With an estimated population in 2022 of 8,335,897 distributed over 300.46 square miles (778.2 km2), the city is the most densely populated major city in the United States. New York has more than double the population of Los Angeles, the nation's second-most populous city. New York is the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the U.S. by both population and urban area. With more than 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York City is one of the world's most populous megacities. The city and its metropolitan area are the premier gateway for legal immigration to the United States. As many as 800 languages are spoken in New York, making it the most linguistically diverse city in the world. In 2021, the city was home to nearly 3.1 million residents born outside the U.S., the largest foreign-born population of any city in the world. (Full article...)
The building's facade is divided into three horizontal sections. The lowest three stories comprise a base of light-colored stone, including a colonnade with Corinthian-style capitals. Above that is a seven-story shaft with a brick facade and stone quoins. The top of the building has a double-height loggia and a cornice with modillions. Inside, the building contained accommodations for the Engineers’ Club, including 66 bedrooms and club meeting rooms. In the early 20th century, the Engineers' Club Building was connected to the Engineering Societies' Building.
The Engineers' Club Building was partially funded by Andrew Carnegie, who in 1904 offered money for a new clubhouse for New York City's various engineering societies. The Engineers' Club did not want to share a building with the other societies, so an architectural design competition was held for two clubhouse buildings. The Engineers' Club Building served as a clubhouse until 1979, after which it became a residential structure. The building became a cooperative apartment called Bryant Park Place in 1983. The building was added to the National Register of Historic Places in 2007, and the New York City Landmarks Preservation Commission designated the building as a landmark in 2011. (Full article...)
The episode was the first time that Pam Beesly (Fischer) had a different hairstyle. In addition, many of the scenes were improvised, including Dwight's line about ham and Michael's antics in New York. "Valentine's Day" received mostly positive reviews from television critics and was watched by 8.95 million viewers. (Full article...)
The facade is made of granite at the ground story and Indiana Limestone on the other stories. The facade's composition is based on the arrangement of the superstructure, which is arranged as a grid of rectangles. The main entrance is through a porch at the center of the Park Avenue facade. Inside, the building contains at least 33,600 square feet (3,120 m2) of space. , all six floors of the building are occupied by Fotografiska New York, an offshoot of the Swedish photography museum Fotografiska.
The Domestic and Foreign Missionary Society sought to develop a dedicated headquarters for much of the 19th century. The Church Missions House building was built between 1892 and 1894. The building was sold in 1963 to the Federation of Protestant Welfare Agencies (FPWA). The New York City Landmarks Preservation Commission designated Church Missions House as a landmark in 1979, and it was added to the National Register of Historic Places in 1982. The FPWA moved out of the building in 2015, and Fotografiska New York opened there in 2019. (Full article...)
Producer Dino De Laurentiis purchased the rights from Maas. Agent Martin Bregman joined the film as co-producer. Bregman suggested Pacino for the main part, and John G. Avildsen was hired to direct the film. Pacino met with Serpico to prepare for the role early in the summer of 1973. After Avildsen was dismissed, Lumet was hired as his replacement. On a short notice, he selected the shooting locations and organized the scenes; the production was filmed in July and August.
The funds to construct the Fulton Street Line east of Broadway Junction, including the Grant Avenue station, were allocated in 1939. Construction of the extension was delayed due to material shortages from World War II. The Fulton Street Line between Broadway Junction and Euclid Avenue opened in 1948. Funding to construct the Grant Avenue station was allocated in 1950, and the station opened in 1956. (Full article...)
The General Assembly Building is a four-story structure measuring 380 by 160 ft (116 by 49 m), with concave walls to the west and east, as well as a concave roof with a dome. The building contains a lobby for journalists and the general public to the north, as well as a lobby for delegates to the south. The central portion of the General Assembly Building is the General Assembly Hall, which has a seating capacity of 1,800 and measures 165 ft (50 m) long, 115 ft (35 m) wide, and 75 ft (23 m) tall. Each delegation has six seats in the hall, which face south toward a rostrum and a paneled semicircular wall with booths. The building also contains other spaces, including a delegates' lounge and the president of the United Nations General Assembly's offices on the second floor; a meditation room on the ground floor; and various shops and conference rooms in the basement.
The design process for the United Nations headquarters formally began in February 1947. The General Assembly Building was the third building to be constructed at the headquarters, after the Secretariat and Conference buildings. Construction of the General Assembly Building's steelwork began in February 1950, and the building was formally dedicated on October 10, 1952. The rapid enlargement of the United Nations prompted the UN to modify the hall's layout several times in the 1960s. The General Assembly Hall was closed for renovation from 1978 to 1979 to accommodate additional delegations. The building started to deteriorate in the 1980s due to a lack of funding, and UN officials considered renovating the complex by the late 1990s, but the project was deferred for several years. As part of a wide-ranging project that began in 2008, the General Assembly Building was renovated from 2013 to 2014. (Full article...)
