The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.

The result was keep‎. Proper procedure was obviously not followed here, but there is consensus the article subject is notable enough for an article. I will handle moving the page to the correct location shortly. The WordsmithTalk to me 19:08, 4 January 2024 (UTC)[reply]

Zheng Chongbin (Artist) (edit | talk | history | protect | delete | links | watch | logs | views) – (View log | edits since nomination)
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Artist whose artistic notability has not been shown. This article was declined twice in AFC, and then moved to article space, and moved back to draft space by User:Naraht, and then moved to article space again, so that this is a contested draftification. The title of this article appears to be an unnecessary disambiguation, since there is no Zheng Chongbin, but further review shows that Zheng Chongbin is a protected title due to repeated recreation, so that the addition of the disambiguator is gaming of titles. The article has been reference-bombed, so an assessment of the sources has not been done. If the originator thinks that this is a better and more neutral biography than the deleted pages, the proper procedure should be to discuss with the protecting administrator, User:Jimfbleak, or request unprotection at RFPP, and if that is not successful, request Deletion Review, rather than adding a disambiguator to game the title. Robert McClenon (talk) 18:54, 28 December 2023 (UTC)[reply]

User:Artbranch - You ask what you need to do to get this article published. At this point, my question for you is what your affiliation or connection is with the artist. All of your edits have been about this person or in support of your efforts to publish an article on this person. What is your affiliation with Zheng Chongbin? Robert McClenon (talk) 00:44, 29 December 2023 (UTC)[reply]
I will also comment that you have made it much less likely that an article will be published about this person. When an editor tries to game the system, experienced editors can usually infer that they are trying to do something that is not consistent with improving the encyclopedia. When you discovered that you could not publish the article with the intended title, Zheng Chongbin, you should have asked what the problem was, rather than changing the title. But you probably knew why the title was locked. It would have better to ask questions earlier, maybe at the Teahouse, rather than pushing ahead. At this point, it is probably unlikely that you will be able to publish the article. But you can start by stating what your connection to the subject is. Robert McClenon (talk) 00:44, 29 December 2023 (UTC)[reply]
  • Artbranch As mentioned above, the relevant determining factor in Notability for Artists and other artistic professionals is at WP:NARTIST. Copying from there:
This guideline applies to authors, editors, journalists, filmmakers, photographers, artists, architects, and other creative professionals. Such a person is notable if:
  1. The person is regarded as an important figure or is widely cited by peers or successors; or
  2. The person is known for originating a significant new concept, theory, or technique; or
  3. The person has created or played a major role in co-creating a significant or well-known work or collective body of work. In addition, such work must have been the primary subject of multiple independent periodical articles or reviews, or of an independent and notable work (for example, a book, film, or television series, but usually not a single episode of a television series); or
  4. The person's work (or works) has: (a) become a significant monument, (b) been a substantial part of a significant exhibition, (c) won significant critical attention, or (d) been represented within the permanent collections of several notable galleries or museums.
  • I don't believe that anywhere in the article is a claim of any of the first three, and I don't really see anything that fulfills the characteristic of number 4, though that is a discussion that may make sense to conduct in draftspace.Naraht (talk) 23:14, 28 December 2023 (UTC)[reply]
Source assessment table:
Source Independent? Reliable? Significant coverage? Count source toward GNG?
San Francisco Chronicle Yes Newpaper is not tied to subject Yes Reporting appears to be reliable as it's talking about a group exposition. Yes The article focuses on Zheng Chongbin and his life/work Yes
University of Edinburgh Yes There does not appear to be a connection between the author and the artist Yes Although not peer reviewed it was reviewed by a committee Yes The entire dissertation is about this persons work Yes
San Francisco: Asian Art Museum No Website is talking about the installation of a site specific work of art at the Asian Art Museum Yes The material does not appear to be biased and is factual Yes The coverage is only about the artist and the site specific art work they created No
Ink Studio Yes Art critic is not connected to the artist Yes Art critic has written about multiple artists Yes Entire topic is over the artist and their work Yes
This table may not be a final or consensus view; it may summarize developing consensus, or reflect assessments of a single editor. Created using ((source assess table)).
Dr vulpes (Talk) 04:48, 29 December 2023 (UTC)[reply]

