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Albert Gleizes, 1909,
Bords de la Marne, oil on canvas, 54 x 65 cm,
Musée des Beaux Arts de Lyon
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Albert Gleizes, 1910,
L'Arbre (The Tree), oil on canvas, 92 x 73.2 cm, private collection
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Albert Gleizes, 1910-12,
Les Arbres (The Trees), oil on canvas, 41 x 27 cm. Reproduced in
Du "Cubisme", 1912
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Albert Gleizes, 1910-11, Paysage (Landscape), oil on canvas, 71 x 91.5 cm. Reproduced frontispiece (titled Les Maisons, dated 1910) catalogue Galeries Dalmau, Barcelona, 1912
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Albert Gleizes, 1911,
Le Chemin, Paysage à Meudon, Paysage avec personnage, oil on canvas, 146.4 x 114.4 cm. Exhibited at Salon des Indépendants, 1911, Salon des Indépendants, Bruxelles, 1911, Galeria J. Dalmau, Barcelona, 1912, Galerie La Boétie, Salon de La Section d'Or, 1912, stolen by Nazi occupiers from the home of collector
Alphonse Kann during World War II, returned to its rightful owners in 1997
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Albert Gleizes, 1911,
Nature morte (
Still Life), reproduced in
Les Peintres Cubistes, 1913
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Albert Gleizes, 1911,
Stilleben, Nature Morte, Der Sturm postcard, Sammlung Walden, Berlin. Collection
Paul Citroen, sold 1928 to Kunstausstellung Der Sturm, requisition by the Nazis in 1937, and missing since
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Albert Gleizes, 1911,
La Chasse (The Hunt), oil on canvas, 123.2 x 99 cm. Published in
L'Intransigeant, 10 October 1911, "Les Peintre Cubistes" 1913, by G. Apollinaire, and '
Au Salon d'Automne', Revue d'Europe et d'Amerique, Paris, October 1911. Exhibited at the 1911 Salon d'Automne,
Valet de Carreau (Jack of Diamonds), Moscow, 1912, and Galerie de la Boétie,
Salon de la Section d'Or, Paris, 1912
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Albert Gleizes, 1911,
Portrait de Jacques Nayral, oil on canvas, 161.9 x 114 cm, Tate Modern, London. This painting was reproduced in
Fantasio: published 15 October 1911, for the occasion of the
Salon d'Automne where it was exhibited the same year.
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Albert Gleizes, 1911, Dessin pour les Baigneuses, published in La Revue de France et des pays français, February - March 1912
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Albert Gleizes, 1912,
Les Baigneuses (The Bathers), oil on canvas, 105 x 171 cm. Exhibited at the
Salon des Indépendants in Paris during the spring of 1912, and the Salon de la
Section d'Or, Galerie La Boétie in Paris, October 1912.
Musée d'Art Moderne de la Ville de Paris
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Albert Gleizes, 1912,
Les Baigneuses, The Bathers, (left) vs.
