This article may be expanded with text translated from the corresponding article in German. (June 2018) Click [show] for important translation instructions. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 9,165 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Preußische Tugenden]]; see its history for attribution. You should also add the template ((Translated|de|Preußische Tugenden)) to the talk page. For more guidance, see Wikipedia:Translation.
King Frederick William I of Prussia, the "Soldier-King", first named the Prussian virtues (which were supposedly present since the State of the Teutonic Order). Painting by Antoine Pesne, about 1733.
King Frederick William I of Prussia, the "Soldier-King", first named the Prussian virtues (which were supposedly present since the State of the Teutonic Order). Painting by Antoine Pesne, about 1733.

Prussian virtues (German: Preußische Tugenden) refers to the virtues associated with the historical Kingdom of Prussia, especially its militarism and the ethical code of the Prussian Army, but also bourgeois values as influenced by Calvinism in particular.[1] It has also significantly influenced wider German culture, such as the contemporary German stereotypes of efficiency, austerity, and discipline.


These virtues, while traced back to the Teutonic knights, were named by King Frederick William I of Prussia, the "soldier–king" and frugal "bourgeois" reformer of Prussian administration, as well as from his son, Frederick the Great. The father had taken over an over-indebted public budget and saw himself as a moral role model, while the son saw himself as an exemplar of reason for the religiously, ethnically, and linguistically diverse Prussian state.[2] The extended Prussian territory was home to Protestant, Catholic and Jewish subjects, of Germans, Poles, Sorbs and Kashubians. Frederick William I considered himself to be a role model, while his enlightenment-era son relied on reason and tolerance to rule his multifaceted state.

Prussia developed a highly advanced administration and legal system, as well as a loyal officer corps and a kind of common-sense patriotism gathering the subjects behind the Hohenzollern ruler. The Prussian "era of reform", from the military defeat by Napoleon I at the Battles of Jena and Auerstedt, until the Congress of Vienna in 1815, was also an important influence. These included reform of community boundaries, the army, schools, universities, and taxes, as well as the enfranchisement of Jews.[3]

In poetry

The German war poet Walter Flex (1887–1917) wrote

"Wer je auf Preußens Fahne schwört,
hat nichts mehr, was ihm selbst gehört."


"Those who on Prussia's banner swear
have nothing left they themselves bear [own]."[4]

The Prussian virtues may be summarized by the opening lines of the poem "Der alte Landmann an seinen Sohn" ("The Old Farmer to His Son") by Ludwig Christoph Heinrich Hölty (1748–1776). The text reads as follows: "Üb' immer Treu und Redlichkeit / Bis an dein kühles Grab; / Und weiche keinen Fingerbreit / Von Gottes Wegen ab." Translation: "Practice always fidelity and honesty / Until your cool grave; / And stray not the width of one finger/ From the ways of the Lord."[5] The poem was set to music by Mozart to a melody adapted from the aria "Ein Mädchen oder Weibchen" from his 1791 opera The Magic Flute. It was played daily by the carillon of the Potsdam Garrison Church[6] where Frederick the Great was initially buried.

Post-WWII views

Since the defeat in World War II and the denazification campaign, historical German militarism has become anathema in German culture, focused on collective responsibility and atonement. At the same time, the related non-military, bourgeois virtues of efficiency, discipline and work morals remain in high standing. This has led to the concept of "Prussian virtues" being regarded with mixed feelings in modern-day Germany. Amongst the German student protests of 1968, militarist virtues were rejected as prerequisite for the atrocities committed by the Nazi regime. The term Kadavergehorsam for "blind obedience", originally a slur directed against Jesuits during the 1870s Kulturkampf, came to be used as a derogatory staple of "Prussian" military ethos. Similarly, the term Nibelungentreue ("Nibelung loyalty"), which in the German Empire had been used in a positive sense for the military virtue of absolute loyalty, came to be used derogatorily in reference to fanatical loyalty characteristic of fascism. In 1982, amid the controversy surrounding the NATO Double-Track Decision, in response to Social Democratic Party of Germany Chancellor of Germany Helmut Schmidt's call for a return to such virtues, Saarbrücken's SPD mayor Oskar Lafontaine commented that these were "perfectly suited to run a concentration camp". In 2006, the Prime Minister of Brandenburg Matthias Platzeck called for a return to Prussian virtues, citing "good basic virtues, such as honesty, reliability, and diligence".[7]


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See also


  1. ^ Hughes, Michael (1992). Early Modern Germany, 1477-1806. Philadelphia: University of Philadelphia Press. pp. 198–203. ISBN 0-8122-3182-1.
  2. ^ Christian Graf v. Krockow: "Die Pflicht und das Glück" (speech on 17 August 1991 in the Neues Palais, Potsdam) in: Hans Bentzien: Die Heimkehr der Preußenkönige, 1. edition, Berlin 1991. ISBN 3-353-00877-2
  3. ^ Hans-Joachim Schoeps: chapter "Preußische Tugenden" in Preußen – Bilder und Zeugnisse (most recently posthumously in Preußen – Geschichte eines Staates, Frankfurt a. M./ Berlin 1995. ISBN 3-549-05496-3, pp. 442ff)
  4. ^ Walter Flex. "Preußischer Fahneneid" ("Prussian Military Oath" written in 1915) in Gesammelte Werke (Title Translation: Collected Works), Vol. 1, pp. 73–74, quote in p. 74. This line was also served as his epitaph at his original burial site at the Dorffriedhof (Village Cemetery) of Peude (or Pöide), Saaremaa island formerly Ösel Island, Estonia. Lars Kich. Der Erste Weltkrieg als Medium der Gegenmoderne: Zu den Werken von Walter Flex und Ernst Jünger. (Title Translation: "The First World War as a Means of Counter-Modernity: To the Works of Walter Flex and Ernst Jünger.") Königshausen & Neumann, 2006, p. 117 and p. 117 n. 544. ISBN 3826031687
  5. ^ "Der alte Landmann an seinen Sohn",
  6. ^ "Moral ohne Anstand" (in German)
  7. ^ Rhodes, R. (2004.) Die deutschen Mörder. Translate from English by Jürgen Peter Krause. Bastei-Lübbe, Bergisch Gladbach, ISBN 340464218X pp. 151ff. quoted from: Himmler, Geheimreden 1933–1945, ed. Bradley Smith and Agnes Peterson. Propyläen, Frankfurt 1974, p. 128