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A Good Send Off,_Go!. Lithograph, Currier and Ives, 1872 (New York)
Fleetwood Park was a 19th-century harness racing (trotting) track in what is now the Morrisania section of the Bronx in New York, United States. The races held there were a popular form of entertainment, drawing crowds as large as 10,000 from the surrounding area. The one-mile (1.6 km) course described an unusual shape, with four turns in one direction and one in the other. For the last five years of operation, Fleetwood was part of trotting's Grand Circuit, one travel guide calling it "the most famous trotting track in the country".
The track operated under several managements between 1870 and 1898. Most notable was the New York Driving Club, consisting of many wealthy New York businessmen, including members of the Vanderbilt and Rockefeller families as well as former US president Ulysses S. Grant. Robert Bonner, owner and publisher of the New York Ledger, was a member, as was his brother David, who at one time served as president.
For most of its history, the track failed to turn a profit, the shortfall being made up annually from financial assessments of the membership. Economic pressures forced the track to close in 1898, and within two years the property was being subdivided into residential building lots. One of the few remaining vestiges of the track is the meandering route of 167th Street, which runs along a portion of the old racecourse. (Full article...)
The theater is oriented on a diagonal axis, maximizing seating capacity on its small site of 100 by 100 feet (30 by 30 m). The facade is largely made of golden brick and is simple in design. The most prominent part of the facade is a curved entrance at the southeast corner, facing Broadway, where a lobby leads to the rear of the theater's orchestra level. The auditorium contains Adam-style detailing, a large balcony, and box seats with decorated arches above them. The auditorium contains a segmental proscenium arch topped by a curved sounding board.
The Shuberts developed the Ambassador, along with the neighboring O'Neill and Walter Kerr theaters, after World War I as part of a theatrical complex around 48th and 49th Streets. The Ambassador opened on February 11, 1921, with the musicalThe Rose Girl. The Shuberts sold the property in 1935, and it was intermittently used as a CBS broadcast studio, a movie theater, and for live theater until 1945. The Ambassador then hosted foreign films in the late 1940s and was a studio for the DuMont Television Network in the early 1950s. In 1956, the Shuberts assumed ownership again, returning it to use as a live theater. Though many of the Ambassador's productions in the 20th century were short runs, it has hosted since 2003 the musical Chicago, the second-longest-running Broadway show . (Full article...)
The facade is made of limestone and is symmetrically arranged, with both Palladian and neo-Georgian motifs. At ground level, the eastern portion of the facade contains the theater's entrance, with a marquee over it, while the stage door is to the west. A double-height central colonnade at the second and third floors conceals a fire-escape staircase; it is flanked by windows in the outer bays. The auditorium contains Adam style detailing, a large balcony, and two outwardly curved box seats within ornate archways. The theater was also designed with a comparatively small lobby, a lounge in the basement, and mezzanine-level offices.
Harris proposed the Music Box Theatre in 1919 specifically to host his productions with Berlin, and the Shubert family gained an ownership stake shortly after the Music Box opened. The theater initially hosted the partners' Music Box Revue nearly exclusively, presenting its first play, Cradle Snatchers, in 1925. Many of the Music Box's early productions were hits with several hundred performances. There were multiple productions by Moss Hart and George S. Kaufman in the 1930s, including Once in a Lifetime and The Man Who Came to Dinner. After Harris died in 1941, Berlin and the Shuberts shared ownership of the theater, and the Music Box largely showed dramas rather than musicals. The theater hosted several plays by William Inge in the 1950s. Though the length of production runs declined in later years, the Music Box has remained in theatrical use since its opening. The Shuberts acquired the Berlin estate's ownership stake in 2007. (Full article...)
Based on his own fascination with spirituality, Aykroyd conceived Ghostbusters as a project starring himself and John Belushi, in which they would venture through time and space battling supernatural threats. Following Belushi's death in 1982, and with Aykroyd's concept deemed financially impractical, Ramis was hired to help rewrite the script to set it in New York City and make it more realistic. It was the first comedy film to employ expensive special effects, and Columbia Pictures, concerned about its relatively high $25–30 million budget, had little faith in its box office potential. Filming took place from October 1983 to January 1984, in New York City and Los Angeles. Due to competition for special effects studios among various films in development at the time, Richard Edlund used part of the budget to found Boss Film Studios, which employed a combination of practical effects, miniatures, and puppets to deliver the ghoulish visuals.
