (82): 79. ISSN 1074-6978. Cite error: The named reference "CMJ" was defined multiple times with different content (see the help page).
  17. ^ Birchmeier, Jason. "Lickkuidrano - Mastamind". Allmusic. Retrieved 27 June 2011.
  18. ^ "The Neighborhoodshittalka - Dice". Allmusic. Retrieved 8 July 2011.
  19. ^ http://my.texterity.com/murderdogmagazine/vol17no1?pg=55&pm=2&fs=1#pg55
  20. ^ a b Davison, Kahn (2006-11-29). "Still rollin' dice". Metro Times. Retrieved 15 July 2011. ((cite web)): Italic or bold markup not allowed in: |publisher= (help)
  21. ^ http://www.ugrap.de/interview.php?id=151
  22. ^ Virkki, Mika. "Interview with Dice". Redrum-187.com. Jarno Laaksonen. Retrieved 9 May 2013.

Text references[edit]

Book Behind the Paint by Joseph Bruce is a notable third party text reference to Acid Rap which does more than mention the existence of “Acid Rap”, but also explains how Esham adapted the horror style, and how he made Acid Rap “his own” and also that the style of Acid Rap he created along with other Detroit artists and their styles, such as Kid Rock, had an influence on Bruce, Insane Clown Posse, how they “came up with [their] style of rap”,[1] the creditable influence on wicked shit and the adaption of horrorcore music, most notably in the process of the creation of groups like Insane Clown Posse. Detroit newspaper reference Metro Times also does more than just mention Acid rap’s existence, but gives a profile on Esham and the ‘acid rap scene’, defining acid rap as something that is labeled horrorcore by the media.[2] Stop mentioning blog entries, forum posts, social media and merchant sites as my sources. Those were quickly removed.

Mainstream sources[edit]

It is unfair to seek only mainstream music sources such as magazine reviews from XXL Magazine or Rolling Stone when the topic of discussion is underground music that mainstream pop music critics rarely find favorable. You are mixing up your music styles and source types. Books and third party print references are the most reliable and notable sources for coverage, and the coverage shows much more than just mentioning “Acid Rap” (both words capitalized), but describes in detail about how Esham originated and named the style, its roots in Geto Boyshorror songs,[3] the ‘acid rap scene’,[4] its transformation and adaption, and the brainstorming that lead to the naming, birth and creation of the group Insane Clown Posse. There are no third party textbook references to support the contrary claim that simply “Acid Rap” is from 2013. The online mixtape reviews cited do not stand up to textbook references and lack establishment of notability. Again, STOP mentioning blog entries, forum posts, social media and merchant sites as my sources as they were quickly removed. All known available sources for related genre associates including all text references establishing all of the associated artists’ notability will be added in support of the article. This is not a contest for which subject can be factually (or statistically) sourced by mainstream magazines and music reviews the most. The question is which subject is realistically the most notable, influential, historic, or otherwise famous in order to be considered most highly and significantly associated with the simple underground term “Acid Rap”.

Other sources[edit]

[6] [7] [8] [6] [6][7] [9] [9] [5][10] [5][7] [10] Cite error: A <ref> tag is missing the closing </ref> (see the help page). [11] [12] [13] [14] [15] [16][17] [18] [19] [20] [21] [12][22] [22][23][24]

[25] [5] [26] [5][27] [28] [29] [30]

[32][33][34] [35] [36] [34]

[38] [8] [7] [7] [39] [36] [40][41] [5][5][40] [34][11]

[35] [45] [42] [43][44] [42] [46][47] [47] [42][43] [48] [49]

