Jane Wyman | |
|---|---|
 Wyman in the 1950s | |
| Born | Sarah Jane Mayfield January 5, 1917 St. Joseph, Missouri, U.S. |
| Died | September 10, 2007 (aged 90) |
| Resting place | Forest Lawn Mortuary and Memorial Park, Cathedral City, California |
| Occupations |
|
| Years active | 1932–1993 |
| Known for | The Lost Weekend The Yearling Johnny Belinda Stage Fright The Blue Veil Magnificent Obsession All That Heaven Allows The Jane Wyman Show Pollyanna Falcon Crest |
| Political party | Republican |
| Spouses | Ernest Wyman
(m. 1933; div. 1935)Myron Futterman
(m. 1937; div. 1938)Frederick Karger
(m. 1952; div. 1955)
(m. 1961; div. 1965) |
| Children | 3, including Maureen Reagan and Michael Reagan |
Jane Wyman (/ˈwaɪmən/ WY-mən; born Sarah Jane Mayfield; January 5, 1917 – September 10, 2007)[1] was an American actress. She received an Academy Award (1948), four Golden Globe Awards (1948, 1950, 1951 and 1983) and nominations for two Primetime Emmy Awards (1957 and 1959).
Jane Wyman's motion picture career began at age 17 at Paramount Pictures dancing in the chorus for Dance Director LeRoy Prinz in 1934. She signed her first studio contract with Warner Bros. in 1936 at 19. A popular contract player, she quickly progressed from uncredited bit parts to "B" movies and second leads in her first 8 years at the studio.
After this extended apprenticeship she emerged as a dramatic actress and leading lady in 1945 after being cast in The Lost Weekend. More starring vehicles followed including The Yearling (1946), Stage Fright (1950), So Big (1953), Magnificent Obsession (1954), and All That Heaven Allows (1955). She received four nominations for the Academy Award for Best Actress between 1946 and 1954, winning for Johnny Belinda (1948).
In 1955 she formed her own television production company Lewman Productions Ltd.(co-owned with MCA Inc.) and assumed responsibility for producing the popular filmed anthology series the Fireside Theatre from Hal Roach Studios. She served as producer, host and frequent star of the NBC series from 1955 to 1958.
In her early forties Wyman continued to work in both film and television, enjoying a certain level of visibility from the syndication of The Jane Wyman Show but no longer in demand as a leading lady.
After a couple of periods of virtual retirement between 1963-1968 and 1974-1978 she returned to prominence on the prime-time soap opera Falcon Crest (1981–1990), portraying the role of villainous matriarch Angela Channing.
Wyman was the first wife of Hollywood actor and the future 40th president of the United States, Ronald Reagan.
Sarah Jane Mayfield was born on January 5, 1917, in St. Joseph, Missouri, to Gladys Hope (née Christian; 1891–1960) and Manning Jeffries Mayfield (1895–1922). Her father was a meal company laborer and her mother was a doctor's stenographer and office assistant. Wyman was an only biological child, but when she was placed in foster care she had two foster siblings, whom she would refer to when saying she was the youngest of three. Wyman's birth parents were married in March 1916 in Jackson County, Missouri. The 1920 census showed her to be three years old on January 15, 1920, and living in Philadelphia, Pennsylvania.[citation needed]
In October 1921, her parents divorced and her father died unexpectedly three months later. After his death, her mother moved to Cleveland, Ohio, leaving her to be reared by foster parents, Emma (née Reiss)[2][3] and Richard D. Fulks, the chief of detectives in Saint Joseph.[4] She took their surname unofficially, including in her school records and on her marriage certificate to first husband Ernest Wyman.[5]
Her unsettled family life resulted in few pleasurable memories. Wyman later said "I was raised with such strict discipline that it was years before I could reason myself out of the bitterness I brought from my childhood."[6]
In 1928, aged 11, she moved to Southern California with her foster mother. In 1930, the two moved back to Missouri, where Sarah Jane attended Lafayette High School in Saint Joseph. That same year, she began a radio singing career, calling herself Jane Durrell and adding three years to her birthdate to work legally because she was under-aged.[7][8][9][10][1]
After dropping out of Lafayette in 1932 at age 15, she returned to Hollywood, taking on odd jobs as a manicurist and a switchboard operator.[11]
She started to obtain small parts in such films as The Kid from Spain (as a "Goldwyn Girl"; 1932), Elmer, the Great (1933), Gold Diggers of 1933 (1933), Harold Teen (1934), College Rhythm (1934), Rumba (1935), All the King's Horses (1935), George White's 1935 Scandals (1935), Stolen Harmony (1935), Broadway Hostess (1935), King of Burlesque (1936) and Anything Goes (1936). She then went to Universal Studios for My Man Godfrey (1936).
