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Analogous colors are groups of three colors that are next to each other on the color wheel, and a tertiary. Red, orange, and red-orange are examples.

The term analogous refers to having analogy, or corresponding to something in particular. An analogous color scheme creates a rich, monochromatic look.[citation needed] It is best used with either warm or cool colors, creating a look that has a certain temperature as well as proper color harmony. While this is true, the scheme also lacks contrast and is less vibrant than complementary schemes.[citation needed]

Analogous color differ depending on the color wheel used. For example, by some definitions, it would be impossible to use Goethe's color wheel for analogous colors, because they do not share a common color, such as blue-green. If you wanted to use the analogous colors blue, blue-green, and green with  Boutet's color wheel on the left, you wouldn't be able.[1]
Analogous color differ depending on the color wheel used. For example, by some definitions, it would be impossible to use Goethe's color wheel for analogous colors, because they do not share a common color, such as blue-green. If you wanted to use the analogous colors blue, blue-green, and green with Boutet's color wheel on the left, you wouldn't be able.[1]

Application

These color schemes are most often seen in nature. For example, during the fall, one might often see the changing leaves form an analogous sort of color scheme, progressively moving through the color wheel to create a gradient in its natural pattern.

High-key analogous

High-key color schemes have a lighter value, having white added to them or water in the case of watercolors. These have a more pastel-like look to them. Having a high-key analogous color scheme can give a piece a stimulating shimmer that pleases the eye, making everything seem the same color at first until approach. The colors are pure and aren't affected by their complements which grab attention. This was commonly used in impressionism by artists such as Monet, Pissarro, and Degas. Pierre Bonnard has also been noted for using it.

Footnotes

References