Residential complex in London, England
The Barbican Estate, or Barbican, is a residential complex of around 2,000 flats, maisonettes, and houses in central London, England, within the City of London. It is in an area once devastated by World War II bombings and densely populated by financial institutions, 1.4 miles (2.2 km) north east of Charing Cross.[1] Originally built as rental housing for middle and upper-middle-class professionals, it remains an upmarket residential estate. It contains, or is adjacent to, the Barbican Arts Centre, the Museum of London, the Guildhall School of Music and Drama, the Barbican public library, the City of London School for Girls and a YMCA (now closed),[2] forming the Barbican Complex.
The Barbican Complex is a prominent example of British brutalist architecture and is Grade II listed as a whole,[3] with the exception of the former Milton Court, which once contained a fire station, medical facilities, and some flats, but was demolished to allow the construction of a new apartment tower—named The Heron—which also provides additional facilities for the Guildhall School of Music and Drama.
History
The Cripplegate fort can be seen at the northern edge of
Roman London
The main fort of Roman London was built between 90 and 120 AD south-east of where the Museum of London now stands at the corner of London Wall and Aldersgate Street.[4] Around 200 AD walls were built around the city that incorporated the old fort, which became a grand entrance known as Cripplegate.[5] The word barbican comes from the Low Latin word Barbecana which referred to a fortified outpost or gateway, such as an outer defence of a city or castle or any tower situated over a gate or bridge which was used for defence purposes.[6] In this case there seems to have been a Roman specula or watchtower[7] in front of the fort from numbers 33–35 onwards[7] on the north side of the street formerly called Barbican[8] (now the west end of Beech St), which was later incorporated into the fortifications north of the wall. The Normans called it the Basse-cour or Base Court,[9] synonymous with the modern word "bailey" and still applied to the outer courtyard of Hampton Court Palace.
The Base Court continued to serve a military function during the reign of Edward I, but Edward III gave it to Robert d'Ufford, 1st Earl of Suffolk[8] who made it his London home. By the 16th century, it had passed to Charles Brandon, 1st Duke of Suffolk. Brandon married his ward Catherine Willoughby, daughter of María de Salinas who had been a confidante and lady-in-waiting of Catherine of Aragon and after his death the building was retained by the Willoughby family. The original Base Court seems to have been destroyed and the large building that replaced it was called Willoughby House, a name revived for part of the modern development.
Post-war development
Central ponds, Barbican Estate
Frieze recovered from Bryers and Sons building at 53 and 54 Barbican. The building survived wartime bombing but was demolished to make way for the redevelopment. The Frieze was preserved as a monument.
During World War II, the City suffered serious damage and loss of life. The Cripplegate ward was virtually demolished[10] and by 1951 the resident population of the City stood at 5,324 of whom 48 lived in Cripplegate.[11] Discussions began in 1952 about the future of the site, and the decision to build new residential properties was taken by the Court of Common Council on 19 September 1957.[12]
To accommodate the estate, 500 metres (550 yards) of the Metropolitan line was realigned between Barbican and Moorgate stations between 1963 and 1965.[13][14][15]
The estate was built between 1965 and 1976, on a 35-acre (14 ha) site that had been bombed in World War II. The complex was designed by architects Chamberlin, Powell and Bon, whose first work was the ground-breaking Golden Lane Estate immediately north of the Barbican. Unlike its northern neighbour, however, the Barbican Estate was not social housing. Rather, it was designed and built for affluent City professionals and their families, with all flats let out at commercial rents by the Corporation of London.[16] To help let out the flats, brochures were produced, advertising the Barbican Estate as containing the perfect residences for well-heeled professionals and international businesspeople.[17]
This Barbican Estate brochure from the late 1970s, produced by the Corporation of London, shows the envisaged target market for the flats.
Indeed, in its early years, a substantial number of high-profile politicians, lawyers, judges, and bankers made their home here (see famous residents).
The Barbican was never 'council housing' in the conventional sense, as flats were targeted at professionals and let at 'market' rents, i.e. for similar prices to equivalent private homes in Central London. It was, however, owned and managed by the Corporation of the City of London, considered a local authority under the Housing Act 1980. This meant that Right to Buy applied to it, and, as a result, almost all flats are now privately owned, although a few continue to be let out by the City of London at market (non-subsidised) rents.[18]
The first building on the 40-acre (16 ha) estate, Speed House, was officially opened in 1969, though extensive industrial disputes in the 1970s led to the last building, Shakespeare Tower, only being completed in 1976. It is now home to around 4,000 people living in 2,014 flats.[12] The flats reflect the widespread use in Britain in the 1960s and 1970s of concrete as the visible face of the building. The complex is also characteristic for its total separation of vehicles from pedestrians throughout the area ("slab urbanism"[19]). This is achieved through the use of 'highwalks'—walkways of varying width and shape, usually located 1 to 3 stories above the surrounding ground level. Most pedestrian circulation takes place on these highwalks, while roads and car parking spaces are relegated to the lower level.