References

  1. ^ Violent, J., and Hobey Echlin. "Chapter 9: The Dark Carnival." ICP: Behind the Paint. Royal Oak, MI: Psychopathic Records, 2003. N. pag. Print.
  2. ^ "Music - Artist Profile". Metro Times. Retrieved October 11, 2013. ((cite web)): Italic or bold markup not allowed in: |publisher= (help)
  3. ^ Violent, J., and Hobey Echlin. "Chapter 10: The Broken Path of a Dream." ICP: Behind the Paint. Royal Oak, MI: Psychopathic Records, 2003. N. pag. Print.
  4. ^ "Music - Artist Profile". Metro Times. Retrieved October 11, 2013. ((cite web)): Italic or bold markup not allowed in: |publisher= (help)
  5. ^ a b c d e f g h "Esham". All Music Guide to Hip-Hop: The Definitive Guide to Rap & Hip-hop. Backbeat Books. 2003. pp. 160–163. ISBN 0-87930-759-5. Cite error: The named reference "AMGHipHop" was defined multiple times with different content (see the help page).
  6. ^ a b c Ketchum III, William E. (October 15, 2008). "Mayor Esham? What?". Detroit, Michigan: Metro Times. Retrieved October 16, 2008. ((cite news)): Italic or bold markup not allowed in: |publisher= (help)
  7. ^ a b c d e McLeod, Rodd (March 2, 2000). "The Wicket World of Natas". Rolling Stone. Archived from the original on July 8, 2008. Retrieved July 19, 2008. ((cite news)): Italic or bold markup not allowed in: |publisher= (help); Unknown parameter |deadurl= ignored (|url-status= suggested) (help) Cite error: The named reference "McLeod" was defined multiple times with different content (see the help page).
  8. ^ a b Birchmeier, Jason. "music biography". Allrovi. Retrieved July 19, 2008. Cite error: The named reference "Birchmeier" was defined multiple times with different content (see the help page).
  9. ^ a b Smith, Brian. (December 15, 2004) Rap maestro and the link to Esham, Kid and Em'. metrotimes.com
  10. ^ a b Smith, Esham A. "Discography". Reel Life Productions. Retrieved August 18, 2008. [dead link]
  11. ^ a b Bruce, Joseph (2003). "The Dark Carnival". In Nathan Fostey (ed.). ICP: Behind the Paint (second ed.). Royal Oak, Michigan: Psychopathic Records. pp. 174–185. ISBN 0-9741846-0-8. ((cite book)): Unknown parameter |coauthors= ignored (|author= suggested) (help) Cite error: The named reference "BehindthePaint174" was defined multiple times with different content (see the help page).
  12. ^ a b c deathofanindielabel 1. Gothom Inc. Cite error: The named reference "deathofanindielabel" was defined multiple times with different content (see the help page).
  13. ^ "Charts & Awards for Dead Flowerz". Billboard. Retrieved July 19, 2008.
  14. ^ "Charts & Awards for Bruce Wayne: Gothom City 1987". Allmusic. Retrieved July 19, 2008.
  15. ^ "Charts & Awards for Tongues". Billboard. Retrieved July 19, 2008. ((cite web)): Italic or bold markup not allowed in: |publisher= (help)
  16. ^ Moriates, Chris (August 13, 2001). "Rappers Esham, D12 kicked off Warped Tour after alleged attack". The Daily Bruin. Retrieved July 19, 2008. ((cite news)): Italic or bold markup not allowed in: |publisher= (help)
  17. ^ Hasted, Nick (2005). "The Waiting Room". The Dark Story of Eminem. Omnibus Press. p. 151. ISBN 1-84449-726-7.
  18. ^ Bruce, Joseph (June 25, 2004). "Weekly Freekly: 2". Psychopathic Records. Archived from the original on September 3, 2002. Retrieved August 17, 2008. ((cite web)): |archive-date= / |archive-url= timestamp mismatch; August 20, 2004 suggested (help)
