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((Short description|Theatre in Islington, London))
((Use dmy dates|date=April 2022))
((More citations needed|date=January 2011))
((Infobox venue
|name           = Almeida Theatre
|image          = Islington Almeida Theatre 2011.jpg
|caption        = Almeida Theatre in June 2011
|location        = [[Islington]]<br />[[London]], ((postcode|N|1))<br />United Kingdom
|designation    = [[Listed building|Grade II listed]]
|coordinates    = ((coord|51.5395|-0.1032|type:landmark|display=inline,title))
|architect      = Roumieu and Gough
|owner          = Almeida Theatre trust
|capacity       = 325, over two levels
|type           = Producing house
|opened         = 1833 (as reading rooms)
|yearsactive    =
|rebuilt        = 1982 (as theatre)<br />2000
|closed         =
|othernames     = 1833: Islington Literary and Scientific Society<br />1875: Wellington Club
|production     = Short seasons
|currentuse     =
|publictransit =((rail-interchange|gb|Rail)) ((rws|Essex Road))
|website        = [http://www.almeida.co.uk almeida.co.uk]
))

The '''Almeida Theatre''', opened in 1980, is a 325-seat [[producing house]] with an international reputation, which takes its name from the street on which it is located, off [[A1 road (London)|Upper Street]], in the [[London Borough of Islington]]. The theatre produces a diverse range of drama. Successful plays are often transferred to [[West End theatre]]s.

==Early history==
The theatre was built in 1837 for the newly formed Islington Literary and Scientific Society and included a library, reading room, museum, laboratory, and a lecture theatre seating 500.<ref name=TFTB>((cite web |last=Baker |first=T. F. T. |title=Islington Social and cultural activities |work=British History Online |publisher=University of London |year=1985 |url=http://www.british-history.ac.uk/report.aspx?compid=471 | access-date=2008-07-01|display-authors=etal))</ref> The architects were the fashionable partnership of [[Robert Lewis Roumieu]] and [[Alexander Dick Gough]]. The library was sold off in 1872 and the building was disposed of in 1874 to the Wellington Club (Almeida Street then being called Wellington Street) which occupied it until 1886. In 1885 the hall was used for concerts, balls, and public meetings. The [[Salvation Army]] bought the building in 1890, renaming it the Wellington Castle Barracks (Wellington Castle Citadel from 1902). To suit the building's new purpose, the front-facing lecture hall's tiered benches were replaced so that the congregation was seated in the conventional position, facing away from the front, and a [[Auditorium#Modern auditorium structure|balcony]] was added. The Salvationists remained there until 1955. For a few years from 1956 the building was a factory and showroom for ''Beck's British Carnival Novelties'', then remained empty until in 1972 a campaign began to turn it into a theatre.<ref name=TFTB /><ref name=nhle>((NHLE|desc=Almeida Theatre|num=1195445|grade=II))</ref>

The building was [[Listed building|Grade II listed]] by [[English Heritage]] in 1972. The current modified building retains the listing.<ref name=nhle/>

==Foundation==
The campaign to open the building as a theatre was led by the Lebanese-born internationally renowned opera and theatre director [[Pierre Audi]], after he had acquired the derelict building in 1972.<ref>((cite web
 |title       = History of the Almeida Theatre
 |publisher   = Almeida Theatre
 |url         = http://www.almeida.co.uk/aboutus/historyofthealmeidatheatre.aspx
 |access-date  = 2008-07-01
 |archive-url  = https://web.archive.org/web/20080216042401/http://www.almeida.co.uk/aboutus/historyofthealmeidatheatre.aspx
 |archive-date = 2008-02-16
 |url-status     = dead
))</ref>
A public appeal was launched and in 1980, with the building renovated, the theatre opened with a festival of avant-garde music and performance, held both there and at other Islington venues, with Audi as the Artistic Director. Under Audi the theatre's reputation grew and its annual contemporary music festival became highly regarded.

The Almeida International Festival of Contemporary Music and Performance included concert presentations and productions of new and commissioned operas from Europe, Russia, North America, Japan, Argentina, and Morocco. Among the hundreds of composers, musicians and ensembles featured in frequent world and local premiere performances were [[Steve Reich]], [[Philip Glass]], [[Lou Harrison]], [[Conlon Nancarrow]], [[Morton Feldman]], [[Elliott Carter]], [[Virgil Thomson]], [[Frederic Rzewski]], [[Arvo Pärt]], [[Alfred Schnittke]], [[Wolfgang Rihm]], [[Claude Vivier]], [[Toru Takemitsu]], [[Giacinto Scelsi]], [[Michael Finnissy]], [[Gerald Barry (composer)|Gerald Barry]], [[Somei Satoh]], Akio Suzuki, [[Takehisa Kosugi]], [[Jo Kondo]], [[Sylvano Bussotti]], [[Luis de Pablo]], Capricorn, Spectrum, Music Projects/London, Singcircle, the [[Arditti Quartet]], and the [[London Sinfonietta]].

[[Peter Greenaway]]'s 1983 series of films for Channel 4 [https://web.archive.org/web/20111003193007/http://www.hanne-mugaas.com/artblog/2006/12/peter_greenaway_four_american.html ''Four American Composers''] featured Almeida presentations of works by [[John Cage]], [[Robert Ashley]] and [[Philip Glass]]. In 1985 [[Ástor Piazzolla]], the renowned [[Argentina|Argentine]] [[Tango music|tango]] composer and [[bandoneón]] player, made [https://www.telegraph.co.uk/culture/music/rockandjazzmusic/3593098/Father-of-the-tango-revolution.html a week-long appearance] with his Quinteto Nuevo Tango. For several years, the American pianist and composer [[Yvar Mikhashoff]] conceived and co-ordinated concert programming, including ''At the Tomb of Charles Ives: A Celebration of American Experimental Music 1905-1985'' which featured world and UK premieres of works by Cage, Nancarrow, Glass, Feldman, Harrison, Rzewski, [[Charles Ives]], [[George Antheil]], [[Henry Brant]], [[Anthony Braxton]], [[Carla Bley]], [[Roger Reynolds]], [[Charles Wuorinen]], and [[Lukas Foss]] and two piano marathons he performed himself: ''The Great American Piano Marathon: 70 works from 70 years in 7 Hours'' and ''50 Tangos - 50 Composers - A Tango Marathon: Selections from the International Tango Collection''.<ref>((cite news |last1=Clements |first1=Andrew |title=Panorama of American Music review – eclectic picks from intrepid recitalist Yvar Mikhashoff |url=https://www.theguardian.com/music/2014/jun/19/panorama-american-music-review-yvar-mikhashoff |access-date=12 June 2020 |work=The Guardian |date=19 June 2014))</ref>

