|Narrated by||Mikela J. Mikael|
|Edited by||Jennifer Abbott|
|Music by||Leonard J. Paul|
Big Picture Media Corporation
|Distributed by||Zeitgeist Films|
|Box office||$4.84 million|
The Corporation is a 2003 Canadian documentary film written by University of British Columbia law professor Joel Bakan, and directed by Mark Achbar and Jennifer Abbott. The documentary examines the modern-day corporation. Bakan wrote the book, The Corporation: The Pathological Pursuit of Profit and Power, during the filming of the documentary.
A sequel film, The New Corporation: The Unfortunately Necessary Sequel, was released in 2020.
The documentary shows the development of the contemporary business corporation, from a legal entity that originated as a government-chartered institution meant to affect specific public functions to the rise of the modern commercial institution entitled to most of the legal rights of a person. The documentary concentrates mostly upon corporations in North America, especially in the United States. One theme is its assessment of corporations as persons, as a result of an 1886 case in the Supreme Court of the United States in which a statement by Chief Justice Morrison Waite[nb 1] led to corporations as "persons" having the same rights as human beings, based on the Fourteenth Amendment to the United States Constitution.
Topics addressed include the Business Plot, where in 1933, General Smedley Butler exposed an alleged corporate plot against then U.S. President Franklin D. Roosevelt; the tragedy of the commons; Dwight D. Eisenhower's warning people to beware of the rising military–industrial complex; economic externalities; suppression of an investigative news story about Bovine Growth Hormone on Fox affiliate television station WTVT in Tampa, Florida, at the behest of Monsanto; the invention of the soft drink Fanta by The Coca-Cola Company due to the trade embargo on Nazi Germany; the alleged role of IBM in the Nazi holocaust (see IBM and the Holocaust); the Cochabamba protests of 2000 brought on by the privatization of a municipal water supply in Bolivia; and in general themes of corporate social responsibility, the notion of limited liability, the corporation as a psychopath, and the debate about corporate personhood.
Through vignettes and interviews, The Corporation examines and criticizes corporate business practices. The film's assessment is affected via the diagnostic criteria in the DSM-IV; Robert D. Hare, a University of British Columbia psychology professor and a consultant to the FBI, compares the profile of the contemporary profitable business corporation to that of a clinically diagnosed psychopath (however, Hare has objected to the manner in which his views are portrayed in the film; see "Critical reception" below). The Corporation attempts to compare the way corporations are systematically compelled to behave with what it claims are the DSM-IV's symptoms of psychopathy, e.g., the callous disregard for the feelings of other people, the incapacity to maintain human relationships, the reckless disregard for the safety of others, the deceitfulness (continual lying to deceive for profit), the incapacity to experience guilt, and the failure to conform to social norms and respect the law.
The film features interviews with prominent corporate critics such as Noam Chomsky, Charles Kernaghan, Naomi Klein, Michael Moore, Vandana Shiva, and Howard Zinn, as well as opinions from chief executive officers such as Ray Anderson (from Interface, Inc.), business guru Peter Drucker, Nobel laureate economist Milton Friedman, and think tanks advocating free markets such as the Fraser Institute. Interviews also feature Dr. Samuel Epstein, who was involved in a lawsuit against Monsanto for promoting the use of Posilac, (trade name for recombinant Bovine somatotropin) to induce more milk production in dairy cattle and Chris Barrett who, as a spokesperson for First USA, was the first corporately sponsored college student in America.
Joel Bakan, the author of the award-winning book The Corporation: The Pathological Pursuit of Profit and Power, writes:
The law forbids any motivation for their actions, whether to assist workers, improve the environment, or help consumers save money. They can do these things with their own money, as private citizens. As corporate officials, however, stewards of other people’s money, they have no legal authority to pursue such goals as ends in themselves – only as means to serve the corporations own interests, which generally means to maximize the wealth of its shareholders. Corporate social responsibility is thus illegal – at least when its genuine.— Joel Bakan, The Corporation: The Pathological Pursuit of Profit and Power 
The Corporation grossed around $3.5 million in North American box office receipts and had a worldwide gross of over $4.8 million, making it the second top-grossing film for its US distributor, Zeitgeist Films. It took the place of Manufacturing Consent: Noam Chomsky and the Media as the top-grossing feature documentary ever to come out of Canada.
