The 1931 Nobel Prize in Literature was posthumously awarded to the Swedish poet Erik Axel Karlfeldt (1864–1931) with the citation: "The poetry of Erik Axel Karlfeldt."[1] He was the third Swede to win the prize and remains the only recipient to be posthumously awarded.[1] Karlfeldt had been offered the award already in 1919 but refused to accept it, because of his position as permanent secretary to the Swedish Academy (1913–1931), which awards the prize.[2]
Karlfeldt's poetry is strongly influenced by the customs and environment of his childhood. But the area started to mirror the universal by becoming more and more of a microcosm. His art is primarily wild in character, marked by austerity and an antipathy to egotism. His alter ego, Fridolin, frequently appears in his poetry to convey his humor, sadness, longings, and mood. His poetry exhibits a superb command of words. Karlfeldt explored the potential offered by his imagination and poetry as an artistic medium, even though he had a strong bond with his home country and its customs.[3][4]
Deliberations
Nominations
Karlfeldt was nominated in 10 different occasions starting in 1916. In 1931, he received a single nomination from the 1930 Nobel Peace Prize laureate Nathan Söderblom, also a member of the Swedish Academy, with which he was awarded posthumously afterwards.[5]
His wife, Gerda Holmberg–Karlfeldt, was the one who received the Nobel diploma, medal and monetary prize worth SEK173,206 from King Gustaf V and permanent secretary, Per Hallström.[3][failed verification]
In the award ceremony held on 10 December 1931, Anders Österling, Swedish Academy member, explained the Nobel Committee's justification of awarding the prize posthumously, by saying:
Thus the decision to honour the poetry of Erik Axel Karlfeldt with this year’s Nobel Prize is intended as an expression of justice by international standards. Death has stepped between the laureate and his reward; under the circumstances the Prize will be given to his family. He has left us, but his work remains. The tragic world of chance is outshone by the imperishable summer realm of poetry. Before our eyes we see the tomb in the dusk of winter. At the same time we hear the great victorious harmonies sung by the happiness of the creative genius; we feel the scents from the Northern pleasure garden that his poetry created for the comfort and joy of all receptive hearts.[8]
Reactions
The prize was controversial not just because it was the first and only time the Nobel Prize in Literature was awarded posthumously, but because the Academy had previously awarded two other Swedish writers of the same literary era, Selma Lagerlöf in 1909 and Verner von Heidenstam in 1916.[9] The prize decision was not well received in the Swedish press. In newspapers such as Dagens Nyheter and Stockholms Dagblad the Swedish Academy's decision to posthumously award an author, particularly one who had refused to accept it before, was questioned and said to be against the purpose of the award. A positive reaction was however expressed in Svenska Dagbladet saying that while the award to Karlfeldt was surprising it "on closer deliberation prove to be not just justifiable but beautiful".[2] Internationally, it was heavily criticized as few had heard of Karlfeldt.[9]
Notes
^Georg Bonne was nominated by a number of other professors, of which at least 4 were eligible to make a nomination for the Prize.
^Kullmann's nomination (he appeared to be eligible to make a nomination), along with that of three other Russians living in Paris, France, was forwarded by cabinet minister Emanuel Nobel.
^ abPaul Ernst was nominated by 6 professors of the University in Zurich who signed the previous year's nomination, as well as a further 14 professors from Germany, Bohemia and Switzerland, at least four of whom were eligible to nominate a candidate.
^Eligible professors and Academy members from Bordeaux, La Paz (Bolivia), Lima, Madrid, Salamanca, Valencia and Zaragoza nominated Concha Espina.
^Rudolf Kassner was nominated by 19 people, at least 10 of whom were Austrian, German and Swiss professors, eligible to make nominations.
^Nominations from individuals, mostly professors, eligible to make nominations came from Algiers, Barcelona, Breslau, Buenos Aires, Brussels, Dublin, Glasgow, Granada, Groningen, Copenhagen, La Laguna, La Plata, Leeds, London, Madrid, Mexico, Montevideo, Murcia, Naples, Paris, Pothiers, Porto, Salamanca, San José de Costa Rica, Sevilla, Strasbourg, Torino, Toronto, Utrecht, Valencia, Valladolid, and from the United States (Berkeley, CA, Bloomington, IN, Cambridge, MA, Columbus, OH, Madison, WI, Iowa City, IA, Ithaca, NY, New York, Northampton, MA, and Princeton, NJ). A large number of nominations were also made by individuals whose eligibility to nominate was not confirmed.
^Kostis Palamas was also nominated by professors of Modern Greek in Paris, France and Leiden, Netherlands.
1931 Nobel Prize in Literature