The Almeida housed a producing company which commissioned and staged several theatre works and operas and was a London "[[receiving house]]" for Fringe, avant-garde, regional and international theatre productions.<ref name=MC/> Touring companies from the UK were regularly hosted, including [[Complicité]], [[Shared Experience]], [[Joint Stock Theatre Company|Joint Stock]], [[Cheek by Jowl]] and the [[Haymarket Theatre (Leicester)|Leicester Haymarket]], alongside international guest companies from the Philippines, Tibet, Israel, Ireland and Czechoslovakia. Stage directors of Almeida Theatre Company productions included [[Pierre Audi]], [[Ian McDiarmid]], [[Yuri Lyubimov]], [[Tim Albery]], [[Mike Bradwell (theatre director)|Mike Bradwell]], [[David Hayman]], and Jean Jourdheuil. Works by directors [[Robert Wilson (director)|Robert Wilson]], [[Robert Lepage]], [[Phelim McDermott]], Julia Bardsley, [[Deborah Warner]], [[Simon McBurney]], [[Annabel Arden]] and several others were featured in Almeida presentations.

[[Peter Brook]]'s [[Bouffes du Nord]] company played there in 1982 (Brook's company had been one of Audi's original influences for the project). The 1985 Almeida Theatre Company production of ''[[Demons (Dostoyevsky novel)|The Possessed]]'',<ref name="Yuri Lyubimov">((cite web|last1=Coveney|first1=Michael|title=Yuri Lyubimov|url=https://www.theguardian.com/stage/2014/oct/05/yuri-lyubimov|website=The Guardian|date=5 October 2014 |access-date=16 May 2017))</ref> a co-production with the [[Odéon-Théâtre de l'Europe|Théâtre de l'Europe]] in Paris which also toured to the [[Piccolo Teatro (Milan)|Piccolo Teatro]] in Milan and the [[Teatro Comunale di Bologna]], was Russian director [[Yuri Lyubimov]]'s first to originate in the West after he defected in 1983<ref>((cite news |last1=Doder |first1=Dusko |title=Leading Soviet Director Stripped of Citizenship |url=https://www.washingtonpost.com/archive/politics/1984/07/27/leading-soviet-director-stripped-of-citizenship/a8b9aed9-9539-43aa-9025-7ca6ae883aad/ |access-date=12 June 2020 |newspaper=The Washington Post |date=27 July 1984))</ref> and featured music by [[Alfred Schnittke]], design by [[Stefanos Lazaridis]], and actors [[Nigel Terry]], [[Clive Merrison]], [[Harriet Walter]], and [[Michael Feast]]. [[Ronald Harwood]]'s documentary drama, ''The Deliberate Death of a Polish Priest'' premiered at the Almeida in October 1985, an early example of a transcript of a trial of the political murderers of Father [[Jerzy Popiełuszko]].<ref name=MC/> In 1987, the Almeida also became home to [[Motley Theatre Design Course]], under the directorship of [[Margaret Harris]].

The Not the RSC Festival was presented at the Almeida in 1986 and 1987.

==1990s==
In 1990 the Scot [[Ian McDiarmid]] and the South African [[Jonathan Kent (director)|Jonathan Kent]] took over as joint artistic directors.

Work by major playwrights, old and new, British and foreign was staged and the theatre acquired an artistic reputation comparable to the leading theatres in central London and, as noted by playwright [[David Hare (playwright)|David Hare]], "it reinvented the European repertoire for London audiences and made British theatre more cosmopolitan and outward going".<ref>((cite news
| last = Kellaway
| first = Kate
| title = Almeida: end of Act One
| work = [[The Observer]]
| date = 2002-01-27
| url = http://education.guardian.co.uk/higher/arts/story/0,,640718,00.html
| access-date =2007-09-04 ))</ref>
Organised as a non-profit producing theatre, its productions regularly played to packed houses and frequently (14 productions between 1990 and 2002) transferred to London's [[West End theatre|West End]] and to New York's [[Broadway theatre|Broadway]].<ref>((cite news
 |last=Gibbons 
 |first=Fiachra 
 |title=Celebrated double act quits Almeida theatre 
 |work=[[The Guardian]] 
 |date=2001-09-05 
 |url=https://www.theguardian.com/uk_news/story/0,,546925,00.html 
 |access-date=2007-09-05 
 |archive-url=https://web.archive.org/web/20071015110407/http://www.guardian.co.uk/uk_news/story/0%2C%2C546925%2C00.html 
 |archive-date=15 October 2007 
 |url-status=live 
))</ref>

In 1993 the theatre won the [[Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre]].

One of the keys to the success and reputation of the Almeida during the 1990s were the stagings of various plays by [[Harold Pinter]]. These included revivals of ''[[Betrayal (play)|Betrayal]]'' in 1991 and ''[[No Man's Land (play)|No Man's Land]]'' in 1992 and premières of ''Party Time'' in 1991 and ''[[Moonlight (play)|Moonlight]]'' in 1993.