  19. ^ "Charts & Awards for Repentance". Billboard. Retrieved July 19, 2008. ((cite web)): Italic or bold markup not allowed in: |publisher= (help)
  20. ^ Birchmeier, Jason. "Review of Repentance". Allrovi. Retrieved August 17, 2008.
  21. ^ "Esham – A-1 Yola". Allrovi. Retrieved June 30, 2011.
  22. ^ a b "Controversial Detroit Artist Releases Shocking New Album". PR Web. June 21, 2011. Retrieved June 27, 2011.
  23. ^ "DMT Sessions". Allmusic. Retrieved June 27, 2011.
  24. ^ Champtown. "Esham: Evolution, Victory, Independence, Leading Pt. 1". AllHipHop. Retrieved July 7, 2011. [dead link]
  25. ^ Friedman, David (November 2009). "Juggalos". Murder Dog. pp. 192–198. ((cite news)): Italic or bold markup not allowed in: |publisher= (help)
  26. ^ Strong, Martin Charles (2004). "Insane Clown Posse". The Great Rock Discography (7th ed.). Canongate. p. 733. ISBN 1-84195-615-5.
  27. ^ Brackett, Nathan, ed. (2004). The New Rolling Stone Album Guide. Simon and Schuster. pp. 405–6. ISBN 0-7432-0169-8.
  28. ^ Erlewine, Stephen Thomas. "Overview for Carnival of Carnage". Allmusic. Retrieved 19 February 2010.
  29. ^ "CD - ICP - Carnival of Carnage OG". Psychopathic Records. Retrieved 2009-02-04.
  30. ^ "Fontana Partners With Psychopathic Records". PR Newswire Association LLC. February 17, 2010. Retrieved 20 February 2010.
  31. ^ Raftery, Brian (2010-11-29). "How Two Outcast Rappers Built an Insane Clown Empire". Wired.com. Retrieved 2010-12-01.
  32. ^ a b Birchmeier, Jason. "Mastamind". Allmusic. Retrieved 27 June 2011.
  33. ^ Birchmeier, Jason. "Biography of Natas". Allrovi. Retrieved 2008-08-12.
  34. ^ a b c d Hess, Mickey (2009). "Esham". Hip Hop in America: A Regional Guide: Volume 1: East Coast and West Coast. ABC-CLIO. pp. 411–413. ISBN 0-313-34323-3.
  35. ^ a b Birchmeier, Jason. "Lickkuidrano - Mastamind". Allmusic. Retrieved 27 June 2011.
  36. ^ a b Birchmeier, Jason. "Themindzi - Mastamind". Allmusic. Retrieved 27 June 2011.
  37. ^ http://www.allmusic.com/artist/kid-rock-mn0000088180
  38. ^ "Charts and awards for Godlike". Billboard. Retrieved 10 January 2009. ((cite web)): Cite has empty unknown parameter: |coauthors= (help)
  39. ^ Keyes, Cheryl Lynette (2002). "Blending and Shaping Styles: Rap and Other Musical Voices". Rap Music and Street Consciousness. University of Illinois Press. p. 108. ISBN 0-252-07201-4, 9780252072017. ((cite book)): Check |isbn= value: invalid character (help)
  40. ^ a b About.com reviews N of Tha World
  41. ^ Birchmeier, Jason. "Review of WWW.Com (Wicket World Wide)". Allrovi. Retrieved 10 January 2009.
  42. ^ a b c d Davison, Kahn (2006-07-19). "Dice roll". Metro Times. Retrieved 15 July 2011.
  43. ^ a b c d "Dice Acid Rap legend still strong". PR Log. August 10, 2008. Retrieved 15 July 2011.
  44. ^ a b Turner, Khary (June 2000). "The Motown Lowdown: Detroit Hip-Hop City". CMJ New Music Monthly (82): 79. ISSN 1074-6978.
  45. ^ "The Neighborhoodshittalka - Dice". Allmusic. Retrieved 8 July 2011.
  46. ^ http://my.texterity.com/murderdogmagazine/vol17no1?pg=55&pm=2&fs=1#pg55
  47. ^ a b Davison, Kahn (2006-11-29). "Still rollin' dice". Metro Times. Retrieved 15 July 2011. ((cite web)): Italic or bold markup not allowed in: |publisher= (help)
  48. ^ http://www.ugrap.de/interview.php?id=151
  49. ^ Virkki, Mika. "Interview with Dice". Redrum-187.com. Jarno Laaksonen. Retrieved 9 May 2013.
  50. ^ April 2004 Underground Music is Free Media By MICKEY Z.