She signed a contract with Warner Brothers in 1936.[citation needed]
At Warner Brothers, Wyman was in Freshman Love (1936) and Bengal Tiger (1936), Stage Struck (1936), Cain and Mabel (1936), and Here Comes Carter (1936).
Wyman had her first big role, both singing and dancing in a Dick Foran Western The Sunday Round-Up (1936).
Wyman had small parts in Polo Joe (1936), and Gold Diggers of 1937 (1936) but a bigger one in Smart Blonde (1936), the first of the Torchy Blane series. She appeared in Ready, Willing and Able (1937), The King and the Chorus Girl (1937), and Slim (1937). She had the lead in Little Pioneer (1937), a short, and parts in The Singing Marine (1937).
By the time Wyman starred in Public Wedding (1937), a "B"picture, she was already divorced from first husband Ernest Wyman. She retained use of the surname for the remainder of her career.[5]
She had a supporting part in Mr. Dodd Takes the Air (1937) and was the female lead in some "B" films, such as The Spy Ring (1938) (at Universal), He Couldn't Say No (1938) with Frank McHugh and Wide Open Faces (1938) with Joe E. Brown.[12]
Wyman was borrowed by MGM to play a supporting part in The Crowd Roars (1938).
Back at Warner Brothers, Wyman was cast as one of the leads in Brother Rat (1938) for Hal B. Wallis. It co-starred Ronald Reagan, Priscilla Lane, Wayne Morris and Eddie Albert.
Wyman was borrowed by 20th Century Fox for a supporting role in Tail Spin (1939), followed by The Kid from Kokomo (1939) with Pat O'Brien and Morris. She played the title role in Torchy Blane..Playing with Dynamite (1939).
Now established, Wyman was cast in Kid Nightingale (1939) with John Payne, Private Detective (1939) with Foran, Brother Rat and a Baby (1940) with Reagan, An Angel from Texas (1940) with Albert, Flight Angels (1940), and Gambling on the High Seas (1940) with Wayne Morris.
Wyman had supporting roles in "A" films such as My Love Came Back (1940), starring Olivia de Havilland and Jeffrey Lynn. She and Reagan were in Tugboat Annie Sails Again (1940). Wyman was a supporting role to Ann Sheridan in Honeymoon for Three (1941) and was Dennis Morgan's leading lady in Bad Men of Missouri (1941).[13]
Wyman made The Body Disappears (1941) with Jeffrey Lynn and You're in the Army Now (1941) with Jimmy Durante; in the latter she and Regis Toomey had the longest screen kiss in cinema history: 3 minutes and 5 seconds.[14][15]
Wyman did Larceny, Inc. (1942) with Edward G. Robinson, and My Favorite Spy (1942) with Kay Kyser.
At 20th Century Studios, Wyman was a supporting actor to Betty Grable in Footlight Serenade (1942) then back at Warners supported Olivia de Havilland in Princess O'Rourke (1943).
Warners teamed Wyman with Jack Carson in Make Your Own Bed (1944) and The Doughgirls (1944), then she was top billed in Crime by Night (1944). She was one of many stars to cameo in Hollywood Canteen (1944).[16]
Wyman gained critical notice in The Lost Weekend (1945), made by the team of Billy Wilder and Charles Brackett, who had been impressed by her performance in Princess O'Rourke. It was a supporting role – Ray Milland was the lead – but was the second biggest part. Wyman called it "a small miracle".[12]
Wyman remained a supporting actor in One More Tomorrow (1946), and Night and Day (1946).[17] However Wyman was borrowed by MGM for the female lead in The Yearling (1946), and was nominated for the 1946 Academy Award for Best Actress.
She was leading lady for Dennis Morgan in Cheyenne (1947) and James Stewart in RKO's Magic Town (1947).