During their time at the theatre, McDiarmid and Kent were described by ''The Guardian'' as "[making] Islington a centre of enlightened internationalism";<ref>((cite news |last=Billington |first=Michael |title=The Players |work=The Guardian |date=2002-07-06 |url=http://arts.guardian.co.uk/britishtheatre/story/0,,748731,00.html ))</ref> and, as they were about to leave their positions in 2002, [[Michael Billington (critic)|Michael Billington]], in same newspaper, summed up their achievements as threefold:
<blockquote>Three things have made the Almeida the most exciting theatre in Britain. First, an eclectically international programme: everything from [[Molière]] and [[Marivaux]] to [[Brecht]] and [[Neil LaBute]]. Second, top-level casting that has given us [[Ralph Fiennes]] in ''[[Hamlet]]'' and ''[[Ivanov (play)|Ivanov]]'', [[Kevin Spacey]] in ''[[The Iceman Cometh]]'' and [[Juliette Binoche]] in ''Naked''. Third, a territorial expansion that has seen the Almeida colonise the [[Hackney Empire]], the old [[Gainsborough Pictures|Gainsborough film studios]] and even a converted bus depot in King's Cross".<ref>((cite news |last=Billington |first=Michael |title=It's like being in love |work=The Guardian |date=2002-01-12 |url=http://arts.guardian.co.uk/critic/feature/0,,671768,00.html |access-date=2007-09-04))</ref></blockquote>

==1999 to present==
In November 1999, the Almeida was awarded £1.5 million by the [[Arts Council of England]] to undertake essential repairs to the theatre. The work began early in 2001 when the theatre was closed, and the company moved temporarily to a converted bus station at King's Cross.<ref>((cite news |last1=Glancey |first1=Jonathan |title=The Almeida in King's Cross |url=https://www.theguardian.com/education/2001/apr/30/arts.highereducation |access-date=9 July 2019 |work=The Guardian |date=30 April 2001))</ref> [[National Lottery (United Kingdom)|National Lottery]] backing of £5.8 million allowed for a complete restoration designed by [[Burrell Foley Fischer]].<ref name="BFFAlmedia">((cite web|url=https://www.theguardian.com/stage/2003/may/05/theatre.artsfeatures|access-date=30 June 2020|title=Islington's new-look Almeida theatre &#124; Stage &#124; The Guardian|website=[[TheGuardian.com]] |date=5 May 2003 ))</ref>

The restoration included rebuilding and extending the foyer, installing more comfortable seating and access, plus better backstage facilities with the stage area re-built for flexibility and strength, the roof improved and insulated, the lighting grid strengthened, complete re-wiring, and technical equipment updated.<ref>((cite web |title=The Building |url=https://almeida.co.uk/the-building |website=almeida.co.uk))</ref> [[Michael Attenborough]] took over as artistic director in 2002 and, following the completion of its restoration, the theatre was re-opened in May 2003 with a production of [[Henrik Ibsen|Ibsen]]'s [[The Lady from the Sea]], directed by [[Trevor Nunn]]. The theatre's artistic remit was the presentation of bold and adventurous play choices staged to the highest possible standards, in productions which revealed them in a new light. This included classics from the British, American and Irish repertoire, foreign classics in newly commissioned versions, and new plays.<ref name=MC>((cite book |last1=Coveney |first1=Michael |author-link1=Michael Coveney |title=London theatres |date=September 2017 |isbn=978-0711238619 |chapter=Almeida Theatre))</ref> In October 2012 Attenborough announced that he would step down early in 2013.<ref>((cite web |url=http://www.whatsonstage.com/news/theatre/london/E8831349947935/Michael+Attenborough+steps+down+at+Almeida,+Spring+2013.html |title=Michael Attenborough steps down at Almeida |access-date=2012-10-11 |archive-url=https://web.archive.org/web/20121102135442/http://www.whatsonstage.com/news/theatre/london/E8831349947935/Michael+Attenborough+steps+down+at+Almeida%2C+Spring+2013.html |archive-date=2012-11-02 |url-status=dead ))</ref>

[[Rupert Goold]] was appointed Artistic Director in February 2013, taking up the post full-time in September 2013. His association with the Almeida Theatre Company began in 2008 when he directed [[Stephen Adly Guirgis]]' ''[[The Last Days of Judas Iscariot]]''. In 2013 his [[Headlong (theatre company)|Headlong]] theatre company co-produced the premiere of [[Lucy Kirkwood]]'s ''[[Chimerica (play)|Chimerica]]'', directed by Lyndsey Turner, at the Almeida: the show subsequently transferred to the [[West End theatre|West End]], winning five [[Laurence Olivier Award|Olivier Awards]] in 2014. Goold's first Almeida production as full-time artistic director was the world premiere production of ''[[American Psycho (musical)|American Psycho: A new musical thriller]]'' (initially programmed by Michael Attenborough), which ran from 3 December 2013 to 1 February 2014. In 2014 he directed the premiere of [[Mike Bartlett (playwright)|Mike Bartlett]]'s play ''King Charles III'', which, following its sold-out run at the Almeida, transferred to [[Wyndham's Theatre]] and [[Broadway theatre|Broadway]].

== Almeida Projects ==
Almeida Projects is the Almeida Theatre's education and community programme.<ref>((cite web|url=http://www.almeida.co.uk/education |title=Almeida Projects at the Almeida Theatre London |access-date=2010-01-25 |url-status=dead |archive-url=https://web.archive.org/web/20101217173114/http://www.almeida.co.uk/education/ |archive-date=2010-12-17 ))</ref> It was founded in its current form in 2003 by Rebecca Manson Jones, after Michael Attenborough's appointment as artistic director. Almeida Projects activity includes durational residencies with partner schools, a subsidised ticket scheme for school groups visiting the theatre, productions of new plays for young people inspired by the main programme, the Young Friends of the Almeida scheme, social networking Teachers' Evenings for local performing arts teachers and a training programme for workshop leaders.

Almeida Projects works closely with nine partner schools in Islington: [[Central Foundation Boys' School]], [[Elizabeth Garrett Anderson School]], [[Highbury Fields School]], [[Highbury Grove School]], [[Islington Arts and Media School]], [[Mount Carmel Catholic College for Girls]], The Bridge School and [[City and Islington College]]. The [https://web.archive.org/web/20131005075039/http://www.almeida.co.uk/education/participation-and-community/young-friends-of-the-almeida/ Young Friends of the Almeida Theatre] scheme was established in May 2008 to enable local young people to take part in activities outside of school. It currently has over 700 members and includes the Young Friends of the Almeida Creative Board, composed of young people who take an active role in planning and promoting all Young Friends activities.

