Mary Kathleen Turner
June 19, 1954
Springfield, Missouri, U.S.
|Education||Southwest Missouri State University|
University of Maryland, Baltimore County (BFA, 1977)
(m. 1984; div. 2007)
Mary Kathleen Turner (born June 19, 1954) is an American actress. Known for her distinctive voice, Turner has won two Golden Globe Awards and has been nominated for an Academy Award and two Tony Awards.
Turner rose to fame during the 1980s, after roles in Body Heat (1981), The Man with Two Brains (1983), Crimes of Passion (1984), Romancing the Stone (1984), and Prizzi's Honor (1985), the latter two earning her a Golden Globe Award for Best Actress – Motion Picture Musical or Comedy, and Peggy Sue Got Married (1986), for which she was nominated for the Academy Award for Best Actress. In the later 1980s and early 1990s, Turner had roles in The Accidental Tourist (1988), The War of the Roses (1989), and Serial Mom (1994).
Turner later had roles in The Virgin Suicides (1999), Baby Geniuses (1999), Beautiful (2000), and Marley & Me (2008). On TV she guest-starred on the NBC sitcom Friends as Chandler Bing's drag queen father Charles Bing, in the third season of Showtime's Californication as Sue Collini, the jaded, sex-crazed owner of a talent agency, and on the Netflix dramedy series The Kominsky Method as Michael Douglas's character's ex-wife Roz Volander. Turner's voice roles include Jessica Rabbit in Who Framed Roger Rabbit (1988), Monster House (2006), and voicing characters on the television series The Simpsons, Family Guy, King of the Hill, and Rick and Morty.
In addition to film, Turner has worked in the theatre, and has been nominated for the Tony Award twice for her Broadway roles as Maggie in Cat on a Hot Tin Roof and as Martha in Who's Afraid of Virginia Woolf? Turner has also taught acting classes at New York University.
Turner was born June 19, 1954, in Springfield, Missouri, to Patsy (née Magee) and Allen Richard Turner, a U.S. Foreign Service officer who grew up in China (where Turner's great-grandfather had been a Methodist missionary). She is the third of four children, and the only one to be born in the United States. She has a sister, Susan, and two brothers.
Turner was raised in a strict conservative Christian household, and her interest in performing was discouraged by both of her parents: "My father was of missionary stock", she later explained, "so theater and acting were just one step up from being a streetwalker, you know? So when I was performing in school, he would drive my mom [there] and sit in the car. She'd come out at intermissions and tell him, 'She's doing very well.'"
Owing to her father's employment in the Foreign Service, Turner grew up abroad, in Canada, Cuba, Venezuela, and London, England. She attended high school at The American School in London, graduating in 1972. "The start of real acting for me began during high school in London", she stated in her 2008 memoir. "There were seven of us who were sort of a theater mafia. We produced, directed, acted, chose the plays, got one teacher fired and another one hired." Her father died of a coronary thrombosis one week before her graduation, and the family returned to Springfield, Missouri. At the age of 19, Turner began volunteering at a local Planned Parenthood office.
She attended Southwest Missouri State University for two years, studying theater. During this period, director Herbert Blau saw her performance in The House of Blue Leaves, and invited her to spend her senior year at the University of Maryland, Baltimore County, where she received a Bachelor of Fine Arts degree in 1977. During that period, Turner acted in several productions directed by film and stage director Steve Yeager.
Several months after moving to New York City in 1977, Turner took over the female lead in Michael Zetter's play Mister T, which co-starred Jonathan Frakes and played at Soho Repertory Theatre. That production marked her off-Broadway debut. Several months later, Turner made her Broadway debut as Judith Hastings in Gemini by Albert Innaurato, staged at The Little Theatre (now known as the Helen Hayes Theater) and starring Danny Aiello. It opened May 21, 1977, during the time when she was appearing in the soap The Doctors.
