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((short description|Music genre))
((Use mdy dates|date=January 2015))
((Infobox music genre
| name              = Psychedelic folk
| other_names       = * Acid folk
| stylistic_origins = * [[Contemporary folk music|Folk]]
* [[Psychedelic music|psychedelia]]
| cultural_origins  = Mid-1960s, United States
| derivatives       = * [[New Weird America]]
| subgenres         = * [[Freak folk]]<ref name="observer.com">((cite web|last1=Zeger|first1=Eli|title=Panda Bear Releases New Album: The Evolution of Noah Lennox in 10 Songs|url=http://observer.com/2015/01/panda-bear-releases-new-album-the-evolution-of-noah-lennox-in-10-songs/|website=[[The Observer]]|date=January 13, 2013))</ref>
| other_topics      = * [[Anti-folk]]
* [[indie folk]]
* [[list of psychedelic folk artists|list of artists]]
* [[neo-psychedelia]]
* [[psychedelic pop]]
* [[psychedelic rock]]
* [[psychedelic soul]]
))
((Psychedelic sidebar))

'''Psychedelic folk''' (sometimes '''acid folk''' or '''freak folk''')<ref>((cite web|last1=Unterberger|first1=Richie|author-link1=Richie Unterberger|title=Rough Trade Shops - Psych Folk 2010|url=http://www.allmusic.com/album/rough-trade-shops-psych-folk-2010-mw0002033335|website=[[AllMusic]]))</ref> is a loosely defined form of [[psychedelic music|psychedelia]] that originated in the 1960s. It retains the largely acoustic instrumentation of [[contemporary folk music|folk]], but adds musical elements common to [[psychedelic music]].

==Characteristics==
((Further|Psychedelic music))
((more citations needed section|date=November 2016))
Psychedelic folk generally favors [[acoustic music|acoustic]] instrumentation although it often incorporates other instrumentation. [[Chanting]], [[early music]] and various non-Western [[folk music]] influences are often found in psych folk. Much like its rock counterpart, psychedelic folk is often known for a peculiar, trance-like, and atmospheric sound, often drawing on [[musical improvisation]] and Asian influences.<ref name=vanwaes>((cite web | url=https://heathenharvest.wordpress.com/2014/02/10/harvest-history-month-pt-x-a-brief-overview-of-psych-folk-and-acid-folk-1960s-present/ | author=Van Waes, Gerald | title=''A Brief Overview of Psych-Folk and Acid Folk, from 60s until the present'' | access-date=October 25, 2022))</ref>((self-published source|date=November 2016))

==History==

===1960s: Peak years===
((See also|Psychedelic rock))

[[File:Donovan (1965).jpg|thumb|[[Donovan]] in 1965]]
The first musical use of the term psychedelic is thought to have been by the New York–based folk group  [[The Holy Modal Rounders]] on their version of [[Lead Belly]]'s "[[Hesitation Blues]]" in 1964.<ref>Hicks (2000), pp 59–60.</ref> 
Folk/[[Avant-garde music|avant-garde]] guitarist [[John Fahey (musician)|John Fahey]] recorded several songs in the early 1960s that experimented with unusual recording techniques, including backward tapes, and novel instrumental accompaniment.<ref name="Fahey">
((cite web
  | last             = Unterberger
  | first            = Richie
  | author-link  = Richie Unterberger
  | title             = The Great San Bernardino Birthday Party & Other Excursions — Album Review
  | work          = [[Allmusic]]
  | publisher  = Rovi Corp.
  | url               = http://www.allmusic.com/album/vol-4-the-great-san-bernardino-birthday-party-mw0000103865
  | access-date = July 25, 2013
))</ref>  His nineteen-minute "The Great San Bernardino Birthday Party" "anticipated elements of psychedelia with its nervy improvisations and odd guitar tunings".<ref name="Fahey"/> Other songs from Fahey's ''[[The Great San Bernardino Birthday Party & Other Excursions]]'' (recorded between 1962 and 1966) also used "unsettling moods and dissonances" that took them beyond the typical folk fare. In 1967, he performed with the psychedelic/avant-garde/noise rock band [[Red Krayola]] (then Red Crayola) at the Berkeley Folk Festival which was recorded and later released as ''[[Live 1967 (Red Krayola album)|Live 1967]]''.  Among other descriptions, their performance has been likened to early [[Velvet Underground]] bootlegs and "the very weirdest parts of late-'60s [[Pink Floyd]] pieces (like the shrieking guitar scrapes of '[[Interstellar Overdrive]]')".<ref>
((cite web
  | last             = Unterberger
  | first            = Richie
  | author-link  = Richie Unterberger
  | title             = The Red Crayola Live 1967 — Album Review
  | work          = [[Allmusic]]
  | publisher  = Rovi Corp.
  | url               = http://www.allmusic.com/album/live-in-the-1960s-mw0000039957
  | access-date = July 26, 2013
))</ref>

