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The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console
Noted audio engineer Roger Nichols at a vintage Neve recording console
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This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

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Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 Barbirolli in 1960 Sir John Barbirolli CH (né Giovanni Battista Barbirolli; 2 December 1899 – 29 July 1970) was a British conductor and cellist. He is remembered above all as conductor of the Hallé Orchestra in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Earlier in his career he was Arturo Toscanini's successor as music director of the New York Philharmonic, serving from 1936 to 1943. He was also chief conductor of the Houston Symphony from 1961 to 1967, and was a guest conductor of many other orchestras, including the BBC Symphony Orchestra, London Symphony Orchestra, the Philharmonia, the Berlin Philharmonic and the Vienna Philharmonic, with all of which he made recordings. Born in London of Italian and French parentage, Barbirolli grew up in a family of professional musicians. After starting out as a cellist, he was given the chance to conduct, from 1926 with the British National Opera Company, and then with Covent Garden's touring company. On taking up the conductorship of the Hallé he had less opportunity to work in the opera house, but in the 1950s he conducted productions of works by Verdi, Wagner, Gluck, and Puccini at Covent Garden with such success that he was invited to become the company's permanent musical director, an invitation he declined. Late in his career he made several recordings of operas, of which his 1967 set of Puccini's Madama Butterfly for EMI is probably the best known. (Full article...)
    slender white man of mature years in formal costume; he is clean shaven and has a full head of greying hair and carries a walking stick
    Barbirolli in 1960


    Sir John Barbirolli CH (né Giovanni Battista Barbirolli; 2 December 1899 – 29 July 1970) was a British conductor and cellist. He is remembered above all as conductor of the Hallé Orchestra in Manchester, which he helped save from dissolution in 1943 and conducted for the rest of his life. Earlier in his career he was Arturo Toscanini's successor as music director of the New York Philharmonic, serving from 1936 to 1943. He was also chief conductor of the Houston Symphony from 1961 to 1967, and was a guest conductor of many other orchestras, including the BBC Symphony Orchestra, London Symphony Orchestra, the Philharmonia, the Berlin Philharmonic and the Vienna Philharmonic, with all of which he made recordings.

    Born in London of Italian and French parentage, Barbirolli grew up in a family of professional musicians. After starting out as a cellist, he was given the chance to conduct, from 1926 with the British National Opera Company, and then with Covent Garden's touring company. On taking up the conductorship of the Hallé he had less opportunity to work in the opera house, but in the 1950s he conducted productions of works by Verdi, Wagner, Gluck, and Puccini at Covent Garden with such success that he was invited to become the company's permanent musical director, an invitation he declined. Late in his career he made several recordings of operas, of which his 1967 set of Puccini's Madama Butterfly for EMI is probably the best known. (Full article...)
  • Image 2 "Speechless" is a song by the American recording artist Michael Jackson, included on his tenth studio album, Invincible (2001). It was only released as a promotional single in South Korea. The singer was inspired to write the ballad after a water balloon fight with children in Germany. Jackson collaborated on the production with musicians such as Jeremy Lubbock, Brad Buxer, Novi Novoq, Stuart Bradley and Bruce Swedien. Andraé Crouch and his gospel choir provided backing vocals. Executives at Jackson's record label, Epic Records, responded positively to the track when given a preview several months before Invincible's release. "Speechless" was issued as a promotional single. Music critics focused on the track's a cappellas, lyrics and music. A clip of Jackson singing "Speechless" was included in the 2009 documentary-concert film Michael Jackson's This Is It. (Full article...)
    "Speechless" is a song by the American recording artist Michael Jackson, included on his tenth studio album, Invincible (2001). It was only released as a promotional single in South Korea. The singer was inspired to write the ballad after a water balloon fight with children in Germany. Jackson collaborated on the production with musicians such as Jeremy Lubbock, Brad Buxer, Novi Novoq, Stuart Bradley and Bruce Swedien. Andraé Crouch and his gospel choir provided backing vocals.

    Executives at Jackson's record label, Epic Records, responded positively to the track when given a preview several months before Invincible's release. "Speechless" was issued as a promotional single. Music critics focused on the track's a cappellas, lyrics and music. A clip of Jackson singing "Speechless" was included in the 2009 documentary-concert film Michael Jackson's This Is It. (Full article...)
  • Image 3 Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence, while Motörhead introduced a punk rock sensibility and an increasing emphasis on speed. Beginning in the late 1970s, bands in the new wave of British heavy metal such as Iron Maiden and Saxon followed in a similar vein. By the end of the decade, heavy metal fans became known as "metalheads" or "headbangers". The lyrics of some metal genres became associated with aggression and machismo, an issue that has at times led to accusations of misogyny. (Full article...)
    Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distorted guitars, extended guitar solos, emphatic beats and loudness.

    In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence, while Motörhead introduced a punk rock sensibility and an increasing emphasis on speed. Beginning in the late 1970s, bands in the new wave of British heavy metal such as Iron Maiden and Saxon followed in a similar vein. By the end of the decade, heavy metal fans became known as "metalheads" or "headbangers". The lyrics of some metal genres became associated with aggression and machismo, an issue that has at times led to accusations of misogyny. (Full article...)
  • Image 4 Fôrça Bruta (Brazilian Portuguese: [ˈfoʁsɐ ˈbɾutɐ] (listen)) is the seventh studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was recorded with the Trio Mocotó band and released by Philips Records in September 1970, during a time of political tension in dictatorial Brazil. Its title comes from the Portuguese term meaning "brute force". The album introduced an acoustic samba-based music that is mellower, moodier, and less ornate than Ben's preceding work. Its largely unrehearsed, nighttime recording session found the singer improvising with Trio Mocotó's groove-oriented accompaniment while experimenting with unconventional rhythmic arrangements, musical techniques, and elements of soul, funk, and rock. Ben's lyrics explore themes of romantic passion, melancholy, sensuality, and – in a departure from the carefree sensibility of past releases – identity politics and elements of postmodernism, while featuring women as prominent characters. (Full article...)
    Fôrça Bruta (Brazilian Portuguese: [ˈfoʁsɐ ˈbɾutɐ] (listen)) is the seventh studio album by Brazilian singer-songwriter and guitarist Jorge Ben. It was recorded with the Trio Mocotó band and released by Philips Records in September 1970, during a time of political tension in dictatorial Brazil. Its title comes from the Portuguese term meaning "brute force".

    The album introduced an acoustic samba-based music that is mellower, moodier, and less ornate than Ben's preceding work. Its largely unrehearsed, nighttime recording session found the singer improvising with Trio Mocotó's groove-oriented accompaniment while experimenting with unconventional rhythmic arrangements, musical techniques, and elements of soul, funk, and rock. Ben's lyrics explore themes of romantic passion, melancholy, sensuality, and – in a departure from the carefree sensibility of past releases – identity politics and elements of postmodernism, while featuring women as prominent characters. (Full article...)
  • Image 5 Title TK is the third studio album by American alternative rock band the Breeders, released on May 20 and 21, 2002 by 4AD in the United Kingdom and Elektra Records in the United States, and on May 10 by P-Vine Records in Japan. The album—whose name means "title to come" in journalistic shorthand—generated three singles: "Off You", "Huffer", and "Son of Three". Title TK reached the top 100 in France, Germany, the UK, and Australia, and number 130 in the US. Following multiple changes in personnel after the release of Last Splash (1993), singer and songwriter Kim Deal was the only remaining constant member of the Breeders by 1996. The next year, she returned to the studio in an attempt to record a follow-up album, but her behavior—including drug use and demanding expectations—alienated many of the musicians and engineers with whom she worked. (Full article...)
    Title TK is the third studio album by American alternative rock band the Breeders, released on May 20 and 21, 2002 by 4AD in the United Kingdom and Elektra Records in the United States, and on May 10 by P-Vine Records in Japan. The album—whose name means "title to come" in journalistic shorthand—generated three singles: "Off You", "Huffer", and "Son of Three". Title TK reached the top 100 in France, Germany, the UK, and Australia, and number 130 in the US.

    Following multiple changes in personnel after the release of Last Splash (1993), singer and songwriter Kim Deal was the only remaining constant member of the Breeders by 1996. The next year, she returned to the studio in an attempt to record a follow-up album, but her behavior—including drug use and demanding expectations—alienated many of the musicians and engineers with whom she worked. (Full article...)
  • Image 6 Fijación Oral, Vol. 1 (English: Oral Fixation, Vol. 1) is the sixth studio album by Colombian singer-songwriter Shakira. It was released on 3 June 2005 by Epic Records. After attaining international success in 2001 with her fifth studio album and first English-language record, Laundry Service, Shakira wanted to release a fifth Spanish-language project as its followup. In the vein of her earlier work, Fijación Oral, Vol. 1 is a Latin pop album. Shakira enlisted Rick Rubin as executive producer, also working with Gustavo Cerati, Lester Mendez, Luis Fernando Ochoa and Jose "Gocho" Torres. At its release Fijación Oral, Vol. 1 received generally favorable reviews from music critics, who complimented Shakira's evolution from her earlier work. The album debuted at number four on the US Billboard 200, with first-week sales of 157,000 copies. It set the record for the highest debut for a full-length Spanish-language album in the country. Internationally, the album topped the charts in Argentina, Germany, Mexico and Spain. Fijación Oral, Vol. 1 was the Best Latin Rock/Alternative Album at the 2006 Grammy Awards, and the Album of the Year and the Best Female Pop Vocal Album at the Latin Grammy Awards. Fijación Oral, Vol. 1 became the highest selling Latin pop album of the decade in the United States and the second highest selling Latin album overall. As of May 2013, over five million copies of the album were sold worldwide and it is the eighth best-selling Latin album in the United States. (Full article...)
    Fijación Oral, Vol. 1 (English: Oral Fixation, Vol. 1) is the sixth studio album by Colombian singer-songwriter Shakira. It was released on 3 June 2005 by Epic Records. After attaining international success in 2001 with her fifth studio album and first English-language record, Laundry Service, Shakira wanted to release a fifth Spanish-language project as its followup. In the vein of her earlier work, Fijación Oral, Vol. 1 is a Latin pop album. Shakira enlisted Rick Rubin as executive producer, also working with Gustavo Cerati, Lester Mendez, Luis Fernando Ochoa and Jose "Gocho" Torres.