In 1978, Turner made her television debut in the NBC daytime soap The Doctors as the second Nola Dancy Aldrich. She made her film debut in 1981 as the ruthless Matty Walker in the thriller Body Heat; the role brought her to international prominence. Empire cited the film in 1995 when it named her one of the 100 Sexiest Stars in Film History. The New York Times wrote in 2005 that, propelled by her "jaw-dropping movie debut [in] Body Heat ... she built a career on adventurousness and frank sexuality born of robust physicality". Turner ultimately became one of the top box-office draws, and most sought-after actresses of the 1980s and early 1990s.
Turner stated in 2018, "Body Heat was a blessing because I went straight to being a leading actor and I didn't have to suffer any of this predatory male behaviour like many young actresses. It doesn't frustrate me that nearly four decades after that film I'm still referred to as a sexual icon. I got over that a long time ago."
With her deep voice, Turner was often compared to a young Lauren Bacall. When the two met, Turner reportedly introduced herself by saying, "Hi, I'm the young you."
After Body Heat, Turner steered away from femme fatale roles to "prevent typecasting" and "because femme fatale roles had a shelf-life". Consequently, her first project after this was the 1983 comedy The Man With Two Brains. Turner co-starred in Romancing the Stone with Michael Douglas and Danny DeVito. Film critic Pauline Kael wrote of her performance as writer Joan Wilder, "Turner knows how to use her dimples amusingly and how to dance like a woman who didn't know she could; her star performance is exhilarating." Romancing the Stone was a surprise hit: she won a Golden Globe for her role in the film, and it became one of the top-ten-grossing movies of 1984. Turner teamed with Douglas and DeVito again the following year for its sequel, The Jewel of the Nile. Pre-production for the movie was fraught with conflict, because Turner refused to commit to the "terrible" script she had been delivered. When she said no, 20th Century Fox threatened her with a US$25 million breach of contract lawsuit. Eventually Douglas, also the film's producer, agreed to undertake rewrites on the script to make it more acceptable to Turner, which led to much back-and-forth between the two as the script was retooled right up to when shooting started in Fez, Morocco.
Several months before Jewel, Turner starred in Prizzi's Honor with Jack Nicholson, winning a second Golden Globe award, and later starred in Peggy Sue Got Married, which co-starred Nicolas Cage. For Peggy Sue, she received the award for Best Actress from the U.S. National Board of Review of Motion Pictures, as well as an Academy Award nomination for Best Actress.
In 1988's toon-noir Who Framed Roger Rabbit, she was the speaking voice of cartoon femme fatale Jessica Rabbit, intoning the famous line, "I'm not bad, I'm just drawn that way." Her uncredited, sultry performance was acclaimed as "the kind of sexpot ball-breaker she was made for". (Amy Irving provided Jessica Rabbit's singing voice in the scene in which the character first appears in the movie.) That same year, Turner also appeared in Switching Channels, which was a loose remake of the 1940 hit film His Girl Friday; this, in turn, was a loose remake of the Ben Hecht-Charles MacArthur comedy The Front Page.
Turner was the subject of the 1986 song "The Kiss of Kathleen Turner" by Austrian techno-pop singer Falco. In 1989, Turner teamed with Douglas and DeVito for a third time, in The War of the Roses, but this time as Douglas's disillusioned wife, with DeVito in the role of a divorce attorney who told their shared story. The New York Times praised the trio, saying that "Mr. Douglas and Ms. Turner have never been more comfortable a team ... each of them is at his or her comic best when being as awful as both are required to be here ... [Kathleen Turner is] evilly enchanting." In that film, Turner played a former gymnast and, as in other roles, did many of her own stunts. (She broke her nose two years after, filming 1991's V.I. Warshawski.)
Turner remained an A-list film star leading lady in the early 1990s, starring in V.I. Warshawski and Undercover Blues, until rheumatoid arthritis seriously restricted her activities. She also blamed her age, stating, "when I was 40, the roles started slowing down, I started getting offers to play mothers and grandmothers."
In 1992, during the filming of Serial Mom, she began experiencing "inexplicable pains and fevers." The rheumatoid arthritis diagnosis was made about a year later. By the time she was diagnosed, she "could hardly turn her head or walk, and was told she would end up in a wheelchair". Of this period, she has said: "My body could respond only with excruciating pain whenever I tried to move at all. The joints in my hands were so swollen, I couldn't hold a pen. Some days I couldn't hold a glass to get a drink of water. I couldn't pick up my child... my feet would blow up so badly that I couldn't get them into any kind of shoes, let alone walk on them."