== Digital Theatre ==
The Almeida was one of the launch theatres for [[Digital Theatre]], a project which makes theatre productions available in video download form. The first performance that was filmed was 'Parlour Song'.<ref>((cite web
| title = Leading theatres launch downloadable shows
| publisher = Official London Theatre Guide
| url = http://www.officiallondontheatre.co.uk/news/latest/view/item107946/&t=Leading%20theatres%20launch%20downloadable%20shows/
| access-date =2010-02-15 ))</ref>

==Artistic directors==
* [[Pierre Audi]], (1979&ndash;1989)<ref>((cite book|last=Cummings|first=David M|title=International Who's who in Music and Musicians' Directory|publisher=Routledge|location=London|date=2000-06-13|isbn=0-948875-53-4|page=26))</ref>
* [[Jonathan Kent (director)|Jonathan Kent]] and [[Ian McDiarmid]], (1990&ndash;2002)
* [[Michael Attenborough]], (2002&ndash;2013)
* [[Rupert Goold]] (2013&ndash;)

== Notable productions ==

=== 1980s ===
* ''Interrogations'' by Yoshi Oida (1982)<ref>((cite journal |last1=Oida |first1=Yoshi |title=Yoshi Oida successfully used techniques of the old Zen masters to provoke audience response |journal=Performance Magazine |date=January–February 1982 |issue=15 |pages=12–14 |url=http://performancemagazine.co.uk/wp-content/uploads/2017/03/Performance-Magazine-15-Jan-Feb-1982.pdf |access-date=13 June 2020))</ref>
* ''A Dybbuk for Two People'', adapted by [[Bruce Myers (actor)|Bruce Myers]] (1982)
* ''L'Os (The Bone)'' by Birago Diop, Théâtre des Bouffes du Nord, directed by [[Peter Brook]] (1982)<ref name="Meridien">((cite web |last1=Diop |first1=Birago |title=L'Os by Birago Diop |url=https://www.bbc.co.uk/sounds/play/p03m0n29 |website=BBC Sounds |access-date=13 June 2020))</ref>
* ''[[John Cage|Cage]] at 70'': a concert series featuring works by John Cage including ''[[Roaratorio]]'' based on Finnegans Wake by James Joyce, Almeida Festival (1982)<ref>((cite journal|last1=Montague|first1=Stephen|title=John Cage at Seventy: An Interview|jstor=3051637|journal=American Music|year=1985|volume=3|issue=2|pages=205–216|doi=10.2307/3051637))</ref>
* ''Perfect Lives/Private Parts'', television opera by [[Robert Ashley]], Almeida Festival (1983)<ref>((cite web |last1=Ashley |first1=Robert |title=Artists |url=http://www.lovely.com/bios/ashley.html |website=Lovely Music Ltd. |access-date=11 June 2020))</ref><ref>((cite web |title=FOUR AMERICAN COMPOSERS: ROBERT ASHLEY: PERFECT LIVES (PRIVACY RULES) (TV) |url=https://www.paleycenter.org/collection/item/?q=live&p=211&item=T:07785 |website=The Paley Center for Media |access-date=12 June 2020))</ref><ref>((cite web |title=Productions: Perfect Lives |url=http://www.robertashley.org/productions/1977-83-perfectlives.htm |website=Robert Ashley |access-date=12 June 2020))</ref>
* ''[[Four Saints in Three Acts]]'', opera by [[Gertrude Stein]] and [[Virgil Thomson]], Almeida Festival (1983)<ref name="Four Saints in Three Acts">(((cite book |last1=Bay-Cheng |first1=Sarah |title=Mama Dada: Gertrude Stein's Avant-Garde Theatre |date=1 June 2004 |publisher=Routledge |isbn=9780203503027 |page=160 |url=https://books.google.com/books?id=FFSTAgAAQBAJ&q=%22Four+Saints+in+three+acts%22+%22Almeida%22&pg=PA160 |access-date=11 June 2020))</ref><ref>((cite book |last1=Mesa |first1=Franklin |title=Opera: An Encyclopedia of World Premieres and Significant Performances, Singers, Composers, Librettists, Arias and Conductors, 1597-2000 |date=2007 |publisher=McFarland a& Company, Inc. |isbn=978-0-7864-7728-9 |page=103 |url=https://books.google.com/books?id=HyUkCQAAQBAJ&q=Four+saints+in+three+acts+%22almeida%22&pg=PA103 |access-date=12 June 2020))</ref>
* ''[[Hedda Gabler]]'', Almeida Theatre Company, directed by [[Tim Albery]] (1984)<ref>((cite web |title=Hedda Gabler |url=https://ibsenstage.hf.uio.no/pages/event/85796 |website=IbsenStage |access-date=12 June 2020))</ref>
* ''Mrs Gauguin'' by Helen Cooper, Almeida Theatre Company, directed by [[Mike Bradwell]] (1984)<ref name="Mrs. Gauguin">((cite news |last1=Billington |first1=Michael |title=The Michael Billington archive: highlights from five decades of reviews |url=https://www.theguardian.com/stage/2019/dec/20/the-michael-billington-archive-highlights-from-five-decades-of-reviews |access-date=11 June 2020 |work=The Guardian |date=20 December 2019))</ref>
* ''Melancholy Jacques'' written and directed by [[:fr:Jean Jourdheuil|Jean Jourdheuil]], Almeida Productions at the Edinburgh Festival/Traverse Theatre and the Bush Theatre featuring [[Simon Callow]] (1984)<ref>((cite book |last1=Lichtenfels |first1=Peter |title="British Intersections With Paris" - Afterword in The Paris Jigsaw: Internationalism and the City's Stages |date=2002 |publisher=Manchester University Press |isbn=978-0719061844 |page=284 |url=https://books.google.com/books?id=_NquSpFWoHgC&q=%22melancholy+jacques%22+%22simon+callow%22+almeida&pg=PA284 |access-date=11 June 2020))</ref>
* ''[[Demons (Dostoyevsky novel)|The Possessed]]'', Almeida Theatre Company, directed by [[Yuri Lyubimov]], music by [[Alfred Schnittke]], designed by [[Stefanos Lazaridis]] (1985)<ref name="Yuri Lyubimov"/>
* ''At the Tomb of [[Charles Ives]]: A Celebration of American Experimental Music 1905-1985'', Almeida Festival (1985)<ref>((cite journal |last1=Hayes |first1=Michael |title=Almeida Festival: Antheil, Vivier et al. |journal=Tempo |date=September 1985 |issue=New Series, No. 154 |pages= 46–49 |jstor=946360 ))</ref>
* ''[[Kopernikus]]'', opera by [[Claude Vivier]], Almeida Festival, directed by [[Pierre Audi]] (1985)<ref>((cite web|title=Kopernikus|url=http://www.thecanadianencyclopedia.ca/en/article/kopernikus-emc|website=The Canadian Encyclopedia|access-date=16 May 2017))</ref>