The central public court of the Barbican, Lakeside Terrace, features a café area.
The Minister for the Arts, Tessa Blackstone, announced in September 2001 that the Barbican complex was to be Grade II listed. It has been designated a site of special architectural interest for its scale, its cohesion and the ambition of the project.[20] The complex is architecturally important as it is one of London's principal examples of concrete brutalist architecture and considered a landmark.
Various garden features punctuate the brutalist architecture, including a community-run wildlife garden.[21]
Blocks and towers
The residential estate consists of three tower blocks, 13 terrace blocks, two mews and The Postern, Wallside and Milton Court.[22]
The terrace blocks
Part of the estate viewed from above
These are grouped around a lake and green squares. The main buildings rise up to seven floors above a podium level, which links all the facilities in the Barbican, providing a pedestrian route above street level. Some maisonettes are built into the podium structure. There is no vehicular access within the estate, but there are some car parks at its periphery. Public car parks are located within the Barbican Centre.
The terrace blocks are named:[22]
- Andrewes House – named after Lancelot Andrewes a 16th-century English bishop and scholar
- Breton House – named after Nicholas Breton, a 16th-century English poet and novelist
- Bryer Court – named after W. Bryer & Sons gold refiners and assayers premises were Numbers 53 and 54 and demolished to make way for the building[23]
- Bunyan Court – named after John Bunyan, a 17th-century English writer and Baptist preacher
- Defoe House – named after Daniel Defoe
- Frobisher Crescent – named after Martin Frobisher, an English seaman and privateer
- Gilbert House – named after Humphrey Gilbert
- Ben Jonson House – named after Ben Jonson, an English playwright, poet and actor
- Thomas More House – named after Thomas More
- Mountjoy House – named after Christopher Mountjoy, a French wig-maker who let a room to William Shakespeare[24]
- Seddon House – named after George Seddon, an English cabinetmaker
- Speed House – named after John Speed, an English cartographer and explorer
- John Trundle Court – named after John Trundle
- Willoughby House – named after Catherine Willoughby
Tower blocks
The estate also contains three of London's tallest residential towers, at 42 storeys and 123 metres (404 ft) high. The top two or three floors of each block comprise three penthouse flats. The towers are:
Once the tallest residential towers in London, they were surpassed by the Pan Peninsula development on the Isle of Dogs.
Barbican complex
The Barbican Estate also contains the Barbican Centre (an arts, drama and business venue), the Barbican public library, the City of London School for Girls, the Museum of London, and the Guildhall School of Music and Drama. A YMCA building was constructed between 1965 and 1968[20] to link the Barbican and Golden Lane Estate; it is also listed. In 2015–16 the YMCA building was converted by Redrow Homes into a new residential block called Blake Tower with 74 flats run as part of the Barbican Estate.
In popular culture
The Barbican features in Michael Paraskos's novel In Search of Sixpence as the home of the lead character, Geroud, and also a bar called "The Gin Bar" loosely based on the Gin Joint bar at the Barbican Centre.[38] Clive James's 1987 novel The Remake also used the Barbican as a major setting.
The final scene of the 1983 vampire film, The Hunger, directed by Tony Scott and starring David Bowie, Catherine Deneuve and Susan Sarandon, was filmed in Cromwell Tower.[39]
The Barbican towers can be seen in a sequence from the 1975 Disney film One of Our Dinosaurs Is Missing, an unintentional anachronism for a film set in the 1920s.[11]
The Barbican was also used to represent the MI6 headquarters in the James Bond film Quantum of Solace.[40]
Various shots of the Barbican towers are shown on the inner record cover of the 1979 album Real to Real Cacophony by the Scottish rock band Simple Minds.[citation needed]
The Barbican Estate is mentioned by name in the intro to English band Saint Etienne's song "Language Lab", from their 2002 Finisterre album.[41]
The titular skyscraper in J.G. Ballard's High Rise (and subsequent film) is largely inspired by the Barbican Estate's towers.[42]
The Barbican Estate's Lauderdale Tower is home to fictional character Alice Morgan, a psychopathic murderer, in the BBC series Luther. Morgan lives in a sparsely furnished minimalist apartment on one of the tower's upper floors.
The Barbican Estate is prominently featured in Skepta's "Shutdown" music video.