Her breakthrough role was playing a deaf-mute rape victim in Johnny Belinda (1948). Wyman spent over six months preparing for the film which was an enormous hit and won Wyman a Best Actress Oscar.[12] She was the first person in the sound era to earn the award without speaking a line of dialogue. In an amusing acceptance speech, perhaps poking fun at some of her long-winded counterparts, Wyman took her statue and said only, "I accept this, very gratefully, for keeping my mouth shut once. I think I'll do it again."[18][11]
Wyman was now a top-billed star. She did two comedies, A Kiss in the Dark (1948) with David Niven and The Lady Takes a Sailor (1949) with Morgan, then made a thriller in England, Stage Fright (1950) for Alfred Hitchcock.[13]
She played Laura in The Glass Menagerie (1950), and went to MGM for Three Guys Named Mike (1951), a popular comedy.
Frank Capra used her as Bing Crosby's leading lady in Here Comes the Groom (1951) at Paramount, then she had the lead role in RKO's The Blue Veil (1951), a melodrama that was a big box office hit and earned her an Oscar nomination.[citation needed]
Wyman was one of many stars in Warner Bros' Starlift (1951). She was the female lead in The Story of Will Rogers (1952) and Paramount reunited her and Crosby in Just for You (1952). Wyman expressed interest around this time of doing no more "weepy" roles.[19]
Columbia cast her in a musical, Let's Do It Again (1953) with Ray Milland, then at Warners she was in So Big (1953), a melodrama.
Wyman had a huge success when producer Ross Hunter cast her alongside Rock Hudson in Magnificent Obsession (1954). It earned her another Oscar nomination.
Wyman and Hudson were promptly reteamed on All That Heaven Allows (1955). Pine-Thomas Productions put Wyman in Lucy Gallant (1955) with Charlton Heston. She did Miracle in the Rain (1956) with Van Johnson. Wyman was meant to follow this with Annabella but it appears to have not been made.[20][21]
Jane Wyman's brief recording career with Decca Records extended between 1951 and 1953. She recorded a few solo tracks along with duets and novelty songs achieving three Billboard top 30 hits and appearing on one #1 album.
Her first guest-starring television role was on a 1955 episode of General Electric Theater, a show hosted by her former husband Ronald Reagan. Wyman began a TV series The Jane Wyman Show (1955–58). In its first season it was known as Fireside Theatre then being changed to Jane Wyman Theatre. Wyman hosted every episode, acted in half, and was a producer.[22]
When The Jane Wyman Show ended Wyman was no longer a film star, but she remained in demand. She replaced the ailing Gene Tierney in Holiday for Lovers (1959) for Fox, and next appeared in Disney's Pollyanna (1960) and Bon Voyage! (1962).[23]
Wyman continued to guest star on TV shows like Checkmate, Westinghouse Desilu Playhouse, Bob Hope Presents the Chrysler Theatre, The Investigators, Wagon Train, and Insight.
"Something happened in the sixties," she later said. "it seemed that the time didn't permit women to be part of it except in a sort of secondary sort of way which I resented. I kept telling myself 'I didn't want to play Whatever Happened to Baby Jane."[22] So she went into semi-retirement around 1962.
Wyman focused on painting. She made the occasional acting appearance, mostly on television.
In 1966, Reginald Denham announced Wyman would appear in a play Wonderful Us based on the Parker–Hulme murder case but it was not produced.[24]
She returned to films with How to Commit Marriage (1969).