* ''[[Man Equals Man]]'' by [[Bertolt Brecht]], Almeida Theatre Company, directed by [[David Hayman]] (1985)<ref>((cite web |title=Man Equals Man by Bertolt Brecht |url=https://www.photostage.co.uk/stock-photo-man-equals-man--by-brecht--design-ashley-martin-davis--lighting-ben-image00052978.html |website=Photostage |access-date=12 June 2020))</ref>
* ''Cupboard Man'', a dereck, dereck Production, adapted for the stage by Julia Bardsley and [[Phelim McDermott]] from the short story by [[Ian McEwan]] (1985)<ref name="Cupboard Man">((cite web |last1=Svich |first1=Caridad |title=Inviting the Audience |url=http://www.hotreview.org/articles/invitingtheaud_print.htm |website=hotreview.org |access-date=11 June 2020))</ref>
* ''[[King Lear]]'', Kick Theatre Company, directed by [[Deborah Warner]] (1985)<ref>((cite web |title=King Lear |url=https://www.deborahwarner.com/1985-king-lear-kick |website=Deborah Warner |access-date=11 June 2020))</ref>
* ''The Saxon Shore'' by [[David Rudkin]], Almeida Theatre Company, directed by [[Pierre Audi]] (1986)
* ''[[Creditors (play)|Creditors]]'' by [[August Strindberg]], Almeida Theatre Company, directed by [[Ian McDiarmid]] (1986)
* ''[[Coriolanus]]'', Kick Theatre Company, directed by [[Deborah Warner]] (1986)<ref>((cite web |title=Coriolanus, 1986 |url=https://www.deborahwarner.com/1986-coriolanus-kick |website=Deborah Warner |access-date=12 June 2020))</ref>
* ''The Story of the Eye and the Tooth'', El-Hakawati Theatre Company, directed by François Abu Salem (1986)<ref name="François Abu Salem">((cite journal |title=News |journal=Banipal Magazine of Modern Arab Literature |date=10 May 2011 |url=https://www.banipal.co.uk/news/index.cfm?newsid=65 |access-date=16 June 2020))</ref>
* ''Milva Sings Brecht'', song recital by [[Milva]] (1986)<ref>((cite news |title=Multitalent Milva wird 75 |url=https://www.nwzonline.de/kultur/multitalent-milva-wird-75_a_16,0,1693877716.html |access-date=12 June 2020 |publisher=Nordwest Zeitung |date=7 December 2014))</ref>
* ''Gaudete'', a dereck, dereck Production, adapted for the stage by Julia Bardsley and [[Phelim McDermott]] from the prose poem by [[Ted Hughes]] (1986)<ref>((cite book |last1=McDermott |first1=Phelim |title=Physical Theatres: A Critical Reader (Essay 5) |date=2007 |publisher=Routledge |page=201 |url=https://books.google.com/books?id=alHtrtFJs9YC&q=gaudete+dereck+phelim&pg=PA201 |isbn=978-0-415-36251-1 |access-date=12 June 2020))</ref>
* ''The Great Hunger'' by Tom MacIntyre from [[Patrick Kavanagh]], [[Abbey Theatre]], directed by Patrick Mason (1986)<ref name="The Great Hunger">((cite book |last1=Sweeney |first1=B. |title=Performing the Body in Irish Theatre |date=14 February 2008 |publisher=Springer |pages=50–60 |url=https://books.google.com/books?id=EkuBDAAAQBAJ&q=%22The+Great+Hunger%22+almeida+theatre&pg=PA51 |isbn=978-1-349-54607-7 |doi=10.1057/9780230582057 |access-date=12 June 2020))</ref>
* ''Not the RSC'' Festival (1986–87)
* ''[[Jakob Lenz (opera)|Jakob Lenz]]'', opera by [[Wolfgang Rihm]], Almeida Opera, directed by Pierre Audi (1987)<ref>((cite news |last1=Clements |first1=Andrew |title=Jakob Lenz - Review |url=https://www.theguardian.com/music/2012/apr/18/jacob-lenz-review |access-date=12 June 2020 |work=The Guardian |date=18 April 2012))</ref>
* ''[[Hamletmachine]]'' by [[Heiner Mueller]], directed by [[Robert Wilson (director)|Robert Wilson]] (1987)<ref>((cite web |title=Hamletmachine |url=http://www.robertwilson.com/hamletmachine |website=Robert Wilson |access-date=11 June 2020))</ref>
* ''The Tourist Guide'' by [[Botho Strauss]], Almeida Theatre Company, directed by [[Pierre Audi]] featuring [[Tilda Swinton]] and [[Paul Freeman (actor)|Paul Freeman]] (1987)<ref>((cite news |title=The Resistable[sic] Rise of Arturo Ui (Queens Theatre) and The Tourist Guide (Almeida Theatre) |url=http://archive.spectator.co.uk/article/18th-april-1987/39/theatre |access-date=11 June 2020 |publisher=The Spectator |date=18 April 1987))</ref>
* [[Complicité|Théâtre de Complicité]] retrospective (1988–89)
* ''The Undivine Comedy'', opera by Michael Finnissy, Almeida Opera (1988)<ref name="Undivine Comedy">((cite book |last1=Griffel |first1=Margaret Ross |title=Operas in English: A Dictionary |date=21 December 2012 |publisher=Scarecrow Press |isbn=978-0-8108-8272-0 |page=516 |url=https://books.google.com/books?id=Y8bQAwAAQBAJ&q=The+Undivine+Comedy+Michael+Finnissy+almeida&pg=PA516 |access-date=12 June 2020))</ref><ref>((cite journal |last1=Clements |first1=Andrew |title=Finnissy's Undivine Comedy |year=1988 |issue=1745 |journal=The Musical Times |volume=129 |pages=330–332 |doi=10.2307/964740 |jstor=964740 ))</ref>
* ''Golem'', opera by [[John Casken]], Almeida Opera, directed by [[Pierre Audi]] (1989)<ref>((cite web |title=Golem |url=https://www.oxfordmusiconline.com/grovemusic/browse?btog=chap&pageSize=20&sort=titlesort&subSite=grovemusic&t=music_Topics%3A62&t0=music_Topics%3A68 |website=Grove Music Online |publisher=oxfordmusiconline.org |access-date=12 June 2020))</ref>
* ''The Vinegar Works'', a dereck, dereck Production, adapted for the stage by Julia Bardsley and [[Phelim McDermott]] from the illustrated books by Edward Gorey (1989)<ref name="The Vinegar Works">((cite web |title=Performance |url=http://www.juliabardsley.co.uk/perfo/local_house_frame.htm |website=Julia Bardsley |access-date=12 June 2020))</ref>
* ''Polygraph'' by [[Robert Lepage]] and [[Marie Brassard]] (1989)<ref>((cite web |title=Polygraph |url=https://store.bizbooks.net/polygraph.aspx |website=bizbooks |access-date=12 June 2020))</ref>
* Indigo, performed March 1989. Cast included [[Caroline Lee-Johnson]], [[Hakeem Kae-Kazim]], [[Dougray Scott]] and [[Brian Protheroe]]. Directed by [[Keith Boak]].<ref>((cite news |last1=Shulman |first1=Milton |title=Hell afloat |url=https://www.newspapers.com/image/722445946/?terms=%22Caroline%20Lee%20Johnson%22&match=1 |access-date=30 May 2022 |work=Newspapers.com |publisher=Evening Standard |date=13 Mar 1989 |page=34 |language=en))</ref>

