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The Books Portal

Johannes Trithemius

A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is codex (plural, codices). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page.

As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's Physics is called a book. In an unrestricted sense, a book is the compositional whole of which such sections, whether called books or chapters or parts, are parts.

The intellectual content in a physical book need not be a composition, nor even be called a book. Books can consist only of drawings, engravings or photographs, crossword puzzles or cut-out dolls. In a physical book, the pages can be left blank or can feature an abstract set of lines to support entries, such as in an account book, an appointment book, an autograph book, a notebook, a diary or a sketchbook. Some physical books are made with pages thick and sturdy enough to support other physical objects, like a scrapbook or photograph album. Books may be distributed in electronic form as ebooks and other formats.

Although in ordinary academic parlance a monograph is understood to be a specialist academic work, rather than a reference work on a scholarly subject, in library and information science monograph denotes more broadly any non-serial publication complete in one volume (book) or a finite number of volumes (even a novel like Proust's seven-volume In Search of Lost Time), in contrast to serial publications like a magazine, journal or newspaper. An avid reader or collector of books is a bibliophile or colloquially, "bookworm". Books are traded at both regular stores and specialized bookstores, and people can read borrowed books, often for free, at libraries. Google has estimated that by 2010, approximately 130,000,000 titles had been published.

In some wealthier nations, the sale of printed books has decreased because of the increased usage of ebooks. Although in most countries printed books continue to outsell their digital counterparts due to many people still preferring to read in a traditional way. The 21st century has also seen a rapid rise in the popularity of audiobooks, which are recordings of books being read aloud. (Full article...)

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  • Title page from the first edition of Letters (1796)
    Title page from the first edition of Letters (1796)
  • Image 2Third printing, 1922Sair Tjerita Siti Akbari ([ʃaˈir tʃeˈrita siˈti akˈbari]; Perfected spelling: Syair Cerita Siti Akbari, Malay for Poem on the Story of Siti Akbari; also known as Siti Akbari) is an 1884 Malay-language syair (poem) by Lie Kim Hok. Adapted indirectly from the Sjair Abdoel Moeloek, it tells of a woman who passes as a man to free her husband from the Sultan of Hindustan, who had captured him in an assault on their kingdom.Written over a period of several years and influenced by European literature, Siti Akbari differs from earlier syairs in its use of suspense and emphasis on prose rather than form. It also incorporates European realist views to expand upon the genre, although it maintains several of the hallmarks of traditional syairs. Critical views have emphasised various aspects of its story, finding in the work an increased empathy for women's thoughts and feelings, a call for a unifying language in the Dutch East Indies (now Indonesia), and a polemic regarding the relation between tradition and modernity. (Full article...)
    Sair Tjerita Siti Akbari.jpg
    Third printing, 1922

    Sair Tjerita Siti Akbari ([ʃaˈir tʃeˈrita siˈti akˈbari]; Perfected spelling: Syair Cerita Siti Akbari, Malay for Poem on the Story of Siti Akbari; also known as Siti Akbari) is an 1884 Malay-language syair (poem) by Lie Kim Hok. Adapted indirectly from the Sjair Abdoel Moeloek, it tells of a woman who passes as a man to free her husband from the Sultan of Hindustan, who had captured him in an assault on their kingdom.