Wyman continued to work in the 1970s, guest starring on My Three Sons; The Bold Ones: The New Doctors; The Sixth Sense; and Owen Marshall, Counselor at Law and starring in films like The Failing of Raymond (1971) and The Incredible Journey of Doctor Meg Laurel (1979). She starred in a pilot for a TV series Amanda Fallon but it was not picked up.[25]
She guest starred on Charlie's Angels and The Love Boat.[citation needed]
She was offered roles of "murderers, old ladies that were senile – they were awful. The weirdest kind of writing."[22]
In the spring of 1981, Wyman's career enjoyed a resurgence when she was cast as the scheming Californian vintner and matriarch Angela Channing in The Vintage Years, which was retooled as the primetime soap opera Falcon Crest. Wyman said she wanted to make it as it was a change from "the four handkerchief bits" she was known for. "You just can't miss on a thing like this," she added.[22]
Then relatively unknown Lorenzo Lamas appeared as Angela's irresponsible grandson, Lance Cumson. The on- and off-screen chemistry between Wyman and Lamas helped fuel the series' success.[citation needed]
For her role as Angela Channing, Wyman was nominated for a Soap Opera Digest Award five times (for Outstanding Actress in a Leading Role and for Outstanding Villainess: Prime Time Serial), and was also nominated for a Golden Globe award in 1983 and 1984. She won in 1984 for Best Performance By an Actress in a TV Series. Later in the show's run, Wyman suffered several health problems. In 1986 abdominal surgery caused her to miss two episodes. She was plagued with fatigue during the 1988–1989 season, and her health continued to deteriorate. Later in 1989 she collapsed on the set and was hospitalized due to problems with diabetes and a liver ailment. Her doctors told her that she should end her acting career. Wyman was absent for most of the ninth and final season of Falcon Crest in 1989–1990.
Against her doctor's advice, she returned for the final three episodes in 1990, even writing a soliloquy for the series finale. Wyman appeared in 208 of the show's 227 episodes.
After Falcon Crest, Wyman acted only once more, playing Jane Seymour's screen mother in a 1993 episode of Dr. Quinn, Medicine Woman.[26] In all, Wyman had starred in 83 movies[citation needed] and two successful TV series, and was nominated for an Academy Award four times, winning once.
Wyman was married five times,[5] her final two both to Frederick Karger.
At age 16, Wyman married salesman Ernest Eugene Wyman in Los Angeles, California, on April 8, 1933, recording her name as 'Jane Fulks', foster parents Emma and Richard Fulks, and her age as 19 on the wedding certificate. Though the couple divorced after just two years, she retained the name Wyman professionally for the rest of her life.[5]
Wyman married dress manufacturer Myron Martin Futterman in New Orleans on June 29, 1937. She wanted children but he did not, and they separated after only three months.[27] They divorced on December 5, 1938.[28]
In 1938, Wyman co-starred with Ronald Reagan in Brother Rat (1938), and its sequel Brother Rat and a Baby (1940). They were engaged at the Chicago Theatre,[29] and married on January 26, 1940, at the Wee Kirk o' the Heather in Glendale, California.[30] She and Reagan had three children; Maureen Elizabeth Reagan, their adopted son Michael Edward Reagan, and Christine Reagan (premature, lived one day June 26, 1947).[31] Wyman, who was a registered Republican, stated that their break-up was due to a difference in politics (Ronald Reagan was still a Democrat at the time).[32] She filed for divorce in 1948; the divorce was final in 1949 and Wyman leased a home in Palm Springs, California.[33]
Upon Reagan's 1981 inauguration Wyman became the first ex-wife of an American president. Although she remained silent during Reagan's political career, she told a newspaper interviewer in 1968 that this was not because she was bitter or because she did not agree with him politically:
I've always been a registered Republican. But it's bad taste to talk about former husbands and former wives, that's all. Also, I don't know a damn thing about politics.[34]
Upon Reagan's death in 2004, Wyman put out a statement about Reagan, stating, "America has lost a great president. And a great, kind and gentle man."[35]
On November 1, 1952, Wyman married German-American Hollywood music director and composer Frederick M. "Fred" Karger at El Montecito Presbyterian Church, Santa Barbara. They separated on November 7, 1954, and were granted an interlocutory divorce decree on December 7, 1954; the divorce was finalized on December 30, 1955.
