The winners were announced during the awards ceremony on March 29, 1993. Best Director winner Clint Eastwood became the seventh person nominated for lead acting and directing for the same film.[10] Best Actor winner Al Pacino was the sixth performer to receive nominations in the lead and supporting categories in the same year.[11] He also became the first person to win in the lead acting category after achieving the aforementioned feat.[12] By virtue of his second straight win in both music categories, Alan Menken became the third person to win two Oscars in two consecutive years.[13]
After the success of the previous year's ceremony which won several Emmys and critical acclaim, the academy rehired producer Gil Cates for the fourth consecutive year.[20] In February 1993, actor and comedian Billy Crystal was chosen by Cates as host also for the fourth straight time.[21] Cates justified the decision to hire him saying, "He is a major movie star with a talent for moving the evening's entertainment along."[22] According to an article by Army Archerd published in Variety, Crystal initially declined to host again citing his busy film schedule that included Mr. Saturday Night and City Slickers II: The Legend of Curly's Gold.[23] However, after Cates sent him a funeral wreath with a poem declaring "The show and I are dead without you" followed by a head of a fake dead horse similar to one featured in the film The Godfather, Crystal accepted the role as emcee.[24]
As with previous ceremonies he produced, Cates centered the show around a theme. Inspired by the Year of the Woman in which a record four women were elected to the United States Senate, Cates christened the 1993 show with the theme "Oscar Celebrates Women and the Movies".[25] In tandem with the theme, AMPAS gathered 67 female Oscar winners of every category for a photo that was later shown at the start of the telecast.[26] Actress and singer Liza Minnelli performed "Ladies' Day", a song written by Fred Ebb and John Kander specifically for the broadcast.[27] Oscar-winning documentarian Lynne Littman assembled a montage highlighting women in film.[28]
Several other people participated in the production of the ceremony. Bill Conti served as conductor and musical supervisor for the ceremony.[29] Choreographer Debbie Allen supervised the Best Song nominee performances and the "Ladies' Night" musical number.[30] Voice actress Randy Thomas served as announcer of the telecast becoming the first woman to do so.[31]
Box office performance of nominees
North American box office gross for Best Picture nominees[32]
Film
Pre-nomination (Before Feb. 17)
Post-nomination (Feb. 17-Mar. 29)
Post-awards (After Mar. 29)
Total
A Few Good Men
$120 million
$14.3 million
$7.0 million
$141.3 million
The Crying Game
$26.6 million
$11.2 million
$4.6 million
$62.3 million
Howards End
$24.4 million
$942,668
$36,767
$25.3 million
Scent of a Woman
$34.1 million
$18.5 million
$10.5 million
$63.1 million
Unforgiven
$75.3 million
$7.6 million
$18.3 million
$102 million
At the time of the nominations announcement on February 17, the combined gross of the five Best Picture nominees at the US box office was $252 million, with an average of $50.4 million per film.[32]A Few Good Men was the highest earner among the Best Picture nominees with $120 million in domestic box office receipts. The film was followed by Unforgiven ($75.2 million), Scent of a Woman ($34.1 million), The Crying Game ($14 million), and finally Howards End ($8.7 million).[32]
Of the top 50 grossing movies of the year, 38 nominations went to 13 films on the list. Only A Few Good Men (6th), Unforgiven (17th), Malcolm X (30th) and Scent of a Woman (38th) were nominated for directing, acting, screenwriting, or Best Picture.[33] The other top 50 box office hits that earned nominations were Aladdin (1st), Batman Returns (3rd), Basic Instinct (8th), The Bodyguard (9th), Under Siege (12th), Bram Stoker's Dracula (14th), The Last of the Mohicans (16th), Death Becomes Her (22nd), and Alien³ (26th).[33]
Critical reviews and ratings
The show received a negative reception from most media publications. Associated Press television critic Frazier Moore lamented that Crystal "seemed incredibly listless". He also questioned the purpose of the "Year of the Woman" theme writing, "The Oscar show itself seemed at odds with its own feminist theme."[34] Robert Bianco from the Pittsburgh Post-Gazette derided Allen's musical production numbers, comparing them to the disastrous opening number at the 61st ceremony held in 1989.[35] Columnist Matt Roush of USA Today complained, "Crystal, in a by-now-familiar performance, has, in four years, taken a plum assignment and, by repetition, reduced it to shtick." He also wrote that, "The song medley is getting old hat," and the "smug references to his flop Mr. Saturday Night were out of an improv amateur night."[36]
The telecast also received unfavorable reaction from various public feminist figures. In an interview with Los Angeles Daily News author and activist Betty Friedan condemned the "Year of the Woman" theme commenting, "It had no basis in reality. On behalf of women directors, cinematographer, and producers, I resent the travesty of calling that a tribute."[37] Likewise, President of the National Organization for Women's Los Angeles chapter Tammy Bruce chastised ceremony's feminist tribute as "one of the most hypocritical, patronizing things I saw in my whole life."[38] In response, Gil Cates responded towards the criticism of the theme stating, "The theme developed and raised consciousness in a way that I think is positive, not only for the individual in general but for individual women specifically."[37] He also quoted an ancient Chinese proverb later made famous by former U.S. First LadyEleanor Roosevelt saying, "It is better to light one candle than to curse the darkness."[39]
Despite the adverse reception, the ABC broadcast drew in an average of 45.7 million people over its length, which was a 3% increase from the previous year's ceremony.[7] The show also drew higher Nielsen ratings compared to the previous ceremony with 31.2% of households watching over a 51 share.[40][41] It also drew a higher 18–49 demo rating with a 20.1 rating among viewers in that demographic.[42]
A^ : The Academy revoked the Best Foreign Language Film nomination of Uruguay's A Place in the World after an investigation that determined the film as an Argentine production and therefore violated the Academy's rules which require that there be "substantial filmmaking input from the country that submits the film."[43]
B^ : Hepburn died on January 20, 1993, shortly after AMPAS announced the honor.[44] Her son Sean accepted the award at the ceremony on her behalf.[45]
^ abMacMinn, Aleene (January 14, 1993). "Morning Report: Movies". Los Angeles Times. Archived from the original on March 7, 2014. Retrieved February 25, 2014.
^Carter, Bill (March 27, 1996). "TV Notes;Oscar Numbers Slip". The New York Times. Archived from the original on November 19, 2015. Retrieved October 15, 2015.
.jpg)
.jpg)