    Written over a period of several years and influenced by European literature, Siti Akbari differs from earlier syairs in its use of suspense and emphasis on prose rather than form. It also incorporates European realist views to expand upon the genre, although it maintains several of the hallmarks of traditional syairs. Critical views have emphasised various aspects of its story, finding in the work an increased empathy for women's thoughts and feelings, a call for a unifying language in the Dutch East Indies (now Indonesia), and a polemic regarding the relation between tradition and modernity. (Full article...)
  • Image 3Ravenloft is an adventure module for the Dungeons & Dragons (D&D) fantasy role-playing game. The American game publishing company TSR, Inc. released it as a standalone adventure booklet in 1983 for use with the first edition Advanced Dungeons & Dragons game. It was written by Tracy and Laura Hickman, and includes art by Clyde Caldwell with maps by David Sutherland III. The plot of Ravenloft focuses on the villain Strahd von Zarovich, a vampire who pines for his lost love. Various story elements, including Strahd's motivation and the locations of magical weapons, are randomly determined by drawing cards. The player characters attempt to defeat Strahd and, if successful, the adventure ends.The Hickmans began work on Ravenloft in the late 1970s, intent on creating a frightening portrait of a vampire in a setting that combined Gothic horror with the D&D game system. They play-tested the adventure with a group of players each Halloween for five years before it was published. Strahd has since appeared in a number of D&D accessories and novels. The module has inspired numerous revisions and adaptations, including a campaign setting of the same name and a sequel. In 1999, on the 25th anniversary of Dungeons & Dragons, two commemorative versions of Ravenloft were released. (Full article...)
    Ravenloft is an adventure module for the Dungeons & Dragons (D&D) fantasy role-playing game. The American game publishing company TSR, Inc. released it as a standalone adventure booklet in 1983 for use with the first edition Advanced Dungeons & Dragons game. It was written by Tracy and Laura Hickman, and includes art by Clyde Caldwell with maps by David Sutherland III. The plot of Ravenloft focuses on the villain Strahd von Zarovich, a vampire who pines for his lost love. Various story elements, including Strahd's motivation and the locations of magical weapons, are randomly determined by drawing cards. The player characters attempt to defeat Strahd and, if successful, the adventure ends.

    The Hickmans began work on Ravenloft in the late 1970s, intent on creating a frightening portrait of a vampire in a setting that combined Gothic horror with the D&D game system. They play-tested the adventure with a group of players each Halloween for five years before it was published. Strahd has since appeared in a number of D&D accessories and novels. The module has inspired numerous revisions and adaptations, including a campaign setting of the same name and a sequel. In 1999, on the 25th anniversary of Dungeons & Dragons, two commemorative versions of Ravenloft were released. (Full article...)
  • Image 4First edition coverThe Bread-Winners: A Social Study is an 1883 novel by John Hay, former secretary to Abraham Lincoln who in 1898 became U.S. Secretary of State. The book takes an anti-organized labor stance, and when published anonymously sold well and provoked considerable public interest in determining who the author was.The plot of the book revolves around former army captain Arthur Farnham, a wealthy resident of Buffland (an analog of Cleveland). He organizes Civil War veterans to keep the peace when the Bread-winners, a group of lazy and malcontented workers, call a violent general strike. He is sought in marriage by the ambitious Maud Matchin, daughter of a carpenter, but instead weds a woman of his own class. (Full article...)
    The Bread-Winners, a Social Study (1883) - Cover.jpg
    First edition cover

    The Bread-Winners: A Social Study is an 1883 novel by John Hay, former secretary to Abraham Lincoln who in 1898 became U.S. Secretary of State. The book takes an anti-organized labor stance, and when published anonymously sold well and provoked considerable public interest in determining who the author was.