Similarly, folk guitarist [[Sandy Bull]]'s early work "incorporated elements of folk, jazz, and Indian and Arabic-influenced dronish modes".<ref>
((cite web
  | last             = Unterberger
  | first            = Richie
  | author-link  = Richie Unterberger
  | title             = Sandy Bull — Biography
  | work          = [[Allmusic]]
  | publisher  = Rovi Corp.
  | url               = http://www.allmusic.com//artist/sandy-bull-mn0000295213/biography
  | access-date = July 16, 2013
))</ref>  His 1963 album ''[[Fantasias for Guitar and Banjo]]'' explores various styles and instrumentation and "could also be accurately described as one of the very first psychedelic records".<ref>
((cite web
  | last             = Greenwald
  | first            = Matthew
  | title             = ''Fantasias for Guitar & Banjo'' — Album Review
  | work          = [[Allmusic]]
  | publisher  = Rovi Corp.
  | url               = http://www.allmusic.com/album/fantasias-for-guitar-banjo-mw0000811015
  | access-date = July 16, 2013
))</ref>  Later albums, such as 1968's ''[[E Pluribus Unum (album)|E Pluribus Unum]]'' and his live album ''[[Still Valentine's Day 1969]]'', which use experimental recording techniques and extended improvisation, also have psychedelic elements.<ref>
((cite web
  | last             = Eder
  | first            = Bruce
  | title             = ''E Pluribus Unum'' — Album Review
  | work          = [[Allmusic]]
  | publisher  = Rovi Corp.
  | url               = http://www.allmusic.com/album/e-pluribus-unum-mw0000811016
  | access-date = July 26, 2013
))</ref><ref>((cite web
  | last             = Westergaard
  | first            = Sean
  | title             = ''Still Valentine's Day 1969'' — Album Review
  | work          = [[Allmusic]]
  | publisher  = Rovi Corp.
  | url               = http://www.allmusic.com/album/still-valentines-day-1969-live-at-the-matrix-san-francisco-mw0000778801
  | access-date = July 26, 2013
))</ref>

Musicians with several groups that became identified with psychedelic rock began as folk musicians, such as those with the [[Grateful Dead]], [[Jefferson Airplane]], [[Country Joe and the Fish]], [[Quicksilver Messenger Service]], [[The Beau Brummels]] from [[San Francisco]]; [[the Byrds]], [[Love (band)|Love]], [[Kaleidoscope (US band)|Kaleidoscope]], and [[the Peanut Butter Conspiracy]] from [[Los Angeles]]; [[Pearls Before Swine (band)|Pearls Before Swine]] from Florida; and [[Bunky and Jake|Jake and the Family Jewels]], and [[Cat Mother & the All Night Newsboys]] from New York.<ref name="Auslander 76">Auslander (2006), pp. 76.</ref><ref>Unterberger (2002), pp. 183–230.</ref> [[The Serpent Power]] was a psychedelic rock group with a strong folk influence. The Byrds was the most important american folk rock band to incorporate psychedelia in their sound and themes.

In the UK, folk artists who were particularly significant included [[Marc Bolan]], with his hippy duo [[T. Rex (band)|Tyrannosaurus Rex]], who used unusual instrumentation and tape effects, typified by the album ''[[Unicorn (Tyrannosaurus Rex album)|Unicorn]]'' (1969), and Scottish performers such as [[Donovan]], who combined influences of American artists like [[Bob Dylan]] with references to [[flower power]], and the [[Incredible String Band]], who from 1967 incorporated a range of influences into their acoustic based music, including medieval and eastern instruments.<ref>DeRogatis (2003), p. 120.</ref> During the late 1960s and early 1970s, solo acts such as [[Syd Barrett]] and [[Nick Drake]] began to incorporate psychedelic influences into folk music with albums such as Barrett's [[the Madcap Laughs]] and Drake's [[Five Leaves Left]].<ref>((cite web|url=http://www.allmusic.com/album/five-leaves-left-r106323/review|title= Five Leaves Left review|publisher= Allmusic|access-date=June 7, 2011))</ref>