Turner's appearance changed after the rheumatoid arthritis diagnosis. "The press were merciless," she states in her memoir. "They snipped that I had become fat and unrecognizable because I was an angry, washed-up diva, an out-of-control has-been, when in truth the changes in my physical appearance were caused by drugs and chemotherapy and were not within my control. Still, I did not reveal what was happening to me."
As her rheumatoid arthritis progressed, alcohol consumption became a problem. "I drank consciously at first to kill the pain....Later, after I got the new medicines and the pain began to subside, I kept drinking too much... It didn't damage my work, but it damaged me personally."
Turner has admitted that the drinking made her difficult to be around. In 2005, an article in The New York Times stated: "Rumors began circulating that she was drinking too much." In her memoir, she said: "I went on letting others believe anything they wanted to about my behavior and physical changes. Many people bought the assumption that I'd turned into a heavy drinker. I couldn't publicly refute them because I believed it was worse to have people know that I had this terrible illness. They'd hire me if they thought I was a drunk, because they could understand drinking, but they wouldn't hire me if I had a mysterious, scary illness they didn't understand. We – Jay, my agent, myself – felt it was imperative to keep my rheumatoid arthritis quiet."
Her career as a leading lady went into a steep decline and she was seen in fewer and fewer very successful films. She turned down lead roles in Ghost and The Bridges of Madison County, both of which became big hits. She appeared in the low-budget House of Cards as well as the comedy-drama Moonlight & Valentino, and had supporting roles in A Simple Wish, The Real Blonde, and Sofia Coppola's The Virgin Suicides. She also provided the voice of Malibu Stacy's creator, Stacy Lovell, in the episode "Lisa vs. Malibu Stacy" on The Simpsons.
Despite drug therapy to help her condition, the disease progressed for about eight years. Then, thanks to newly available treatments, her rheumatoid arthritis went into remission. She was seen increasingly on television, including three episodes of Friends, where she appeared as Chandler Bing's father, a drag performer.
In 2006, Turner guest-starred on FX's Nip/Tuck, playing a phone sex operator in need of laryngeal surgery. She appeared in a small role in 2008's Marley & Me and also played a defense attorney on Law & Order. In 2009, she played the role of Charlie Runkle's sexually hyperactive boss in season three of the television series Californication.
Turner starred in the indie film The Perfect Family in 2011 and had supporting roles in Nurse 3D (2013) and the comedy sequel Dumb and Dumber To in 2014.
She appeared in two episodes of the Hulu series The Path (2016–17), starred in an episode of the anthology series Dolly Parton's Heartstrings (2019) and guest-starred on two episodes of the CBS comedy series Mom in 2020. On the Netflix dramedy series The Kominsky Method, Turner was a guest in season 2 (2019) and became a main cast member in season 3 (2021). The series reunited her with fellow actor Michael Douglas for the first time since The War of the Roses.
Turner provided the voice of Jessica Rabbit in the 1988 live action/animated film Who Framed Roger Rabbit, its three animated short film spinoffs, and in the Disneyland attraction spinoff, Roger Rabbit's Car Toon Spin. In 2006, Turner voiced the character Constance in the animated film Monster House. Later, she provided radio commercial voice-overs for Lay's potato chips. BBC Radio 4 produced four radio dramas based on the V. I. Warshawski novels by Sara Paretsky. Two of them, Killing Orders and Deadlock, released in 2007, featured Turner reprising her 1991 film role, which had been based on Paretsky's novel Deadlock; however, the final series, Bitter Medicine, released in 2009, had Sharon Gless take over the part. In 2015, she narrated the anthology drama film Emily & Tim. Turner also had voice guest roles on the animated series King of the Hill, Family Guy, 3Below: Tales of Arcadia, Rick and Morty, Summer Camp Island, and Wizards: Tales of Arcadia.
