There are numerous variations of the color purple, a sampling of which is shown below.
In common English usage, purple is a range of hues of color occurring between red and blue.[1]
However, the meaning of the term purple is not well defined. There is confusion about the meaning of the terms purple and violet even among native speakers of English.[2] Many native speakers of English in the United States refer to the blue-dominated spectral color beyond blue as purple, but the same color is referred to as violet by many native English speakers in the United Kingdom.[3][4] The full range of colors between red and blue is referred to by the term purple in some British authoritative texts,[3] whereas the same range of colors is referred to by the term violet in some other texts.[5]
The confusion about the range of meanings of the terms violet and purple is even larger when including other languages and historical texts.[6]
Since this Wikipedia page contains contributions from authors from different countries and different native languages, this Wikipedia page is likely not to be consistent in the use of the color terms purple and violet.
In formal color theory, purple colors often refer to the colors on the line of purples on the CIE chromaticity diagram (or colors that can be derived from colors on the line of purples), i.e., any color between red and violet, not including either red or violet themselves.[7][8]
The first recorded use of purple as a color name in English was in 975 AD.[9]
"Tyrian purple" is the contemporary English name of the color that in Latin is denominated "purpura". Other contemporary English names for purpura are "imperial purple" and "royal purple". The English name "purple" itself originally denominated the specific color purpura. Purpura is the color of a dye extracted from a mollusk found on the shores of the city of Tyre in ancient Phoenicia (contemporarily in Lebanon), which color in classical antiquity was a symbol of royalty and political authority because only the very wealthy could afford it, including the Roman Emperors. Therefore, Tyrian purple was also denominated "imperial purple".
The tone of Tyrian purple displayed above is that tone of Tyrian purple which was the color of "clotted blood", which was considered the tone having the most prestige in ancient Greece and Rome, as recorded by Pliny the Elder. However, the actual tone varied depending on how the dye was formulated. Lesser royal houses that wanted to economize could mix Tyrian purple dye with the much less expensive indigo to create a color closer to violet.
Professor Charles Rees—wearing bow tie dyed with original sample of mauveine—holding RSC journal named after Perkin
Mauveine was first named in 1856. ChemistSir William Henry Perkin, then eighteen, was attempting to create artificial quinine. An unexpected residue caught his eye, which turned out to be the first anilinedye—specifically, Perkin's mauve or mauveine is sometimes called aniline purple. Perkin was so successful in recommending his discovery to the dyestuffs industry that his biography by Simon Garfield is titled Mauve.[12] As mauveine faded easily, our contemporary understanding of mauve is as a lighter, less saturated color than it was originally known.[13]
"Mauveine" was named after the mauve colored mallow flower, even though it is a much deeper tone of purple than mauve. The term "Mauve" in the late 19th century could refer to either the deep, rich color of the dye or the light color of the flower. Mauve (meaning Mauveine) came into great vogue when in 1862 Queen Victoria appeared at the Royal Exhibition in a mauve silk gown—dyed with mauveine. By 1890, this color had become so pervasive in fashion that author Thomas Beer used it in the title of his book about the 1890s, The Mauve Decade.[14]
In some parts of the world, 'Royal purple' (shown above) or the dark violet color known as generic purple is the common layman's idea of purple, but these color terms carry different meanings in different parts of the world. Even among modern native speakers of English there is confusion about the terms purple and violet.[2] In the United Kingdom, many native speakers of English refer to the blue-dominated spectral color beyond blue as violet, but this color is called purple by many speakers in the United States.[3][4]
In some texts the term violet refers to any color between red and blue.[5] However, there are also authoritative texts from the United Kingdom in which this same range of colors is referred to by the term purple.[3]
When including languages other than English, and epochs other than the modern period, the uncertainty about the meanings of the color terms violet and purple is even larger.[6] Since this Wikipedia page contains contributions from authors from different countries and different native languages, it is likely to be not consistent in the use of the color terms violet and purple.
Artists that[citation needed] happen to follow Munsell color system (introduced in 1905 and used since 1930 by a large number of artists in the United States, but by much fewer artists outside the US), may regard purple as being synonymous with the red-violet color, represented by the web colormedium violet red. Munsell included purple as a color hue in his color system, but he did not do so for violet as he did not need it as a label for his system (just like the hue term orange is not used in Munsell's system). If defined as blue-dominated colors between blue and red, violet colors in Munsell's system would be classified as having the 7.5PB and 10.0PB hue, which is confirmed in visual experiments
[6]
The truly purple color, defined as being within the range of the red-dominated colors between red and blue, is sometimes confusingly labeled as red-violet color, or more correctly artist's purple. It is the pigment color that would be on a pigment color color wheel between pigment violet and pigment (process) magenta. In the Munsell color system, this color at its maximum chroma of 12 is called Red-Purple, or more specifically Munsell 5RP.
