Building on the progress in the 2010s, and anytime before, the 2020s held the promise of changing LGBTQ representation in animation in a significant way, especially when it came to Western animation. This went far and beyond anything in the 1990s or in the 2000s. In 2020 alone, the Steven Universe came to an end with the final episodes of Steven Universe Future,[1] as did She-Ra and the Princesses of Power, with its final season bringing the slow-burn lesbian romance of Catra and Adora full circle with their kiss saving the world (and universe) from destruction.[2] At the same time, shows such as Castlevania,[3] The Hollow,[4] DuckTales,[5] The Loud House,[6] Harley Quinn,[7] and Cleopatra in Space[8] featured LGBTQ characters while Kipo and the Age of Wonderbeasts premiered with a canon gay character named Benson.[9] In anime, Asteroid in Love,[10] Seton Academy: Join the Pack!,[11] and Interspecies Reviewers[12] included LGBTQ characters in their animations, as did My Next Life as a Villainess: All Routes Lead to Doom! and Adachi to Shimamura.[13]
To see the list of LGBTQ characters in the 2020s, please read the List of animated series with LGBT characters page. For fictional characters in other parts of the LGBTQ community, see the lists of lesbian, trans, bisexual, non-binary, pansexual, asexual, and intersex characters.
In the world of anime, there were a few series which included LGBTQ characters, all of which premiered in 2020. Asteroid in Love featured two protagonists (Mira and Ao) who want to discover an asteroid together[14][15] and have a friendship that develops into something that is more romantic.[16][17][10] Even in the show's ninth episode, Ao and Mira begin living together, continuing the low-key yuri romance.[18][19] On the other hand, Seton Academy: Join the Pack! featured two LGBTQ characters: a gay giraffe named Neku and an intersex, and possibly genderfluid, hyena named Iena Madaraba. While Neko tried to advance on the series protagonist, Jin, in two episodes,[20][21] Iena had a bigger role in the series, although still a secondary character. She is a spotted hyena with male genitalia and is confused about her true gender & sexuality, allowing others to refer her with either gender pronoun.[22][23] Some criticized the episodes about Iena to have "a wave of transphobic undertones"[24] and not portraying gender identity accurately,[25] although the same critic was satisified with the end of Iena's "gender arc."[26] Another series, a controversial adult sex comedy, due to the fact it is walking "the thin line of how explicit anime can be"[27] named Interspecies Reviewers included an intersex protagonist, an angel with a broken halo, named Crimvael, and a one-time lesbian character, Bina Banana, a film director who runs a lesbian succubus brothel in the city.[28] Crim, like Iena, has male and female genitalia.[29] but chooses to identify as male despite his feminine appearance because Stunk & Zel might try to do something perverted with him.[30] On T.H.E.M. Anime Reviews, Stig Høgset, noted that while Crim identifies as male, he has "sexual organs of both men and women," saying that he acts like this is the "standard for all angels," and has some enjoyable sexual experiences in the series.[12] Høgset further pointed out that the show is centered around "a group of men going around having sex with various girls in brothel-like settings," and writing about their experiences at these establishments.