    At its release Fijación Oral, Vol. 1 received generally favorable reviews from music critics, who complimented Shakira's evolution from her earlier work. The album debuted at number four on the US Billboard 200, with first-week sales of 157,000 copies. It set the record for the highest debut for a full-length Spanish-language album in the country. Internationally, the album topped the charts in Argentina, Germany, Mexico and Spain. Fijación Oral, Vol. 1 was the Best Latin Rock/Alternative Album at the 2006 Grammy Awards, and the Album of the Year and the Best Female Pop Vocal Album at the Latin Grammy Awards. Fijación Oral, Vol. 1 became the highest selling Latin pop album of the decade in the United States and the second highest selling Latin album overall. As of May 2013, over five million copies of the album were sold worldwide and it is the eighth best-selling Latin album in the United States. (Full article...)
  • Image 7 Blood Sugar Sex Magik is the fifth studio album by American rock band Red Hot Chili Peppers, released September 24, 1991, by Warner Bros. Records. Produced by Rick Rubin, its musical style differed notably from the band's previous album Mother's Milk (1989), reducing the use of heavy metal guitar riffs and accentuating the melodic songwriting contributions of guitarist John Frusciante. The album's subject matter incorporates sexual innuendos and references to drugs and death, as well as themes of lust and exuberance. Blood Sugar Sex Magik peaked at number three on the US Billboard 200, and produced hit singles "Under the Bridge," "Give It Away," "Suck My Kiss," "Breaking the Girl" and "If You Have to Ask." The album propelled the band into worldwide popularity and critical acclaim. Frusciante quit the band during its 1992 tour, uncomfortable with fame; he rejoined in 1998. (Full article...)
    Blood Sugar Sex Magik is the fifth studio album by American rock band Red Hot Chili Peppers, released September 24, 1991, by Warner Bros. Records. Produced by Rick Rubin, its musical style differed notably from the band's previous album Mother's Milk (1989), reducing the use of heavy metal guitar riffs and accentuating the melodic songwriting contributions of guitarist John Frusciante. The album's subject matter incorporates sexual innuendos and references to drugs and death, as well as themes of lust and exuberance.

    Blood Sugar Sex Magik peaked at number three on the US Billboard 200, and produced hit singles "Under the Bridge," "Give It Away," "Suck My Kiss," "Breaking the Girl" and "If You Have to Ask." The album propelled the band into worldwide popularity and critical acclaim. Frusciante quit the band during its 1992 tour, uncomfortable with fame; he rejoined in 1998. (Full article...)
  • Image 8 U2 performing in Brussels, Belgium, August 2017. from left to right: Larry Mullen Jr.; The Edge; Bono; Adam Clayton U2 are an Irish rock band from Dublin, formed in 1976. The group consists of Bono (lead vocals and rhythm guitar), the Edge (lead guitar, keyboards, and backing vocals), Adam Clayton (bass guitar), and Larry Mullen Jr. (drums and percussion). Initially rooted in post-punk, U2's musical style has evolved throughout their career, yet has maintained an anthemic quality built on Bono's expressive vocals and the Edge's chiming, effects-based guitar sounds. Bono's lyrics, often embellished with spiritual imagery, focus on personal and sociopolitical themes. Popular for their live performances, the group have staged several elaborate tours over their career. The band was formed when the members were teenaged pupils of Mount Temple Comprehensive School and had limited musical proficiency. Within four years, they signed with Island Records and released their debut album, Boy (1980). Works such as their first UK number-one album, War (1983), and singles "Sunday Bloody Sunday" and "Pride (In the Name of Love)" helped establish U2's reputation as a politically and socially conscious group. Their fourth album, The Unforgettable Fire (1984), was their first collaboration with producers Brian Eno and Daniel Lanois, whose influence resulted in a more abstract, ambient sound for the band. By the mid-1980s, U2 had become renowned globally for their live act, highlighted by their performance at Live Aid in 1985. Their fifth album, The Joshua Tree (1987), made them international stars and was their greatest critical and commercial success. One of the world's best-selling albums with 25 million copies sold, it produced the group's only number-one singles in the US to date: "With or Without You" and "I Still Haven't Found What I'm Looking For". (Full article...)

    U2 performing in Brussels, Belgium, August 2017. from left to right: Larry Mullen Jr.; The Edge; Bono; Adam Clayton

    U2 are an Irish rock band from Dublin, formed in 1976. The group consists of Bono (lead vocals and rhythm guitar), the Edge (lead guitar, keyboards, and backing vocals), Adam Clayton (bass guitar), and Larry Mullen Jr. (drums and percussion). Initially rooted in post-punk, U2's musical style has evolved throughout their career, yet has maintained an anthemic quality built on Bono's expressive vocals and the Edge's chiming, effects-based guitar sounds. Bono's lyrics, often embellished with spiritual imagery, focus on personal and sociopolitical themes. Popular for their live performances, the group have staged several elaborate tours over their career.

    The band was formed when the members were teenaged pupils of Mount Temple Comprehensive School and had limited musical proficiency. Within four years, they signed with Island Records and released their debut album, Boy (1980). Works such as their first UK number-one album, War (1983), and singles "Sunday Bloody Sunday" and "Pride (In the Name of Love)" helped establish U2's reputation as a politically and socially conscious group. Their fourth album, The Unforgettable Fire (1984), was their first collaboration with producers Brian Eno and Daniel Lanois, whose influence resulted in a more abstract, ambient sound for the band. By the mid-1980s, U2 had become renowned globally for their live act, highlighted by their performance at Live Aid in 1985. Their fifth album, The Joshua Tree (1987), made them international stars and was their greatest critical and commercial success. One of the world's best-selling albums with 25 million copies sold, it produced the group's only number-one singles in the US to date: "With or Without You" and "I Still Haven't Found What I'm Looking For". (Full article...)
  • Image 9 1987 (What the Fuck Is Going On?) is the debut studio album by British electronic band The Justified Ancients of Mu Mu (the JAMs), later known as the KLF. 1987 was produced using extensive unauthorised samples that plagiarised a wide range of musical works, continuing a theme begun in the JAMs' debut single "All You Need Is Love". These samples provided a deliberately provocative backdrop for beatbox rhythms and cryptic, political raps. Shortly after independent release in June 1987, the JAMs were ordered by the Mechanical-Copyright Protection Society to destroy all unsold copies of the album, following a complaint from ABBA. In response, the JAMs disposed of many copies of 1987 in unorthodox, publicised ways. They also released a version of the album titled 1987 (The JAMs 45 Edits), stripped of all unauthorised samples to leave periods of protracted silence and so little audible content that it was formally classed as a 12-inch single. (Full article...)
    1987 (What the Fuck Is Going On?) is the debut studio album by British electronic band The Justified Ancients of Mu Mu (the JAMs), later known as the KLF. 1987 was produced using extensive unauthorised samples that plagiarised a wide range of musical works, continuing a theme begun in the JAMs' debut single "All You Need Is Love". These samples provided a deliberately provocative backdrop for beatbox rhythms and cryptic, political raps.

    Shortly after independent release in June 1987, the JAMs were ordered by the Mechanical-Copyright Protection Society to destroy all unsold copies of the album, following a complaint from ABBA. In response, the JAMs disposed of many copies of 1987 in unorthodox, publicised ways. They also released a version of the album titled 1987 (The JAMs 45 Edits), stripped of all unauthorised samples to leave periods of protracted silence and so little audible content that it was formally classed as a 12-inch single. (Full article...)
  • Image 10 Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 7, 1986, by Def Jam Recordings. The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp. The band's members stated that they did not condone Nazism and were merely interested in the subject. Reign in Blood was well received by both critics and fans, and was responsible for bringing Slayer to the attention of a mainstream metal audience. Today, it is often mentioned among the greatest heavy metal records ever. In their 2017 listing of the 100 Greatest Metal albums of all time, Rolling Stone magazine ranked Reign in Blood at #6. Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood helped define the sound of the emerging US thrash metal scene in the mid-1980s, and has remained influential since. The album was Slayer's first to enter the US Billboard 200, peaking at number 94, and was certified Gold on November 20, 1992. In 2013, NME ranked it at number 287 in its list of the 500 Greatest Albums of All Time. (Full article...)
    Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 7, 1986, by Def Jam Recordings. The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp. The band's members stated that they did not condone Nazism and were merely interested in the subject.