The extended edition made for TVOntario (TVO) separates the documentary into three one-hour episodes:
In 2005, the film was released on DVD as a two-disc set that includes following:
In 2012, a new Canadian educational version was released for high school students. This "Occupy Your Future" version is exclusively distributed by Hello Cool World, who were behind the branding and grassroots outreach of the original film in four countries. This version is shorter and breaks the film into three parts. The extras include interviews with Joel Bakan on the Occupy movement, Katherine Dodds on social branding, and two short films from Annie Leonard's Story of Stuff Project.
Film critics gave the film generally favorable reviews. The review aggregator Rotten Tomatoes reported that 90% of critics gave the film positive reviews, based on 111 reviews with an average rating of 7.4/10. The website's critical consensus reads, "The Corporation is a satisfyingly dense, thought-provoking rebuttal to some of capitalism's central arguments." Metacritic reported the film had an average score of 73 out of 100, based on 28 reviews.
In Variety (October 1, 2003), Dennis Harvey praised the film's "surprisingly cogent, entertaining, even rabble-rousing indictment of perhaps the most influential institutional model for our era" and its avoidance of "a sense of excessively partisan rhetoric" by deploying a wide range of interviewees and "a bold organizational scheme that lets focus jump around in interconnective, humorous, hit-and-run fashion."
In the Chicago Sun-Times (July 16, 2004), Roger Ebert described the film as "an impassioned polemic, filled with information sure to break up any dinner-table conversation," but felt that "at 145 minutes, it overstays its welcome. The wise documentarian should treat film stock as a non-renewable commodity."
The Economist review, while calling the film "a surprisingly rational coherent attack on capitalism's most important institution" and "a thought-provoking account of the firm", calls it incomplete. It suggests that the idea for an organization as a psychopathic entity originated with Max Weber, in regards to government bureaucracy. The reviewer remarks that the film weighs heavily in favor of public ownership as a solution to the evils depicted, while failing to acknowledge the magnitude of evils committed by governments in the name of public ownership, such as those of the Communist Party in the former Soviet Union.
An interview clip with psychiatrist Robert D. Hare appears for several minutes in The Corporation. A pioneer in psychopathy research whose Hare Psychopathy Checklist is used in part to "diagnose" purportedly psychopathic behavior of corporations in the documentary, Hare has since objected to the manner in which his work was presented in the film and the use of his work to bolster what he describes as the film's questionable thesis and conclusions. In Snakes in Suits: When Psychopaths Go to Work (2007; co-written with Paul Babiak), Hare writes that despite claims by the filmmakers to him during production that they were using psychopathy metaphorically to describe "the most egregious" corporate misbehavior, the finished documentary obviously intends to imply that corporations in general or by definition are psychopathic, a claim that Hare emphatically rejects:
To refer to the corporation as psychopathic because of the behaviors of a carefully selected group of companies is like using the traits and behaviors of the most serious high-risk criminals to conclude that the criminal (that is, all criminals) is a psychopath. If [common diagnostic criteria] were applied to a random set of corporations, some might apply for the diagnosis of psychopathy, but most would not.
However, in his monologue in The Corporation and the transcript with added comments, Hare, in addition to pointing out differences between corporations, clearly uses generalized terms such as "tend", "most", "almost", "routinely", "much the same", "almost by their very nature", and "by definition" with regard to numerous of his characterizations of psychopathy applying to corporations. Nonetheless, Hare insists that his guarded, qualified comments on the "academic exercise" of diagnosing certain corporations as psychopathic was used in support of a larger thesis that he was not informed in advance about and with which he did not agree.
The film won or was nominated for over 26 international awards  including winning the World Cinema Audience Award: Documentary at the Sundance Film Festival in 2004, a Special Jury Award at the International Documentary Film Festival Amsterdam (IDFA) in 2003 and a Genie Award - Documentary in 2005.
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