    The plot of the book revolves around former army captain Arthur Farnham, a wealthy resident of Buffland (an analog of Cleveland). He organizes Civil War veterans to keep the peace when the Bread-winners, a group of lazy and malcontented workers, call a violent general strike. He is sought in marriage by the ambitious Maud Matchin, daughter of a carpenter, but instead weds a woman of his own class. (Full article...)
  • Image 5Singin' and Swingin' and Gettin' Merry like Christmas is the third book of Maya Angelou's seven-volume autobiography series. Set between 1949 and 1955, the book spans Angelou's early twenties. In this volume, Angelou describes her struggles to support her young son, form meaningful relationships, and forge a successful career in the entertainment world. The work's 1976 publication was the first time an African-American woman had expanded her life story into a third volume. Scholar Dolly McPherson calls the book "a graphic portrait of the adult self in bloom" and critic Lyman B. Hagen calls it "a journey of discovery and rebirth".[1]In Singin' and Swingin, Angelou examines many of the same subjects and themes in her previous autobiographies including travel, music, race, conflict, and motherhood. Angelou depicts the conflict she felt as a single mother, despite her success as a performer as she travels Europe with the musical Porgy and Bess. Her depictions of her travels, which take up 40 percent of the book, have roots in the African-American slave narrative. Angelou uses music and musical concepts throughout Singin' and Swingin'; McPherson calls it Angelou's "praisesong" to Porgy and Bess. Angelou's stereotypes about race and race relations are challenged as she interacts more with people of different races. During the course of this narrative, she changes her name from Marguerite Johnson to Maya Angelou for professional reasons. Her young son changes his name as well, from Clyde to Guy, and their relationship is strengthened as the book ends. (Full article...)
    Singin' and Swingin' and Gettin' Merry like Christmas is the third book of Maya Angelou's seven-volume autobiography series. Set between 1949 and 1955, the book spans Angelou's early twenties. In this volume, Angelou describes her struggles to support her young son, form meaningful relationships, and forge a successful career in the entertainment world. The work's 1976 publication was the first time an African-American woman had expanded her life story into a third volume. Scholar Dolly McPherson calls the book "a graphic portrait of the adult self in bloom" and critic Lyman B. Hagen calls it "a journey of discovery and rebirth".[1]
    In Singin' and Swingin, Angelou examines many of the same subjects and themes in her previous autobiographies including travel, music, race, conflict, and motherhood. Angelou depicts the conflict she felt as a single mother, despite her success as a performer as she travels Europe with the musical Porgy and Bess. Her depictions of her travels, which take up 40 percent of the book, have roots in the African-American slave narrative. Angelou uses music and musical concepts throughout Singin' and Swingin'; McPherson calls it Angelou's "praisesong" to Porgy and Bess. Angelou's stereotypes about race and race relations are challenged as she interacts more with people of different races. During the course of this narrative, she changes her name from Marguerite Johnson to Maya Angelou for professional reasons. Her young son changes his name as well, from Clyde to Guy, and their relationship is strengthened as the book ends. (Full article...)
  • Image 6Page from Hemming's Cartulary, folio 121 of the manuscriptHemming's Cartulary is a manuscript cartulary, or collection of charters and other land records, collected by a monk named Hemming around the time of the Norman Conquest of England. The manuscript comprises two separate cartularies that were made at different times and later bound together; it is in the British Library as MS Cotton Tiberius A xiii. The first was composed at the end of the 10th or beginning of the 11th century. The second section was compiled by Hemming and was written around the end of the 11th or the beginning of the 12th century. The first section, traditionally titled the Liber Wigorniensis, is a collection of Anglo-Saxon charters and other land records, most of which are organized geographically. The second section, Hemming's Cartulary proper, combines charters and other land records with a narrative of deprivation of property owned by the church of Worcester.The two works are bound together in one surviving manuscript, the earliest surviving cartulary from medieval England. A major theme is the losses suffered by Worcester at the hands of royal officials and local landowners. Included amongst the despoilers are kings such as Cnut and William the Conqueror, and nobles such as Eadric Streona and Urse d'Abetot. Also included are accounts of lawsuits waged by the Worcester monks in an effort to regain their lost lands. The two sections of the cartulary were first printed in 1723. The original manuscript was slightly damaged by fire in 1733, and required rebinding. (Full article...)
    Hemmingscartfolio121.jpg
    Page from Hemming's Cartulary, folio 121 of the manuscript

    Hemming's Cartulary is a manuscript cartulary, or collection of charters and other land records, collected by a monk named Hemming around the time of the Norman Conquest of England. The manuscript comprises two separate cartularies that were made at different times and later bound together; it is in the British Library as MS Cotton Tiberius A xiii. The first was composed at the end of the 10th or beginning of the 11th century. The second section was compiled by Hemming and was written around the end of the 11th or the beginning of the 12th century. The first section, traditionally titled the Liber Wigorniensis, is a collection of Anglo-Saxon charters and other land records, most of which are organized geographically. The second section, Hemming's Cartulary proper, combines charters and other land records with a narrative of deprivation of property owned by the church of Worcester.

    The two works are bound together in one surviving manuscript, the earliest surviving cartulary from medieval England. A major theme is the losses suffered by Worcester at the hands of royal officials and local landowners. Included amongst the despoilers are kings such as Cnut and William the Conqueror, and nobles such as Eadric Streona and Urse d'Abetot. Also included are accounts of lawsuits waged by the Worcester monks in an effort to regain their lost lands. The two sections of the cartulary were first printed in 1723. The original manuscript was slightly damaged by fire in 1733, and required rebinding. (Full article...)
  • Image 7Cover of the 1940 editionThe Negro Motorist Green Book (also The Negro Motorist Green-Book, The Negro Travelers' Green Book, or simply the Green Book) was an annual guidebook for African American roadtrippers.  It was originated and published by African American New York City mailman Victor Hugo Green from 1936 to 1966, during the era of Jim Crow laws, when open and often legally prescribed discrimination against African Americans especially and other non-whites was widespread. Although pervasive racial discrimination and poverty limited black car ownership, the emerging African American middle class bought automobiles as soon as they could, but faced a variety of dangers and inconveniences along the road, from refusal of food and lodging to arbitrary arrest. In response, Green wrote his guide to services and places relatively friendly to African Americans, eventually expanding its coverage from the New York area to much of North America, as well as founding a travel agency.Many black Americans took to driving, in part to avoid segregation on public transportation. As the writer George Schuyler put it in 1930, "all Negroes who can do so purchase an automobile as soon as possible in order to be free of discomfort, discrimination, segregation and insult". Black Americans employed as athletes, entertainers, and salesmen also traveled frequently for work purposes using automobiles that they owned personally. (Full article...)
    The Negro Motorist Green Book.jpg
    Cover of the 1940 edition