After 1990s roles in Broadway productions of Indiscretions and Cat on a Hot Tin Roof (for which she earned a Tony Award nomination for Best Actress), Turner moved to London in 2000 to star in a stage version of The Graduate. The BBC reported that initially mediocre ticket sales for The Graduate "went through the roof when it was announced that Turner, then aged 45, would appear naked on stage". While her performance as the infamous Mrs. Robinson was popular with audiences, with sustained high box office for the duration of Turner's run, she received mixed reviews from critics. The play transferred to Broadway in 2002 to similar critical reaction.
In 2005, Turner beat a score of other contenders (including Jessica Lange, Frances McDormand, and Bette Midler) for the role of Martha in a 2005 Broadway revival of Edward Albee's Who's Afraid of Virginia Woolf? at the Longacre Theatre. Albee later explained to the New York Times that when Turner read for the part with her eventual co-star Bill Irwin, he heard "an echo of the 'revelation' that he had felt years ago when the parts were read by [Uta] Hagen and Arthur Hill." He added that Turner had "a look of voluptuousness, a woman of appetites, yes ... but a look of having suffered, as well."
Ben Brantley praised Turner at length, writing:
"As the man-eating Martha, Ms. Turner, a movie star whose previous theater work has been variable, finally secures her berth as a first-rate, depth-probing stage actress ... [A]t 50, this actress can look ravishing and ravaged, by turns. In the second act, she is as predatorily sexy as she was in the movie Body Heat. But in the third and last act, she looks old, bereft, stripped of all erotic flourish. I didn't think I would ever be able to see Virginia Woolf again without thinking of Ms. Hagen [Uta Hagen]. But watching Ms. Turner in that last act, fully clothed but more naked than she ever was in The Graduate, I didn't see the specter of Ms. Hagen. All I saw was Ms. Turner. No, let's be fair. All I saw was Martha."
As Martha, Turner received her second Tony Award nomination for Best Actress in a Play, losing to Cherry Jones. The production was transferred to London's Apollo Theatre in 2006. She starred in Sandra Ryan Heyward's one-woman show, Tallulah, which she toured across the U.S.
In August 2010, Turner portrayed the role of Sister Jamison Connelly in Matthew Lombardo's drama High at Hartford TheaterWorks. The production transferred to Broadway at the Booth Theater where it opened in previews on March 25, 2011, officially on April 19, 2011, and an announced quick closing on April 24, 2011. However, in a rare move, the production was revived, still headed by Turner, to undertake a national tour which began in Boston in December 2012.
From August to October 28, 2012, Turner appeared in Red Hot Patriot: The Kick-Ass Wit of Molly Ivins, a play about the legendary liberal Texas columnist Molly Ivins, at Arena Stage in Washington, DC. In December 2014 and January 2015, Turner performed the same show at Berkeley Repertory Theatre. She appeared again at Arena Stage in the title role of Bertolt Brecht's Mother Courage, which opened in February 2014, and playing Joan Didion in the one-woman show The Year of Magical Thinking, based on Didion's memoir of the same name, in October and November 2016. In February 2019, Turner made her debut at the Metropolitan Opera in New York City in the speaking role of The Duchess of Krakentorp in Donizetti's opera La fille du régiment.
Turner married real estate entrepreneur Jay Weiss of New York City in 1984, and they had one daughter, singer Rachel Ann Weiss, who was born on October 14, 1987. Turner and Weiss divorced in December 2007, but Turner has said, "[Jay]'s still my best friend."
By the late 1980s, Turner had acquired a reputation for being difficult, what The New York Times called "a certifiable diva". She admitted that she had developed into "not a very kind person", and actress Eileen Atkins—with whom she starred in the play Indiscretions on Broadway—referred to her as "an amazing nightmare". In 2018, she commented on her reputation, stating: "The 'difficult' thing was pure gender crap. If a man comes on set and says, 'Here's how I see this being done', people go, 'He's decisive.' If a woman does it, they say, 'Oh, fuck. There she goes.'"