    Reign in Blood was well received by both critics and fans, and was responsible for bringing Slayer to the attention of a mainstream metal audience. Today, it is often mentioned among the greatest heavy metal records ever. In their 2017 listing of the 100 Greatest Metal albums of all time, Rolling Stone magazine ranked Reign in Blood at #6. Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood helped define the sound of the emerging US thrash metal scene in the mid-1980s, and has remained influential since. The album was Slayer's first to enter the US Billboard 200, peaking at number 94, and was certified Gold on November 20, 1992. In 2013, NME ranked it at number 287 in its list of the 500 Greatest Albums of All Time. (Full article...)
  • Image 11 Romance is the eighth studio album by Mexican singer Luis Miguel. It was released by WEA Latina on 19 November 1991. Although the production was originally intended as another collaboration with Juan Carlos Calderón, that plan was scrapped when Calderón was unable to compose songs for the album. Facing a new-material deadline in his recording contract, at his manager's suggestion Miguel chose bolero music for his next project. Mexican singer-songwriter Armando Manzanero was hired by WEA Latina to co-produce the album with Miguel. Recording began in August 1991 at Ocean Way Recording in Hollywood, California, with Bebu Silvetti the arranger. On the album Miguel covers twelve boleros, originally recorded from 1944 to 1986. The first two singles, "Inolvidable" and "No Sé Tú", reached number one on the Billboard Hot Latin Songs chart in the United States and spent six months atop the Mexican charts. "Mucho Corazón" and "Cómo" were in the top five of the Hot Latin Songs chart, and "Usted" and "La Barca" received airplay throughout Latin America. Miguel promoted the record with a tour of the United States and Latin America. The album was generally well received by music critics, who praised Miguel's singing and the record's production. The singer received several accolades, including a Grammy nomination for Best Latin Pop Album. (Full article...)
    Romance is the eighth studio album by Mexican singer Luis Miguel. It was released by WEA Latina on 19 November 1991. Although the production was originally intended as another collaboration with Juan Carlos Calderón, that plan was scrapped when Calderón was unable to compose songs for the album. Facing a new-material deadline in his recording contract, at his manager's suggestion Miguel chose bolero music for his next project. Mexican singer-songwriter Armando Manzanero was hired by WEA Latina to co-produce the album with Miguel. Recording began in August 1991 at Ocean Way Recording in Hollywood, California, with Bebu Silvetti the arranger.

    On the album Miguel covers twelve boleros, originally recorded from 1944 to 1986. The first two singles, "Inolvidable" and "No Sé Tú", reached number one on the Billboard Hot Latin Songs chart in the United States and spent six months atop the Mexican charts. "Mucho Corazón" and "Cómo" were in the top five of the Hot Latin Songs chart, and "Usted" and "La Barca" received airplay throughout Latin America. Miguel promoted the record with a tour of the United States and Latin America. The album was generally well received by music critics, who praised Miguel's singing and the record's production. The singer received several accolades, including a Grammy nomination for Best Latin Pop Album. (Full article...)
  • Image 12 Smith performing on the Britain's Got Talent Live tour Faryl Smith (born 23 July 1995) is a British soprano whose performance repertoire includes opera, classical and classical crossover. Her diverse concerts draw a wide range of audiences, and she particularly enjoys introducing new audiences to classical music. Faryl has released two albums with Decca Records both in the UK and the US and works frequently with many different charities. Faryl rose to fame after appearing on the second series of the ITV television talent show Britain's Got Talent in 2008. After the show, she, unlike other finalists, did not sign with the judge Simon Cowell's record label Syco. Smith signed a contract with Universal Classics and Jazz for a £2.3 million advance in December 2008, the largest ever granted to a schoolgirl. Her debut album, Faryl, was recorded from December 2008 to January 2009 and released in March 2009. Faryl became the fastest-selling solo classical album in British chart history, selling 29,200 copies in the first week. It debuted at number six and rose to number four the following week, making Smith the third Britain's Got Talent contestant to have a top ten album. In 2010, on account of Faryl, Smith was nominated for two Classical BRIT Awards and became the youngest artist ever to receive a double nomination. (Full article...)

    Smith performing on the Britain's Got Talent Live tour

    Faryl Smith (born 23 July 1995) is a British soprano whose performance repertoire includes opera, classical and classical crossover. Her diverse concerts draw a wide range of audiences, and she particularly enjoys introducing new audiences to classical music. Faryl has released two albums with Decca Records both in the UK and the US and works frequently with many different charities.

    Faryl rose to fame after appearing on the second series of the ITV television talent show Britain's Got Talent in 2008. After the show, she, unlike other finalists, did not sign with the judge Simon Cowell's record label Syco. Smith signed a contract with Universal Classics and Jazz for a £2.3 million advance in December 2008, the largest ever granted to a schoolgirl. Her debut album, Faryl, was recorded from December 2008 to January 2009 and released in March 2009. Faryl became the fastest-selling solo classical album in British chart history, selling 29,200 copies in the first week. It debuted at number six and rose to number four the following week, making Smith the third Britain's Got Talent contestant to have a top ten album. In 2010, on account of Faryl, Smith was nominated for two Classical BRIT Awards and became the youngest artist ever to receive a double nomination. (Full article...)
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Born this day

Birthdays in Music: August 1
  • Boz Burrell (Record production, 1946–September 21, 2006), English bassist with Bad Company, would have turned 77 this year.
  • André Gagnon (Record production, 1942–December 03, 2020), Canadian composer, entertainer, and pianist, would have turned 81 this year.
  • Jerry Garcia (Record production, 1942–August 9, 1996), American guitarist of Grateful Dead fame, would have turned 81 this year.
  • Lionel Bart (Record production, 1930–April 3, 1999), English composer, would have turned 93 this year.
  • Ronnie Kemper (Record production, 1909–February 16, 1997), American singer, would have turned 114 this year.
  • Francis Scott Key (Record production, 1779–January 11, 1843), American composer, lawyer and poet, would have turned 244 this year.
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These are all Good articles, which meet a core set of high editorial standards.
  • Image 1 The OF Tape Vol. 2 is the debut studio album by American hip hop collective Odd Future. It was released on March 20, 2012, by Odd Future Records and RED Distribution. It serves as the sequel to their debut mixtape, The Odd Future Tape (2008). The album features appearances from Odd Future members Hodgy Beats, Tyler, the Creator, Domo Genesis, Frank Ocean, Mike G, the Internet, Taco, Jasper Dolphin, Left Brain and L-Boy, as well as an uncredited appearance from Earl Sweatshirt. Production on the album was primarily handled by Left Brain and Tyler, the Creator, with Frank Ocean, Hal Williams and Matt Martians also receiving production credits. Lyrically the album ranges from being serious to being satirical, with some tracks offering an overly absurdist take on rap. Odd Future toured in support of the album, and four singles were released from it, all of which received music videos. The album peaked at number 5 on the US Billboard 200 and received mostly positive reviews from critics, receiving a score of 71 out of 100 on review aggregator Metacritic. Critics generally praised the presence of Tyler and Ocean, the vintage style of production and album closer, "Oldie". (Full article...)
    The OF Tape Vol. 2 is the debut studio album by American hip hop collective Odd Future. It was released on March 20, 2012, by Odd Future Records and RED Distribution. It serves as the sequel to their debut mixtape, The Odd Future Tape (2008). The album features appearances from Odd Future members Hodgy Beats, Tyler, the Creator, Domo Genesis, Frank Ocean, Mike G, the Internet, Taco, Jasper Dolphin, Left Brain and L-Boy, as well as an uncredited appearance from Earl Sweatshirt. Production on the album was primarily handled by Left Brain and Tyler, the Creator, with Frank Ocean, Hal Williams and Matt Martians also receiving production credits. Lyrically the album ranges from being serious to being satirical, with some tracks offering an overly absurdist take on rap.

    Odd Future toured in support of the album, and four singles were released from it, all of which received music videos. The album peaked at number 5 on the US Billboard 200 and received mostly positive reviews from critics, receiving a score of 71 out of 100 on review aggregator Metacritic. Critics generally praised the presence of Tyler and Ocean, the vintage style of production and album closer, "Oldie". (Full article...)
  • Image 2 Count Your Blessings is the debut studio album by British Metalcore band Bring Me the Horizon. Recorded at DEP International Studios in Birmingham with producer Dan Sprigg, it was originally released in the United Kingdom on 30 October 2006 by Visible Noise. The album was later issued by Earache Records in the United States on 14 August 2007. Count Your Blessings was supported by the release of music videos for two of the album's tracks: "Pray for Plagues" on 4 June 2007 and "For Stevie Wonder's Eyes Only (Braille)" on 6 March 2008. Named after a lyric in the album's opening song "Pray for Plagues", Count Your Blessings is representative of the band's early deathcore sound, which was phased out on later releases and eventually abandoned in favour of other, less aggressive styles. The band members were young when they recorded the album, and the band has largely disregarded it later in their career; it began as early as 2008, when guitarist Lee Malia was already criticising the album's quality. Most of the songs on the record quickly faded from the band's live setlists. Most band members recorded their parts individually, rather than the group doing so as a whole, with the central location of the studio credited as "a distraction." The album received some negative reviews, with the main complaints revolving around musical originality, although it still reached number 93 on the UK Albums Chart. (Full article...)
    Count Your Blessings is the debut studio album by British Metalcore band Bring Me the Horizon. Recorded at DEP International Studios in Birmingham with producer Dan Sprigg, it was originally released in the United Kingdom on 30 October 2006 by Visible Noise. The album was later issued by Earache Records in the United States on 14 August 2007. Count Your Blessings was supported by the release of music videos for two of the album's tracks: "Pray for Plagues" on 4 June 2007 and "For Stevie Wonder's Eyes Only (Braille)" on 6 March 2008.