Ghostbusters was released on June 8, 1984, to critical acclaim and became a cultural phenomenon. It was praised for its blend of comedy, action, and horror, and Murray's performance was often singled out for praise. It earned $282.2 million during its initial theatrical run, making it the second-highest-grossing film of 1984 in the United States and Canada, and the then-highest-grossing comedy ever. It was the number-one film in theaters for seven consecutive weeks and one of only four films to gross more than $100 million that year. Further theatrical releases have increased the total gross to around $295.2 million, making it one of the most successful comedy films of the 1980s. In 2015, the Library of Congress selected it for preservation in the National Film Registry. Its theme song, "Ghostbusters" by Ray Parker Jr., was also a number-one hit. (Full article...)
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Since 1976, the New York Yankees of Major League Baseball (MLB) have maintained a strict appearance policy, specifying that players' hair must not touch their collars and that they may have mustaches but no other facial hair. The policy came from then-franchise owner George Steinbrenner, who believed that regulating his players' appearance would instill a sense of discipline. Steinbrenner began noting which players he believed needed haircuts when he took over the Yankees in 1973, but the policy was not codified until three years later. Steinbrenner's policy remains in place after his death, and has led to a number of dramatic appearance changes for players who come to the Yankees from other teams, such as Oscar Gamble, as well as pushback from players who prefer long hair and beards. In 1991, Don Mattingly was taken out of the Yankees' lineup for a day when he refused to cut his hair.
Most teams did not formally adopt any grooming or personal appearance policies until the 1970s, as earlier social customs meant that players were generally clean-shaven. This changed in 1972, when members of the Oakland Athletics, led by Reggie Jackson, formed The Mustache Gang. After that point, individual managers began to tighten or relax their teams' grooming standards as they saw fit. Steinbrenner's policy was inspired by that of the Cincinnati Reds, who forbid their players from growing facial hair between 1967 and 1999, when Greg Vaughn petitioned Marge Schott to rescind the rule. Former Yankees Mattingly and Joe Girardi have twice attempted to institute a similar policy on the Florida/Miami Marlins, but restrictions on that team have since loosened.
The Yankees' policy has been criticized by sportswriters as outdated, and by marketing officials for limiting the self-expression of players, thus also limiting their personal brands. Players such as Andrew McCutchen and Clint Frazier have critiqued the policy after leaving the Yankees, while both Brian Wilson and David Price have voiced their refusal to join the team as long as the appearance policy remains in place. (Full article...)
452 Fifth Avenue (also the HSBC Tower and formerly the Republic National Bank Building) is an office building at the southwest corner of Fifth Avenue and 40th Street in the Midtown Manhattan neighborhood of New York City. The building primarily consists of the 30-story, 400-foot (120 m) HSBC Tower, completed in late 1985 and designed by Attia & Perkins. The 10-story Knox Building, a Beaux-Arts office building designed in 1902 by John H. Duncan, is preserved at the base of the skyscraper. 452 Fifth Avenue faces Bryant Park immediately to the north.
The HSBC Tower is designed with a glass facade, which curves around the Knox Building to the north; a similar curved tower across Fifth Avenue was never built. The Knox Building's facade remains largely as it was originally designed, with decorated limestone cladding, a cornice above the sixth floor, and a mansard roof. The Knox Building is a New York City designated landmark and is on the National Register of Historic Places. Internally, the tower is tied into the stories of the Knox Building.
The Knox Building was erected between 1901 and 1902 for Edward M. Knox, who operated the Knox Hat Company and leased out several stories to office tenants. In 1964, the Knox heirs sold the building to a group that founded the Republic National Bank of New York and used the building as the bank's headquarters. The bank acquired the neighboring lots in the 1970s and hired Attia & Perkins to design a tower to house its new world headquarters, which would wrap around the Knox Building. The tower was expanded in the 1990s and sold to the investment bank HSBC. In October 2009, HSBC Holdings sold the building to Midtown Equities and Israeli holding company IDB Group, the latter of which passed the building to a subsidiary, Property & Building Corporation (PBC). HSBC continued to lease back its space in the building until 2022, when the bank announced it would relocate. (Full article...)
As it was not a freestanding structure, 110 East 42nd Street deviated from traditional bank building designs, being laid out as an office building with a bank. The sandstone facade is divided into three vertical sections: the base, tower, and upper stories. Within the four-story base on 42nd Street, there is a small office entrance to the west, a large round-arched entrance at the center, and a smaller arcade to the east. The remainder of the facade is split by vertical piers into multiple bays. The ground floor contains a 80-by-197.5-foot (24.4 by 60.2 m) rectangular room behind the arch, stretching 65 feet (20 m) tall; this was originally the banking room. An annex known as the "Chapel" is to the east of the banking room, and an elevator vestibule and subway entrance are to the west. The other floors are used as offices.