They remarried on March 11, 1961, and Karger divorced her again on March 9, 1965. According to The New York Times' report of the divorce, the bandleader charged that the actress "had walked out on him."[36] Wyman had a stepdaughter, Terry, from Karger's marriage to Patti Sacks.[37]
Wyman, who had converted to Catholicism in 1953, never remarried.[38] She was a member of the Good Shepherd Parish and the Catholic Motion Picture Guild in Beverly Hills, California.[39]
After Falcon Crest ended, Wyman made a guest appearance on the CBS series Dr. Quinn, Medicine Woman and then completely retired from acting; she spent her retirement painting and entertaining friends. Wyman was a recluse and made only a few public appearances in her last years in part due to suffering from arthritis. Wyman also suffered from Type 1 diabetes from a very young age. She attended the funeral of her long-time friend Loretta Young in 2000. She attended her daughter's funeral in 2001 after Maureen died of melanoma, and Ronald Reagan's funeral in 2004.[26]
Wyman died in her sleep of natural causes at the age of 90[1] at her home in Rancho Mirage on September 10, 2007.[40] Her son Michael Reagan released a statement saying:
I have lost a loving mother, my children Cameron and Ashley have lost a loving grandmother, my wife Colleen has lost a loving friend she called Mom and Hollywood has lost the classiest lady to ever grace the silver screen.[41]
A lay tertiary of the Dominican Order of the Catholic Church, she was buried in a nun's habit.[42] She was interred at Forest Lawn Mortuary and Memorial Park in Cathedral City, California.[1]
| Year | Title | Role | Notes |
|---|---|---|---|
| 1932 | The Kid from Spain | Goldwyn Girl | Uncredited |
| 1933 | Elmer, the Great | Game Spectator | Uncredited |
| 1933 | Gold Diggers of 1933 | Gold Digger | Uncredited |
| 1934 | All the King's Horses | Chorine | Uncredited |
| 1934 | College Rhythm | Chorine | Uncredited |
| 1935 | Broadway Hostess | Chorus Girl | Uncredited |
| 1935 | Rumba | Chorus Girl | Uncredited |
| 1935 | George White's 1935 Scandals | Chorine | Uncredited |
| 1935 | Stolen Harmony | Chorine | Uncredited |
| 1936 | King of Burlesque | Dancer | Uncredited |
| 1936 | Freshman Love | Co-Ed | Uncredited |
| 1936 | Anything Goes | Chorus Girl | Uncredited |
| 1936 | Bengal Tiger | Saloon Girl | Uncredited |
| 1936 | My Man Godfrey | Socialite | Uncredited |
| 1936 | Stage Struck | Bessie Funfnick | Uncredited |
| 1936 | Cain and Mabel | Chorus Girl | Uncredited |
| 1936 | Here Comes Carter | Nurse | Uncredited |
| 1936 | The Sunday Round-Up | Butte Soule | Short film |
| 1936 | Polo Joe | Girl at Polo Field | Uncredited |
| 1936 | Gold Diggers of 1937 | Chorus Girl | Uncredited |
| 1937 | Smart Blonde | Dixie the Hat Check Girl | |
| 1937 | Ready, Willing, and Able | Dot | |
| 1937 | The King and the Chorus Girl | Babette Latour | |
| 1937 | Slim | Stumpy's Girl | |
| 1937 | Little Pioneer | Katie Snee | Short film |
| 1937 | The Singing Marine | Joan | |
| 1937 | Public Wedding | Florence Lane Burke | |
| 1937 | Mr. Dodd Takes the Air | Marjorie Day | |
| 1937 | Over the Goal | Co-Ed | Uncredited |
| 1938 | The Spy Ring | Elaine Burdette | |
| 1938 | He Couldn't Say No | Violet Coney | |
| 1938 | Fools for Scandal | Party Guest | Uncredited |
| 1938 | Wide Open Faces | Betty Martin | |
| 1938 | The Crowd Roars | Vivian | |
| 1938 | Brother Rat | Claire Adams | |
| 1939 | Tail Spin | Alabama | |
| 1939 | The Kid from Kokomo | Marian Bronson | |
| 1939 | Torchy Blane... Playing with Dynamite | Torchy Blane | |
