Laurence Harvey | |
---|---|
Born | Zvi Mosheh Skikne 1 October 1928 |
Died | 25 November 1973 | (aged 45)
Years active | 1948–1973 |
Spouse(s) | Margaret Leighton (1957–1961) Joan Perry (1968–1972) Paulene Stone (1972–1973) |
Laurence Harvey (1 October 1928[1] – 25 November 1973) was a Lithuanian-born actor who achieved fame in British and American films.[2]
Harvey maintained throughout his life that his birth name was Laruschka Mischa Skikne, but his birth name was actually Zvi Mosheh Skikne.[3] He was the youngest of three boys born to Ella (née Zotnickaita) and Ber Skikne, a Lithuanian Jewish family in the town of Joniškis, Lithuania.[4][5] Aged five he emigrated with his family to South Africa, where he was known as "Harry Skikne".
He grew up in Johannesburg, and was in his teens when he served with the entertainment unit of the South African Army during World War II. After moving to London, England, he enrolled in the Royal Academy of Dramatic Art where he became known as Larry. After learning his craft at RADA, he began to perform on stage and film, where he adopted the stage name "Laurence Harvey", taken either from the shop name Harvey Nichols or from Harvey's Bristol Cream.
He made his cinema debut in the British film House of Darkness (1948), but only established himself in British cinema when he appeared with Rex Harrison and George Sanders in King Richard and the Crusaders (1954) and as Romeo in Renato Castellani's adaptation of Shakespeare's Romeo and Juliet, narrated by John Gielgud, in the same year. This enabled him to gain his first Hollywood experience. He was cast as the writer Christopher Isherwood in I Am A Camera (1955), with Julie Harris as Sally Bowles (Cabaret is a musical from the same source texts). He also appeared on American TV and on Broadway, making his Broadway debut in 1955 in the play Island of Goats, a flop which closed after one week, though his performance won Harvey a 1956 Theatre World Award. [citation needed]
He says he turned down an offer to appear in Helen of Troy (1955) to act at Stratford upon Avon.[6]
Harvey appeared twice more on Broadway, in 1957 with Julie Harris, Pamela Brown, and Colleen Dewhurst in William Wycherley's The Country Wife, and as Shakespeare's Henry V in 1959, as part of the Old Vic company, which featured a young Judi Dench as Katherine, the Daughter of the King of France. In John Miller's biography of Dame Judi, With A Crack In Her Voice, she talked of being bewildered at how Harvey never actually looked at her during his speeches, and the book also quotes Joss Ackland as saying that Americans seemed to think Harvey was some sort of great actor, which his colleagues certainly did not. Harvey was regularly dismissed by critics. In his posthumously published autobiography Knight Errant, actor Robert Stephens described him as "an appalling man and, even more unforgivably, an appalling actor". [citation needed]
Harvey's breakthrough to international stardom came in 1959 when he was cast by director Jack Clayton as the social climber Joe Lampton in Room at the Top produced by British film producing brothers Sir John and James Woolf of Romulus Films and Remus Films. For his performance, Harvey received a BAFTA Award nomination and a nomination for the Academy Award for Best Actor, the first person of Lithuanian descent to be nominated for an acting Oscar.
Harvey was cast in the role that had made Peter O'Toole prominent in the West End: the film version of The Long and the Short and the Tall (1961); O'Toole was not established in cinema and Harvey was more "bankable". During the late 1950s and 1960s, Harvey appeared in several major films. In 1960 he starred in BUtterfield 8 and John Wayne's epic The Alamo, released within a month of each other. Other films included Walk on the Wild Side (1962) with Barbara Stanwyck, Jane Fonda and Capucine; the film adaptation of Tennessee Williams's Summer and Smoke (1961) with Geraldine Page, and Darling (1965) with Julie Christie and Dirk Bogarde. He also appeared as the brainwashed Raymond Shaw in 1962 in the Cold War thriller The Manchurian Candidate. The same year, he recorded an album of spoken excerpts from the book "This Is My Beloved" by Walter Benton, accompanied by original music by Herbie Mann. It was released on the Atlantic Records label.