Turner has defended herself against Atkins' claims, saying that Atkins harbored animosity towards her because she was having trouble memorizing her lines, which Atkins found very unprofessional. Turner later realized that the new medication for her rheumatoid arthritis she was taking was making her "fuzzy". She added that on days where the rheumatoid arthritis in her wrist was especially bad and she warned the other cast members not to touch it, Atkins would intentionally sit on it during a scene where Turner had to play dead, causing Turner extreme pain. Turner slammed Hollywood over the difference in the quality of roles offered to male actors and female actors as they age, calling the disparity a "terrible double standard".
A few weeks after leaving the production of the play The Graduate in November 2002, she was admitted into the Geisinger Marworth Treatment Center in Waverly, Pennsylvania, for the treatment of alcoholism. "I have no problem with alcohol when I'm working", she explained. "It's when I'm home alone that I can't control my drinking ... I was going toward excess. I mean, really! I think I was losing my control over it. So it pulled me back."
Turner has worked with Planned Parenthood of America since age 19, and later became a chairperson. She also serves on the board of People for the American Way, and volunteers at Amnesty International and Citymeals-on-Wheels. She was one of John Kerry's first celebrity endorsers. She has been a frequent donor to the Democratic Party. She has also worked to raise awareness of rheumatoid arthritis.
In the mid-2000s, Turner collaborated with Gloria Feldt on the writing of her memoirs, Send Yourself Roses: Thoughts on My Life, Love, and Leading Roles. The book was published in 2008. In the book, Turner claimed that, while they were filming Peggy Sue Got Married, her co-star Nicolas Cage had gotten drunk and stole a Chihuahua that he liked. In turn, Cage filed a lawsuit against Turner and her book publisher in the UK, who took an excerpt from the book and posted it on their website (before publication). Cage argued defamation and damage to character and won the case, resulting in retractions, legal fees, and a donation to charity. Turner later publicly apologized. During an interview on The View, Turner apologized for any distress she might have caused Cage regarding an incident that took place 20 years earlier.
On August 7, 2018, Vulture published an in-depth interview with Turner, wherein she expressed her opinion on a wide range of issues, from Elizabeth Taylor's acting skills to what it was like meeting Donald Trump in the 1980s. Turner's frankness and certain revelations she made caused the article to be widely shared in different media outlets, which led to her name trending on Google.
|1981||Body Heat||Matty Walker|
|1983||The Man with Two Brains||Dolores Benedict|
|1984||Romancing the Stone||Joan Wilder|
|A Breed Apart||Stella Clayton|
|Crimes of Passion||Joanna Crane / China Blue|
|1985||Prizzi's Honor||Irene Walkervisks / Irene Walker|
|The Jewel of the Nile||Joan Wilder|
|1986||Peggy Sue Got Married||Peggy Sue Bodell|
|1987||Julia and Julia||Julia|
|1988||Switching Channels||Christy Colleran|
|Who Framed Roger Rabbit||Jessica Rabbit (voice)||Uncredited|
|The Accidental Tourist||Sarah Leary|
|1989||Tummy Trouble||Jessica Rabbit (voice)||Short film|
|The War of the Roses||Barbara Rose|
|1990||Roller Coaster Rabbit||Jessica Rabbit (voice)||Short film|
|1991||V.I. Warshawski||Victoria 'V. I.' Warshawski|
|1993||Trail Mix-Up||Jessica Rabbit (voice)||Short film|