    Named after a lyric in the album's opening song "Pray for Plagues", Count Your Blessings is representative of the band's early deathcore sound, which was phased out on later releases and eventually abandoned in favour of other, less aggressive styles. The band members were young when they recorded the album, and the band has largely disregarded it later in their career; it began as early as 2008, when guitarist Lee Malia was already criticising the album's quality. Most of the songs on the record quickly faded from the band's live setlists. Most band members recorded their parts individually, rather than the group doing so as a whole, with the central location of the studio credited as "a distraction." The album received some negative reviews, with the main complaints revolving around musical originality, although it still reached number 93 on the UK Albums Chart. (Full article...)
  • Image 3 Confessions is the fourth studio album by American singer-songwriter Usher. It was released on March 23, 2004, by Arista Records. Recording sessions for the album took place during 2003 to 2004, with its production handled by his longtime collaborator Jermaine Dupri, along with Jimmy Jam and Terry Lewis and Lil Jon, among others. Primarily an R&B album, Confessions showcases Usher as a crooner through a mixture of ballads and up-tempos, incorporating musical genres of dance-pop, hip hop and crunk. The album's themes generated controversy about Usher's personal relationships; however, the album's primary producer Jermaine Dupri claimed the album reflects Dupri's own personal story. In the United States, the album sold 1.1 million copies in its first week. To boost sales amid threats of bootlegging, the special edition for the album was issued, which includes the single, "My Boo"; a duet with Alicia Keys. Confessions earned Usher several awards, including the Grammy Award for Best Contemporary R&B Album. (Full article...)
    Confessions is the fourth studio album by American singer-songwriter Usher. It was released on March 23, 2004, by Arista Records. Recording sessions for the album took place during 2003 to 2004, with its production handled by his longtime collaborator Jermaine Dupri, along with Jimmy Jam and Terry Lewis and Lil Jon, among others. Primarily an R&B album, Confessions showcases Usher as a crooner through a mixture of ballads and up-tempos, incorporating musical genres of dance-pop, hip hop and crunk. The album's themes generated controversy about Usher's personal relationships; however, the album's primary producer Jermaine Dupri claimed the album reflects Dupri's own personal story.

    In the United States, the album sold 1.1 million copies in its first week. To boost sales amid threats of bootlegging, the special edition for the album was issued, which includes the single, "My Boo"; a duet with Alicia Keys. Confessions earned Usher several awards, including the Grammy Award for Best Contemporary R&B Album. (Full article...)
  • Image 4 Otis Blue/Otis Redding Sings Soul (often referred to simply as Otis Blue) is the third studio album by American soul singer and songwriter Otis Redding. It was first released on September 15, 1965, as an LP record through the Stax Records subsidiary label Volt. Otis Blue is composed mainly of cover versions of contemporary R&B hits, covering themes from the blues and love ballads, among others. Three of the LP's eleven songs were written by Redding, and three others were written by fellow soul singer Sam Cooke, who had died several months before the album was made. Except for one track, Otis Blue was recorded in the span of 24 hours from July 9 to 10, 1965, at the Stax recording studio in Memphis, Tennessee. As with Redding's previous records, he was backed by the Stax house band Booker T. & the M.G.'s, a horn section featuring members of the Mar-Keys and the Memphis Horns, and pianist Isaac Hayes, providing a rhythmic Southern soul accompaniment for the singer's exuberant and forceful performances. (Full article...)
    Otis Blue/Otis Redding Sings Soul (often referred to simply as Otis Blue) is the third studio album by American soul singer and songwriter Otis Redding. It was first released on September 15, 1965, as an LP record through the Stax Records subsidiary label Volt.

    Otis Blue is composed mainly of cover versions of contemporary R&B hits, covering themes from the blues and love ballads, among others. Three of the LP's eleven songs were written by Redding, and three others were written by fellow soul singer Sam Cooke, who had died several months before the album was made. Except for one track, Otis Blue was recorded in the span of 24 hours from July 9 to 10, 1965, at the Stax recording studio in Memphis, Tennessee. As with Redding's previous records, he was backed by the Stax house band Booker T. & the M.G.'s, a horn section featuring members of the Mar-Keys and the Memphis Horns, and pianist Isaac Hayes, providing a rhythmic Southern soul accompaniment for the singer's exuberant and forceful performances. (Full article...)
  • Image 5 The Allman Brothers Band is the debut studio album by American rock band the Allman Brothers Band. It was released in the United States by Atco Records' "Capricorn Series" on November 4, 1969, and produced by Adrian Barber. Formed in 1969, the Allman Brothers Band came together following various musical pursuits by each individual member. Guitarist and bandleader Duane Allman moved to Jacksonville, Florida where he led large jam sessions with his new band, one he had envisioned as having two guitarists and two drummers. After rounding out the lineup with the addition of his brother, Gregg Allman, the band moved to Macon, Georgia, where they were to be one of the premiere acts on Capricorn. The album was recorded and mixed in two weeks at Atlantic Studios in New York City. Much of its material was premiered live over the preceding months and combines blues, jazz and country music to varying degrees. It includes re-workings of "Trouble No More" and "Don't Want You No More," as well as notable originals such as "Dreams", which highlighted the band's jazz influence, and "Whipping Post", which became a crowd favorite. Although the group was arranged to work with producer Tom Dowd (whose credits included Cream and John Coltrane), he was unavailable, and they instead recorded with house engineer Adrian Barber. The album's artwork was photographed in Macon and surrounding areas. (Full article...)
    The Allman Brothers Band is the debut studio album by American rock band the Allman Brothers Band. It was released in the United States by Atco Records' "Capricorn Series" on November 4, 1969, and produced by Adrian Barber. Formed in 1969, the Allman Brothers Band came together following various musical pursuits by each individual member. Guitarist and bandleader Duane Allman moved to Jacksonville, Florida where he led large jam sessions with his new band, one he had envisioned as having two guitarists and two drummers. After rounding out the lineup with the addition of his brother, Gregg Allman, the band moved to Macon, Georgia, where they were to be one of the premiere acts on Capricorn.

    The album was recorded and mixed in two weeks at Atlantic Studios in New York City. Much of its material was premiered live over the preceding months and combines blues, jazz and country music to varying degrees. It includes re-workings of "Trouble No More" and "Don't Want You No More," as well as notable originals such as "Dreams", which highlighted the band's jazz influence, and "Whipping Post", which became a crowd favorite. Although the group was arranged to work with producer Tom Dowd (whose credits included Cream and John Coltrane), he was unavailable, and they instead recorded with house engineer Adrian Barber. The album's artwork was photographed in Macon and surrounding areas. (Full article...)
  • Image 6 Songs by George Harrison is a book of song lyrics and commentary by English musician George Harrison, with illustrations by New Zealand artist Keith West. It was published in February 1988, in a limited run of 2500 copies, by Genesis Publications, and included an EP of rare or previously unreleased Harrison recordings. Intended as a luxury item, each copy was hand-bound and boxed, and available only by direct order through Genesis in England. The book contains the lyrics to 60 Harrison compositions, the themes of which West represents visually with watercolour paintings. Starting in 1985, Harrison and West worked on the project for two years, during which Harrison returned to music-making with his album Cloud Nine, after focusing on film production for much of the early 1980s. The book includes a foreword by his Cloud Nine co-producer, Jeff Lynne, and a written contribution from Elton John. The musical disc contains three songs that Warner Bros. Records had rejected in 1980 for inclusion on Harrison's album Somewhere in England, together with a live version of his Beatles track "For You Blue". This last song was recorded during Harrison's controversial 1974 North American tour, when his singing was marred by the effects of laryngitis; it remains the only vocal performance from that tour to have been made available outside of concert bootlegs. While "Lay His Head" was issued as the B-side to his 1987 single "Got My Mind Set on You", the Songs by George Harrison EP remains the sole official release for this live version of "For You Blue" and for the studio tracks "Sat Singing" and "Flying Hour". (Full article...)
    Songs by George Harrison is a book of song lyrics and commentary by English musician George Harrison, with illustrations by New Zealand artist Keith West. It was published in February 1988, in a limited run of 2500 copies, by Genesis Publications, and included an EP of rare or previously unreleased Harrison recordings. Intended as a luxury item, each copy was hand-bound and boxed, and available only by direct order through Genesis in England. The book contains the lyrics to 60 Harrison compositions, the themes of which West represents visually with watercolour paintings. Starting in 1985, Harrison and West worked on the project for two years, during which Harrison returned to music-making with his album Cloud Nine, after focusing on film production for much of the early 1980s. The book includes a foreword by his Cloud Nine co-producer, Jeff Lynne, and a written contribution from Elton John.