Social media and forum sources[edit]

On a side note, I tend to notice other Wikipedia articles citing forum and social media references with no problems, for example the references on Death Rap. It would be wise to have that changed when noticed or to ensure the encyclopedia isn’t contradicting its own rules regarding sources.

Edits[edit]

I will resume making constructive new edits (not revisions or reverts) to the article until a consensus is reached as long as there remains no objection below, to avoid making edits that may be seen as controversial or spark an edit war (posting within 24 hrs. per WP:BRD WP:EW and WP:EP guidelines). To be fair, Wikipedia is the encyclopedia that ‘’’anyone’’’ can edit so I need to ensure all of the information I see here is factually accurate, even if it seems obvious. I hate to seem like too much of a genre warrior but making simple good faith edits has turned into a bit of a challenge due to a couple of users who keep on insisting that Acid Rap is from 2013 and just won’t let go of the idea or provide any reliable, factual or notable textbook reasons or references to show evidence for the claim, other than sourcing a few random online mixtape reviews and repeatedly attacking my usage of improper web references that were removed days ago. I am trying to discuss textbook[1] facts and copyright[2] here from a neutral point of view and your opinion and feelings on the supposed notability of the actual subject, as well as your apparent personal attacks on my beginner editing abilities and blocks upon several admins’ request, are no longer necessary and are making it harder and harder to believe that the two users who continue to team up and revert the article are in fact coming from the same neutral point of view and may be possibly coming from an opinionated and pop music oriented biased standpoint, disregarding and ignoring every constructive contribution I have made including all facts and text references as well as neglecting to leave much (if any) actual valuable or helpful information on the Talk page and becoming less and less credible by continuing to point out long deleted non-reliable sources which no longer exist as current flaws in the article and information itself.

Conclusion[edit]

This article is to be redirected, or changed back to its original meaning, after it was hijacked from a redirect to Esham months ago, as the page listed at simply "Acid Rap" should be the subject that was first, and is most highly and significantly, associated with Acid Rap, a term coined, created, owned[3] and most notably popularized and made relevant by Esham (per WP:FACTS AND based on reliable verifiable textbook evidence).

No contrary evidence[edit]

There is no verifiable evidence to support the contrary claim (WP:NOR) that simply Acid Rap never existed or was never notable/relevant until a mixtape made months ago. Website reviews such as the ones provided, of an online mixtape with no known existing hard copies, do not count as standalone proof to support the claim that Acid Rap was never around or notable before an album was named after the term. Again, no reliable, factual, notable or otherwise credible textbook reasons or references to show evidence for this claim have been provided. Albums such as this one should be categorized by adding “album” in parentheses (like this: Acid Rap (album)) or merged with the artist’s page when their title is that of an already existing noteworthy subject. Ben0kto (talk) 23:30, 11 October 2013 (UTC)[reply]

  • I see your article edits on the article as mainstream biased, not in "bad faith"; but your angry pleads on my talk page concerning my immediate skills and intelligence or willingness to cooperate, rather than than informative paragraphs concerning both CORRECT sourcing (not websites) and proper editing, appear to be blatantly ignoring some of the key points I'm trying to make. As far as putting a note at the top, I would be more than happy with that in regard to separating and disambiguating the two subjects. However, there still remain no reliable, factual, notable or otherwise credible textbook reasons or references to show evidence for the claim that the term Acid Rap is more notably related to, more highly recognized or more commonly referenced in relation to Chance the Rapper than Esham so the album should be moved or redirected to Acid Rap (album) per WP:ALBUMS. Ben0kto (talk) 12:25, 12 October 2013 (UTC)[reply]
Saying reliable sources have a mainstream bias is ridiculous. If the sub-subgenre was notable, it would be covered significantly in reliable sources. You need to realize that underground sub-subgenres are generally not notable enough for a Wikipedia article. So far I have only seen one or two real reliable sources, and neither of those were SIGNIFICANT coverage. Also there should not be dab for two pages, when one does not exist, the hatnote does enough that you should be happy. Outside of his website and urbandictionay, there are many pages of GHits about the mixtape, before anything about the genre. The most likely search term is the mixtape by Chance the Rapper, and if anyone is looking for the genre the hatnote works perfectly. If the genre was so significant to be the primary topic it would have had a stand-alone article a long time before, but after all the reviews, coverage, and award nominations, the mixtape comes out on top. STATic message me! 15:54, 12 October 2013 (UTC)[reply]
I didn't claim the online sources themselves had a mainstream bias, I said her previous article edits appeared to and seeking only sources that rarely favor underground independent music is unfair. Keep in mind that Esham made the term Acid Rap much more significantly notable solely by himself (independently according to the text) than Chance the Rapper did with all of the personnel listed under the album. I stand by the following two arguments until proven wrong that:
So you just said "I admit the style Acid rap may not actually warrant its own article since it is already pretty much defined clearly on Esham's page." So what are you arguing to achieve? If the hatnote is just fine why would you want the article to be moved? Also on your last point, not really. Much of the reviews are also transcluded and included in the print form, not to mention that four questionable pages of coverage in one book written by an ICP fan, pales in comparison when put up against the coverage, reviews and award nominations received by the mixtape. STATic message me! 14:44, 13 October 2013 (UTC)[reply]
Because the term more commonly and significantly refers to Esham and the style he created decades ago via text references. What I'm trying to achieve is an undo of the article hijacking which happened months ago. Ben0kto (talk) 14:54, 13 October 2013 (UTC)[reply]