| 1939 | Kid Nightingale | Judy Craig | |
| 1939 | Private Detective | Myrna "Jinx" Winslow | |
| 1940 | Brother Rat and a Baby | Claire Terry | |
| 1940 | An Angel from Texas | Marge Allen | |
| 1940 | Flight Angels | Nan Hudson | |
| 1940 | Gambling on the High Seas | Laurie Ogden | |
| 1940 | My Love Came Back | Joy O'Keefe | |
| 1940 | Tugboat Annie Sails Again | Peggy Armstrong | |
| 1941 | Honeymoon for Three | Elizabeth Clochessy | |
| 1941 | Bad Men of Missouri | Mary Hathaway | |
| 1941 | The Body Disappears | Joan Shotesbury | |
| 1941 | You're in the Army Now | Bliss Dobson | |
| 1942 | Larceny, Inc. | Denny Costello | |
| 1942 | My Favorite Spy | Connie | |
| 1942 | Footlight Serenade | Flo La Verne | |
| 1943 | Princess O'Rourke | Jean Campbell | |
| 1944 | Make Your Own Bed | Susan Courtney | |
| 1944 | The Doughgirls | Vivian Marsden Halstead | |
| 1944 | Crime by Night | Robbie Vance | |
| 1944 | Hollywood Canteen | Jane Wyman | |
| 1945 | The Lost Weekend | Helen St. James | |
| 1946 | One More Tomorrow | Frankie Connors | |
| 1946 | Night and Day | Gracie Harris | |
| 1946 | The Yearling | Orry Baxter | Nominated – Academy Award for Best Actress |
| 1947 | Cheyenne | Ann Kincaid | |
| 1947 | Magic Town | Mary Peterman | |
| 1948 | Johnny Belinda | Belinda MacDonald | Academy Award for Best Actress Golden Globe Award for Best Actress in a Leading Role Photoplay Gold Medal Actress Picturegoer Award - Best Actress |
| 1949 | A Kiss in the Dark | Polly Haines | |
| 1949 | It's a Great Feeling | Jane Wyman | |
| 1949 | The Lady Takes a Sailor | Jennifer Smith | |
| 1950 | Stage Fright | Eve Gill | |
| 1950 | The Glass Menagerie | Laura Wingfield | |
| 1951 | Three Guys Named Mike | Marcy Lewis | |
| 1951 | Here Comes the Groom | Emmadel Jones | |
| 1951 | The Blue Veil | Louise Mason | Golden Globe Award for Best Actress in a Motion Picture – Drama Laurel Awards - Best Dramatic Performance Picturegoer Award - Best Actress Nominated – Academy Award for Best Actress |
| 1952 | The Story of Will Rogers | Betty Blake Rogers | |
| 1952 | Just for You | Carolina Hill | |
| 1953 | Three Lives | Commentator | Short film |
| 1953 | Let's Do It Again | Constance "Connie" Stuart | |
| 1953 | So Big | Selina DeJong | |
| 1954 | Magnificent Obsession | Helen Phillips | Picturegoer Award - Best Actress Nominated – Academy Award for Best Actress |
| 1955 | All That Heaven Allows | Cary Scott | |
| 1955 | Lucy Gallant | Lucy Gallant | |
| 1956 | Miracle in the Rain | Ruth Wood | |
| 1959 | Holiday for Lovers | Mrs. Mary Dean | |
| 1960 | Pollyanna | Polly Harrington | |
| 1962 | Bon Voyage! | Katie Willard | |
| 1969 | How to Commit Marriage | Elaine Benson |
For several years, film exhibitors voted Wyman as among the most popular stars in the country:
| Air Date | Title | Role | Notes |
|---|---|---|---|
| 1955 | General Electric Theatre | Dr. Amelia Morrow | Episode: "Amelia" |
| 1955–1958 | The Jane Wyman Show | Various | Host, star and producer
|
| 1957 | Tennessee Ernie Ford Show | Guest | Episode: Jane Wyman |
| 1957 | The Lux Show with Rosemary Clooney | Guest | Episode: 01-01 |
| 1958 | The Perry Como Show | Guest | Episode: #10.36 |
| 1958 | Wagon Train | Dr. Carol Ames Willoughby | Episode: "The Doctor Willoughby Story" |
| 1958 | Tennessee Ernie Ford Show | Guest | Episode: Jane Wyman(2) |
| 1959 | The Perry Como Show | Guest | Episode: #11.18 |
| 1959 | Lux Video Theatre | Selena Shelby | Episode: "A Deadly Guest" |
| 1960 | Westinghouse Desilu Playhouse | Dr. Kate | Episode: "Dr. Kate" |