=== 1990s ===
* ''The Intelligence Park'', opera by [[Gerald Barry (composer)|Gerald Barry]], Almeida Opera, directed by David Fielding (1990)<ref>((cite news |last1=Dervan |first1=Michael |title=The Intelligence Park |url=https://www.irishtimes.com/culture/music/2.749/the-intelligence-park-1.586960 |access-date=12 June 2020 |publisher=The Irish Times |date=31 May 2011))</ref>
* ''[[Europeras]] III and IV'' by [[John Cage]], Almeida Festival (1990)
* ''Naked'' by [[Luigi Pirandello]], directed by [[Jonathan Kent (director)|Jonathan Kent]], starring [[Juliette Binoche]] (1998)

=== 2000s ===
* ''[[Hedda Gabler]]'' by [[Henrik Ibsen]], adapted and directed by [[Richard Eyre]], starring [[Benedict Cumberbatch]] and [[Eve Best]] (2005)
* ''[[Stephen Dillane]]'s [[Macbeth]]'' by [[William Shakespeare]], directed by Travis Preston (2005-2010)
* ''Dying for It'' by [[Moira Buffini]] after Erdman, directed by [[Anna Mackmin]] (2007)
* ''[[Cloud 9 (play)|Cloud Nine]]'' by [[Caryl Churchill]], directed by [[Thea Sharrock]], starring [[Tobias Menzies]] and [[Nicola Walker]] (2007)
* ''[[The Last Days of Judas Iscariot]]'' by [[Stephen Adly Guirgis]], directed by [[Rupert Goold]], co-production with [[Headlong (theatre company)|Headlong]] (2008)
* ''[[Rosmersholm]]'' by [[Henrik Ibsen]], adapted by [[Mike Poulton]], directed by [[Anthony Page]], starring [[Helen McCrory]] (2008)
* ''[[Waste (play)|Waste]]'' by [[Harley Granville-Barker|Harley Granville Barker]], directed by [[Samuel West]] (2008)
* ''Parlour Song'' by [[Jez Butterworth]], directed by [[Ian Rickson]], starring [[Toby Jones]] (2009)
* ''[[When the Rain Stops Falling]]'' by [[Andrew Bovell]], directed by [[Michael Attenborough]] (2009)
* ''[[Rope (play)|Rope]]'' by Patrick Hamilton (produced in association with [[Sonia Friedman]] Production), directed by [[Roger Michell]], starring [[Bertie Carvel]] and [[Phoebe Waller-Bridge]] (2009)