110 East 42nd Street, as well as the adjacent Pershing Square Building, were built on the site of the Grand Union Hotel. Construction started in 1921 and was completed in 1923, and an addition was built between 1931 and 1933. Its facade and banking hall were made New York City designated landmarks in 1996. The building was sold to SL Green in 1998, and the former banking space was turned into an event venue and banquet hall operated by Cipriani S.A. The upper floors of 110 East 42nd Street continue to be used as an office building. Gotham Realty owned the office floors from 2007 to 2011, and Meadow Partners took ownership of the office stories in December 2021. (Full article...)
The site of the library was selected in 1905, but groundbreaking for the Brooklyn Central Library did not begin until 1912. Escalating costs and political infighting slowed construction throughout the next two decades, and only the Flatbush Avenue wing of Almirall's building was ever completed. In 1935, Githens and Keally were commissioned to redesign the building in the Art Deco style; construction recommenced in 1938, and Almirall's building on Flatbush Avenue was largely demolished. The Central Library opened to the public on February 1, 1941, and its second floor opened in the mid-1950s. The structure was significantly renovated in the 1970s, 2000s, and 2020s.
The Central Library is a four-story building that resembles an open book as viewed from the air. The modern façade is made of limestone and contains relatively little ornamentation, except around the main entrance on Grand Army Plaza. The main entrance façade, accessed by a raised terrace, is curved and contains various inscriptions, in addition to tall, gilded columns by C. Paul Jennewein and a screen by Thomas Hudson Jones. The Flatbush Avenue wing to the southeast is longer than the Eastern Parkway wing to the east; both wings contain decorative windows and additional entrances. The library's 350,000-square-foot (33,000 m2) interior is centered around a triple-height circulation room. There are various reading rooms on the first through third stories, as well as an auditorium beneath the main entrance terrace. (Full article...)
This station opened in 1919 as part of the Interborough Rapid Transit Company (IRT)'s Pelham Line. The line was constructed as part of an agreement between New York City and two private transit operators to expand transit service across the city known as the Dual Contracts. The station exclusively served local trains until 1946, when rush-hour express service began. The Hunts Point Avenue station was renovated to become compliant with the Americans with Disabilities Act of 1990 in 2014. (Full article...)
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The theatre marquee, box office and entrance on the 46th Street side of the New York Marriott Marquis hotel
The Marquis was designed by John C. Portman Jr., who designed the Marriott Marquis and included the theater to increase the size of the hotel. The theater's main entrance and box office are at 210 West 46th Street. The box office is at ground level, and there are escalators leading from the ground floor to the auditorium. Due to a lack of space, the wings on each side of the proscenium arch are smaller than mandated by city building codes. The theater also has no freight elevator, no dedicated restroom facilities, and small hallways.
A theater was proposed on the site in 1973 as part of a hotel (later the Marriott Marquis), the completion of which was delayed until 1985. The hotel had controversially replaced several existing theaters, and the design features of the new Marquis Theatre were highly criticized, even by the hotel's supporters. The theater opened in July 1986 with concerts by Shirley Bassey, followed by the long-running Me and My Girl. The Marquis then hosted a series of short-lived productions from the 1990s through the 2010s. (Full article...)
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5 to 7 is a 2014 American romantic film written and directed by Victor Levin and starring Anton Yelchin, Bérénice Marlohe, Olivia Thirlby, Lambert Wilson, Frank Langella, Glenn Close and Eric Stoltz. Yelchin plays Brian, a 24-year-old writer who has an affair with a 33-year-old married French woman, Arielle (Marlohe). Arielle and her middle-aged husband, Valéry (Wilson), have an agreement allowing them to have extramarital affairs as long as they are confined to the hours between 5 and 7 p.m.
The film's premise was inspired by a French couple in an open marriage whom Levin met in the 1980s. Though he completed the film's first draft in 2007, the project remained in development for seven further years due to casting issues. Diane Kruger was initially cast as Arielle but was replaced by Marlohe. Filming began in May 2013 in New York City and mainly took place on the Upper East Side of Manhattan. The film's score was composed by Danny Bensi and Saunder Jurriaans.
5 to 7 was premiered at the Tribeca Film Festival on April 19, 2014. It was also screened at the 2014 Traverse City Film Festival, where it won the Audience Award for Best American Film. The film was released theatrically on April 3, 2015 by IFC Films. It grossed $674,579 at the worldwide box office and received mixed reviews from critics. (Full article...)