| 1960 | Startime | Host | Episode: "Academy Award Songs" |
| 1960 | Checkmate | Joan Talmadge | Episode: "Lady on the Brink" |
| 1961 | The Investigators | Elaine | Episode: "Death Leaves a Tip" |
| 1962 | Insight | Edith Stein | Episode: "The Cross in Crisis" |
| 1962 | Wagon Train | Hannah | Episode: "The Wagon Train Mutiny" |
| 1963 | The Andy Williams Show | Guest | Episode: #1.16 |
| 1963 | The Andy Williams Show | Guest | Episode: #2.3 |
| 1964 | Bell Telephone Hour | Host | Episode: “The Younger Generation” |
| 1964 | Insight | Marie | Episode: "The Hermit" |
| 1966 | Bob Hope Presents the Chrysler Theatre | Addie Joslin | Episode: "When Hell Froze" |
| 1967 | Insight | Auschwitz Victim | Episode: "Why Does God Allow Men to Suffer?" |
| 1968 | The Red Skelton Show | Clara Crowley Appleby | Episode: "Clara and Me and Mama Makes Three" |
| 1969 | Insight | Catherine | Episode: "Prince in the Apple Town" |
| 1969 | The Jim Nabors Hour | Guest | Episode: #1.11 |
| 1970 | My Three Sons | Sylvia Cannon | Episode: "Who Is Sylvia?" |
| 1970 | The Jim Nabors Hour | Guest | Episode: #2.15 |
| 1971 | The Failing of Raymond | Mary Bloomquist | TV movie |
| 1971 | The Glen Campbell Goodtime Hour | Guest | Episode: The 42nd Annual Photoplay Awards |
| 1972 | The Sixth Sense | Ruth Ames | Episode: "If I Should Die Before I Wake" |
| 1972 | The Bold Ones: The New Doctors | Dr. Amanda Fallon | Episode: "Discovery at Fourteen" |
| 1973 | The Bold Ones: The New Doctors | Dr. Amanda Fallon | Episode: "And Other Things I May Not See" |
| 1974 | Owen Marshall, Counselor at Law | Sophia Ryder | Episode: "The Desertion of Keith Ryder" |
| 1979 | The Incredible Journey of Doctor Meg Laurel | Granny Arrowroot | TV movie |
| 1980 | The Love Boat | Sister Patricia | Episode: "Another Day, Another Time" |
| 1980 | Charlie's Angels | Eleanor Willard | Episode: "To See an Angel Die" |
| 1981–1990 | Falcon Crest | Angela Channing | Main cast |
| 1993 | Dr. Quinn, Medicine Woman | Elizabeth Quinn | Episode: "The Visitor" |
| Program | Episode | Date | Notes |
|---|---|---|---|
| Burns and Allen | Gracie's Christmas Party | December. 25, 1947 | Wyman played Gracie Allen, due to the star's illness |
| Screen Guild Players | The Lost Weekend | January 7, 1946 | [46] |
| Screen Guild Players | Saturday's Children | June 2, 1947 | [47] |
| The Jack Benny Show | From San Francisco | March 30, 1947 | [47] |
| The Martin and Lewis Show | Jane Wyman | November 30, 1951 | [citation needed] |
| Hollywood Star Playhouse | A Letter from Laura | February 24, 1952 | [48] |
| Hallmark Playhouse | Whistler's Mother | May 8, 1952 | [49] |
| Lux Radio Theatre | The Blue Veil | November 24, 1952 | [50] |
| Year | Award | Category | Nominated work | Results | Ref. |
|---|---|---|---|---|---|
| 1946 | Academy Awards | Best Actress | The Yearling | Nominated | [51] |
| 1948 | Johnny Belinda | Won | [52] | ||
| 1951 | The Blue Veil | Nominated | [53] | ||
| 1954 | Magnificent Obsession | Nominated | [54] | ||
| 1948 | Golden Globe Awards | Best Actress in a Leading Role | Johnny Belinda | Won | [55] |
| 1950 | World Film Favorite – Female | — | Won | ||
| 1951 | Best Actress in a Motion Picture – Drama | The Blue Veil | Won | ||
| 1982 | Best Actress in a Television Series – Drama | Falcon Crest | Nominated | ||
| 1983 | Won | ||||
| 1957 | Primetime Emmy Awards | Best Continuing Performance by an Actress | Jane Wyman Theatre | Nominated | [56] |
| 1959 | Best Actress in a Leading Role (Continuing Character) in a Dramatic Series | The Jane Wyman Show | Nominated |