===1970s: Decline===
In the mid 1970s psychedelia began to fall out of fashion and those folk groups that had not already moved into different areas had largely disbanded. In Britain folk groups also tended to electrify as did acoustic duo Tyrannosaurus Rex which became the electric combo [[T. Rex (band)|T. Rex]].<ref>Sweers (2005), pp. 40.</ref> This was a continuation of a process by which [[progressive folk]] had considerable impact on mainstream rock.<ref>Macan (1997), pp. 134–5.</ref>

===Since 1990s: Revival===
((See also|New Weird America))
Independent and underground folk artists in the late 1990s led to a revival of psychedelic folk with the [[New Weird America]] movement.<ref>[https://singout.org/2018/07/09/lady-of-carlisle/ "Lady of Carlisle" and the New, Weird America-Sing Out! New Weird America] ((Webarchive|url=https://web.archive.org/web/20190421190509/https://singout.org/2018/07/09/lady-of-carlisle/ |date=April 21, 2019 )) Retrieved 13 May 2021</ref> Also, [[Animal Collective]]'s early albums identify closely with freak folk as does their collaboration with veteran British folk artist [[Vashti Bunyan]],<ref>((cite web | url=http://www.splendidezine.com/review.html?reviewid=1125311995565254 | title=Splendid Magazine reviews Animal Collective (featuring Vashti Bunyan): Prospect Hummer | publisher=Splendid | date=September 13, 2005 | access-date=June 30, 2009 | url-status=dead | archive-url=https://web.archive.org/web/20090709032002/http://www.splendidezine.com/review.html?reviewid=1125311995565254 | archive-date=July 9, 2009 | df=mdy-all ))</ref> and [[The Microphones]]/[[Mount Eerie]],<ref>((cite web | url=http://www.splendidezine.com/reviews/oct-22-01/microphones.html | title=Splendid E-zine reviews: The Microphones | publisher=Splendid | access-date=June 30, 2009 | url-status=dead | archive-url=https://web.archive.org/web/20080118084957/http://www.splendidezine.com/reviews/oct-22-01/microphones.html | archive-date=January 18, 2008 | df=mdy-all ))</ref> who combine naturalistic elements with [[Lo-fi music|lo-fi]] and psychedelia. Both artists received significant exposure in the [[independent music|indie music scene]] following critical acclaim from review site ''[[Pitchfork Media]]''<ref>((cite web | url=http://pitchfork.com/reviews/albums/191-sung-tongs/ | title=Animal Collective: Sung Tongs | publisher=Pitchfork Media | date=May 2, 2004 | access-date=June 30, 2009))</ref><ref>((cite web | url=http://pitchfork.com/reviews/albums/192-prospect-hummer-ep/ | title=Animal Collective / Vashti Bunyan: Prospect Hummer EP | publisher=Pitchfork Media | date=May 15, 2005 | access-date=June 30, 2009))</ref><ref>((cite web | url=http://pitchfork.com/reviews/albums/5269-the-glow-pt-2/ | title=The Microphones: The Glow, Pt. 2 | publisher=Pitchfork Media | date=September 10, 2001 | access-date=June 30, 2009))</ref> and soon more artists began experimenting with the genre, including [[Osees|OCS]], [[Quilt (band)|Quilt]], [[Grizzly Bear (band)|Grizzly Bear]],<ref>((cite news | url=http://www.thecrimson.com/article.aspx?ref=505639 | title=Grizzly Bear Feeds on Psych-Folk | newspaper=[[The Harvard Crimson]] | date=February 11, 2005 | access-date=June 30, 2009 | archive-date=June 29, 2011 | archive-url=https://web.archive.org/web/20110629175432/http://www.thecrimson.com/article/2005/2/11/grizzly-bear-feeds-on-psych-folk-lets/ | url-status=dead ))</ref> [[Devendra Banhart]], [[Rodrigo Amarante]], [[Ben Howard]] and [[Grouper (musician)|Grouper]].<ref>((cite journal | date=December 2008 | title=Grouper – Dragging A Dead Deer Up A Hill review | journal=[[Mojo (magazine)|Mojo]] | url=http://www.metacritic.com/music/artists/grouper/draggingadeaddeerupahill | access-date=June 30, 2009 | archive-date=May 23, 2009 | archive-url=https://web.archive.org/web/20090523123704/http://www.metacritic.com/music/artists/grouper/draggingadeaddeerupahill | url-status=dead ))</ref>