|Naked in New York||Dana Coles|
|House of Cards||Ruth Matthews|
|Undercover Blues||Jane Blue|
|1994||Serial Mom||Beverly R. Sutphin|
|1995||Moonlight and Valentino||Alberta Trager|
|The Snow Queen||The Snow Queen (voice)||English dub|
|1997||Bad Baby||Gloria Goode (voice)|
|A Simple Wish||Claudia|
|The Real Blonde||Dee Dee Taylor|
|1999||Love and Action in Chicago||Middleman|
|The Virgin Suicides||Mrs. Lisbon|
|Baby Geniuses||Elena Kinder|
|Prince of Central Park||Rebecca Cairn|
|2006||Monster House||Constance (voice)|
|2008||Marley & Me||Ms. Kornblut|
|2011||The Perfect Family||Eileen Cleary|
|2013||Nurse 3D||Head Nurse Betty Watson|
|2014||Dumb and Dumber To||Fraida Felcher|
|2015||Emily & Tim||Narrator (voice)|
|2017||Someone Else's Wedding||Barbara Haines||Released as Another Kind of Wedding|
|1978–1979||The Doctors||Nola Dancy Aldrich||86 episodes|
|1994||The Simpsons||Stacy Lovell (voice)||Episode: "Lisa vs. Malibu Stacy"|
|1995||Friends at Last||Fanny Connelyn||TV movie|
|1998||Legalese||Brenda Whitlass||TV movie|
|2000||King of the Hill||Miss Liz Strickland (voice)||3 episodes|
|2001||Friends||Charles Bing/Helena Handbasket||Episodes: "The One with Chandler's Dad",|
"The One with Chandler and Monica's Wedding"
|2006||Law & Order||Rebecca Shane||Episode: "Magnet"|
|2006||Nip/Tuck||Cindy Plumb||Episode: "Cindy Plumb"|
|2009||Californication||Sue Collini||10 episodes|
|2016–2017||The Path||Brenda Roberts||2 episodes|
|2017||Family Guy||Herself (voice)||Episode: "Foxx in the Men House"|
|2019||3Below: Tales of Arcadia||Gwendolyn (voice)||Episode: "There's Something About Gwen (of Gorbon)"|
|2019||Heartstrings||Mary "Old Bones" Shaw||Episode: "These Old Bones"|
|2019||Rick and Morty||Monogatron leader's wife (voice)||Episode: "The Old Man and the Seat"|
|2019, 2021||The Kominsky Method||Roz Volander||6 episodes|
|2020||Summer Camp Island||Mole Judge (voice)||Episode: "Molar Moles"|
|2020||Prop Culture||Herself||Episode: "Who Framed Roger Rabbit"|
|2020||Wizards: Tales of Arcadia||Lady of the Lake (voice)||Episode: "Lady of the Lake"|
|TBA||The White House Plumbers||Dita Beard|
|1978||Gemini||Judith Hastings||Little Theatre, Broadway||Replacement|
|1990||Cat on a Hot Tin Roof||Maggie||Eugene O'Neill Theatre, Broadway|
|1995||Indiscretions||Yvonne||Ethel Barrymore Theatre, Broadway|
|2000||The Graduate||Mrs. Robinson||Gielgud Theatre, West End|
|2000–2001||Tallulah||Tallulah Bankhead||National tour|
|2002||The Graduate||Mrs. Robinson||Plymouth Theatre, Broadway|
|2005||Who's Afraid of Virginia Woolf?||Martha||Longacre Theatre, Broadway|
|2006||Apollo Theatre, West End|
|Crimes of the Heart||n/a||Williamstown Theatre Festival, Regional||Directed only|
|2008||Laura Pels Theatre, Off-Broadway|
|2009||The Third Story||Peg/Dr. Rutenspitz||Lucille Lortel Theatre, Off-Broadway|
|2010||Red Hot Patriot: The Kick-Ass Wit of Molly Ivins||Molly Ivins||Philadelphia Theatre Company, Regional|
|High||Sister Jamison Connelly||TheaterWorks, Regional|
|Cincinnati Playhouse in the Park, Regional|
|The Repertory Theatre of St. Louis, Regional|
|2011||Booth Theatre, Broadway|
|2012||Red Hot Patriot: The Kick-Ass Wit of Molly Ivins||Molly Ivins||Geffen Playhouse, Regional|
|Arena Stage, Regional|
|The Killing of Sister George||June Buckridge||Long Wharf Theatre, Regional||Also directed|
|2014||Mother Courage and Her Children||Mother Courage||Arena Stage, Regional|
|Bakersfield Mist||Maude Gutman||Duchess Theatre, West End|
|2014–2015||Red Hot Patriot: The Kick-Ass Wit of Molly Ivins||Molly Ivins||Berkeley Repertory Theatre, Regional|
