The film's prologue depicts Jim Hawkins as a three-year-old boy (voiced by Austin Majors) reading a holographic storybook in bed. Jim is enchanted by stories of the legendary pirate Captain Flint and his ability to appear from nowhere, raid passing ships, and disappear in order to hide the loot on the mysterious "Treasure Planet". The scene soon dissolves to twelve years later, at which time Jim (now voiced by Joseph Gordon-Levitt) has grown into an aloof and alienated teenager. He is shown begrudgingly helping his mother Sarah (Laurie Metcalf) run an inn and deriving amusement only from "solar surfing" (a hybrid of skysurfing and windsurfing atop a board attached to a solar-powered rocket), a pastime that frequently gets him in trouble.
One day, a flying ship crashes near the inn. The dying pilot, Billy Bones (Patrick McGoohan), gives Jim a sphere and tells him to "beware the cyborg". Shortly thereafter, a gang of pirates raid and burn the inn. Jim, his mother, and their dog-like friend Dr. Delbert Doppler (David Hyde Pierce) barely escape. The sphere turns out to be a holographic projector, showing a map that Jim realizes leads to Treasure Planet.
Doppler commissions a ship called "RLS Legacy" on a secret mission to find Treasure Planet. The ship is commanded by the cat-like, sharp-witted, and often sarcastic Captain Amelia (Emma Thompson) along with her stony-skinned, loyal, strict-disciplined First Mate, Mr. Arrow (Roscoe Lee Browne). The crew is a motley bunch, secretly led by cook John Silver (Brian Murray), whom Jim suspects is the cyborg of whom he was warned. Jim is sent down to work in the galley; despite his mistrust of Silver, they soon form a tenuous father-son relationship (a montage featuring the song "I'm Still Here" shows Jim and the cyborg bonding over various sailing chores, interspersed with flashbacks from Jim's childhood, during which his father appears indifferent to him and finally leaves without warning when Jim is a pre-teen). During an encounter with a black hole, Arrow is dropped overboard and lost, for which Jim blames himself for failing to successfully secure the lifelines. Viewers, however, see that Arrow's line was cut by a ruthless insectoid crew member named Scroop (Michael Wincott).
As the ship reaches Treasure Planet, mutiny erupts, led by Silver. Jim, Dr. Doppler, and Captain Amelia abandon the ship, accidentally leaving the map behind. Silver, who believes that Jim has the map, has a chance to kill Jim, but refuses to do so because of his attachment to the boy. The fugitives are shot down by a mutineer, identified in novelizations as "Meltdown", during their escape, causing injury to Amelia.
While exploring Treasure Planet's forests, the fugitives meet B.E.N (Martin Short), an abandoned, whimsical robot who claims to have lost most of his memory, and who invites them to his house to care for the wounded Amelia. The pirates corner the group here; using a back-door, Jim and B.E.N. return to the ship in an attempt to recover the map. Scroop, aboard the ship as lookout, stalks and fights Jim. B.E.N., working to sabotage the ship's artillery, accidentally turns off the artificial gravity, whereupon Jim and Scroop threaten to float off into space. Jim grabs the mast while Scroop becomes entangled in the flag and cuts himself free; no longer connected to the ship, Scroop floats away, presumably to his death. Jim and B.E.N. obtain the map. Upon their return, they and the map are captured by Silver, who has already captured Doppler and Amelia.
When Jim is forced to use the map, the group finds their way to a metaphysical portal that can be opened to any place in the universe; this being the means by which Flint conducted his raids. The treasure is at the center of the planet, accessible only via the portal. Here, the so-called Treasure Planet is revealed to be a large, complex space station built by unknown architects and commandeered by Captain Flint. In the stash of treasure, Jim comes across the skeletal remains of Flint himself, holding a missing part of B.E.N's cognitive computer. Jim replaces this piece, causing B.E.N. to remember that the planet is set to explode upon the treasure's discovery. In the ensuing catastrophe, Silver finds himself torn between holding onto a literal boat-load of gold and saving Jim, who hangs from a precipice after a fall. Silver saves Jim, and the group escapes to the Legacy, which unfortunately is damaged and lacks the motive power required to leave the planet in time to escape. Jim attaches a rocket to a narrow plate of metal and rides this device towards the portal to open it to a new location while Delbert pilots the ship behind him. Jim manages to open the portal to his home world Montressor's Spaceport, through which all escape the destruction of Treasure Planet.