Courbevoie, postcard ca.1912, Les Bord de Seine, L'Ile de la Jatte (right). The
Île de la Jatte (or Île de la Grande Jatte) is an island over which Gleizes would have passed on his way to and from the center of Paris. Many similarities can be observed in both images
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Albert Gleizes, 1912,
l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud), oil on canvas, 195.6 x 114.9 cm (77 x 45 1/4 in.), Philadelphia Museum of Art. Completed the same year that
Albert Gleizes co-authored the book
Du "Cubisme" with
Jean Metzinger. Exhibited at Salon d'Automne, Paris, 1912,
Armory show, New York, Chicago, Boston, 1913
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Albert Gleizes, 1912,
Les ponts de Paris (Passy), The Bridges of Paris (Passy), oil on canvas, 60.5 x 73.2 cm, Museum Moderner Kunst (
mumok), Vienna. Published in
Du "Cubisme", 1912
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Albert Gleizes, 1912,
Landschaft bei Paris, Paysage près de Paris, Paysage de Courbevoie, oil on canvas, 72.8 x 87.1 cm, missing from Hannover since 1937
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Albert Gleizes, 1913,
Les Bateaux de pêche (Fischerboote), oil on canvas, 165 x 111 cm,
Tel Aviv Museum of Art. Exhibited
Salon d'Automne, Paris, 1913-14, no. 770, Manes Moderni Umeni, Vystava, Prague, 1914, no. 44
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Albert Gleizes, 1914,
Woman with Animals (La dame aux bêtes) Madame Raymond Duchamp-Villon, oil on canvas, 77 5/16 x 45 15/16 inches (196.4 x 114.1 cm). The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice
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Albert Gleizes, 1914, Paysage avec un arbre (Landscape with Tree), oil on canvas, 100 x 81 cm, private collection
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Albert Gleizes, 1914, Paysage avec un arbre, Landscape with trees (Landschaft mit Baumen), oil on canvas, 100 x 81 cm, Marlborough-Gerson Gallery, New York
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Albert Gleizes, c.1914, Dessin pour le Portrait de Stravinsky, published in Montjoie!, April-June 1914
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Albert Gleizes, 1915, Retour de Bois-le-Prêtre, wood engraving, 39 x 50 cm, published in Le mot, n. 20, 1 July 1915
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Albert Gleizes, 1914-15, Portrait de Florent Schmitt (Le Pianiste), pastel, 36 x 27 cm. This is a study for an oil on canvas titled Portrait de Florent Schmitt, 1914-15, 200 x 152 cm (79 x 60 in.)
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Albert Gleizes, 1915,
Chal Post, oil and gouache on board, 101.8 x 76.5 cm,
Solomon R. Guggenheim Museum, New York
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Albert Gleizes, 1915, Broadway, oil on board, 98.5 x 76 cm, private collection
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Albert Gleizes, 1915,
Composition for "Jazz" (Composition pour "Jazz"), gouache on cardboard mounted on masonite, 73 x 73 cm. In a photograph first published in the Xeic York Herald, later reprinted in The Literary Digest, 27 October 1915, Gleizes can be seen at work on this painting.
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Albert Gleizes, 1915,
Brooklyn Bridge (Pont de Brooklyn), oil and gouache on canvas, 102 x 102 cm,
Solomon R. Guggenheim Museum, New York
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Albert Gleizes, 1915, Le Chant de guerre (Portrait de Florent Schmitt), postage stamp, carnet Du cubisme, La Poste, France, 2012
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Albert Gleizes, 1915-16, Esquisse pour le portrait de Jean Cocteau, published in Troços. Segona sèrie. Núm. 2 (Oct. 1917)
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Albert Gleizes, 1920,
Figure, gouache on canvas, 91.4 x 76.2 cm,
Los Angeles County Museum of Art
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Albert Gleizes, Action, Cahiers Individualistes de philosophie et d'art, Volume 1, No. 1, February 1920
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Albert Gleizes, c.1920,
Figures planes (Trois personnages assis), dimensions approximately 126 x 100 cm, location unknown. Exhibited
Der Sturm, Berlin, 1921 (no. 927) and reproduced in Gleizes 1927, p. 97
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Albert Gleizes, 1920,
Femme et enfant (
Woman and child), reproduced in
Der Sturm, 5 October 1921
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Albert Gleizes,
Woman and child (Frau und Kind),
Der Sturm, 5 October 1921
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Albert Gleizes, 1920,
Ecuyère (
Horsewoman), oil on canvas, 130 x 93 cm,
Musée des Beaux-Arts de Rouen, published in Broom, An International Magazine of the Arts, November 1921. This 1920 painting was reworked in 1923