In March of the same year, the voice actor Shiki Aoki for Idolm@ster, who voices Asuka Ninomiya, came out as a trans man, explaining how gender identity and sexual orientation are different.[31] He also stated that he identifies as pansexual (in the past he had identified as bisexual), his journey to discovering his gender identity, and noted the growing awareness of LGBTQ identities, although people continue to "feel uncertain about their identity," encouraging them to speak with him. Around the same time, The Daily Dot published an article talking about a Gender and Anime at Anime Boston in February 2020, noting that manga and anime have "a dearth of gender representation," with issues within Japanese culture itself, with crossdressing and genderqueer identity often made out to be a joke or a "trap" for the protagonist.[32] They further argued that Hourou Musako in Wandering Son is one of the "few sensitive portrayals of transgender characters out there," with one panelist calling it the "only true transgender anime in existence" and saying listeners should be "sensitive when discussing gender identity. Not long after, beginning in April, the episodes of My Next Life as a Villainess: All Routes Lead to Doom!, a fantasy-drama anime, began airing. The series follows a girl named Catarina Claes who was previously an otaku who "died in a past life" and enjoyed an otome game,[13] who amasses a bisexual harem pining for her as she tries to avoid being a villain and becomes very thoughtful.[33] This anime features two characters (Mary Hunt and Maria Campbell) have romantic feelings toward Catarina, after episode 2 for Mary[34] and after episode four for Maria.[35] In the show's eighth episode, Sophia confesses her love for Catarina and says they should move in together![36] In May of 2020, seven of the 10 spots of a "weekly favorite couple poll" by Anime Trending[37][38] were shipping characters with Catarina![39] The same month, voice actor Kouichi Yamadera, who voiced characters in Cowboy Bebop (Spike Spiegel), Dragon Ball Super (Beerus), and Lupin III (Koichi Zenigata) who had trended on Twitter when he created a meme about being a date with his boyfriend, made a video version of the same meme, which picked up "over 41,000 retweets and hundreds of amused comments from people impressed with how flamboyant Yamadera looks" as a gay voice actor.[40]
In October 2020, the romantic yuri anime titled Adachi to Shimamura will premiere on TV Tokyo. It will follow two close friends, Adachi and Hougetsu Shimamura, with Adachi wishing they were closer, even having "dreams of kissing Shimamura."[13] As such, the series, previously a yuri light novel series written by Hitoma Iruma, will focus on Adachi and Hougetsu falling in love.
Apart from these series, there are a number of other anime with similar themes. One of these was Tamayomi Baseball, adapted from a baseball manga series of the same name, which around centers Yomi Takeda, a pitcher, who reunites with her Tamaki Yamazaki, her childhood friend, and they fulfill their promise to each other as they start their baseball journeys, which aired from April to May 2020.[41][42] Other examples included Otherside Picnic,[43] directed by Takuya Satou who also directed Asagao to Kase-san,[42] with no exact date for a premiere, Vlad Love, a project of Mamoru Oshii,[44] with no premiere date set,[45] and Assault Lily: Bouquet[46] have similar themes. Others pointed out that in the second season of Kaguya-sama: Love is War two characters, Kaguya and Chika, got married in a board game,[47] and the protagonist, Eripiyo, of If My Favorite Pop Idol Made It to the Budokan, I Would Die is obsessed with her favorite idol,[48] a shy girl named Maina,[49] a show which aired from January to March 2020. In the latter show, Eriyipo, becomes obsessed with Maina Ichii, resulting in using almost all her money to buy Maina's merchandise.[50] Throughout the series, they clearly have feelings for each other, with Eripiyo saying she loves Maina on multiple occasions,[51] while Maina has feelings, but is more subdued in showing them.[52] Additionally, Reo and Sorane Matsuyama, members of the same idol group, may love each other.[53]
In 2021, Luminous Witches[54] created by Shaft, one of the best anime studios, and it may have yuri themes.[55][56]
In Western animation, representation became more pronounced than before. Gay characters appeared in three shows in 2020: Taka in Castlevania,[3] Indy and Ty in DuckTales, slated as recurring characters in the show,[5] and Benson in Kipo and the Age of Wonderbeasts.[9] In the latter case, Benson said outright he was gay,[57] which is the reason he only liked the series protagonist, Kipo, in a platonic way, and attended a party with "cute boys" after being lulled into a fantasy world in the episode "Mulholland," and developed a crush on one of the boys who lives in the burrows in the show's 10th episode.[58] This is why some noted the show's "casual queerness."[59] One critic, Petrana Radulovic, described Benson's coming out scene as setting a precedent for future programming for all ages:
"Despite the fact that LGBTQ representation in all-ages programming is better than ever, no one has actually uttered the words 'I’m gay' in an all-ages animation series. While some shows feature characters in more prominent and explicitly queer relationships than others (Mr. Ratburn’s Gay Rat Wedding in Arthur, for instance, as well as Bow’s dads on She-Ra and the Princesses of Power), up until now, no character has actually come out to another...The highlights noted by GLAAD over the years emphasize worlds and settings where being in a gay relationship is not challenged or seen as something different...there’s a different effect to a character proclaiming 'I’m gay,' let alone a lead character...Benson’s coming out scene isn’t a big, tearful affair, but a quiet moment between two people who are close. The LGBTQ+ community knows you don’t just come out once, but over and over, to co-workers, to new friends, to prospective love interests. Kipo and the Age of Wonderbeasts gets that right."[60]
Apart from these shows, The Loud House featured a lesbian character named Lainey dating a girl named Alice,[6] Q-Force promised to be an animated comedy series that will focus on the adventures of a handsome secret agent and "his team of fellow LGBTQ super-spies",[61] and the animated series, Harley Quinn, Clayface, a member of Harley Quinn's villain crew,[62] was a gay character, having a crush on a male student named Chad.[63] The lauded show, Steven Universe aired the last episode of its limited epilogue series, Steven Universe Future, on March 27, 2020 with the airing of a four-part finale, with ideas about the series dating back to drawings in 2013.[1] Sugar argued that the series made a point about shoune anime and kids cartoons, with the aftermath of victories generally not explored, stating that the series explores the aftermath of the victory in the Season 5 finale, with the protagonist, Steven, having to face his problems head-on.[1][64][65] The series showed a character, Bismuth, have a crush on another character (Pearl) in the episode "Bismuth Casual."[66] The same year, a storyboarder for the show stated that Peridot was asexual and aromantic,[67] despite her reservations that she is only a secondary creator on the show,[68] pleasing fans, even though she said that she didn't believe Peridot was autistic.[69][70] Before (and after this point) fans had shipped Peridot with various other characters, specifically Lapis Lazuli and Amethyst, some reviewers even seeing Peridot and Lapis in a "close, loving relationship" in 2018.[71]
When Steven Universe Future ended, with Sugar saying she is going to take a break from the characters,[72] some said that shows like She-Ra and the Princesses of Power would continue moving forward LGBTQ representation in animation.[73] For her part, the series creator of She-Ra, Noelle Stevenson, stated that she is interested in "telling central queer stories," with queer characters just as supporting characters, but having stories built around them, adding that there is still progress to go on that front, while acknowledging the strides are "in no small part due to Steven Universe."[73] Others hoped for "more queer-friendly animated shows" like Steven Universe in the future[74] and described Sugar as the "guiding force behind bringing LGBTQ+ visibility to children’s cartoons" from 2010 to 2020.[75] This representation manifested itself in the 18th episode of the animated series Cleopatra in Space which introduces the two moms of Akila, friend of series protagonist, Cleopatra ("Cleo").[8] These moms, Theoda and Pothina, work as scholars, use dated social expressions, and love their daughter. The same year, an episode of Clifford the Big Red Dog, "The Big Red Tomato", featured the two moms of the character Samantha Mulberry (Dr. and Ms. Mulberry)[76] and the Xavier Riddle and the Secret Museum series aired a special titled "I Am Madam President" which, among other aspects, highlighted LGBTQ+ astronaut Sally Ride.[77]
On May 15, 2020, what people have said about She-Ra and the Princesses of Power came to pass when the final season of Steven's show premiered on Netflix. The stakes were higher than ever before, with more danger than the previous season, according to Stevenson, as the season has "a core of optimism to it" with the characters discovering who "they are and following the path that each of them has."[78] Before the show premiered, Mey Rude, who has reviewed the show, said that it is "changing animation, television, and lives for the better"[79] and stated that She-Ra has and "will continue to be the catalyst for self discovery for countless queer people."