K Street
Genre	Comedy drama
Created by	Steven Soderbergh
Written by	Henry Bean
Directed by	Steven Soderbergh
Starring	James Carville Mary Matalin John Slattery Mary McCormack Roger Guenveur Smith
Country of origin	United States
Original language	English
No. of seasons	1
No. of episodes	10
Production
Executive producers	Henry Bean George Clooney Mark Sennet Steven Soderbergh Grant Heslov
Producers	Jonathan Zurer Mike Fountain
Production location	Washington D.C.
Cinematography	Steven Soderbergh
Editors	Steven Soderbergh Tony Black
Camera setup	Single-camera setup
Running time	30 minutes
Production company	Interface Media Group
Original release
Network	HBO
Release	September 14 (2003-09-14) – November 16, 2003 (2003-11-16)

K Street is a 2003 HBO television series about lobbyists and politicians in Washington, D.C. It was named for a street that is home to many lobbying and legal firms.

Format

Each episode was largely improvised, usually focused around the major political news of the week.

K Street featured a fictional, bipartisan consulting firm led by husband and wife duo James Carville and Mary Matalin as themselves, as well as three fictional characters. The show featured cameos from numerous real-life political figures.

Reception

In her review for The New York Times, Alessandra Stanley wrote, "Much has been written about the growing resemblance between Hollywood and Washington. As seen from K Street, Foggy Bottom is just another La Brea Tar Pit, where dinosaurs from past campaigns continually surface to be restored and preserved".^[1] In his review for the Washington Post, Tom Shales wrote, "K Street is highly unlikely to become a national sensation, but in big cities of the East it ought to be quite the conversation piece—for a little while anyway. In a sense, the show comes off like a marvelous party, but one to which many of us are bound to feel profoundly uninvited".^[2] Variety magazine's Phil Gallo wrote, "Director Steven Soderbergh uses a guerilla style of filmmaking to capture behind-the-scenes players with a fervent urgency; if K Street holds its course, it could serve as a primer in understanding modern-day politics".^[3] In his review for The New York Daily News, David Bianculli wrote, "Its starkness—no music, no opening credits and no identification of the show's real and imagined players until the end—is a stylistic choice, but an unsatisfying one".^[4] In his review for The New York Post, Adam Buckman wrote, "I didn't quite believe my eyes when I watched K Street, but like a UFO, I'm eager for a second look".^[5] USA Today gave the show one-and-a-half stars out of four and wrote, "sitting through K Street was like watching a group of show-off kids hanging around amusing each other when they should be working. You'd think these people would have better things to do with their time, particularly the ones who are drawing a salary from the public treasury. Taxpayers and HBO subscribers should demand better for their money".^[6]