    The Negro Motorist Green Book (also The Negro Motorist Green-Book, The Negro Travelers' Green Book, or simply the Green Book) was an annual guidebook for African American roadtrippers. It was originated and published by African American New York City mailman Victor Hugo Green from 1936 to 1966, during the era of Jim Crow laws, when open and often legally prescribed discrimination against African Americans especially and other non-whites was widespread. Although pervasive racial discrimination and poverty limited black car ownership, the emerging African American middle class bought automobiles as soon as they could, but faced a variety of dangers and inconveniences along the road, from refusal of food and lodging to arbitrary arrest. In response, Green wrote his guide to services and places relatively friendly to African Americans, eventually expanding its coverage from the New York area to much of North America, as well as founding a travel agency.

    Many black Americans took to driving, in part to avoid segregation on public transportation. As the writer George Schuyler put it in 1930, "all Negroes who can do so purchase an automobile as soon as possible in order to be free of discomfort, discrimination, segregation and insult". Black Americans employed as athletes, entertainers, and salesmen also traveled frequently for work purposes using automobiles that they owned personally. (Full article...)
  • Image 8The Playboy is a graphic novel by Canadian cartoonist Chester Brown, serialized in 1990 in Brown's comic book Yummy Fur and collected in different revised book editions in 1992 and 2013.  It deals with Brown's guilt and anxiety over his obsessive masturbation to Playboy Playmate models.The story begins with Brown's first purchase of an issue of Playboy as a teenager.  His obsessive masturbation gives him great guilt and anxiety, and out of fear of being caught he repeatedly rids himself of copies of the magazine, only to retrieve them later.  His conflicting emotions follow him into adulthood until he purges them by revealing himself through his comics.  The free, organic arrangement of odd-shaped panels of simple, expressive artwork contrasts with Brown's more detailed grid-like pages in his 1980s work, such as Ed the Happy Clown. (Full article...)
    The Playboy is a graphic novel by Canadian cartoonist Chester Brown, serialized in 1990 in Brown's comic book Yummy Fur and collected in different revised book editions in 1992 and 2013. It deals with Brown's guilt and anxiety over his obsessive masturbation to Playboy Playmate models.

    The story begins with Brown's first purchase of an issue of Playboy as a teenager. His obsessive masturbation gives him great guilt and anxiety, and out of fear of being caught he repeatedly rids himself of copies of the magazine, only to retrieve them later. His conflicting emotions follow him into adulthood until he purges them by revealing himself through his comics. The free, organic arrangement of odd-shaped panels of simple, expressive artwork contrasts with Brown's more detailed grid-like pages in his 1980s work, such as Ed the Happy Clown. (Full article...)
  • Image 9First edition coverThe Story of Miss Moppet is a tale about teasing, featuring a kitten and a mouse, that was written and illustrated by Beatrix Potter, and published by Frederick Warne & Co for the 1906 Christmas season. Potter was born in London in 1866, and between 1902 and 1905 published a series of small-format children's books with Warne. In 1906, she experimented with an atypical panorama design for Miss Moppet, which booksellers disliked; the story was reprinted in 1916 in small book format.Miss Moppet, the story's eponymous main character, is a kitten teased by a mouse. While pursuing him she bumps her head on a cupboard. She then wraps a duster about her head, and sits before the fire "looking very ill". The curious mouse creeps closer, is captured, "and because the Mouse has teased Miss Moppet—Miss Moppet thinks she will tease the Mouse; which is not at all nice of Miss Moppet". She ties him up in the duster and tosses him about. However, the mouse makes his escape, and once safely out of reach, dances a jig atop the cupboard. (Full article...)
    The Story of Miss Moppet cover.jpg
    First edition cover

    The Story of Miss Moppet is a tale about teasing, featuring a kitten and a mouse, that was written and illustrated by Beatrix Potter, and published by Frederick Warne & Co for the 1906 Christmas season. Potter was born in London in 1866, and between 1902 and 1905 published a series of small-format children's books with Warne. In 1906, she experimented with an atypical panorama design for Miss Moppet, which booksellers disliked; the story was reprinted in 1916 in small book format.

