Cineon Image File Format
Logo of the Eastman Kodak Company (1987–2006).svg
Filename extension
.cin
Developed byKodak
Type of formatImage file formats
Extended toDPX
StandardDraft 4.5
Websitewww.cineon.com

The Cineon System was one of the first computer based digital film systems, created by Kodak in the early 1990s. It was an integrated suite of components consisting a Motion picture film scanner, a film recorder and workstation hardware with software (the Cineon Digital Film Workstation) for compositing, visual effects, image restoration and color management.[1][2][3]

The system was first released in September 1992 to Cinesite Hollywood. The workstations were initially built on Sun-Transputer based hardware. In July 1993 version 2.1.3 of the software was released for Silicon Graphics Inc, SGI Onyx hardware. The software was withdrawn from sale by 1997, although a number of customers continued to use it beyond that date. As an end-to-end solution for 4K resolution, 10 bit digital film production and Digital intermediate, the system was one of the first. The three major components of the system (scanner, workstation software, and recorder) have all received separate AMPAS Scientific and Technical Awards.[4][5][6]

The Cineon project was also responsible for the creation of the Cineon ( .cin) 10 bit log file format, designed to handle digital film frames. Although the product is no longer for sale, Cineon file format that Kodak defined was for a long time commonly used in the film visual effects world, and formed the basis for the newer SMPTE-standardised Digital Picture Exchange (DPX) format.[7]

Cineon file format

The Cineon file format was designed specifically to represent scanned film images, and thus has some differences from other formats such as TIFF and JPEG:

Programs like FFmpeg and XnView report to support .cin and .dpx.[8]

Documentation

Conversions to the Cineon format were defined in a Kodak document by Glenn Kennel.[9] The SMPTE standardized the format further into a related format called DPX which can store more varieties of image information as well as additional header information.

The Cineon 10 bits per pixel color space provides 1024 levels of color as opposed to 256 levels of color in 8 bits per pixel color space. 10 bit YUV and 10 bit RGB are the industry standard. The standard documented and recognized by the Society Of Motion Picture Television Engineers: SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M. A .fido file is a type of Cineon Graphics Data File format.[10][11]

History

From the late 1980s Glenn Kennel was the principal architect of the Cineon digital film system. Kennel led the development of the Cineon CCD film scanner and laser Film recorder (the Lightning film recorder) in Rochester NY. From February 1990, the Cineon workstation software was written by a team based at Kodak in Melbourne, Australia led by Lindsay Arnold. In early 1995, development moved to Kodak in Rochester, NY, where it was led by David Cok and Jim Minno. In about 1996, software development moved to Palo Alto, California[12] [13][14][15][16][17][18][19]

The initial developers of the system received a Scientific and Engineering Award from the Academy of Motion Picture Arts and Sciences in February 2012.[20] The system as commercially used contained the contributions of many additional scientists and engineers.[21]

Kennel helped launch Kodak's Cinesite Digital Film Center in September 1992, which became the premier test site for Cineon. In 1993 Cinesite used Cineon in the digital restoration of Disney's Snow White and the Seven Dwarfs, which became the first film to be entirely scanned to digital files, manipulated, and recorded back to film. The restoration project was done entirely at 4K resolution and 10-bit color depth using the Cineon software to digitally remove dirt and scratches. After the end of Cineon, Glenn Kennel worked with Philips to extend the Spirit DataCine to Cineon-compatible digital file output, first applying it to the 1998 movie Pleasantville. Pleasantville was the first digital intermediate film scanned on a Spirit DataCine. This process produced the mix of B&W and color pictures.[clarification needed] Philips licensed some of the technology from Kodak, mainly the front end (lens, optics and CCDs).[22][23][24][25][26]

Some books mentioning the role of Cineon in digital imaging history are:

See also

References

  1. ^ digital-intermediate.co.uk, Understanding Cineon, by Richard Patterson, First Draft 10/2/01
  2. ^ Brucegoren.com/, Kodak Brings Digital Art to Film, by Bruce N. Goren
  3. ^ cinematography.com, Five Scientists Earn Kudos for Developing Kodak Hybrid Technology, by Tim Tyler, February 2005
  4. ^ Google Patents, Method and apparatus for calibrating a sensor for highlights and for processing highlights, US 7088388 B2, Eastman Kodak Company
  5. ^ thefreelibrary.com, Kodak unveils new array of Cineon film and video production products, April 15, 1996
  6. ^ kodak.com, Timeline
  7. ^ "cineon.com, Cineon Image File Format Draft (not a Kodak Company.)". Archived from the original on 2013-05-29. Retrieved 2005-04-30.
  8. ^ James D. Murray; William vanRyper (April 1996). "Encyclopedia of Graphics File Formats" (Second ed.). O'Reilly. ISBN 1-56592-161-5. Retrieved 2015-04-17.
  9. ^ Glenn Kennel (1995-07-26). "Conversion of 10-bit Log Film data to 8-bit Linear or Video Data for The Cineon Digital Film System Version 2.1" (PDF). Eastman Kodak. Retrieved 2015-04-17.
  10. ^ The art of digital color, By Mike Seymour, August 23, 2011
  11. ^ Cineon Files: What They Are, and How To Work With Them
  12. ^ Prince, Stephen. Digital Visual Effects in Cinema
  13. ^ producedbyconference.com glenn kennel
  14. ^ Understanding Cineon, First Draft 10/2/01
  15. ^ linkedin.com Lindsay Arnold
  16. ^ cinematography.com, Kodak Cineon Digital Film System, By Tim Tyler, Feb 12 2005
  17. ^ Popular Science March 2005
  18. ^ oscars.org, The 77th Scientific & Technical Awards 2004 | 2005, Ritz-Carlton Huntington Hotel, Saturday, February 12, 2005, Host: Scarlett Johansson
  19. ^ group47.com, Jim Minno, bio, 2016
  20. ^ "Kodak Cineon Digital Film Receives Sci-Tech Award".
  21. ^ Understanding Digital Cinema: A Professional Handbook, by Charles S. Swartz
  22. ^ A brief history of scanning and recording by C Glenn Kennel, director of technology for Cinesite’s Film Scanning and Recording and Digital Mastering divisions.
  23. ^ Digital Alchemy: Matter And Metamorphosis In Contemporary Digital Animation And Interface Design, by Michelle Ramona Silva BA, Bridgewater State College, 1992 MA, University of Massachusetts, 1996
  24. ^ "University of Sussex" (PDF). Archived from the original (PDF) on 2017-03-03. Retrieved 2017-03-02.
  25. ^ Cinema Papers No.120 October 1997
  26. ^ Color and Mastering for Digital Cinema, by Glenn Kennel