[80] In an interview with Nerdist, Stevenson said that she wanted to represent points of view not usually seen in media, trying to explore them while being as "honest and as real as possible," adding that while crafting queer representation is different from "studio to studio, show to show," recommending that people who want such representation have to approach it "without any fear," saying that sometimes people hold back because they are scared, and called for increased LGBTQ representation.[81] She hoped that the show would inspire people to create "more queer relationships and characters who are textually queer," and that it inspires people in their lives as a whole. She echoed this in a later tweet, remarking that she hoped that in the future people stop thinking of LGBTQ representation "as a race or a contest and more as a community effort to uplift voices that have not yet had their stories told," adding that every piece of media is a broadening of horizons, not an endpoint.[82] In another interview, she made the argument that having characters who are incidental to the story, and have a "central and somewhat ambiguous, slow unfolding of a relationship," with the latter much tougher, arguing that it not time at the present for queer characters to die because that has been the norm for a while.[83] In terms of the show itself, the final season confirmed Rogelio and Kyle as gay characters[84] included scenes of a married lesbian couple (Netossa and Spinnerella), the two dads (George and Lance)[85] of series protagonist, Bow, and an episode with a major focus on Double Trouble,[86] a non-binary character. Most prominently, however, the slow-burn romance[87] of Catra and Adora came to a pinnacle, with both confessing their love toward each other and kissing one another in the series finale, with their love saving the universe.[2][83] Stevenson stated that while this romance was something she had planned from the show's conception, she wasn't sure how overt she could be, playing it sensitively at the beginning,[88] waiting for the right moment, laying the groundwork for the final season, with the slow-burn romance ultimately approved, and was glad she could finally talk about it, having it be central to the final season in "a very, very textually romantic way."[81][83] She implied influence of Steven Universe on the show,[89] while confirming the Bow/Glimmer, and Scorpia/Perfuma, and Entrapta/Hordak relationships, while noting she fought hard for the Catra/Adora pairing during the show's development.[90][91] At the same time, in one interview she noted that while the show focuses on humanizing villains like Hordak, that Horde Prime represents someone who cannot be redeemed, with redemption as a choice, and open-ended nature of the final episode.[88] She further stated that she based Horde Prime on suicidal cult leaders and Christian fundamentalists as many of his phrases feel "like they’re lifted straight out of religious sermons and songs," with megachurches used as a model for "designing Horde Prime’s spaceship."[92] In an interview with GLAAD’s Raina Deerwater she talked about queer representation in animation, situating her show with others like Legend of Korra and Steven Universe, noting that young fandom is expecting "nothing less than a variety of solid queer representation and central queer characters," calling it inspiring, and noting challenges that lay ahead.[93] When talking with Entertainment Weekly she told Christian Holub that she hoped that She-Ra would continue to pave the way, saying she hopes it will be easier to have "romances and relationships that are constant throughout the show" without it taking suspense out of the show itself.[94]
Furthermore, Stevenson talked to Gizmodo about the Catra/Adora relationship, shipping, and LGBTQ relationships in fiction:
"It’s kind of bothered me in the past when it comes to two characters who are gay or queer in a queer relationship, or are theorized to be in a queer relationship. And the way that it always seems to come down, the way it’s covered, that it is a shipping thing? Or it is something that, you know, bored kids on the internet do that’s not real—or it doesn’t have real merit and real value and real storytelling and meaning. That always seems to be the conversation around gay characters because it’s like, ‘Oh, I want these two characters to kiss. I ship them!’ Which is great. I love the fandom that is passionate about these things. But for me, I was like, why can’t it be a relationship that is central to the plot, a romance that is central to the plot. The way that so many straight characters have gotten to be, without it being the end-all-be-all...to actually see it [the Catra-Adora romance] be a central part of the plot and to fulfill the arcs of the characters in a way that felt satisfying. I really want to take it beyond ‘Oh, the shippers got what they want.’ Like, it’s not just a ship for me. It is a plot point. It is the necessary conclusion of each character’s arc, separate and together...I’m looking forward to seeing how that conversation evolves, and what it looks like in the next show and the next movie and the next story and the one after that. What can we ask for? What can we look for and what can we imagine for ourselves and for others that are represented on our screens and in our stories? And I’m excited for what that conversation will be."[95]