    The musical disc contains three songs that Warner Bros. Records had rejected in 1980 for inclusion on Harrison's album Somewhere in England, together with a live version of his Beatles track "For You Blue". This last song was recorded during Harrison's controversial 1974 North American tour, when his singing was marred by the effects of laryngitis; it remains the only vocal performance from that tour to have been made available outside of concert bootlegs. While "Lay His Head" was issued as the B-side to his 1987 single "Got My Mind Set on You", the Songs by George Harrison EP remains the sole official release for this live version of "For You Blue" and for the studio tracks "Sat Singing" and "Flying Hour". (Full article...)
  • Image 7 Omen is the fourth studio album by the Norwegian Christian extreme metal band Antestor, released by Bombworks Records on November 16, 2012. Recording began in 2011, and was mostly conducted at the home of vocalist Ronny Hansen. The album cover is a painting by Polish artist Zdzisław Beksiński, and depicts a deformed, many-fingered humanoid creature playing a trumpet. Antestor met with critical praise for its musicianship and the progressive sound on the recording. Critics described the sound as primarily black metal, though the band prefers the more general term "extreme metal" to describe the sound on Omen. To promote the album, the band went on tour in Brazil in January 2013, but encountered difficulties. The venue at Belém was cancelled due to a banking error, and while at Belo Horizonte Antestor was stormed by violent protestors antagonistic to the Christian beliefs of the band members, and police had to usher the band to safety. Despite these setbacks, Antestor considered the tour a success, and wished no ill will on its attackers. On February 18, 2013, a music video was released for the song "Unchained". (Full article...)
    Omen is the fourth studio album by the Norwegian Christian extreme metal band Antestor, released by Bombworks Records on November 16, 2012. Recording began in 2011, and was mostly conducted at the home of vocalist Ronny Hansen. The album cover is a painting by Polish artist Zdzisław Beksiński, and depicts a deformed, many-fingered humanoid creature playing a trumpet. Antestor met with critical praise for its musicianship and the progressive sound on the recording. Critics described the sound as primarily black metal, though the band prefers the more general term "extreme metal" to describe the sound on Omen.

    To promote the album, the band went on tour in Brazil in January 2013, but encountered difficulties. The venue at Belém was cancelled due to a banking error, and while at Belo Horizonte Antestor was stormed by violent protestors antagonistic to the Christian beliefs of the band members, and police had to usher the band to safety. Despite these setbacks, Antestor considered the tour a success, and wished no ill will on its attackers. On February 18, 2013, a music video was released for the song "Unchained". (Full article...)
  • Image 8 Wildlife is the second studio album by American post-hardcore band La Dispute, released October 4, 2011, on independent label No Sleep Records. Recording sessions for the album took place primarily at StadiumRed in New York City in April 2011. The band members took control of all of the production duties alongside the album's recording engineers, Andrew Everding and Joseph Pedulla. Wildlife was their last release on No Sleep Records before forming their own record label, Better Living. Noted by music writers for its varied elements, Wildlife incorporates musical components from La Dispute's previous releases, particularly Somewhere at the Bottom of the River Between Vega and Altair and Here, Hear III., and genres such as screamo, progressive rock and post-rock. The album features lyrical themes that – while making several references to the band's home town of Grand Rapids – focus on personal loss, anger, despair, and in the vision of the band, is a collection of unpublished "short stories" from a hypothetical author, complete with the author’s notes and sectioned thematically by the use of four monologues. (Full article...)
    Wildlife is the second studio album by American post-hardcore band La Dispute, released October 4, 2011, on independent label No Sleep Records. Recording sessions for the album took place primarily at StadiumRed in New York City in April 2011. The band members took control of all of the production duties alongside the album's recording engineers, Andrew Everding and Joseph Pedulla. Wildlife was their last release on No Sleep Records before forming their own record label, Better Living.

    Noted by music writers for its varied elements, Wildlife incorporates musical components from La Dispute's previous releases, particularly Somewhere at the Bottom of the River Between Vega and Altair and Here, Hear III., and genres such as screamo, progressive rock and post-rock. The album features lyrical themes that – while making several references to the band's home town of Grand Rapids – focus on personal loss, anger, despair, and in the vision of the band, is a collection of unpublished "short stories" from a hypothetical author, complete with the author’s notes and sectioned thematically by the use of four monologues. (Full article...)
  • Image 9 The Hot Rock is the fourth studio album by the American rock band Sleater-Kinney, released on February 23, 1999, by Kill Rock Stars. It was produced by Roger Moutenot and recorded at the Avast! recording studio in Seattle, Washington in July 1998. The Hot Rock marks a considerable change in the band's sound, veering into a more relaxed and gloomy direction than the raucous punk rock style of its predecessors. The lyrical themes of the album explore issues of failed relationships and personal uncertainty. Upon release, The Hot Rock reached number 181 on the U.S. Billboard 200 chart and number 12 on the Heatseekers Albums chart, becoming the first Sleater-Kinney album to enter the charts. Two songs from the album, "Get Up" and "A Quarter to Three", were released as singles. The album received positive reviews from music critics, who praised the songwriting and the vocal and guitar interplay between band members Corin Tucker and Carrie Brownstein. (Full article...)
    The Hot Rock is the fourth studio album by the American rock band Sleater-Kinney, released on February 23, 1999, by Kill Rock Stars. It was produced by Roger Moutenot and recorded at the Avast! recording studio in Seattle, Washington in July 1998. The Hot Rock marks a considerable change in the band's sound, veering into a more relaxed and gloomy direction than the raucous punk rock style of its predecessors. The lyrical themes of the album explore issues of failed relationships and personal uncertainty.

    Upon release, The Hot Rock reached number 181 on the U.S. Billboard 200 chart and number 12 on the Heatseekers Albums chart, becoming the first Sleater-Kinney album to enter the charts. Two songs from the album, "Get Up" and "A Quarter to Three", were released as singles. The album received positive reviews from music critics, who praised the songwriting and the vocal and guitar interplay between band members Corin Tucker and Carrie Brownstein. (Full article...)
  • Image 10 Diva is the third studio album by Puerto Rican reggaetón recording artist Ivy Queen. It was released on August 23, 2003 and independently distributed by Real Music Group after being dropped from Sony Discos. The recording followed her two previous studio albums which were commercially unsuccessful and a hiatus from her musical career beginning in 1999. It featured collaborations with Latin hip hop artists including Mexicano 777, Bimbo and K-7 while the album's production was handled by a variety of musical producers; Luny Tunes, DJ Nelson, Noriega, and Iván Joy were enlisted, while DJ Adam produced a majority of the tracks. Lyrically, the album explored female empowerment, infidelity, heartbreak and love with "a veritable compendium of her artistic passion, femininity, and culture". The musical styles of the recording alternate between reggaetón and hip-hop while Queen experiments with R&B, dancehall, and pop balladry. Diva spawned a total of seven singles: "Quiero Bailar", "Quiero Saber", "Papi Te Quiero", "Guillaera", "Tuya Soy", "Tu No Puedes", and "Súbelo", which were released over the course of three years. "Quiero Bailar" became a commercial success and her first big hit in the United States and Puerto Rico, while the other six singles failed to acquire chart success on national charts. Highly anticipated and acclaimed, Diva peaked at number twenty-four on the Billboard Top Latin Albums chart, number eight on the Billboard Top Heatseekers chart for the South Atlantic area, number four on the Billboard Reggae Albums and number one on the Billboard Tropical Albums chart. The album lead the latter chart for four non-consecutive weeks in 2004, becoming the eighth best-selling Tropical Album of 2004; making Queen the eighth best-selling Tropical Artist of that year. The album has been recognized as a "door-opener" for reggaetón's mainstream exposure in 2004-2005. (Full article...)
    Diva is the third studio album by Puerto Rican reggaetón recording artist Ivy Queen. It was released on August 23, 2003 and independently distributed by Real Music Group after being dropped from Sony Discos. The recording followed her two previous studio albums which were commercially unsuccessful and a hiatus from her musical career beginning in 1999. It featured collaborations with Latin hip hop artists including Mexicano 777, Bimbo and K-7 while the album's production was handled by a variety of musical producers; Luny Tunes, DJ Nelson, Noriega, and Iván Joy were enlisted, while DJ Adam produced a majority of the tracks. Lyrically, the album explored female empowerment, infidelity, heartbreak and love with "a veritable compendium of her artistic passion, femininity, and culture". The musical styles of the recording alternate between reggaetón and hip-hop while Queen experiments with R&B, dancehall, and pop balladry.

    Diva spawned a total of seven singles: "Quiero Bailar", "Quiero Saber", "Papi Te Quiero", "Guillaera", "Tuya Soy", "Tu No Puedes", and "Súbelo", which were released over the course of three years. "Quiero Bailar" became a commercial success and her first big hit in the United States and Puerto Rico, while the other six singles failed to acquire chart success on national charts. Highly anticipated and acclaimed, Diva peaked at number twenty-four on the Billboard Top Latin Albums chart, number eight on the Billboard Top Heatseekers chart for the South Atlantic area, number four on the Billboard Reggae Albums and number one on the Billboard Tropical Albums chart. The album lead the latter chart for four non-consecutive weeks in 2004, becoming the eighth best-selling Tropical Album of 2004; making Queen the eighth best-selling Tropical Artist of that year. The album has been recognized as a "door-opener" for reggaetón's mainstream exposure in 2004-2005. (Full article...)
  • Image 11 Live Peace in Toronto 1969 is a live album by the Plastic Ono Band, released in December 1969 on Apple Records. Recorded at the Toronto Rock and Roll Revival festival, it was the first live album released by any member of the Beatles separately or together. John Lennon and his wife Yoko Ono received a phone call from the festival's promoters John Brower and Kenny Walker, and then assembled a band on very short notice for the festival, which was due to start the following day. The band included Eric Clapton, Klaus Voormann, and drummer Alan White. The group flew from London, and had brief unamplified rehearsals on the plane before appearing on the stage to perform several songs; one of which, "Cold Turkey", was first performed live at the festival. After returning home, Lennon mixed the album in a day. The album peaked at number 10 on the Billboard 200 and was certified a gold album by the RIAA, representing 1,000,000 copies in sales. The album did not chart in the UK. The original LP included a 13-month 1970 calendar. A video of several performances, not just the Plastic Ono Band's set, was released. Since its first release, the album has been reissued a number of times. (Full article...)
    Live Peace in Toronto 1969 is a live album by the Plastic Ono Band, released in December 1969 on Apple Records. Recorded at the Toronto Rock and Roll Revival festival, it was the first live album released by any member of the Beatles separately or together. John Lennon and his wife Yoko Ono received a phone call from the festival's promoters John Brower and Kenny Walker, and then assembled a band on very short notice for the festival, which was due to start the following day. The band included Eric Clapton, Klaus Voormann, and drummer Alan White. The group flew from London, and had brief unamplified rehearsals on the plane before appearing on the stage to perform several songs; one of which, "Cold Turkey", was first performed live at the festival. After returning home, Lennon mixed the album in a day.