    Miss Moppet, the story's eponymous main character, is a kitten teased by a mouse. While pursuing him she bumps her head on a cupboard. She then wraps a duster about her head, and sits before the fire "looking very ill". The curious mouse creeps closer, is captured, "and because the Mouse has teased Miss Moppet—Miss Moppet thinks she will tease the Mouse; which is not at all nice of Miss Moppet". She ties him up in the duster and tosses him about. However, the mouse makes his escape, and once safely out of reach, dances a jig atop the cupboard. (Full article...)
  • Title page from History of a Six Weeks' Tour (1817), Thomas Hookham, Jr. and Charles and James Ollier, London.
    Title page from History of a Six Weeks' Tour (1817), Thomas Hookham, Jr. and Charles and James Ollier, London.
  • Image 11The title page of the 1877 editionof Fertilisation of OrchidsFertilisation of Orchids is a book by English naturalist Charles Darwin published on 15 May 1862 under the full explanatory title On the Various Contrivances by Which British and Foreign Orchids Are Fertilised by Insects, and On the Good Effects of Intercrossing. Darwin's previous book, On the Origin of Species, had briefly mentioned evolutionary interactions between insects and the plants they fertilised, and this new idea was explored in detail. Field studies and practical scientific investigations that were initially a recreation for Darwin—a relief from the drudgery of writing—developed into enjoyable and challenging experiments. Aided in his work by his family, friends, and a wide circle of correspondents across Britain and worldwide, Darwin tapped into the contemporary vogue for growing exotic orchids.The book was his first detailed demonstration of the power of natural selection, and explained how complex ecological relationships resulted in the coevolution of orchids and insects. The view has been expressed that the book led directly or indirectly to all modern work on coevolution and the evolution of extreme specialisation. It influenced botanists, and revived interest in the neglected idea that insects played a part in pollinating flowers. It opened up the new study areas of pollination research and reproductive ecology, directly related to Darwin's ideas on evolution, and supported his view that natural selection led to a variety of forms through the important benefits achieved by cross-fertilisation. Although the general public showed less interest and sales of the book were low, it established Darwin as a leading botanist. Orchids was the first in a series of books on his innovative investigations into plants. (Full article...)
    Fertilisation of Orchids 1877 edition title page.jpg
    The title page of the 1877 edition
    of Fertilisation of Orchids

    Fertilisation of Orchids is a book by English naturalist Charles Darwin published on 15 May 1862 under the full explanatory title On the Various Contrivances by Which British and Foreign Orchids Are Fertilised by Insects, and On the Good Effects of Intercrossing. Darwin's previous book, On the Origin of Species, had briefly mentioned evolutionary interactions between insects and the plants they fertilised, and this new idea was explored in detail. Field studies and practical scientific investigations that were initially a recreation for Darwin—a relief from the drudgery of writing—developed into enjoyable and challenging experiments. Aided in his work by his family, friends, and a wide circle of correspondents across Britain and worldwide, Darwin tapped into the contemporary vogue for growing exotic orchids.