After the escape, Amelia has the surviving pirates imprisoned aboard ship and offers to recommend Jim to the Interstellar Academy for his heroic actions. Silver sneaks below deck, where Jim finds him preparing his escape. Jim lets him go, inheriting Silver's shape-changing pet called Morph (Dane A. Davis). Silver predicts that Jim will "rattle the stars", then tosses him a handful of jewels and gold he had taken from Treasure Planet to pay for rebuilding the inn, revealing that it was he who destroyed it. The film ends with a party at the rebuilt inn, showing Doppler and Amelia now married with children, and Jim a military cadet. He looks to the skies and sees an image of Silver in the clouds.
Production
Development
Treasure Planet took roughly four and a half years to create; but the concept for Treasure Planet (which was called "Treasure Island in Space" at the time) was originally pitched by Ron Clements in 1985, during the meeting wherein he and John Musker also pitched The Little Mermaid.[4][5] Clements stated that Jeffrey Katzenberg, who was the chief of Disney Animation at the time, "just wasn't interested" in the idea.[6] Since Musker and Clements wanted to be able to move "the camera around a lot like Steven Spielberg or James Cameron," the delay in production was beneficial since "the technology had time to develop in terms of really moving the camera."[7] Principal animation for the film began in 2000 with roughly 350 crew members working on it.[8] In 2002, Roy Conli estimated that there were around 1,027 crew members listed in the screen credits with "about four hundred artists and computer artists, about a hundred and fifty musicians and another two hundred technologists".[4]
According to Conli, Clements wanted to create a space world that was "warm and had more life to it than you would normally think of in a science fiction film", as opposed to the "stainless steel, blue, smoke coming from the bowels of heavily pipe laden" treatment of science fiction.[4] To make the film more "fun" and to be able create more exciting action sequences, the crew created the concept of the "Etherium," an "outer space filled with atmosphere".[9][5]
Several changes were made late in the production to the film. The prologue of the film originally featured an adult Jim Hawkins narrating the story of Captain Flint in first person,[5][10] but it was considered by the crew to be too "dark" and lacked character involvement.[5] The crew also intended for the film to include a sequence showing Jim working on his solar surfer and interacting with an alien child, which was intended to show Jim's more sensitive side and as homage to The Catcher in the Rye.[11] Because of the intention to begin the film with a scene of Jim solar surfing, the sequence had to be cut.[11]
Casting
The character of Dr. Doppler was written with David Hyde Pierce in mind,[4][12] and Pierce was given a copy of the Treasure Planet script along with preliminary sketches of the character and the movie's scenic elements while he was working on A Bug's Life. He stated that "the script was fantastic, the look was so compelling" that he accepted the role.[13] Likewise, the character of Captain Amelia was developed with the idea that Emma Thompson would be providing her voice. "We offered it to her and she was really excited," Clements said. "She sent us a lovely note saying 'I get to do an action film without having a train at all!'"[7] There were no actors initially in mind for the characters of John Silver and Jim Hawkins, but the crew settled on Brian Murray as John Silver and Joseph Gordon-Levitt as Jim Hawkins after months of auditions.[4] Gordon-Levitt stated that he was attracted to the role because "it's a Disney animated movie and Disney animated movies are in a class by themselves," and that "to be part of that tradition is unbelievable to me".[14] Musker mentioned that Gordon-Levitt "combined enough vulnerability and intelligence and a combination of youthfulness but incompleteness" and that they liked his approach.[12]
Among the lead actors, only Pierce had experience with voice acting prior to the making of Treasure Planet. Conli explained that they were looking for "really the natural voice of the actor", and that sometimes it was better to have an actor with no experience with voice work as he utilizes his natural voice instead of "affecting a voice".[4] The voice sessions were mostly done without any interaction with the other actors,[13][12] but Gordon-Levitt expressed a desire to interact with Brian Murray because he found it difficult to act out most of the scenes between Jim Hawkins and John Silver alone.[12]
Design and animation