Harvey played King Arthur in the 1964 London production of the Alan Jay Lerner and Frederick Loewe musical Camelot, at Drury Lane. He became very good friends with Elizabeth Taylor and his Manchurian Candidate co-star Frank Sinatra, and was a member in good standing of high society, then dubbed "The Jet Set".
Between 1959-65, Harvey appeared opposite three actresses who won the Academy Award for their performances: Simone Signoret in Room at the Top, Elizabeth Taylor in BUtterfield 8, and Julie Christie in Darling. (Geraldine Page, his co-star in Summer and Smoke, was also nominated for a Best Actress Oscar but did not win.)
Harvey's career began to decline from the mid-1960s. The 1964 remake of W. Somerset Maugham's Of Human Bondage was a failure, as was The Outrage (1964), director Martin Ritt's remake of Akira Kurosawa's classic Rashomon, despite the presence of Paul Newman. Harvey reprised his Oscar-nominated role as Joe Lampton in Life at the Top (1965), but the film was not a success.
Harvey returned to Britain to make the comedy The Spy with a Cold Nose (1966). His last hurrah was his appearance in the spy thriller A Dandy in Aspic (1968), which he took over after the original director Anthony Mann died during shooting. In 1968, in settlement of a dispute with Woodfall Films over the rights to The Charge of the Light Brigade (1968), Woodfall cast him in their version as a Russian prince. He performed as cast, but was never seen as the Prince in the finished film.[7] The only part of his performance remaining in the final cut is a brief appearance of him in the background of one shot, as an anonymous member of a theatre audience. Thereafter Harvey played out his career largely in undistinguished films, TV work and the occasional supporting role in a major production.
In The Magic Christian, he recited Hamlet's soliloquy, almost nude and very thin. A promising project, Orson Welles's The Deep (1970) with Jeanne Moreau, was never finished. One performance from this period was in a 1971 U.S. horror film television episode, titled "The Caterpillar" on Rod Serling's Night Gallery. He was also guest murderer of the week on Columbo: The Most Dangerous Match in 1973 as a chess champion who murders his opponent. [citation needed]
Harvey was married three times: in 1957 to actress Margaret Leighton, whom he divorced in 1961; in 1968 to Joan Perry Cohn, the widow of film mogul Harry Cohn (Columbia Pictures); and to Paulene Stone. Harvey met Stone on the set of A Dandy in Aspic, and while still married to Cohn he became a father for the first time when Stone gave birth to a daughter, Domino Harvey, in 1969. Eventually, Harvey divorced Cohn (who was 17 years his senior) and married Stone in 1972.
Numerous accounts [which?] contend Harvey was bisexual. In his account of being Frank Sinatra's valet, Mr. S: My Life with Frank Sinatra (2003), George Jacobs writes that Harvey often made passes at him while visiting Sinatra. According to Jacobs, Sinatra was aware of Harvey's sexuality. In his autobiography Close Up (2004), British actor John Fraser claimed that Harvey was gay and that his long-term lover was his manager James Woolf, who "discovered" Harvey in the 1950s.
David Shipman once wrote of Harvey in 1972:
Laurence Harvey's career should be an inspiration to all budding actors: he has demonstrated conclusively that it is possible to succeed without managing to evoke the least audience interest or sympathy - and to go on succeeding despite unanimous critical antipathy and overwhelming public apathy. His twenty year career of mainly unprofitable films is a curiosity of film history.[8]
A heavy smoker and drinker, Harvey died from stomach cancer at the age of 45. His daughter, Domino (1969–2005), who later became a bounty hunter, also died at an early age. They are buried together in Santa Barbara Cemetery in Santa Barbara, California.
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