    The album peaked at number 10 on the Billboard 200 and was certified a gold album by the RIAA, representing 1,000,000 copies in sales. The album did not chart in the UK. The original LP included a 13-month 1970 calendar. A video of several performances, not just the Plastic Ono Band's set, was released. Since its first release, the album has been reissued a number of times. (Full article...)
  • Image 12 Start the Party is the fourth studio album by Welsh post-hardcore band the Blackout. It was released by Cooking Vinyl on 21 January 2013. Following the touring cycle for their third studio album, Hope (2011), the band began writing material for their next album. They recorded the album with A frontman Jason Perry acting as producer. It revolves around party-going, having received comparisons to the output of the Beastie Boys, and the guitar work of the Foo Fighters and Papa Roach. Prior to the release of Start the Party, the Blackout embarked on a brief tour of the United Kingdom, and released music videos for "Start the Party" and "Running Scared". The album's artwork shows Dirty Sanchez' stunt performer Mathew Pritchard crowd-surfing. For promotion, the Blackout went on another headlining UK tour, a European support slot for Yellowcard, and made appearances at the Soundwave festival in Australia. Music videos for "Radio" and "Take Away the Misery" were released in mid-2013, and the Blackout embarked on a UK tour at the end of the year. (Full article...)
    Start the Party is the fourth studio album by Welsh post-hardcore band the Blackout. It was released by Cooking Vinyl on 21 January 2013. Following the touring cycle for their third studio album, Hope (2011), the band began writing material for their next album. They recorded the album with A frontman Jason Perry acting as producer. It revolves around party-going, having received comparisons to the output of the Beastie Boys, and the guitar work of the Foo Fighters and Papa Roach.

    Prior to the release of Start the Party, the Blackout embarked on a brief tour of the United Kingdom, and released music videos for "Start the Party" and "Running Scared". The album's artwork shows Dirty Sanchez' stunt performer Mathew Pritchard crowd-surfing. For promotion, the Blackout went on another headlining UK tour, a European support slot for Yellowcard, and made appearances at the Soundwave festival in Australia. Music videos for "Radio" and "Take Away the Misery" were released in mid-2013, and the Blackout embarked on a UK tour at the end of the year. (Full article...)
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  • Image 1 The Billboard Latin Music Award for Hot Latin Song of the Year (formerly Hot Latin Track of the Year) is an honor presented annually at the Billboard Latin Music Awards, a ceremony which honors "the most popular albums, songs, and performers in Latin music, as determined by the actual sales, radio airplay, online streaming and social data that informs Billboard's weekly charts." The award is given to the best performing singles on Billboard's Hot Latin Songs chart, which measures the most popular Latin recordings in the United States. The Hot Latin Songs chart was established by the magazine in September 1986 and was originally based on airplay on Latin music radio stations. Since October 2012, chart rankings are based on digital sales, radio airplay, and online streaming. From 1995 to 1998, each music genre's field (pop, tropical/salsa and Regional Mexican) had their own Hot Latin Track of the Year category. Enrique Iglesias and Nicky Jam are the most awarded acts in the category with three wins each. Alejandro Fernández, Wisin & Yandel, Don Omar, Romeo Santos, Ozuna, and Nicky Jam are the only acts with two nominated songs in the same year, a milestone achieved twice by Santos. As of 2017, only Iglesias and Nicky Jam have won Hot Latin Song of the Year twice in a row. As of 2021, the holders are Bad Bunny and Jhay Cortez for the song "Dakiti". (Full article...)
    The Billboard Latin Music Award for Hot Latin Song of the Year (formerly Hot Latin Track of the Year) is an honor presented annually at the Billboard Latin Music Awards, a ceremony which honors "the most popular albums, songs, and performers in Latin music, as determined by the actual sales, radio airplay, online streaming and social data that informs Billboard's weekly charts." The award is given to the best performing singles on Billboard's Hot Latin Songs chart, which measures the most popular Latin recordings in the United States. The Hot Latin Songs chart was established by the magazine in September 1986 and was originally based on airplay on Latin music radio stations. Since October 2012, chart rankings are based on digital sales, radio airplay, and online streaming. From 1995 to 1998, each music genre's field (pop, tropical/salsa and Regional Mexican) had their own Hot Latin Track of the Year category.

    Enrique Iglesias and Nicky Jam are the most awarded acts in the category with three wins each. Alejandro Fernández, Wisin & Yandel, Don Omar, Romeo Santos, Ozuna, and Nicky Jam are the only acts with two nominated songs in the same year, a milestone achieved twice by Santos. As of 2017, only Iglesias and Nicky Jam have won Hot Latin Song of the Year twice in a row. As of 2021, the holders are Bad Bunny and Jhay Cortez for the song "Dakiti". (Full article...)
  • Image 2 Westlife had 11 No. 1 singles between 2000 and 2009, including a cover of Phil Collins' "Against All Odds", which they released as a duet with Mariah Carey in 2000 The UK Singles Chart is compiled by the Official Charts Company (OCC) on behalf of the British record industry. In the 2000s the chart week ran from Sunday to Saturday, and the top 40 singles were revealed each Sunday on BBC Radio 1. Before the advent of music downloads, it was based entirely on sales of physical singles from retail outlets, but since 2005 permanent downloads have been included in the chart compilation. During the 2000s, 275 singles reached the No. 1 position on the chart, the most of any decade so far. Over this period, Westlife were the most successful group and music act at reaching the top spot, with 11 No. 1 singles. Rihanna and Jay-Z's song "Umbrella" spent 10 weeks at No. 1 in 2007, the longest spell at the top of the charts since Wet Wet Wet's 1994 hit "Love Is All Around", which topped the charts for 15 weeks. The Internet allowed music to be heard by vast numbers of people on social networking sites such as YouTube and Myspace; it also increased piracy. This and the introduction of the UK Singles Downloads Chart in 2004 led to a decrease in record sales and a reduction in the number of copies sold of a No. 1 record on the singles chart. Gnarls Barkley's "Crazy" became the first song to reach the top of the charts based on downloads alone in 2006, remaining at No. 1 for nine consecutive weeks. (Full article...)
    Westlife had 11 No. 1 singles between 2000 and 2009, including a cover of Phil Collins' "Against All Odds", which they released as a duet with Mariah Carey in 2000

    The UK Singles Chart is compiled by the Official Charts Company (OCC) on behalf of the British record industry. In the 2000s the chart week ran from Sunday to Saturday, and the top 40 singles were revealed each Sunday on BBC Radio 1. Before the advent of music downloads, it was based entirely on sales of physical singles from retail outlets, but since 2005 permanent downloads have been included in the chart compilation.

    During the 2000s, 275 singles reached the No. 1 position on the chart, the most of any decade so far. Over this period, Westlife were the most successful group and music act at reaching the top spot, with 11 No. 1 singles. Rihanna and Jay-Z's song "Umbrella" spent 10 weeks at No. 1 in 2007, the longest spell at the top of the charts since Wet Wet Wet's 1994 hit "Love Is All Around", which topped the charts for 15 weeks. The Internet allowed music to be heard by vast numbers of people on social networking sites such as YouTube and Myspace; it also increased piracy. This and the introduction of the UK Singles Downloads Chart in 2004 led to a decrease in record sales and a reduction in the number of copies sold of a No. 1 record on the singles chart. Gnarls Barkley's "Crazy" became the first song to reach the top of the charts based on downloads alone in 2006, remaining at No. 1 for nine consecutive weeks. (Full article...)
  • Image 3 Sonny James had three number ones in 1969. Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1969, 23 different singles topped the chart, which was published at the time under the title Hot Country Singles, in 52 weekly issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores. In the issue of Billboard dated January 4, Johnny Cash's single "Daddy Sang Bass" climbed from number 19 to the top spot, replacing "Wichita Lineman" by Glen Campbell. Cash's single remained at number one for six weeks, the longest unbroken run of the year. The singer returned to the top of the chart later in the year with "A Boy Named Sue", which spent five weeks at number one. His cumulative total of eleven weeks atop the chart was the highest by any artist in 1969. Merle Haggard, Sonny James and Buck Owens each reached number one with three different singles, the most by any act. All three of James' chart-toppers were cover versions of successful rock and roll and pop songs from the late 1950s and early 1960s; the singer achieved the majority of his more than 20 country number ones with versions of pop songs. Owens also took a country reworking of a rock and roll classic to the top spot, with a live version of Chuck Berry's 1958 song "Johnny B. Goode". Haggard's three chart-toppers included "Okie from Muskogee", one of the best-known songs of his career. (Full article...)
    A black-haired man wearing dark clothing
    Sonny James had three number ones in 1969.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1969, 23 different singles topped the chart, which was published at the time under the title Hot Country Singles, in 52 weekly issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