In 2022, [[Uncut (magazine)|''Uncut'' magazine]] published a CD called ''Blackwaterside: Sounds of the New Weird Albion''<ref>((Cite web |date=2022-02-18 |title=Inside Uncut's new visionary folk CD |url=https://www.uncut.co.uk/news/inside-uncut-february-2022-issue-free-cd-blackwaterside-137157/ |access-date=2022-07-03 |website=UNCUT |language=en-GB))</ref>'','' featuring artists including Jim Ghedi, Henry Parker, [[Jon Wilks]], [[Sam Lee (folk musician)|Sam Lee]], and Cath Tyler''.'' This subsequently led to the publication of an extensive exploration of Britain's new "weird folk" in Japanese music magazine, ''Ele-King''.<ref>((Cite web |title=ele-king vol.29 |url=http://www.ele-king.net/books/008711/ |access-date=2022-07-03 |website=ele-king))</ref> The lead article looked at artists including Nick Hart, Burd Ellen, Elspeth Anne, Frankie Archer, Shovel Dance Collective and [[Angeline Morrison]].<ref>((Cite web |last=Hadfield |first=James |date=2022-07-03 |title=Exploring the re-emergence of 'Weird Folk' |url=https://tradfolk.co/music/writing-music/weird-folk/ |access-date=2022-07-03 |website=Tradfolk |language=en-GB))</ref>

==Freak folk==
((Infobox music genre
| name              = Freak folk
| stylistic_origins = Psychedelic folk
| cultural_origins  = Late 1990s, United States
| instruments       = 
* Acoustic guitar
* Percussion
| derivatives       =
| subgenrelist      =
| subgenres         =
| fusiongenres      =
| regional_scenes   =
| other_topics      = 
* [[Anti-folk]]
* [[neofolk]]
* [[New Weird America]]
))

'''Freak folk''' is a loosely defined<ref name="aboutff">((cite web|last1=Carew|first1=Anthony|title=Genre Profile - Freak-Folk|url=http://altmusic.about.com/od/genres/a/freak-folk.htm|website=[[About.com]]|access-date=June 9, 2018|archive-date=February 25, 2012|archive-url=https://web.archive.org/web/20120225050646/http://altmusic.about.com/od/genres/a/freak-folk.htm|url-status=dead))</ref> synonym<ref>((cite web|last1=Unterberger|first1=Richie|author-link1=Richie Unterberger|title=Rough Trade Shops - Psych Folk 2010|url=http://www.allmusic.com/album/rough-trade-shops-psych-folk-2010-mw0002033335|website=[[AllMusic]]))</ref> or subgenre of psychedelic folk<ref name="observer.com">((cite web|last1=Zeger|first1=Eli|title=Panda Bear Releases New Album: The Evolution of Noah Lennox in 10 Songs|url=http://observer.com/2015/01/panda-bear-releases-new-album-the-evolution-of-noah-lennox-in-10-songs/|website=[[The Observer]]|date=January 13, 2013))</ref> that involves acoustic sounds, pastoral lyrics, and a neo-[[hippie]] aesthetic.<ref name="aboutff"/> The label originated from the "lost treasure" reissue culture of the late 1990s.<ref name="aboutff"/>

