Portae, propositum in Horto Medio Novi Eboraci inauguratum (2005).

Fluxus (a fluendo[1]), vel plenius Motus Fluxus, est internationalis artificium, scriptorum, compositorum, et designatorum motus avant-garde, qui primum decennio 197 ob varia media artesque mixtas innotuit. Sua proprietas praecipua est priores memorias artificiosas iocose subvertere. Participes impigri fuerunt in Neodada, musica sonitus, et artibus oculorum, cum litteris, descriptione urbana, architectura, et designatione. Fluxus aliquando intermedia appellatur.

Apud libellum Pinacothecae Tate de motu legimus:

Motus Fluxus, qui inter artifices et compositores circum Ioannem Cage Novi Eboraci convenientis decennio 197 ineunte ortus erat, aestheticam "contra artem" contraque commercium evolvit, Georgio Maciunas duce, primum in Civitatibus Foederatis et tum in Europa. Fluxus series feriarum Lutetiae, Hafniae, Amstelodami, Londinii, et Novi Eboraci curavit, perfunctionibus avant-garde se saepe in vias effudientibus. Plurimi aetatis artifices experimentales, inter quos Iosephus Beuys, Yoko Ono, et Nam June Paik, eventibus interfuerunt. Motus, qui iam superest, personas magni momenti egit in aperiendo definitiones rerum quae ars esse possunt.[2][3]

Varii artifices, scriptores, et compositores magni momenti in aesthetica post decennium 196 se cum Fluxu consociaverunt, inter quos:

Eruditi, criciti, et curatores cum Fluxu consociati

Nexus interni

Maiores congeries et archiva

Notae

  1. Wiktionary, http://en.wiktionary.org/wiki/fluxus#Latin
  2. Anglice: "The Fluxus movement originated in New York in the early 1960s with a group of artists and composers centred around John Cage, and developed its 'anti-art', anti-commercial aesthetics under the leadership of George Maciunas, first in the US and then in Europe. Fluxus staged a series of festivals in Paris, Copenhagen, Amsterdam, London and New York, with avant-garde performances often spilling out into the street. Most of the experimental artists of the period, including Joseph Beuys, Yoko Ono and Nam June Paik, took part in Fluxus events. The movement, which still continues, played an important role in the opening up of definitions of what art can be."
  3. Anon. "Nam June Paik: Section 2: Fluxus, Performance, Participation," Tate Online, n.d.; situs accessus 23 Novembris 2013.
  4. Baas, Jacquelynn, et al. Fluxus and the Essential Questions of Life, pp 80,86. Chicago and Hanover, NH: University of Chicago Press and Hood Museum of Art, 2011.
  5. http://archive.tate.org.uk/DServe/dserve.exe?dsqServer=tb-calm&dsqIni=Dserve.ini&dsqApp=Archive&dsqCmd=Show.tcl&dsqDb=Catalog&dsqPos=8&dsqSearch=(UserWrapped5='Mayor')[nexus deficit]
  6. Getty Research Institute. Selected Special Collections Finding Aids. Jean Brown papers, 1916-1995, bulk 1958-1985.. Retrieved August 28, 2008.

Bibliographia selecta

Bibliographia

Nexus externi