As mentioned, I asked the editor who rejected the article most recently to kindly reconsider the decision and explained why I believe the article meets the Wikipedia criteria. Since I haven’t heard back in two months (and it’s already been about a year that I have been working on this article), I found out that there was an option to have the article moved to the Wikipedia space for a swifter review. As someone who is new to writing on Wikipedia, I wasn’t aware of the term ‘game the system’ - when I changed the title, it said that the article would still be linked to the original one so that a search for the original title would be redirected to the updated title of the article. The intention here was to get the swifter review.

I am willing to take feedback on board, that is why it is important for me to understand what exactly needs to be improved about the article as I believe that the general guidelines are already addressed in the article. For example, in regards to the point about ‘such work must have been the primary subject of multiple independent periodical articles or reviews’, this criterion is met through a series of reputable references drawn from the impartial academic scholarship - the subject’s artworks have been the focus of articles such as (1) Claypool, Lisa (2019). "Liquid Space: A Conversation with Zheng Chongbin". Yishu. 18: 100–107. Yishu was established in 2002 and is a reputable peer-reviewed authoritative academic source that is in the university libraries worldwide (e.g. SOAS in London). Another example would be (2) Tedford, Matthew Harrison, ed. (2011). Zheng Chongbin: White Ink. San Francisco & Santa Clara: Chinese Culture Foundation of San Francisco & Silicon Valley Asian Art Centre. This scholarly source also meets an additional criterion of notability, namely ‘such work must have been the primary subject of […] an independent and notable work (for example, a book […]’. One more example, among others, would be (3) Chen, Abby; Kovskaya, Maya (2021). Zheng Chongbin: I Look for the Sky. San Francisco: Asian Art Museum. These references exemplify the reliable significant coverage of the subject.

In regards to the criteria ‘The person's work (or works) has […] been a substantial part of a significant exhibition’, this is addressed in the section ‘Exhibitions’. The list there aims to show that the artist’s works have been the focus of a number of solo and group exhibitions at leading non-profit museums worldwide. A recent example would be I Look for the Sky at the Asia Museum of San Francisco (solo exhibition). Another example is Ink Worlds: Contemporary Chinese Painting from the Collection of Akiko Yamazaki and Jerry Yang (2018, Cantor Arts Center, Stanford University). The artist also created an important permanent art installation at the Ryosoku-in Temple, Kennin-ji, Kyoto. This also meets another criterion, i.e. ‘The person's work (or works) has: (a) become a significant monument’, in this case, outside more conventional museum and gallery spaces, and in the wider realm of a significant historic Zen Buddhist temple in Kyoto. Additionally, the artist’s illustrated work Wall of Skies was selected by the artist-curators Raqs Media Collective to be part of Why Not Ask Again - the 2016 Eleventh Shanghai Biennale.

Speaking about the criterion ‘been represented within the permanent collections of several notable galleries or museums’, the artist’s works are in the museum collections worldwide - The Met in New York, LACMA in Los Angeles, British Museum in London, M+ in Hong Kong etc. The artist’s list of awards, which are unpacked as part a separate additional section is also another indicator of the notability - e.g. the recent Asia Game Changer West Award speaks to the fact that the subject ‘won significant critical attention’ and speaks to the critical recognition of his works.

Initially, I was more explicit about the notability and used adjectives like ‘notable’, ‘significant’, ‘worldwide’, but I kept on receiving the feedback that the article needed to be more neutral.

Once again, thank you everyone for your comments and kind feedback. I am happy to take on board any further feedback that would help improve the article on which I have been working for the past year. — Preceding unsigned comment added by Artbranch (talkcontribs) 20:26, 29 December 2023 (UTC)[reply]

The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.