Some reviewers praised the series on its character development, plotlines, redemption arc for Catra, the screen time for Entrapta, hilarious moments, the interactions between Netossa and Spinnerella, and wrapping up existing character arcs.[96] Others said that the sendoff of the series is satisfying, with Catra portrayed as a victim of trauma, with her past straining her relations with Adora, with the message that nothing can overpower "the collective power of friendship, love, and solid storytelling."[97] A review on The Mary Sue stated that the show's final season hammers home the message of love, compassion, and sttength, even with an emphasis on forgiveness and allowing those who wish to be redeemed the space to change, like Steven Universe, although none of the pain caused is erased, and noted the lesbian marriage (between Netossa and Spinnerella), the two "queer leads" (Adora and Catra), non-binary characters, and many other forms of representation.[98] The same review made the argument that in the last ten years, LGBTQ television for children has changed to the extend that going backward isn't an option, with shows like She-Ra leading the way. Some stated that the series ends on a powerful note, with the final season "packed with big queer energy," with lesbian love literally saving the universe in the series finale, praising the finale season for putting "LGBT+ characters front and centre with a finale that does justice to its fans."[99] At the same time, reviewers said that the kiss between Adora and Catra would change TV forever.[2] Three reviewers for Autostraddle, Valerie Anne, Meg Jones Wall, and Heather Hogan, reviewed the show's final season, calling it a "literally perfect season of television", the friendship between Scorpia and Perfuma, the hilarious moments, and Entrapta coming more out of her shell.[100] They further pointed to Catra's redemption arc, the focus on Netossa and Spinnerella, and called the Catra/Adora relationship one of the best "queer couple storylines." Tracy Brown of the Los Angeles Times noted that Etheria is a planet without restrictions on gender and no hetereonormativity, adding that the final season actualized the "central queer love story," thrilled to see Catra and Adora admit their love for each other, surprised by it only because she "didn’t expect to be able to see a story like theirs unfold on a kids’ cartoon — at least not yet," going beyond what she called "ambiguous queer undertones," and said that she considers the TV show that lets all kids, especially those are queer, realize that "being honest about their feelings can make them a hero is as exciting as it is important."[101] Thomas Bacon of ScreenRant echoed this sentiment by saying that while the She-Ra franchise has always had "queer undertones," the queer romance between Adora and Catra is now canon, adding to the "lesbian relationship between the princesses Netossa and Spinnerella, and the nonbinary character Double Trouble," with the queer love between Adora and Catra becoming central, with their love saving the universe itself.[102] He described the show as bold and a "flagship show for queer representation," with nothing like it ever before, and hoped the show will "become a trend-setter." Adding to this was the review by Emmet Asher-Perrin on Tor.com, argues that Catra has an inferiority complex like Loki in Marvel Cinematic Universe films and the current "master" in the Doctor Who series, noting that while Catra becomes a villain originally, but after she realizes this makes her unhappy, she switches sides, saves Glimmer, and Adora rescues her from Horde Prime, noting that Catra stood in front of the girl she loved, confessing her feelings.[103] Another commentary, by Raina Deerwater of GLAAD in The Advocate, stated that the center of the show is a "relationship between two women" (Adora and Catra), with the dynamic between then driving the entire series, comparing the show to Killing Eve while noting shows like The Legend of Korra, Adventure Time, and Steven Universe also having central queer romances, and citing GLAAD's Where We Are on TV reports to talk about LGBTQ representation in popular media.[104] Deerwater also describes Adora and Catra as "undisputedly gay," with their kiss in the final episode making it clear that the show was a love story, with the title characters of both She-Ra and Killing Eve likely getting "to live their full queerness" following the series finales of both shows, while remaining optimistic about more representation going forward.