|2015||Would You Still Love Me If...||Victoria Pruitt||New World Stages Stage V, Off-Broadway||Also directed|
|2016||The Year of Magical Thinking||Joan Didion||Arena Stage, Regional|
|2017||An Act of God||God||George Street Playhouse, Regional|
|Academy Awards||1987||Peggy Sue Got Married||Best Actress||Nominated|||
|Antalya Golden Orange Film Festival||2015||—||Honorary Award||Won|
|BAFTA Awards||1983||—||Most Outstanding Newcomer to Leading Film Roles||Nominated|
|Chicago International Film Festival||1992||—||Piper-Heidsieck Award||Won|
|Chlotrudis Awards||1995||Serial Mom||Best Actress||Nominated|
|David di Donatello Awards||1990||The War of the Roses||Best Foreign Actress||Nominated|
|Drama Desk Awards||2005||Who's Afraid of Virginia Woolf?||Outstanding Actress in a Play||Nominated|||
|DVD Exclusive Awards||2001||Love and Action in Chicago||Best Supporting Actress||Nominated|
|Golden Globes||1982||Body Heat||New Star of the Year in a Motion Picture||Nominated|
|1985||Romancing the Stone||Best Actress — Motion Picture, Comedy or Musical||Won|||
|1986||Prizzi's Honor||Best Actress — Motion Picture, Comedy or Musical||Won|||
|1987||Peggy Sue Got Married||Best Actress — Motion Picture, Comedy or Musical||Nominated|||
|1990||The War of the Roses||Best Actress — Motion Picture, Comedy or Musical||Nominated|||
|Hasty Pudding Theatricals||1989||—||Woman of the Year||Won|
|Los Angeles Film Critics Association||1984||Romancing the Stone/Crimes of Passion||Best Actress||Won|
|Montréal World Film Festival||2013||—||Grand Prix Special des Amériques||Won|
|National Board of Review||1986||Peggy Sue Got Married||Best Actress||Won|
|National Society of Film Critics Awards||1985||Romancing the Stone/Crimes of Passion||Best Actress||Nominated|
|1987||Peggy Sue Got Married||Best Actress (tied with Sandrine Bonnaire for Vagabond)||Nominated|
|New York Film Critics Circle Awards||1986||Peggy Sue Got Married||Best Actress||Nominated|
|Online Film & Television Association||2001||Friends||Best Guest Actress in a Comedy Series||Nominated|||
|People's Choice Awards||1986||Prizzi's Honor||Favorite Motion Picture Actress||Nominated|
|1987||Peggy Sue Got Married||Favorite Motion Picture Actress||Nominated|
|1990||The War of Roses||Favorite Motion Picture Actress||Nominated|
|Provincetown International Film Festival||2007||—||Lifetime Achievement Award||Won|
|Sant Jordi Awards||1986||Przzi's Honor/Crimes of Passion||Best Foreign Actress||Won|
|1988||Peggy Sue Got Married/Giulia e Giulia||Best Foreign Actress||Nominated|
|Santo Domingo OutFest||2012||The Perfect Family||Outstanding Performance||Won|
|Saturn Awards||1987||Peggy Sue Got Married||Best Actress||Nominated|
|Savannah Film Festival||2004||—||Lifetime Achievement Award||Won|
|Screen Actors Guild Awards||2021||The Kominsky Method||Outstanding Performance by an Ensemble in a Comedy Series||Nominated|||
|Theatre World Awards||1990||Cat on a Hot Tin Roof||Special Award (for Outstanding Broadway Debut)||Won|
|Tony Awards||1990||Cat on a Hot Tin Roof||Best Actress in a Play||Nominated|||
|2005||Who's Afraid of Virginia Woolf?||Best Actress in a Play||Nominated|
|WorldFest Houston||1993||House of Cards||Best Actress||Won|
Turner, the husky-voiced screen star known for iconic roles in Body Heat and Romancing the Stone, weighs in on her 40-year career in question-and-answer format, led by Emmy Award-winning filmmaker and author Morrow (digital film production, Portland State Univ.).
((cite book)): CS1 maint: multiple names: authors list (link)