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The bar's entrance, November 2020
Industry Bar, or simply Industry, is a gay bar and nightclub in the Hell's Kitchen neighborhood of Manhattan in New York City. Owned by Bob Pontarelli, it is a sister establishment to Barracuda, a gay bar, and Elmo, a restaurant. Industry opened in 2010 and caters primarily to a crowd of young gay men and tourists. Its musical selection is mostly pop, and its live entertainment consists of a number of weekly drag shows, many of which are hosted by internationally recognized drag queens. New York City nightlife journalists frequently note Industry as one of the top gay venues in Manhattan. (Full article...)
Morris Berg (March 2, 1902 – May 29, 1972) was an American professional baseball catcher and coach in Major League Baseball who later served as a spy for the Office of Strategic Services during World War II. He played 15 seasons in the major leagues, almost entirely for four American League teams, though he was never more than an average player and was better known for being "the brainiest guy in baseball." Casey Stengel once described Berg as "the strangest man ever to play baseball."
Berg was a graduate of Princeton University and Columbia Law School, and he spoke several languages and regularly read ten newspapers a day. His reputation as an intellectual was fueled by his successful appearances as a contestant on the radio quiz show Information Please, in which he answered questions about the etymology of words and names from Greek and Latin, historical events in Europe and the Far East, and ongoing international conferences. (Full article...)
With a population of 2,405,464 as of the 2020 census, Queens is the second-most populous county in New York state, behind Kings County (Brooklyn), and is therefore also the second-most populous of the five New York City boroughs. If Queens were its own city, it would be the fourth most-populous in the U.S. after New York City itself, Los Angeles, and Chicago. Queens is the fourth-most densely populated borough in New York City and the fourth-most densely populated U.S. county. About 47% of its residents are foreign-born. Queens is the most linguistically and ethnically diverse place on Earth. (Full article...)
Named after the Dutch town of Breukelen in the Netherlands, Brooklyn shares a border with the borough of Queens. It has several bridge and tunnel connections to the borough of Manhattan, across the East River, and is connected to Staten Island by way of the Verrazzano-Narrows Bridge. With a land area of 69.38 square miles (179.7 km2) and a water area of 27.48 square miles (71.2 km2), Kings County is the state of New York's fourth-smallest county by land area and third smallest by total area. (Full article...)
The Bronx is divided by the Bronx River into a hillier section in the west, and a flatter eastern section. East and west street names are divided by Jerome Avenue. The West Bronx was annexed to New York City in 1874, and the areas east of the Bronx River in 1895. Bronx County was separated from New York County (modern-day Manhattan) in 1914. About a quarter of the Bronx's area is open space, including Woodlawn Cemetery, Van Cortlandt Park, Pelham Bay Park, the New York Botanical Garden, and the Bronx Zoo in the borough's north and center. The Thain Family Forest at the New York Botanical Garden is thousands of years old and is New York City's largest remaining tract of the original forest that once covered the city. These open spaces are primarily on land reserved in the late 19th century as urban development progressed north and east from Manhattan. (Full article...)
Staten Island (/ˈstætən/STAT-ən) is the southernmost borough of New York City, coextensive with Richmond County and situated at the southern tip of the U.S. state of New York. The borough is separated from the adjacent state of New Jersey by the Arthur Kill and the Kill Van Kull and from the rest of New York by New York Bay. With a population of 495,747 in the 2020 Census, Staten Island is the least populated New York City borough but the third largest in land area at 58.5 sq mi (152 km2); it is also the least densely populated and most suburban borough in the city.
A home to the Lenape indigenous people, the island was settled by Dutch colonists in the 17th century. It was one of the 12 original counties of New York state. Staten Island was consolidated with New York City in 1898. It was formerly known as the Borough of Richmond until 1975, when its name was changed to Borough of Staten Island. Staten Island has sometimes been called "the forgotten borough" by inhabitants who feel neglected by the city government. It has also been referred to as the "borough of parks" due to its 12,300 acres of protected parkland and over 170 parks. (Full article...)
Image 16The Sunday magazine of the New York World appealed to immigrants with this April 29, 1906 cover page celebrating their arrival at Ellis Island. (from History of New York City (1898–1945))
Image 18Anderson Avenue garbage strike. A common scene throughout New York City in 1968 during a sanitation workers strike (from History of New York City (1946–1977))
... that Lucy Feagin founded the Feagin School of Dramatic Art in New York City, where talent scouts for radio, screen, and stage were always present to watch her senior students' plays?
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