=== 2010s ===
* ''[[Through a Glass Darkly (film)|Through a Glass Darkly]]'' by [[Ingmar Bergman]], adapted by Jenny Worton, directed by [[Michael Attenborough]] (2010)
* ''[[The Master Builder]]'' by [[Henrik Ibsen]] in translation by [[Kenneth McLeish]], directed by Travis Preston, starring [[Gemma Arterton]], [[Stephen Dillane]] and [[John Light (actor)|John Light]] (2011)
* ''The Knot of the Heart'' by [[David Eldridge (dramatist)|David Eldridge]], directed by [[Michael Attenborough]], starring [[Sophie Stanton]] (2011)
* ''My City'' written and directed by [[Stephen Poliakoff]] (2011)
* ''[[The House of Bernarda Alba]]'' by [[Federico García Lorca]], adapted by [[Emily Mann (director)|Emily Mann]], directed by [[Bijan Sheibani]] (2012)<ref>((Cite news|url=https://almeida.co.uk/whats-on/the-house-of-bernarda-alba/19-jan-2012-10-mar-2012|title=The House of Bernarda Alba|work=Almeida Theatre|access-date=2017-07-21|language=en))</ref>
* ''Children's Children'' by [[Matthew Dunster]], directed by [[Jeremy Herrin]] (2012)
* ''[[Filumena Marturano|Filumena]]'' by [[Eduardo De Filippo]], adapted by Tanya Ronder, directed by [[Michael Attenborough]] (2012)
* ''[[King Lear]]'' by [[William Shakespeare]], directed by [[Michael Attenborough]], starring [[Jonathan Pryce]] (2012)
* ''[[Chimerica (play)|Chimerica]]'' by [[Lucy Kirkwood]], directed by Lyndsey Turner, starring [[Stephen Campbell Moore]] (2013)
* ''Little on the Inside'' by [[Alice Birch]], directed by Lucy Morrison (2013)
* ''[[Ghosts (play)|Ghosts]]'' by [[Henrik Ibsen]], adapted and directed by [[Richard Eyre]] (2013)
* [[American Psycho (musical)|''American Psycho'']]: a new musical thriller, directed by [[Rupert Goold]], starring [[Matt Smith (actor)|Matt Smith]] (2013)
* ''[[Nineteen Eighty-Four|1984]]'' by [[George Orwell]], adapted by [[Duncan Macmillan (playwright)|Duncan MacMillan]] and [[Robert Icke]], directed by [[Robert Icke]] (2014)
* [[King Charles III (play)|''King Charles III'']] by [[Mike Bartlett (playwright)|Mike Bartlett]], directed by [[Rupert Goold]], starring [[Tim Pigott-Smith]] (2014)
* [[Mr. Burns, a Post-Electric Play|Mr Burns: A Post-Electric Play]] by [[Anne Washburn]], directed by [[Robert Icke]] (2014)
* ''Little Revolution'' by [[Alecky Blythe]], directed by [[Joe Hill-Gibbins]] (2014)
* ''[[The Merchant of Venice]]'' by [[William Shakespeare]], directed by [[Rupert Goold]] (2014)
* ''Game'' by [[Mike Bartlett (playwright)|Mike Bartlett]], directed by Sacha Wares (2015)
* ''Carmen Disruption'' by [[Simon Stephens]], directed by Michael Longhurst, starring [[Noma Dumezweni]] (2015)
* ''[[Oresteia]]'' by [[Aeschylus]], adapted and directed by [[Robert Icke]], starring [[Lia Williams]] and [[Jessica Brown Findlay]] (2015)
* ''[[The Bacchae|Bakkhai]]'' by [[Euripides]], directed by [[James Macdonald (director)|James MacDonald]], starring [[Ben Whishaw]] (2015)
* ''[[Medea (play)|Medea]]'' by [[Euripides]], directed by [[Rupert Goold]], starring [[Kate Fleetwood]] (2015)
* ''[[Uncle Vanya]]'' by [[Anton Chekhov]], adapted and directed by [[Robert Icke]], starring [[Jessica Brown Findlay]] and [[Tobias Menzies]] (2016)
* ''[[Richard III (play)|Richard III]]'' by [[William Shakespeare]], directed by [[Rupert Goold]], starring [[Ralph Fiennes]]&nbsp;and&nbsp;[[Vanessa Redgrave]] (2016)
* ''Oil'' by [[Ella Hickson]],&nbsp;directed&nbsp;by [[Carrie Cracknell]] (2016)
* [[Mary Stuart (Schiller play)|''Mary Stuart'']] by [[Friedrich Schiller]], adapted and directed by [[Robert Icke]], starring [[Juliet Stevenson]] and [[Lia Williams]], music by [[Laura Marling]]&nbsp;(2016)
* ''[[Hamlet]]'' by [[William Shakespeare]], directed by [[Robert Icke]], starring [[Andrew Scott (actor)|Andrew Scott]], [[Jessica Brown Findlay]] and [[Juliet Stevenson]] (2017) (successful production that transferred to West End's [[Harold Pinter Theatre]])<ref>((cite news |url=https://www.theguardian.com/stage/2017/jun/25/hamlet-andrew-scott-harold-pinter-theatre-west-end-transfer-review-robert-icke |title=Hamlet review – an all-consuming marvel - 5 out of 5 stars |first=Kate |last=Kellaway |author-link=Kate Kellaway |newspaper=[[The Guardian]] |date=2017-06-25 |access-date=2020-11-04))</ref>
* ''The Treatment'' by [[Martin Crimp]], directed by Lyndsey Turner, starring [[Indira Varma]], [[Julian Ovenden]], [[Gary Beadle]], [[Matthew Needham]] (2017) 
* ''Ink'' by [[James Graham (playwright)|James Graham]], directed by [[Rupert Goold]], starring [[Bertie Carvel]] (2017)
* ''Against'' by [[Christopher Shinn]], directed by [[Ian Rickson]], starring [[Ben Whishaw]] (2017) 
* ''Albion'' by [[Mike Bartlett (playwright)|Mike Bartlett]], directed by [[Rupert Goold]], starring [[Victoria Hamilton]] (2017) 
* ''[[The Twilight Zone]]'' based on stories by [[Rod Serling]], [[Charles Beaumont]] and [[Richard Matheson]], adapted by [[Anne Washburn]], directed by [[Richard Jones (director)|Richard Jones]] (2017)
*''[[Summer and Smoke]]'' by [[Tennessee Williams]], directed by [[Rebecca Frecknall]], starring [[Patsy Ferran]] and [[Matthew Needham]] (2018)
* ''The Writer'' by [[Ella Hickson]], directed by [[Blanche McIntyre]], starring [[Romola Garai]] and [[Samuel West]] (2018)
* ''[[Machinal]]'' by [[Sophie Treadwell]], directed by [[Natalie Abrahami]], starring [[Emily Berrington]] and [[Denise Black]] (2018) 
* ''Dance Nation'' by [[Clare Barron]], directed by [[Bijan Sheibani]], starring [[Brendan Cowell]] and [[Sarah Hadland]] (2018) 
* ''[[The Wild Duck]]'' by [[Henrik Ibsen]], directed by [[Robert Icke]], starring [[Nicholas Farrell]] and [[Lyndsey Marshal]] (2018)
* ''[[The Tragedy of King Richard the Second]]'' by [[William Shakespeare]], directed by [[Joe Hill-Gibbins]], starring [[Simon Russell Beale]] and [[Leo Bill]] (2018)
* ''[[The Duchess of Malfi]]'' (2019)
* ''[[Shipwreck (play)|Shipwreck]]'' by [[Anne Washburn]], directed by [[Rupert Goold]] (2019)<ref name="Shipwreck">((cite web|url=https://www.theguardian.com/stage/2019/feb/20/shipwreck-review-political-drama-takes-trump-seriously-anne-washburn-almeida|access-date=9 January 2021|title=Shipwreck review – vital political drama takes Trump seriously &#124; Theatre &#124; The Guardian|website=[[TheGuardian.com]] |date=20 February 2019 ))</ref>