    In the issue of Billboard dated January 4, Johnny Cash's single "Daddy Sang Bass" climbed from number 19 to the top spot, replacing "Wichita Lineman" by Glen Campbell. Cash's single remained at number one for six weeks, the longest unbroken run of the year. The singer returned to the top of the chart later in the year with "A Boy Named Sue", which spent five weeks at number one. His cumulative total of eleven weeks atop the chart was the highest by any artist in 1969. Merle Haggard, Sonny James and Buck Owens each reached number one with three different singles, the most by any act. All three of James' chart-toppers were cover versions of successful rock and roll and pop songs from the late 1950s and early 1960s; the singer achieved the majority of his more than 20 country number ones with versions of pop songs. Owens also took a country reworking of a rock and roll classic to the top spot, with a live version of Chuck Berry's 1958 song "Johnny B. Goode". Haggard's three chart-toppers included "Okie from Muskogee", one of the best-known songs of his career. (Full article...)
  • Image 4 The Record Mirror is a former British weekly pop music newspaper. From 1955 until 1962, the Record Mirror compiled its own record chart which was used by many national newspapers. It formed as a rival to the existing chart published by NME. The Mirror's chart was based on the postal returns from record stores that were financed by the newspaper, whereas the rival chart in the NME was based on a telephone poll. On 22 January 1955, the Mirror published its first chart, compiled using figures from 24 shops. The first chart-topper was "Mambo Italiano" by Rosemary Clooney, with the newspaper having compiled a Top Ten. The chart was expanded from a Top Ten to a Top Twenty on 8 October 1955. In the early 1960s some national newspapers switched to using a chart compiled by Melody Maker and, ultimately, the cost of collecting sales figures by post led to the chart's demise. On 24 March 1962, the paper stopped compiling its own chart and started publishing Record Retailers Top 50. Record charts in the United Kingdom began life on 14 November 1952 when NME imitated an idea started in American Billboard magazine and began compiling a hit parade. Prior to 15 February 1969, when the British Market Research Bureau chart was established, there had been no universally accepted chart. During this time the BBC used aggregated results of charts from the Mirror and other sources to compile the Pick of the Pops chart. However, according to The Official Charts Company and Guinness' British Hit Singles & Albums, the NME is considered the official British singles chart before 10 March 1960. After that date and until 1969 a chart compiled by Record Retailer is considered the official British singles chart. ('Full article...)
    The Record Mirror is a former British weekly pop music newspaper. From 1955 until 1962, the Record Mirror compiled its own record chart which was used by many national newspapers. It formed as a rival to the existing chart published by NME. The Mirror's chart was based on the postal returns from record stores that were financed by the newspaper, whereas the rival chart in the NME was based on a telephone poll. On 22 January 1955, the Mirror published its first chart, compiled using figures from 24 shops. The first chart-topper was "Mambo Italiano" by Rosemary Clooney, with the newspaper having compiled a Top Ten. The chart was expanded from a Top Ten to a Top Twenty on 8 October 1955. In the early 1960s some national newspapers switched to using a chart compiled by Melody Maker and, ultimately, the cost of collecting sales figures by post led to the chart's demise. On 24 March 1962, the paper stopped compiling its own chart and started publishing Record Retailers Top 50.

    Record charts in the United Kingdom began life on 14 November 1952 when     NME imitated an idea started in American Billboard magazine and began compiling a hit parade. Prior to 15 February 1969, when the British Market Research Bureau chart was established, there had been no universally accepted chart. During this time the BBC used aggregated results of charts from the Mirror and other sources to compile the Pick of the Pops chart. However, according to The Official Charts Company and Guinness' British Hit Singles & Albums, the NME is considered the official British singles chart before 10 March 1960. After that date and until 1969 a chart compiled by Record Retailer is considered the official British singles chart. ('Full article...)
  • Image 5 Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1996, 28 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems. The first number one of the year was "Rebecca Lynn" by Bryan White, which moved into the top spot in the issue dated January 6 and remained in place for only a single week before being replaced by "It Matters to Me" by Faith Hill. Canadian singer Shania Twain had the most number ones in 1996, topping the chart with "(If You're Not in It for Love) I'm Outta Here!", "You Win My Love" and "No One Needs to Know". The three songs spent a total of five weeks at the top of the chart, tying Twain for the most weeks at number one by an artist with George Strait, who spent two weeks in the top spot with "Blue Clear Sky" and three with "Carried Away". Alan Jackson, Patty Loveless and Bryan White were the only other acts to have more than one number one in 1996. The longest unbroken run at number one in 1996 was three weeks, which was achieved by seven different songs. (Full article...)

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1996, 28 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

    The first number one of the year was "Rebecca Lynn" by Bryan White, which moved into the top spot in the issue dated January 6 and remained in place for only a single week before being replaced by "It Matters to Me" by Faith Hill. Canadian singer Shania Twain had the most number ones in 1996, topping the chart with "(If You're Not in It for Love) I'm Outta Here!", "You Win My Love" and "No One Needs to Know". The three songs spent a total of five weeks at the top of the chart, tying Twain for the most weeks at number one by an artist with George Strait, who spent two weeks in the top spot with "Blue Clear Sky" and three with "Carried Away". Alan Jackson, Patty Loveless and Bryan White were the only other acts to have more than one number one in 1996. The longest unbroken run at number one in 1996 was three weeks, which was achieved by seven different songs. (Full article...)
  • Image 6 Robin Gibb reached number one on the Top Pops chart in 1969 with his song "Saved by the Bell", but the song did not top the BMRB chart and is therefore not regarded as an official UK number one. Top Pops is a former British weekly pop music newspaper. It was founded as a monthly publication by Woodrow Wyatt in May 1967, becoming fortnightly in November 1967. On 25 May 1968, editor Colin Bostock-Smith began compiling a singles sales chart using a telephone sample of approximately twelve W H Smith & Son stores – the first single to reach number one on the Top Pops chart was "Young Girl" by Gary Puckett & The Union Gap. The charts and paper were published weekly with effect from 22 June 1968. On 20 September 1969 the paper was rebranded Top Pops & Music Now, and subsequently became Music Now from 21 March 1970 – at this point the chart was sampling between 30 and 40 stores. From 27 February 1971 the chart was no longer published and in May 1971 the newspaper ceased publication. During the publication of the chart, 55 different singles reached number one. The only one to be knocked off number one and then regain the top spot was "Mony Mony" by Tommy James and the Shondells. The final chart-topper was "My Sweet Lord" by George Harrison. From the advent of charts in the UK until 1969 several magazines and newspapers published their own charts, and there was no one "official" singles chart. In February 1969, however, Record Retailer and the BBC jointly commissioned the British Market Research Bureau (BMRB) to compile an official chart. The Record Retailer chart is now considered by the Official Charts Company, the current compilers of the UK Singles Chart, to be the canonical source for number-one singles for the earlier part of the 1960s. Charts compiled by Top Pops had fifteen number-one singles that did not reach the top spot in the Record Retailer chart; in comparison, a total of nine Top Pops number-ones did not top the rival New Musical Express chart. Seven Top Pops number ones did not top either of the other publications' charts. Edwin Hawkins Singers' "Oh Happy Day", Robin Gibb's "Saved by the Bell", Bee Gees' "Don't Forget to Remember", and The Tremeloes' "(Call Me) Number One" all peaked at number two in both charts, Herman's Hermits' "My Sentimental Friend" and Don Fardon's "Indian Reservation" placed with one number two and one number three in each chart, and Stevie Wonder's "My Cherie Amour" reached fourth and third spot in the two charts. Fardon's "Indian Reservation," however, also made number one on the Melody Maker chart, so if that publication's number ones are factored in, Top Pops / Music Now's unique number ones total the six from 1969. (Full article...)
    Robin Gibb reached number one on the Top Pops chart in 1969 with his song "Saved by the Bell", but the song did not top the BMRB chart and is therefore not regarded as an official UK number one.

    Top Pops is a former British weekly pop music newspaper. It was founded as a monthly publication by Woodrow Wyatt in May 1967, becoming fortnightly in November 1967. On 25 May 1968, editor Colin Bostock-Smith began compiling a singles sales chart using a telephone sample of approximately twelve W H Smith & Son stores – the first single to reach number one on the Top Pops chart was "Young Girl" by Gary Puckett & The Union Gap. The charts and paper were published weekly with effect from 22 June 1968. On 20 September 1969 the paper was rebranded Top Pops & Music Now, and subsequently became Music Now from 21 March 1970 – at this point the chart was sampling between 30 and 40 stores. From 27 February 1971 the chart was no longer published and in May 1971 the newspaper ceased publication. During the publication of the chart, 55 different singles reached number one. The only one to be knocked off number one and then regain the top spot was "Mony Mony" by Tommy James and the Shondells. The final chart-topper was "My Sweet Lord" by George Harrison.

