SSATTB vs. SSAATB[edit]

Looking at the facsimiles from the 1591 publication of Hassler's Cantiones Sacrae, it is very clear that both the Tenor and Quinta Vox parts are for tenors—indeed, Hassler switches the music between the parts when repeating the opening "Verbum caro" text, so the tenor sings what the quinta had and vice versa, and again later in the piece. Both use C4 clefs. The tenor tessitura is a bit higher, though both parts go up to F4, and the tenor down to E3 while the quinta has one D3.

To say that this is SSAATB is misleading, if not inaccurate, and it shouldn't be offered even as an alternative. I have changed the article accordingly. The Sexta Vox uses a C2 clef, as compared to the Soprano's C1 and Alto's C3, but that's frequently thought of as a second soprano rather than a mezzo line (though it could be a high alto), so SSATTB is a reasonable call. BlueMoonset (talk) 16:00, 11 December 2023 (UTC)[reply]

Thank you. --Gerda Arendt (talk) 16:07, 11 December 2023 (UTC)[reply]

Thank you![edit]

Just noticed this article in the preps, and realised that I sang this recently! It was very interesting to learn some more of its history, so thank you for writing it! Frzzltalk;contribs 09:55, 19 December 2023 (UTC)[reply]

Requested move 6 March 2024[edit]

Verbum caro factum est → Verbum caro factum est (Hassler) – There is no obvious WP:PRIMARYTOPIC, but Incipit (Lastname) seems to be the patern at Category:Motets. CPDL's Verbum caro factum est a 3 (Hans Leo Hassler) is an arrangement of the same piece, apparently Hassler's only setting. Sparafucil (talk) 00:24, 6 March 2024 (UTC) — Relisting. – robertsky (talk) 05:56, 14 March 2024 (UTC)[reply]