Artists' pigments and colored pencils labeled as purple are typically colored the red-violet color. On an RYB color wheel, the so-called red-violet color is the color between red and violet.
This color, electric purple, is precisely halfway between violet and magenta and thus fits the artistic definition of purple.[15]
Using additive colors such as those on computer screens, it is possible to create a much brighter purple than with pigments where the mixing subtracts frequencies from the component primary colors. The equivalent color on a computer to the pigment color red-violet shown above would be this electric purple, i.e. the much brighter purple you can see reproduced on the screen of a computer. This color is pure purple conceived as computer artists conceive it, as the color on the color wheel halfway between color wheel violet and electric magenta. Thus, electric purple is the purest and brightest purple that it is possible to display on a computer screen. Its RGB code is (191, 0, 255).
An old name for this color, used by Robert Ridgway in his 1912 book on color nomenclature, Color Standards and Color Nomenclature, is true purple.[16]
This purple used in HTML and CSS actually is deeper and has a more reddish hue (#800080) than the X11 color purple shown below as purple (X11 color) (#A020F0), which is bluer and brighter. This is one of the very few clashes between web and X11 colors.
This color may be called HTML/CSS purple. It seems likely that this color was chosen as the web color purple because its hue is exactly halfway between red and blue and its value is exactly halfway between white and black.
A traditional name sometimes used for this tone of purple is patriarch. The first recorded use of patriarch as a color name in English was in 1925.[18]
This color is defined as purple in the Munsell color system (Munsell 5P). The Munsell color system is a color space that specifies colors based on three color dimensions: hue, value (lightness), and chroma (color purity), spaced uniformly in three dimensions in the elongated oval at an angle shaped Munsell color solid according to the logarithmic scale which governs human perception. In order for all the colors to be spaced uniformly, it was found necessary to use a color wheel with five primary colors—red, yellow, green, blue, and purple.
The Munsell colors displayed are only approximate as they have been adjusted to fit into the sRGB gamut.
Mauve/ˈmoʊv/ⓘ[21] (rhymes with "grove"; from the French form of Malva "mallow") is a pale purple. Mauve is named after the mallowflower. Another name for the color is mallow[22] with the first recorded use of mallow as a color name in English in 1611.[23]
The color orchid is a bright rich purple. The name 'orchid' originates from the flowers of some species of the vast orchid flower family, such as Laelia furfuracea and Ascocentrum pusillum, which have petals of this color.
The first recorded use of orchid as a color name in English was in 1915.[25]
The pure essence of purple was approximated in pigment in the late 1960s by mixing fluorescent magenta and fluorescent blue pigments together to make fluorescent purple to use in psychedelicblack light paintings. This tone of purple was very popular among hippies and was the favorite color of Jimi Hendrix. Thus it is called psychedelic purple. Psychedelic purple is the color halfway between electric purple and magenta.
In the 1980s, there was a Jimi Hendrix Museum in a Victorian house on the east side of Central Avenue one half block south of Haight Street in the Haight-Ashbury neighborhood of San Francisco which was painted this color.
Another name for this color is phlox, as it is the color of the phlox flower. The first recorded use of phlox as a color name in English was in 1918.[29]
Pearly purple is one of the colors in the special set of metallic colored Crayola crayons called Silver Swirls, the colors of which were formulated by Crayola in 1990.
Northwestern Purple is the official color of Northwestern University. Additionally, there are shades and tints that are variations of the base color. Northwestern Purple is a custom ink color and can no longer be referenced by a Pantone number.
The color pomp and power is not found in the 1930 first edition of the Dictionary of Color by Maerz and Paul, but it is found in the second edition of 1950.[35]
The color name eminence, used since the 1800s,[38] has been in modern use for this color since 2001 when the Xona.com Color List was first promulgated.
Palatinate is a color (a pale shade of violet) associated with the University of Durham (and with Newcastle University Medical School, this being the former medical school of Durham University.) A separate color, 'Palatinate Blue', is derived from the coat of arms of County Durham. The name 'Palatinate' in both instances alludes to the historic status of Durham as a County Palatine.