[[Vashti Bunyan]] has been labeled "the Godmother of Freak Folk"<ref name="Hippie Chick">[http://www.nypress.com/19/37/music/music2.cfm Nypress.com] ((webarchive |url=https://web.archive.org/web/20081202071015/http://www.nypress.com/19/37/music/music2.cfm |date=2 December 2008 ))</ref> for her role in inspiring the new crop of folk experimentalists.<ref name=Times>((cite web|last=Rogers|first=Jude|title=Lie back and think of ukuleles|url=https://www.theguardian.com/music/2008/jan/02/folk.features11|work=[[The Guardian]]|date=2 January 2008|access-date=1 August 2008))</ref> [[David Crosby]]'s 1971 album ''[[If Only I Could Remember My Name]]'' has been described as an early progenitor of the genre.<ref name="spokesman">((cite web |last1=Hornaday |first1=Ann |title=Review: 'David Crosby: Remember My Name' finds famously prickly musician has mellowed – but not by much |url=https://www.spokesman.com/stories/2019/sep/05/review-david-crosby-remember-my-name-finds-the-fam/ |website=The Spokesman-Review |access-date=28 January 2023))</ref><ref>((Cite web|url=https://ultimateclassicrock.com/david-crosby-if-i-could-only-remember-my-name/|title=Revisiting David Crosby's 'If I Could Only Remember My Name'|first=Jeff|last=Giles|website=Ultimate Classic Rock))</ref> Other major influences on later freak folk artists include [[Linda Perhacs]],<ref name="aboutff"/><ref>((cite web|last1=Jurek|first1=Tom|title=Linda Perhacs|url=http://www.allmusic.com/artist/linda-perhacs-mn0000296815/biography|website=[[AllMusic]]))</ref> [[Anne Briggs]], [[Karen Dalton]], [[Shirley & Dolly Collins]], [[Animal Collective]], [[the Incredible String Band]], [[Xiu Xiu]], and [[Pearls Before Swine (band)|Pearls Before Swine]].<ref name="aboutff"/> [[Devendra Barnhart|Devendra Banhart]] would become one of the leaders of the 2000s freak folk movement,<ref name="BanhartAM">((cite web|last1=MacNeil|first1=Jason|title=Devendra Banhart|url=http://www.allmusic.com/artist/devendra-banhart-mn0000246032/biography|website=[[AllMusic]]))</ref> along with [[Joanna Newsom]].<ref name="newsom">((cite web|last1=Mason|first1=Stewart|title=Bobb Trimble|url=http://www.allmusic.com/artist/bobb-trimble-mn0000076903/biography|website=[[AllMusic]]))</ref>

==List of artists==
'''Psychedelic folk artists'''
((Main|List of psychedelic folk artists))

==See also==
*[[Jam bands]]
*[[Folk rock]]
*[[Anti-folk]]
*[[Freak scene]]
*[[Neil Young]]
*[[Folk music]]
*[[New Weird America]]
*[[Ptolemaic Terrascope]] – a psychedelic folk & rock magazine

==References==
((Reflist|30em))

==Bibliography==
*((Cite book | last=Auslander | first=Philip | title=Performing Glam Rock: Gender and Theatricality in Popular Music | year=2006 | publisher=University of Michigan Press | location=Ann Arbor | isbn=978-0-472-06868-5 ))
*((Cite book | last=DeRogatis | first=Jim | author-link=Jim DeRogatis | title=Turn On Your Mind: Four Decades of Great Psychedelic Rock | year=2003 | publisher=Hal Leonard | location=Milwaukee, WI  | isbn=978-0-634-05548-5 ))
*((cite news|last=Hermes|first=Will|title=Summer of Love Redux|newspaper=The New York Times|date=2006-06-18|url=https://www.nytimes.com/2006/06/18/arts/music/18herm.html?pagewanted=all))
*((Cite book |last=Hicks | first=Michael | title=Sixties Rock: Garage, Psychedelic, and Other Satisfactions | year=2000 | publisher=University of Illinois Press | isbn=978-0-252-06915-4 ))
*((Cite book | last=Leech | first=Jeanette | title=Seasons They Change: The Story of Acid and Psychedelic Folk | year=2010 | publisher=Jawbone Press | location=London | isbn=978-1-906002-32-9 | url=https://archive.org/details/seasonstheychang00leec ))
*((Cite book | last=Macan | first=Edward | title=Rocking the Classics: English Progressive Rock and the Counterculture | year=1997 | publisher=Oxford University Press | location=New York | isbn=978-0-19-509888-4 | url-access=registration | url=https://archive.org/details/rockingclassicse0000maca ))
*((Cite book | last=Sweers | first=Britta | title=Electric Folk: The Changing Face of English Traditional Music | year=2005 | publisher=Oxford University Press | location=New York  | isbn=978-0-19-515878-6 ))
*((Cite book | last=Unterberger | first=Richie | author-link=Richie Unterberger | title=Turn! Turn! Turn!: The '60s Folk-rock Revolution | year=2002 | publisher=Backbeat Books | location=San Francisco | isbn=978-0-87930-703-5 | url=https://archive.org/details/turnturnturn00rich ))