While designing for Treasure Planet, the crew operated on rule they call the "70/30 Law" (an idea that art director Andy Gaskill has credited to Ron Clements), which meant that the overall look of the film's artwork should be 70% traditional and 30% sci-fi.[15] The overall look of Treasure Planet was based on the art style promoted by illustrators associated with the Brandywine School of Illustration (such as Howard Pyle and N.C. Wyeth), whose illustrations have been described by the film's crew as being the "classic storybook illustration," having a painterly feel to it, and being composed of a warm color palette.[16] The animators took Deep Canvas, a technology which they had initially been developed for Tarzan, and came up with a process they called "Virtual Sets," wherein they created entire 360 degree sets before they began staging the scenes.[4] They combined this process with traditionally-drawn characters in order to achieve a "painted image with depth perception" and enabled the crew to place the camera anywhere in the set and maneuver it as they would maneuver a camera for a live-action film.[8]
There were around forty animators on the crew, and were further divided into teams; for example, sixteen animators were assigned to Jim Hawkins because he appeared on the screen the most, and twelve were assigned to John Silver. To ensure "solidity" in illustration and personality, each major character in the film had a team of animators led by one supervisor. Conli mentioned that the personalities of the supervisors affect the final character, giving Glen Keane (the supervisor for John Silver) as well as John Ripper (the supervisor for Jim Hawkins) as examples. The physical appearance, movements, and facial expressions of the voice actors were also infused into the characters as well.[4]
In order to test how a computer-generated body part (specifically John Silver's cyborg arm) would mesh with a traditionally animated character, the crew took a clip of Captain Hook from Peter Pan and replaced his arm with the cyborg arm.[17]
Music and sound
This "70/30 Law" was not only applied to the visual designs for the film, but also for the sound effects and music. Sound designer Dane Davis mentioned that he and his team "scoured hobby shops and junk stores for antique windup toys and old spinning mechanisms" in order to create the sound effects for John Silver to "avoid sounding slick or sci-fi". The team did some experimentation with the sound used in dialogues, especially with the robot B.E.N., but opted to keep the actor's (Martin Short's) natural voice because everything they tried "affected his comedy", and "the last thing you want to do in a story like this is affect performances".[18]
The music from the movie is largely orchestral in nature, although it includes two moderately successful pop singles ("I'm Still Here" and "Always Know Where You Are") from The Goo Goo DollsfrontmanJohn Rzeznik and British pop-rock group, BBMak. Both songs were written and performed by John Rzeznik in the film, but BBMak recorded "Always Know Where You Are" for the soundtrack. The score was composed by James Newton Howard, who said that the score is "very much in the wonderful tradition of Korngold and Tiomkin and Steiner."[19] The score has been described as a mixture of modern music in the spirit of Star Wars and Celtic music.[20][21] Scottish fiddler Alasdair Fraser is credited as the co-composer of the track "Silver Leaves",[22] and is also listed as a soloist in the film's credits.
Release
Promotion
Prior to and during its theatrical run, Treasure Planet had promotional support from McDonald's, Pepsi-Cola, Dreyer's, and Kellogg Company. McDonald's included promotional items such as action figures and puzzles in their Happy Meals and Mighty Meals, Pepsi-Cola placed promotional film graphics onto the packaging of a number of their soft drinks (Mountain Dew, Code RedSierra Mist, Mug Root Beer, Orange Slice and Lipton Brisk), Dreyer's used their delivery truck panels to promote ice cream flavors inspired by the film (such as "Galactic Chocolate" and "Vanilla Treasure"), and Kellog included movie-branded spoons in their cereal boxes.[23]Hasbro also released a line-up of Treasure Planet action figures and toys.[23][24][25]
Several Treasure Planet video games were released in 2002. Disney Interactive released the naval strategy game Treasure Planet: Battle at Procyon for the Playstation 2 in October,[26] while Sony Computer Entertainment America released a Treasure Planet video game for the PC, Playstation, and Playstation 2 in November.[27] A series of games collectively called Disney's Treasure Planet: Training Academy was also released in 2002. It was composed of three games (Broadside Blast, Treasure Racer, and Etherium Rescue), and players with all three games could unlock a fourth game (Ship Shape).[28] Another game entitled Treasure Planet was released for the Game Boy Advance in December.[29]
Theatrical release
Treasure Planet is "the first major studio feature" to be released in regular and IMAX theaters simultaneously. This was done in the light of the success of Disney films, such as Fantasia 2000 and Beauty and the Beast, that were re-released in IMAX format.[2]Dick Cook, chairman of Walt Disney Studios, also mentioned that the simultaneous release was a good way to distinguish themselves during the competitive holiday season.[6]
