|Parent company||Penguin Books|
|Country of origin||United Kingdom|
|Headquarters location||London, England|
Penguin Classics is an imprint of Penguin Books under which classic works of literature are published in English, Spanish, Portuguese, and Korean among other languages. Literary critics see books in this series as important members of the Western canon, though many titles are translated or of non-Western origin; indeed, the series for decades from its creation included only translations, until it eventually incorporated the Penguin English Library imprint in 1986. The first Penguin Classic was E. V. Rieu's translation of The Odyssey, published in 1946, and Rieu went on to become general editor of the series. Rieu sought out literary novelists such as Robert Graves and Dorothy Sayers as translators, believing they would avoid "the archaic flavour and the foreign idiom that renders many existing translations repellent to modern taste".
In 1964 Betty Radice and Robert Baldick succeeded Rieu as joint editors, with Radice becoming sole editor in 1974 and serving as an editor for 21 years. As editor, Radice argued for the place of scholarship in popular editions, and modified the earlier Penguin convention of the plain text, adding line references, bibliographies, maps, explanatory notes and indexes. She broadened the canon of the 'Classics', and encouraged and diversified their readership while upholding academic standards.
Penguin Books paid particular attention to the design of its books, recruiting German typographer Jan Tschichold in 1947. The early minimalist designs were modernised by Italian art director Germano Facetti, who joined Penguin in 1961. The new classics were known as "Black Classics" for their black covers, which also featured artwork appropriate to the topic and period of the work. This design was revised in 1985 to have pale yellow covers with a black spine, colour-coded with a small mark to indicate language and period (red for English, purple for ancient Latin and Greek, yellow for medieval and continental European languages, and green for other languages).
In 2002, Penguin redesigned its entire catalogue. The redesign restored the black cover, adding a white stripe and orange lettering. The text page design was also overhauled to follow a more closely prescribed template, allowing for faster copyediting and typesetting, but reducing the options for individual design variations suggested by a text's structure or historical context (for example, in the choice of text typeface). Prior to 2002, the text page typography of each book in the Classics series had been overseen by a team of in-house designers; this department was drastically reduced in 2003 as part of the production cost reductions. The in-house text design department still exists, albeit much smaller than formerly. Recent design work includes the Penguin Little Black Classic series.
Penguin Classics collaborated with Bill Amberg in 2008 in the design of six books (A Room with a View, Breakfast at Tiffany's, The Big Sleep, The Great Gatsby, Brideshead Revisited, and The Picture of Dorian Gray).
Within the broader category of Classics, Penguin has issued specialized series with their own designs. These include:
The first 20 books were released in May 2016, and described by publishing director Simon Winder as "a mix of the famous and the unjustly overlooked".
Further information: List of Penguin Classics
No definitive bibliography of Penguin Classics has yet been published, although several partial bibliographies have been issued. The earliest come from the Penguin Catalogues, published annually covering in-print editions. The 1963 catalogue, for example, lists 97 titles, although by then the series overall had produced 118 volumes. In the 1980s Penguin (UK) began publishing discrete catalogues of its Classics and Twentieth Century Classics series, listing all the titles then available in the UK (with prices in sterling).
The Penguin Collectors' Society have published two bibliographies of the early, pre-ISBN (referred to as 'L') editions: firstly in 1994, with an update in 2008.
Also in 2008, Penguin Books USA published a complete annotated listing of all Penguin Classics titles in a single paperback volume in the style of its Penguin Classics books. The list organises the collection multiple times: alphabetically by author, subject categories, authors by region, and a complete alphabetic title index. This compiled listing indicates there are over 1,300 titles, and more to be published. The final print version of this listing was issued in 2012, however a copy of the 2016 listing remains available on the Penguin website.
In 2018 Penguin published The Penguin Classics Book, a celebratory survey of the volumes currently in print, listing works by author location and chronologically from antiquity to World War I. It includes an appendix with a selection of out-of-print titles.
In 2005, an incomplete collection of books in the series was sold on Amazon.com as "The Penguin Classics Library Complete Collection". In 2005, the collection consisted of 1,082 different books (in multiple editions) and cost US$7,989.50. The collection weighed about 750 pounds (340 kg) and took about 77 linear feet (23.5 m) of shelf space; laid end-to-end the books would reach about 630 feet (192 m).
A feature of the World's Biggest Bookstore in Toronto, Ontario, from its inception in the 1970s, and for years thereafter, was that it stocked all of the Penguin Classics titles. The upper section of the second floor of the store was dedicated to Penguin exclusively.
In 2007, Penguin Classics released a set of five books limited to 1,000 copies each, known as the Designer Classics. Each book was specially designed to celebrate Penguin Classics' Diamond Anniversary:
In 2013, Penguin Classics published Morrissey's Autobiography. Concerns arose about the imprint's publishing a book too recently published to be an acknowledged classic, that such a book diluted the brand. Penguin argued that the autobiography was "a classic in the making". The Independent's Boyd Tonkin wrote: "The droning narcissism of the [book] may harm [Morrissey's] name a little. It ruins that of his publisher... Morrissey will survive his unearned elevation. I doubt that the reputation of Penguin Classics will."