Consensus[edit]

Until a consensus is reached, I will still have to assume there is no actual, factual credible textbook noteworthy reason for the term itself to be more associated with an album per WP:ALBUMS, and it should be moved/redirected. I will not move or touch the page again as of right now. Ben0kto (talk) 16:13, 13 October 2013 (UTC)[reply]

The administrator's at gatekeeping may be assumed in good faith. However, in this case they have made a significant error. While attribution of a genre's creator is an important historical detail, it's a misuse of reduction to limit the details of an influential artistic movement this detail. It would be like the entire Gothic genre being reduced to a footnote in Ann Radcliff's bio page. The administrator on this page should remove themselves before they further undermine and dis-serve this topic. Contemporary music and "literature" may have some overlapping commonalities but to request textbook level attribution for contemporary low brow music genre work is an error. This genre has existed since 1989. Chance release his minor mix tape in 2013. You have historical evidence of this genre existing. You have median reports of major artists discussing this genre and defining themselves in relation to this genre. They felt it was important to discuss this genre. Those are important cues aside from the obvious commonalities of the works themselves.

Acid Rap (disambiguation)[edit]

Acid Rap may refer to:

References[edit]

  1. ^ Violent, J., and Hobey Echlin. "Chapter 9: The Dark Carnival." ICP: Behind the Paint. Royal Oak, MI: Psychopathic Records, 2003. N. pag. Print.
  2. ^ http://acidrap.com
  3. ^ http://acidrap.com

Moved page and requested redirect[edit]

I moved the page Acid Rap to Acid Rap (Chance the Rapper album): Per Wikipedia:WikiProject Albums/Album article style guide - Another use of the title can be found over at Mastamind so the album needs further disambiguation.

Requested move 17 June 2015[edit]

The following is a closed discussion of a requested move. Please do not modify it. Subsequent comments should be made in a new section on the talk page. Editors desiring to contest the closing decision should consider a move review. No further edits should be made to this section.

The result of the move request was: page moved --NeilN talk to me 08:33, 18 June 2015 (UTC) NeilN talk to me 08:33, 18 June 2015 (UTC)[reply]



ACID RAP → Acid RapAcid Rap is actually a studio album by recording artist Chance the Rapper. The style of music performed by Esham does not have a capital "R", nor does it have its own article. A hat note at proposed album article Acid Rap directing to Esham shall suffice to direct people to the style of music. Jax 0677 (talk) 22:19, 17 June 2015 (UTC)[reply]

  • I'd say that any further moves should be discussed here before it's moved and I'd actually recommend that this page get protected against moves since there have been a small percentage of people that have repeatedly tried to move the page in order to get this to redirect to Esham in some context. The arguments have been predominantly the same and while I'm not saying that they're all the same person, it does make me wonder if there is a bit of a concentrated effort by a small portion of people to accomplish this. Move protecting the page would hopefully decrease the chances of this happening again. Tokyogirl79 (。◕‿◕。) 06:42, 18 June 2015 (UTC)[reply]

The above discussion is preserved as an archive of a requested move. Please do not modify it. Subsequent comments should be made in a new section on this talk page or in a move review. No further edits should be made to this section.

Note: Undiscussed move reverted and page move protected per a request at RFPP. [41] --NeilN talk to me 08:33, 18 June 2015 (UTC)[reply]