    The book was his first detailed demonstration of the power of natural selection, and explained how complex ecological relationships resulted in the coevolution of orchids and insects. The view has been expressed that the book led directly or indirectly to all modern work on coevolution and the evolution of extreme specialisation. It influenced botanists, and revived interest in the neglected idea that insects played a part in pollinating flowers. It opened up the new study areas of pollination research and reproductive ecology, directly related to Darwin's ideas on evolution, and supported his view that natural selection led to a variety of forms through the important benefits achieved by cross-fertilisation. Although the general public showed less interest and sales of the book were low, it established Darwin as a leading botanist. Orchids was the first in a series of books on his innovative investigations into plants. (Full article...)
  • Image 12David Suzuki: The Autobiography is the 2006 autobiography of Canadian science writer and broadcaster David Suzuki. The book focuses mostly on his life since the 1987 publication of his first autobiography, Metamorphosis: Stages in a Life. It begins with a chronological account of his childhood, academic years, and broadcasting career. In later chapters, Suzuki adopts a memoir style, writing about themes such as his relationship with Australia, his experiences in Brazil and Papua New Guinea, the founding of the David Suzuki Foundation, and his thoughts on climate change, celebrity status, technology, and death. Throughout, Suzuki highlights the continuing impact of events from his childhood.This is Suzuki's forty-third book and, he says, his last. Critics have called the book candid, sincere, and charming, with insightful commentary if occasionally flat stories. Suzuki's scientific background is reflected in the writing's rational and analytic style. (Full article...)
    David Suzuki: The Autobiography is the 2006 autobiography of Canadian science writer and broadcaster David Suzuki. The book focuses mostly on his life since the 1987 publication of his first autobiography, Metamorphosis: Stages in a Life. It begins with a chronological account of his childhood, academic years, and broadcasting career. In later chapters, Suzuki adopts a memoir style, writing about themes such as his relationship with Australia, his experiences in Brazil and Papua New Guinea, the founding of the David Suzuki Foundation, and his thoughts on climate change, celebrity status, technology, and death. Throughout, Suzuki highlights the continuing impact of events from his childhood.

    This is Suzuki's forty-third book and, he says, his last. Critics have called the book candid, sincere, and charming, with insightful commentary if occasionally flat stories. Suzuki's scientific background is reflected in the writing's rational and analytic style. (Full article...)
  • Beginning of the text
    Beginning of the text
  • John Vanbrugh (1664–1726), author of The Relapse, by Godfrey Kneller
    John Vanbrugh (1664–1726), author of The Relapse, by Godfrey Kneller
  • Image 15The World Without Us is a 2007 non-fiction book about what would happen to the natural and built environment if humans suddenly disappeared, written by American journalist Alan Weisman and published by St. Martin's Thomas Dunne Books. It is a book-length expansion of Weisman's own February 2005 Discover article "Earth Without People". Written largely as a thought experiment, it outlines, for example, how cities and houses would deteriorate, how long man-made artifacts would last, and how remaining lifeforms would evolve. Weisman concludes that residential neighborhoods would become forests within 500 years, and that radioactive waste, bronze statues, plastics, and Mount Rushmore would be among the longest-lasting evidence of human presence on Earth.The author of four previous books and numerous articles for magazines, Weisman traveled to interview academics, scientists and other authorities. He used quotations from these interviews to explain the effects of the natural environment and to substantiate predictions. The book has been translated and published in many countries. It was successful in the U.S., reaching #6 on the New York Times Best Seller list and #1 on the San Francisco Chronicle Best-Sellers list in September 2007. It ranked #1 on Time and Entertainment Weekly's top 10 non-fiction books of 2007. (Full article...)
    The World Without Us is a 2007 non-fiction book about what would happen to the natural and built environment if humans suddenly disappeared, written by American journalist Alan Weisman and published by St. Martin's Thomas Dunne Books. It is a book-length expansion of Weisman's own February 2005 Discover article "Earth Without People". Written largely as a thought experiment, it outlines, for example, how cities and houses would deteriorate, how long man-made artifacts would last, and how remaining lifeforms would evolve. Weisman concludes that residential neighborhoods would become forests within 500 years, and that radioactive waste, bronze statues, plastics, and Mount Rushmore would be among the longest-lasting evidence of human presence on Earth.

    The author of four previous books and numerous articles for magazines, Weisman traveled to interview academics, scientists and other authorities. He used quotations from these interviews to explain the effects of the natural environment and to substantiate predictions. The book has been translated and published in many countries. It was successful in the U.S., reaching #6 on the New York Times Best Seller list and #1 on the San Francisco Chronicle Best-Sellers list in September 2007. It ranked #1 on Time and Entertainment Weekly's top 10 non-fiction books of 2007. (Full article...)

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An ancient manuscriot of Quran found at University of Birmingham in 2015.

Credit:Anonymous

Two leaves of an early Quranic manuscript in the Mingana Collection of Middle Eastern manuscripts of the University of Birmingham's Cadbury Research Library were discovered in 2015 as being dated between 568 and 645, making it one of the oldest Quran manuscripts to have survived.

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  1. ^ Hagen 1997, p. 95.