    From the advent of charts in the UK until 1969 several magazines and newspapers published their own charts, and there was no one "official" singles chart. In February 1969, however, Record Retailer and the BBC jointly commissioned the British Market Research Bureau (BMRB) to compile an official chart. The Record Retailer chart is now considered by the Official Charts Company, the current compilers of the UK Singles Chart, to be the canonical source for number-one singles for the earlier part of the 1960s. Charts compiled by Top Pops had fifteen number-one singles that did not reach the top spot in the Record Retailer chart; in comparison, a total of nine Top Pops number-ones did not top the rival New Musical Express chart. Seven Top Pops number ones did not top either of the other publications' charts. Edwin Hawkins Singers' "Oh Happy Day", Robin Gibb's "Saved by the Bell", Bee Gees' "Don't Forget to Remember", and The Tremeloes' "(Call Me) Number One" all peaked at number two in both charts, Herman's Hermits' "My Sentimental Friend" and Don Fardon's "Indian Reservation" placed with one number two and one number three in each chart, and Stevie Wonder's "My Cherie Amour" reached fourth and third spot in the two charts. Fardon's "Indian Reservation," however, also made number one on the Melody Maker chart, so if that publication's number ones are factored in, Top Pops / Music Now's unique number ones total the six from 1969. (Full article...)
  • Image 7 From January 2007 to May 2007, the number-one singles in Canada were compiled by the American-based music sales tracking company, Nielsen SoundScan. The chart is compiled every Wednesday, and is published by Jam! Canoe on Thursdays. On 31 March 2007, Billboard magazine created the Canadian Hot 100, a chart specifically designed for Canada and the first Hot 100 chart that Billboard created for a country outside the United States. The chart was made available for the first time via Billboard online services on June 7, 2007, and it served as the successor to the Canadian Digital Song Sales Chart. (Full article...)
    From January 2007 to May 2007, the number-one singles in Canada were compiled by the American-based music sales tracking company, Nielsen SoundScan. The chart is compiled every Wednesday, and is published by Jam! Canoe on Thursdays. On 31 March 2007, Billboard magazine created the Canadian Hot 100, a chart specifically designed for Canada and the first Hot 100 chart that Billboard created for a country outside the United States. The chart was made available for the first time via Billboard online services on June 7, 2007, and it served as the successor to the Canadian Digital Song Sales Chart. (Full article...)
  • Image 8 The early recordings of "King of Rock and Roll" Elvis Presley were successful on the country charts, and he achieved four number ones on the best sellers chart in 1956. In 1956, Billboard magazine published three charts covering the best-performing country music songs in the United States. At the start of the year, the charts were published under the titles Most Played in Juke Boxes, Best Sellers in Stores, and Most Played By Jockeys, with the genre denoted in an overall page heading. With effect from the issue of Billboard dated June 30, the genre was added to the specific titles of the charts, which were thus published as Most Played C&W in Juke Boxes, C&W Best Sellers in Stores, and Most Played C&W By Jockeys, the C&W standing for "country and western". All three charts are considered part of the lineage of the current Hot Country Songs chart, which was first published in 1958. The number-one positions on both the juke box and best sellers charts were dominated in 1956 by Elvis Presley, who spent a total of 26 weeks in the top spot on the best sellers listing and 28 weeks (including one tied with another single) atop the juke box chart with four different singles. Presley achieved the first country chart-topper of his career in February when he reached the number one spot on the best sellers chart with "I Forgot to Remember to Forget"; its B-side, "Mystery Train" was listed jointly at number one for the first week of the run only. The release was the final single which he recorded for Sun Records, the label for which he had honed his early rockabilly style. After he signed for new label RCA Victor, his recordings began to show more of a pop music influence, but for a time continued to appear on the country charts, and one week after "I Forgot to Remember to Forget" was replaced at number one, Presley regained the top spot with the two-sided success "Heartbreak Hotel" / "I Was the One", which remained atop the listing for 17 consecutive weeks. He would go on to be regarded as the most successful and influential recording artist of all time and feted as the "King of Rock and Roll". (Full article...)
    Singer Elvis Presley sitting on a motorcycle
    The early recordings of "King of Rock and Roll" Elvis Presley were successful on the country charts, and he achieved four number ones on the best sellers chart in 1956.

    In 1956, Billboard magazine published three charts covering the best-performing country music songs in the United States. At the start of the year, the charts were published under the titles Most Played in Juke Boxes, Best Sellers in Stores, and Most Played By Jockeys, with the genre denoted in an overall page heading. With effect from the issue of Billboard dated June 30, the genre was added to the specific titles of the charts, which were thus published as Most Played C&W in Juke Boxes, C&W Best Sellers in Stores, and Most Played C&W By Jockeys, the C&W standing for "country and western". All three charts are considered part of the lineage of the current Hot Country Songs chart, which was first published in 1958.

    The number-one positions on both the juke box and best sellers charts were dominated in 1956 by Elvis Presley, who spent a total of 26 weeks in the top spot on the best sellers listing and 28 weeks (including one tied with another single) atop the juke box chart with four different singles. Presley achieved the first country chart-topper of his career in February when he reached the number one spot on the best sellers chart with "I Forgot to Remember to Forget"; its B-side, "Mystery Train" was listed jointly at number one for the first week of the run only. The release was the final single which he recorded for Sun Records, the label for which he had honed his early rockabilly style. After he signed for new label RCA Victor, his recordings began to show more of a pop music influence, but for a time continued to appear on the country charts, and one week after "I Forgot to Remember to Forget" was replaced at number one, Presley regained the top spot with the two-sided success "Heartbreak Hotel" / "I Was the One", which remained atop the listing for 17 consecutive weeks. He would go on to be regarded as the most successful and influential recording artist of all time and feted as the "King of Rock and Roll". (Full article...)
  • Image 9 The Grammy Award for Best Music Video is an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to performers, directors, and producers of quality short form music videos. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position". Originally called the Grammy Award for Best Video, Short Form, the award was first presented in 1984, as was a similar award for Best Long Form Music Video. From 1986 to 1997, the category name was changed to Best Music Video, Short Form. However, in 1988 and 1989, the award criteria were changed and the video awards were presented under the categories Best Concept Music Video and Best Performance Music Video. The awards were returned to the original format in 1990. The category was called Best Short Form Music Video until 2012, from 2013 it was shortened to Best Music Video. Award recipients include the performers, directors, and producers associated with the winning videos, except for its first two years when the Grammy went to the performing artist only. For unknown reasons, the award for the Best Music Video in 1987 - Brothers in Arms by Dire Straits - went to the band only, not to the director(s) and/or producer(s). (Full article...)
    The Grammy Award for Best Music Video is an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to performers, directors, and producers of quality short form music videos. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".

    Originally called the Grammy Award for Best Video, Short Form, the award was first presented in 1984, as was a similar award for Best Long Form Music Video. From 1986 to 1997, the category name was changed to Best Music Video, Short Form. However, in 1988 and 1989, the award criteria were changed and the video awards were presented under the categories Best Concept Music Video and Best Performance Music Video. The awards were returned to the original format in 1990. The category was called Best Short Form Music Video until 2012, from 2013 it was shortened to Best Music Video. Award recipients include the performers, directors, and producers associated with the winning videos, except for its first two years when the Grammy went to the performing artist only. For unknown reasons, the award for the Best Music Video in 1987 - Brothers in Arms by Dire Straits - went to the band only, not to the director(s) and/or producer(s). (Full article...)
  • Image 10 Merle Haggard topped the chart with one of his best-known songs, "The Fightin' Side of Me". Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1970, 23 different singles topped the chart, which was published at this time under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports supplied by stores. In the issue of Billboard dated January 3, 1970, "Baby, Baby (I Know You're a Lady)" by David Houston replaced the final chart-topper of 1969, Charley Pride's "(I'm So) Afraid of Losing You Again" at number one. Houston's single held the top spot until the January 31 issue, when it was replaced by Tom T. Hall's song "A Week in a Country Jail". Hall had achieved success as a songwriter, including penning the song "Harper Valley PTA" which had been both a pop and country number one for Jeannie C. Riley in 1968, but "A Week in a Country Jail" was his first number one as a performer. Hall also wrote "The Pool Shark", which gave Dave Dudley his one and only week at number one. Husband-and-wife duo Jack Blanchard & Misty Morgan also reached number one for the first and only time with "Tennessee Bird Walk". Lynn Anderson topped the chart for the first time with "Rose Garden", which was also a major crossover hit, reaching the top five of Billboard's all-genres chart, the Hot 100. Hank Williams Jr., the son of one of the most influential country singers of all time, Hank Williams, achieved the first number one of a career which would go on to span more than fifty years when he collaborated with the Mike Curb Congregation on the single "All for the Love of Sunshine". (Full article...)
    A dark-haired man wearing a dark jacket and playing a guitar
    Merle Haggard topped the chart with one of his best-known songs, "The Fightin' Side of Me".

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1970, 23 different singles topped the chart, which was published at this time under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports supplied by stores.

    In the issue of Billboard dated January 3, 1970, "Baby, Baby (I Know You're a Lady)" by David Houston replaced the final chart-topper of 1969, Charley Pride's "(I'm So) Afraid of Losing You Again" at number one. Houston's single held the top spot until the January 31 issue, when it was replaced by Tom T. Hall's song "A Week in a Country Jail". Hall had achieved success as a songwriter, including penning the song "Harper Valley PTA" which had been both a pop and country number one for Jeannie C. Riley in 1968, but "A Week in a Country Jail" was his first number one as a performer. Hall also wrote "The Pool Shark", which gave Dave Dudley his one and only week at number one. Husband-and-wife duo Jack Blanchard & Misty Morgan also reached number one for the first and only time with "Tennessee Bird Walk". Lynn Anderson topped the chart for the first time with "Rose Garden", which was also a major crossover hit, reaching the top five of Billboard's all-genres chart, the Hot 100. Hank Williams Jr., the son of one of the most influential country singers of all time, Hank Williams, achieved the first number one of a career which would go on to span more than fifty years when he collaborated with the Mike Curb Congregation on the single "All for the Love of Sunshine". (Full article...)
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