^ abCooper, A.C.; McLaren, K. (1973). "The ANLAB colour system and the dyer's variables of "shade" and strength". J. Soc. Dyers Colorists. 89: 41–45. doi:10.1111/j.1478-4408.1973.tb03128.x.
^ abcTager, A.; Kirchner, E.; Fedorovskaya, E. (2021). "Computational evidence of first extensive usage of violet in the 1860s". Color Research & Application. 46 (5): 961–977. doi:10.1002/col.22638. S2CID233671776.
^Graham, Lanier F. (editor) The Rainbow Book Berkeley, California:1976 Shambala Publishing and The Fine Arts Museums of San Francisco (Handbook for the Summer 1976 exhibition The Rainbow Art Show which took place primarily at the De Young Museum but also at other museums) Portfolio of color wheels by famous theoreticians—see Rood color wheel (1879) Page 93 Purple is halfway between magenta and violet
^Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill Discussion of the color Purple, p. 175; Color Sample of True Purple: p. 125 Plate 51 Color Sample A12—True Purple is shown on the Purple end of the Purple-Magenta-Rose axis on the bottom and right of the plate.
^Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill p. 201; Color Sample of Patriarch: p. 109 Plate 43 Color Sample L9
^Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill p. 201; Color Sample of Veronica: p. 109 Plate 43 Color Sample H9
^The color displayed in the color box above matches the color called mauve in the 1930 book by Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill; the color "mallow" is displayed on Page 125, Plate 51, Color Sample I3 Note: It is stated in A Dictionary of Color that mallow and mauve are two different names used in English to refer to exactly the same color—the name mallow came into use in 1611 and mauve came into use as its synonym in 1856—see under the entry for each name on page 198 in the Index. See also discussion of the color Mallow (Mauve) on page 166.
^Brians, Paul. "Mauve". Common Errors in English. Washington State University. Archived from the original on 2000-05-21. Retrieved 2008-02-26.
^Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill p. 198
^Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill p. 198; Color Sample of Mallow: p. 125 Plate 51 Color Sample I3
^Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill p. 196; Color Sample of Thistle: p. 107 Plate 42 Color Sample J7
^Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill p. 200; Color Sample of Orchid: p. 105 Plate 41 Color Sample F5
^The color displayed in the color box above matches the color called heliotrope in the 1930 book by Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill; the color heliotrope is displayed on page 131, Plate 54, Color Sample C10.
^Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill p. 196; Color Sample of Heliotrope: p. 131 Plate 54 Color Sample C10
^The color displayed in the color box above matches the color called phlox in the 1930 book by Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill; the color phlox is displayed on page 131, Plate 54, Color Sample H12.
^A Dictionary of Color New York:1930 McGraw-Hill, p. 201; Color Sample of Phlox: p. 131 Plate 54 Color Sample H12—The color Phlox is shown lying halfway between magenta and purple.
^The color displayed in the color box above is the color in the array of tones of liseran purple displayed on the ISCC-NBS color list letter L web page that most closely matches the color called liseran purple in the 1930 book by Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill; the color liseran purple is displayed on page 123, Plate 50, Color Sample B9.
^Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill p. 198; Color Sample of Liseran Purple: p. 123 Plate 50 Color Sample B9
^Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill p. 199; Color Sample of Mulberry: Plate 48 Color Sample E9
^ ab"Brand Guide"(PDF). Branding. Kansas State University Division of Communications and Marketing. Retrieved 2016-10-06.
^Maerz and Paul A Dictionary of Color New York:1950 (2nd edition) McGraw-Hill
^Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill p. 195; Color Sample of French Lilac: p. 111 Plate 44 Color Sample H7
^Note: While for other Xona.com colors that have been entered into Wikipedia, the standard darker version of the two tones provided for each color has always been used, in this case the lighter version is used as this brighter and more saturated version seems more in tune with the spirit of Mardi Gras.
^Painting and Decorating: A Journal (1893): The following item from a daily paper is but a sample of the fashion in color naming : "'Eminence,' or 'eminence purple,' as we more frequently call it, is really a bright violet tinge, verging on petunia, with a dash of red in it."
^Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill p. 191; Color Sample of Byzantium: p. 111 Plate 44 Color Sample K7
^Maerz and Paul A Dictionary of Color New York:1930 McGraw-Hill p. 201; Color Sample of Pansy Purple: p. 131 Plate 54 Color Sample L8
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