In 2020, a number of other shows featured LGBTQ characters. One of these was The Hollow. On May 8, the show's second season premiered on Netflix. The second episode of that season, titled "Hollow Games," featured one of the show's protagonists, a Hispanic boy named Adam, was revealed to homosexual, saying that Mira, a female protagonist, is "not his type."[4] Prior to this, in the trailer for Season 2 the LGBT pride flag was seen in his room, leading some fans to speculate he was gay.[105] Some critics stated that while this was somewhat clear in season one, but that there is little or no "romantic entanglement" for the show's characters in the show's second season, with the show focusing on "difficult and dramatic friendships" instead.[4] The same year, in an episode of Harley Quinn, "There’s No Place to Go But Down," Harley Quinn saved her partner-in-crime, Poison Ivy, both kissed each other after they escaped from prison.[7] The critic who reviewed the episode stated that Harley and Poison's romance is "slow burn" one, adding that this love affair could turn into a "more realistic exploration of how it feels to fall in love with a friend or to have an awkward hookup with a workmate." Another reviewer, Sophie Perry, writing for a lesbian lifestyle magazine, Curve, noted how queerbaiting has long endured in LGBTQ representation, noting how She-Ra and Harley Quinn both had same-sex kisses, happening within stories which could have turned out to be "typical queerbaiting" but did not.[106] Perry added that the "queer conclusion" of the show is thanks to Noelle Stevenson, describing it as very different from the conclusion of The Legend of Korra which confirmed Korra and Asami’s relationship but left it "purposefully ambiguous" so it could air on a children’s network. She concluded by calling She-Ra culturally significant, and added that as more creative queer people come to the fore, inevitably queerbaiting will "become a thing of the past." On May 24, the voice actress for Blake Beladonna in RWBY, Arryn Zech, confirmed that Blake is bisexual, with the other cast members concurring with her assessment.[107] Blake previously had a relationship with the abusive Adam Taurus,[108] which Ilia implied as romantic in the episode "Alone Together" even though these feelings have since faded away.[109] She gets along well with her teammate, Yang Xiao Long, beginning in earnest with the episode, "Burning the Candle"[110] and also exemplified by both holding hands in the season 3 finale.[111] Blake and Yang also fight against Adam together in the episodes "The Lady in the Shoe"[112] and "Seeing Red,"[113] with Blake stating she will always be Yang's side. After the battle, and Adam's death, Yang and Blake embrace, and their foreheads touch each other,[114] and in later episodes Blake sleeps in Yang's lap[115] and goes to a dance with her.[116] Blake also shows closeness to Sun Wukong, taking him to a school dance,[110] develops a crush on him,[117] and gives him a goodbye kiss, on the cheek, in the first episode of volume 6.[118]
On June 12, 2020, the second season of Kipo and the Age of Wonderbeasts began streaming on Netflix. Some reviewers described it as being colorful and funny, with its diversity allowing it comment on sexuality, race, and class, combining the world-building in Avatar: The Last Airbender and the inclusivity, and heart, of a show like Steven Universe.[119] Others argued that Kipo, like the "fellow empath Steven Universe," attempts to talk antagonists about their feelings.[120] or noted that the show explores "burgeoning same-sex relationships in a positive manner," referring to the relations between Benson and Troy.[121] Later that month, the series creator of Kipo, Radford "Rad" Sechrist, when asked by a fan about Asher's gender, said that Asher is non-binary and uses they/them pronouns.[122]
Also in June 2020, Nickelodeon promoted LGBTQ+ characters in their shows, highlighting Spongebob Squarepants and The Legend of Korra.[123] While some said this "proved" that Spongebob was gay, Stephen Hillenberg, back in 2005, said he considered Spongebob to be asexual, with one writer for Out writing "it's important to realize that those who are asexual are queer as well and are just as welcome to dawn rainbows and celebrate Pride this month."[124]
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