The film was a U.S. box office bomb,[30][31] grossing only $38 million domestically and $110 million worldwide.[1] Consequently, Disney's Buena Vista Distribution arm was "forced to restate its fourth quarter earnings downward by $47 million within a few days of the release."[32]
Home media
Treasure Planet was released in DVD and VHS format in the U.S. and Canada on April 29, 2003. The DVD includes behind-the-scenes featurettes, a visual commentary, deleted scenes, teaser and theatrical trailers, the music video for the song "I'm Still Here" by John Rzeznik, and a virtual tour of the RLS Legacy.[33] The DVD retained the number one spot in Billboard's top sales for two weeks[34][35] and the VHS was number one in sales for three weeks.[36][37][38]
Critical reaction
The critical consensus was mostly positive to Treasure Planet, with the film currently retaining a 70% "fresh" rating on Rotten Tomatoes.[39] Critic Stephen Hunter stated that the film "boasts the purest of Disney raptures: It unites the generations, rather than driving them apart".[40] Film reviewer Kim Hollis boasts that "there's plenty to recommend the film – the spectacular visuals alone make Treasure Planet a worthwhile watch."[41] Of the critics who panned the film, many reviewers complained about the script, describing it as "listless"[20] and the characters as "not creatively rendered".[41] Critic Andy Klein remarked, "If only its script were as amusing as its visuals."[20] Renowned film critic Roger Ebert has said that a more traditional take on the film would have been "more exciting" and "less gimmicky".[42]
Writer Rob Edwards stated that "it was extremely challenging" to take a classic novel and set it in outer space, and that they did away with some of the science fiction elements ("things like the metal space ships and the coldness") early on. Edwards goes on to say that they "did a lot of things to make the film more modern" and that the idea behind setting the movie in outer space was to "make the story as exciting for kids now as the book was for kids then".[44]
Ron Clements mentioned that the Jim Hawkins in the book is a "a very smart, very capable kid", but they wanted to make Jim start out as "a little troubled kid" who "doesn't really know who he is" while retaining the aforementioned characteristics from the original character. The "mentor figures" for Jim Hawkins in the novel were Squire Trelawney and Dr. Livesey, whom John Musker described as "one is more comic and the other's very straight"; these two characters were fused into Dr. Doppler. Clements also mentions that though the father-son relationship between Jim Hawkins and John Silver was present "to some degree" in the book, they wanted to emphasize it more in the film.[12]
Other media
Before Treasure Planet was shown in cinemas, Thomas Schumacher, the president of Walt Disney Feature Animation, mentioned the possibilities of having direct-to-video releases for Treasure Planet as well as a television series. He stated that they already had "a story and some storyboards and concepts up and a script for what a sequel to [Treasure Planet] could be," and that they also had a "notion" of what the series would be.[45]
^ abcdRon Clements, Roy Conli, Dan Cooper, Roy Disney, Ian Gooding, Glen Keane, John Musker, John Ripa (2003). Treasure Planet DVD Bonus Materials: Visual Commentary (DVD). Walt Disney Home Entertainment.
^ ab"Treasure Planet", Entertainment Weekly, no. 668–668, p. 64, August 2002((citation)): CS1 maint: date and year (link)
^ abFerguson, Amy (November 2002), "Technological Treasure: Disney's planet breaks new ground in animation.(Walt Disney Pictures)('Treasure Planet')", Film Journal International, 105: 16–17((citation)): CS1 maint: date and year (link)
^Ron Clements, John Musker (2003). Treasure Planet DVD Bonus Materials: Deleted Scenes - Original Prologue: Adult Jim (DVD). Walt Disney Home Entertainment.
^ abRon Clements, John Musker (2003). Treasure Planet DVD Bonus Materials: Deleted Scenes - Jim Meets Ethan (DVD). Walt Disney Home Entertainment.
^Andy Gaskill, Ian Gooding (2003). Treasure Planet DVD Bonus Materials: The 70/30 Law (DVD). Walt Disney Home Entertainment.
^Ron Clements, Dan Cooper, Roy Disney, Andy Gaskill, Ian Gooding, John Musker (2003). Treasure Planet DVD Bonus Materials: The Brandywine School (DVD). Walt Disney Home Entertainment.
^Outstanding Character Animation, Outstanding Character Design in an Animated Feature Production, Outstanding Directing in an Animated Feature Production, Outstanding Effects Animation, Outstanding Production Design in an Animated Feature Production, Outstanding Voice Acting in an Animated Feature Production, and Outstanding Voice Acting in an Animated Feature Production - "30th Annual Annie Award Nominees and Winners". www.annieawards.com. 2002. Retrieved 2007-08-10.
