Daya Pawar or Dagdu Maruti Pawar (1935[1]–20 September 1996[2]) was an Indian Marathi language author and poet known for his contributions to Dalit literature that dealt with the atrocities experienced by the dalits or untouchables under the Hindu caste system.[3] He was a Buddhist by religion.[4]



He gained fame for his autobiographical 1978 novel Baluta (बलुत), written as a story told by Dagdu Pawar to the more literate Daya Pawar, both being personas of the author.[5] The novel recounts the "experiences of an untouchable struggling for a peaceful existence, mentally tormented but incapable of retaliation in word and deed."[6] There was "strong anti-Dalit reaction" when it was published in Maharashtra.[7]

Baluta created ripples in literary circles and earned him many awards at all levels, including one from the Ford Foundation. It got translated into several languages. The strengths of the book are the simple, straightforward and to-the-point portrayal and a transparent realistic illustration of the ethos around him. The book created a new genre in Marathi literature. Many autobiographical books talking about harsh experiences hard realities were written after Baluta. Pawar's use of language is not merely that of revolt but of a deeply introspecting analytical intellectual.

Pu La Deshpande reviewed Baluta: "On reading this book the cataract of blind traditions stuck to our eyes that makes us unaware of facts will melt away in the tears that fill our eyes on seeing this horrifying reality will emerge new rays of hope. Reader will then seek to be more humane henceforth in life, What else is the intent of all good literature? Creating new kinship among mankind and free the society from artificial and vexing bonds, right? The same can be said for all Pawar’s literature."

Poetry and other work

Although he earned fame through his autobiographical prose in Baluta, poetry was his forte. He gave expression to the oppression of the Dalits through his verse.

"Shilekhali haat hota, tari nahi phodla hambarda,

Kitr janmachi kaid, kuni nirmila ha kondvada"
(The hand was crushed under a stone, yet no outcry was heard

How many generations of imprisonment? Who created this prison?)

With effective verses like the above from his first collections of poems Kondvada, he voiced the atrocities and oppression faced by generations of Dalit. Published in 1974, Kondvada earned him a literary award from the State.

Among his other famous works are Chavdi and Dalit Jaanivaa, two of his compilation of articles, and Vittal, a collection of short stories. He wrote the screenplay for Jabbar Patel’s film Dr. Ambedkar. He was appointed with the National Film Development Corporation.[8] Pawar won the prestigious Padma Shri awarded by the Government of India.

Pawar’s writing’s reflects his active participation in the social, cultural and literary movements on the national level, his avid following of foreign literature, analytical and contemplative thinking, unwavering stance, deep understanding and empathy towards social happenings and issues. His work was highly effective. He received some amount of recognition by way of awards. But due to oppressive circumstances, he suffered mentally and physically in his personal life. It is this perennial suffering that comes through sharply in his writings. One of his poems gives a feel for his suffering:

"Dukhaana gadgadtaana he zhaad me paahilela

Tashi yaachi mule kholvar boudhivrukshaasaarkhi
Boudhivrukshaala phula tari aali
He Zhaad saaryaa rutut kolpun gelela
Dhamani dhamanit phutu paahnaaryaa yaatanaa
Mahaarogyaachyaa botsanssarkhi zadleli paane
He khod kasla? Phandiphandila jakhadleli kubdi
Maran yet naahi mhanun marankalaa sosnaara

Dukhaana gadgadtaanaa he zhaad me paahila"

(I have seen this tree tremble in pain

Albeit the tree has deep roots like the Bodhi tree
The Bodhi tree at least bore flowers
This tree though is withered in all seasons
Pain trying to burst through its very pore
Leaves withered like those of a leper’s fingers
What is this disease? Crutches hung on every branch
Death does not befall and so bearing the pains of death

I have seen this tree tremble in pain)



See also


  1. ^ Granger, Edith; Kale, Tessa (2002). The Columbia Granger's index to poetry in anthologies. New York: Columbia University Press. p. 1741. ISBN 0-231-12448-1.
  2. ^ Pawar, Daya (2006). Achhut (in Hindi). Rajkamal Prakashan Pvt Ltd. ISBN 81-7119-644-6.
  3. ^ Anna Kurian (2006). Texts and Their Worlds I: Literatures of India - An Introduction. Lincoln, Neb: Foundation Books. ISBN 81-7596-300-X.
  4. ^ De, Ranjit Kumar; Shastree, Uttara (20 March 1996). Religious Converts in India: Socio-political Study of Neo-Buddhists. Mittal Publications. ISBN 9788170996293 – via Google Books.
  5. ^ Nelson, Emmanuel S.; Natarajan, Nalini (1996). Handbook of twentieth-century literatures of India. Westport, Conn: Greenwood Press. p. 373. ISBN 0-313-28778-3.
  6. ^ S.S.R. (1987). "Baluten". In (various) (ed.). Encyclopaedia of Indian literature. Vol. 1. Sahitya Akademi. p. 357. ISBN 978-81-260-1803-1.
  7. ^ Guru, Gopal (2004). "The language of dalitbahujan political discourse". In Mohanty, Manoranjan (ed.). Class, caste, gender. Thousand Oaks: Sage Publications. p. 266. ISBN 0-7619-9643-5.
  8. ^ "Meet the Author - Daya Pawar" (PDF). Sahitya Akademi. Retrieved 16 May 2023.
  9. ^ "Padma Awards" (PDF). Ministry of Home Affairs, Government of India. 2015. Archived from the original (PDF) on 15 October 2015. Retrieved July 21, 2015.