.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in Swedish. (May 2023) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Swedish Wikipedia article at [[:sv:Robe de cour]]; see its history for attribution. You should also add the template ((Translated|sv|Robe de cour)) to the talk page. For more guidance, see Wikipedia:Translation.
Roslin Alexander - Hedvig Elisabeth Charlotte of Holstein-Gottorp

The Robe de cour, also known as robe de corpse, grand habit and grand habit de cour, was a women's fashion of 18th century Europe. It was the most formal dress model worn after 1700, when the mantua dress had replaced it in all but the most formal occasions, and continued to be worn as court dress during the entire century.

Court dress, the grand habit de cour or "stiff-bodied" gown, retained the styles of the 1670s after it had been replaced by the mantua dress in all other but the most formal occasions in the end of the 17th-century. It featured a low, oval neckline that bared the shoulders, and the heavily boned bodice laced closed in back, unlike the front-opening robe. The elbow-length sleeves were covered with tiers of lace flounces, echoing the full-sleeved chemise worn with the original style.[1]

Galleries

See also

References

  1. ^ Waugh, Norah (1968). The Cut of Women's Clothes: 1600–1930. New York: Routledge. pp. 66–67, 69. ISBN 0878300260.

Bibliography