The following discussion is closed. Please do not modify it. Subsequent comments should be made on the appropriate discussion page. No further edits should be made to this discussion.
Comment: I'd merge the "introduction" and "provenance" sections into one section titled something like "discovery and provenance", as "introduction" doesn't give much information about the content of the section, and both cover related aspects of the topic.
it contains a list of all references (sources of information), presented in accordance with the layout style guideline Passed
reliable sources are cited inline. All content that could reasonably be challenged, except for plot summaries and that which summarizes cited content elsewhere in the article, must be cited no later than the end of the paragraph (or line if the content is not in prose) Passed
Comment: I don't have access to the main source, McFayden 2015, but it seems pretty reliable. I looked through the other main ones and they also seem quite good, and spotchecking of text-source integrity is all good as well.
Comment: I found some information in the Stanbury source about how the reredos may have been turned into a table as a result of the Reformation - this would be a good thing to include, as it would give context for why such a historic piece of art would've been "recycled" like that. The Stanbury source in general presents quite a lot of good information.
Question: Pamela Tudor-Craig is mentioned in the text and her quote is cited to Stanbury - have you been able to access Tudor-Craig's work? I wonder if that might provide some more good information.
Comment:The panel has been completely restored by Pauline Plummer (like the others), so that the reredos can be used in religious services. This is in the middle of the paragraph describing each panel of the reredos; I think it would be better suited to the prior paragraph.
Question: The panels are similar to others in a Norwich church, but experts cannot conclude from this that it was made locally. Which Norwich church? Is it similar to other examples found in Norwich generally, or is it similar to a specific group of panels found in one Norwich church?
Comment:Following its discovery in 1847, Way and a colleague, the art historian Matthew Digby Wyatt, both interpreted the altarpiece as having come from Italy. Way is not introduced in the article - needs clarification
@Amitchell125 I've completed my initial review; I will continue looking over the article in case I notice anything else worth commenting on. Overall, excellent work, and thank you for your nomination! sawyer * he/they * talk07:01, 5 March 2024 (UTC)[reply]
The discussion above is closed. Please do not modify it. Subsequent comments should be made on the appropriate discussion page. No further edits should be made to this discussion.