==External links==
*[https://web.archive.org/web/20160503102111/http://www.psychedelicfolk.com/Psychedelicfolk.html PsychedelicFolk.com, by Gerald Van Waes]
*[http://www.progarchives.com/ Prog Archives: resource for psych folk and all other types of psychedelic music]
*[http://www.terrascope.co.uk/ Ptolemaic Terrascope: resource for psych folk and all other types of psychedelic music]
*[https://web.archive.org/web/20111227102029/http://www.dreamgeo.com/ Dream Magazine: resource for psych folk and all other types of psychedelic music]
*[http://www.zeek.net/606music Contemporary Psychedelia: From Transcendence to Immanence – An essay on psych folk and spirituality]
*[https://web.archive.org/web/20120208140802/http://www.dirtylinen.com/linen/131/131psych.html Dirty Linen Magazine feature article on New Psych Folk]
*[http://www.sfgate.com/cgi-bin/article.cgi?file=/gate/archive/2005/04/14/derk.DTL Freak Folk Flies High] by Derek Richardson at SFGate.com
*Poecke, N. van. [http://www.metamodernism.com/2011/01/06/the-new-weird-generation-ii/ The New Weird Generation]
*[http://altmusic.about.com/od/genres/a/freak-folk.htm Freak-Folk Genre] ((Webarchive|url=https://web.archive.org/web/20120225050646/http://altmusic.about.com/od/genres/a/freak-folk.htm |date=February 25, 2012 ))

((psychedelic music))
((Folk music))
((hippies))
((Authority control))

[[Category:Psychedelic folk| ]]
[[Category:Contemporary folk subgenres]]
[[Category:Psychedelic music]]
[[Category:American styles of music]]

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Template:Short description (view source) (protected)
Template:Short description/lowercasecheck (view source) (protected)
Template:Sidebar with collapsible lists (view source) (template editor protected)
Template:Sp (view source) (template editor protected)
Template:Template other (view source) (protected)
Template:Use mdy dates (view source) (template editor protected)
Template:Webarchive (view source) (template editor protected)
Module:Arguments (view source) (protected)
Module:Authority control (view source) (template editor protected)
Module:Authority control/config (view source) (template editor protected)
Module:Category handler (view source) (protected)
Module:Category handler/blacklist (view source) (protected)
Module:Category handler/config (view source) (protected)
Module:Category handler/data (view source) (protected)
Module:Category handler/shared (view source) (protected)
Module:Check for unknown parameters (view source) (protected)
Module:Citation/CS1 (view source) (protected)
Module:Citation/CS1/COinS (view source) (protected)
Module:Citation/CS1/Configuration (view source) (protected)
Module:Citation/CS1/Date validation (view source) (protected)
Module:Citation/CS1/Identifiers (view source) (protected)
Module:Citation/CS1/Utilities (view source) (protected)
Module:Citation/CS1/Whitelist (view source) (protected)
Module:Citation/CS1/styles.css (view source) (protected)
Module:Delink (view source) (protected)
Module:Disambiguation/templates (view source) (protected)
Module:EditAtWikidata (view source) (protected)
Module:Format link (view source) (template editor protected)
Module:Hatnote (view source) (template editor protected)
Module:Hatnote/styles.css (view source) (template editor protected)
Module:Hatnote list (view source) (template editor protected)
Module:Infobox (view source) (template editor protected)
Module:Infobox/styles.css (view source) (template editor protected)
Module:InfoboxImage (view source) (template editor protected)
Module:Labelled list hatnote (view source) (template editor protected)
Module:Message box (view source) (protected)
Module:Message box/ambox.css (view source) (protected)
Module:Message box/configuration (view source) (protected)
Module:Namespace detect/config (view source) (protected)
Module:Namespace detect/data (view source) (protected)
Module:Navbar (view source) (protected)
Module:Navbar/configuration (view source) (protected)
Module:Navbar/styles.css (view source) (protected)
Module:Navbox (view source) (template editor protected)
Module:Navbox/configuration (view source) (template editor protected)
Module:Navbox/styles.css (view source) (template editor protected)
Module:Ns has subpages (view source) (protected)
Module:Pagetype (view source) (protected)
Module:Pagetype/config (view source) (protected)
Module:Pagetype/disambiguation (view source) (protected)
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Module:Sidebar (view source) (template editor protected)
Module:Sidebar/configuration (view source) (template editor protected)
Module:Sidebar/styles.css (view source) (template editor protected)
Module:String (view source) (protected)
Module:Unsubst (view source) (protected)
Module:Webarchive (view source) (template editor protected)
Module:Webarchive/data (view source) (template editor protected)
Module:Wikitext Parsing (view source) (protected)
Module:Yesno (view source) (protected)

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