=== 2020s ===
* ''[[The Tragedy of Macbeth]]'' by [[William Shakespeare]], directed by [[Yael Farber]], starring [[James McArdle]] and [[Saoirse Ronan]] (2022)<ref name="The Tragedy of Macbeth">((cite web|url=https://almeida.co.uk/whats-on/the-tragedy-of-macbeth/|access-date=21 May 2022|title=Almeida Theatre|date=21 May 2023 ))</ref>
* ''[[Patriots (play)|Patriots]]'' by [[Peter Morgan]], directed by [[Rupert Goold]], starring [[Tom Hollander]] and [[Will Keen]] (2022) (Transferred to West End)<ref>((Cite web |title=Patriots |url=https://almeida.co.uk/whats-on/patriots/ |access-date=2023-06-18 |website=Almeida Theatre |language=en-US))</ref>
* ''[[Tammy Faye (musical)|Tammy Faye]]'' by [[Elton John]], [[Jake Shears]], and [[James Graham (playwright)|James Graham]], directed by [[Rupert Goold]], starring [[Andrew Rannells|Andrew Rannels]] and [[Katie Brayben]] (2022)<ref>((Cite web |title=Tammy Faye |url=https://almeida.co.uk/whats-on/tammy-faye/ |access-date=2023-06-06 |website=Almeida Theatre |language=en-US))</ref>
* ''[[A Streetcar Named Desire]]'' by [[Tennessee Williams]], directed by [[Rebecca Frecknall]], starring [[Patsy Ferran]], [[Paul Mescal]], and [[Anjana Vasan]] (2022) (Transferred to West End)<ref>((Cite web |title=A Streetcar Named Desire West End ((!)) Almeida Theatre, London |url=https://almeida.co.uk/whats-on/a-streetcar-named-desire-west-end/ |access-date=2023-06-06 |website=Almeida Theatre |language=en-US))</ref>
* ''The Secret Life of Bees'' by [[Lynn Nottage]], [[Duncan Sheik]], and [[Susan Birkenhead]], based on the [[The Secret Life of Bees (novel)|novel of the same name]] by [[Sue Monk Kidd]], directed by Whitney White (2023)<ref>((Cite web |title=The Secret Life of Bees ((!)) Almeida Theatre, London |url=https://almeida.co.uk/whats-on/the-secret-life-of-bees/ |access-date=2023-06-06 |website=Almeida Theatre |language=en-US))</ref>
* ''[[Romeo and Juliet]]'' by [[William Shakespeare]], directed by [[Rebecca Frecknall]], starring [[Toheeb Jimoh]] and [[Isis Hainsworth]] (2023)<ref>((Cite web |title=Romeo and Juliet |url=https://almeida.co.uk/whats-on/romeo-and-juliet/ |access-date=2023-06-07 |website=Almeida Theatre |language=en-US))</ref>
* ''A Mirror'' by [[Sam Holcroft]], directed by [[Jeremy Herrin]], starring [[Jonny Lee Miller]] (2023)<ref>((Cite web |title=A Mirror |url=https://almeida.co.uk/whats-on/a-mirror/ |access-date=2023-08-27 |website=Almeida Theatre |language=en-US))</ref>
* ''Portia Coughlan'' by [[Marina Carr]], directed by [[Carrie Cracknell]], starring [[Alison Oliver]] (2023)<ref>((Cite web |title=Portia Coughlan |url=https://almeida.co.uk/whats-on/portia-coughlan/ |access-date=2023-10-17 |website=Almeida Theatre |language=en-US))</ref>
* ''Cold War'' by [[Elvis Costello]], [[Conor McPherson]], based on the [[Cold War (2018 film)|film of the same name]] by [[Paweł Pawlikowski]], directed by [[Rupert Goold]] (2023)<ref>((Cite web |title=Cold War |url=https://almeida.co.uk/whats-on/cold-war/ |access-date=2023-10-17 |website=Almeida Theatre |language=en-US))</ref>
* ''[[King Lear]]'' by [[William Shakespeare]], directed by [[Yaël Farber]], starring [[Danny Sapani]] (2024)<ref>((Cite web |title=King Lear |url=https://almeida.co.uk/whats-on/king-lear/ |access-date=2023-10-17 |website=Almeida Theatre |language=en-US))</ref>

==References==
((Reflist|30em))

==External links==
*((Commons category-inline|Almeida Theatre))
* [http://www.almeida.co.uk Official Almeida Theatre website]

((Theatres in London))
((Authority control))

[[Category:Theatres in the London Borough of Islington]]
[[Category:Commercial buildings completed in 1837]]
[[Category:Theatres completed in 1980]]
[[Category:Grade II listed buildings in the London Borough of Islington]]
[[Category:Producing house theatres in London]]
[[Category:Buildings and structures in Islington]]

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