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Albert Gleizes, 1920-23,
Ecuyère (
Horsewoman), oil on canvas, 130 x 93 cm,
Musée des Beaux-Arts de Rouen (Purchased from the artist in 1951. Dépôt du
Centre Pompidou, 1998). This 1920 painting was reworked in 1923
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Albert Gleizes, 1920-23, Ecuyère (Horsewoman), oil on canvas, 130 x 93 cm, Musée des Beaux-Arts de Rouen
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Albert Gleizes, c.1920, L'Homme dans les maisons, cover illustration of La Vie des Lettres et des Arts, Jacques Povolozky & Cie, Paris, 1920
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Albert Gleizes, c.1920, L'Homme dans les maisons. Cover illustration La Vie des Lettres et des Arts, 1920, reproduced in The Little Review, A Magazine of the Arts, Vol. 7, No. 4, 1921
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Albert Gleizes, 1920, Femme portant un enfant, Exposition Internationale d'Art Moderne, Geneva, 26 December 1920 - 25 January 1921, No. 185
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Albert Gleizes, 1921,
Composition bleu et jaune (Composition jaune), oil on canvas, 200.5 x 110 cm
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Albert Gleizes, untitled, drawing (zeichnung), published in the cover of
Der Sturm, Volume 11, Number 11-12, 5 December 1920
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Albert Gleizes, study for
Femme au gants noirs, drawing (zeichnung), published on the cover of
Der Sturm, 5 June 1920
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Abbaye de Créteil: First row- Charles Vildrac, René Arcos,
Albert Gleizes, Barzun,
Alexandre Mercereau. Second row- Georges Duhamel, Berthold Mahn, d'Otémar
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Albert Gleizes,
Man on a Balcony, Walt Kuhn scrapbook of press clippings documenting the Armory Show, vol. 2, 1913, page 140
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Albert Gleizes,
Man on a Balcony, Walt Kuhn scrapbook of press clippings documenting the Armory Show, vol. 2, 1913, page 123
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Francis Picabia, c.1909,
Caoutchouc, watercolor, gouache and India ink on cardboard, 45.7 x 61.5 cm,
Centre Pompidou,
Musée National d'Art Moderne, Paris
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Francis Picabia, 1910-11,
Horses, oil on canvas, 73.3 x 92.5 cm,
Musée National d'Art Moderne, Centre Georges Pompidou, Paris
Published in the New York Times, New York, 16 February 1913, Page 121
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Francis Picabia, 1910-11,
Paysage à Cassis (
Landscape at Cassis), oil on canvas, 50.3 × 61.5 cm, private collection
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Francis Picabia, 1910-11, Paysage à Cassis (Landscape at Cassis), oil on canvas, 50.3 × 61.5 cm, private collection
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Francis Picabia, c.1912,
Grimaldi après la pluie (After the rain), location unknown
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Francis Picabia, c. 1912,
L'Arbre rouge (Grimaldi après la pluie), oil on canvas, 92.5 x 73.4 cm, Musée National d'Art Moderne]],
Centre Pompidou reproduced in
The Cubist Painters, Aesthetic Meditations, 1913
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Francis Picabia, c. 1912,
L'Arbre rouge (Grimaldi après la pluie), oil on canvas, 92.5 x 73.4 cm, Musée National d'Art Moderne]],
Centre Pompidou
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Francis Picabia, 1912,
Tarentelle, oil on canvas, 73.6 x 92.1 cm,
Museum of Modern Art, New York. Reproduced in
Du "Cubisme"
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Francis Picabia, 1912,
The Procession, Seville, oil on canvas, 121.9 x 121.9 cm,
National Gallery of Art
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Francis Picabia, 1912,
La Source (The Spring), oil on canvas, 249.6 x 249.3 cm,
Museum of Modern Art, New York. Exhibited at the 1912 Salon d'Automne, Paris
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Francis Picabia,
The Dance at the Spring (
Danse à la source), 1912, oil on canvas, 120.5 x 120.6 cm,
Philadelphia Museum of Art, Philadelphia. Exhibited at the 1913
Armory Show
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Francis Picabia, 1913,
Edtaonisl (
Ecclesiastic), oil on canvas, 300.4 x 300.7 cm,
Art Institute of Chicago
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Francis Picabia, 1913,
Catch as Catch Can, oil on canvas, 105.4 x 86.4 cm,
Philadelphia Museum of Art
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Francis Picabia, 1913,
Udnie (Young American Girl, The Dance), oil on canvas, 290 x 300 cm,
Musée National d'Art Moderne,
Centre Georges Pompidou, Paris
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Francis Picabia, 1913-14,
Force Comique, aquarelle et graphite sur papier, 63.4 x 52.7 cm,
Berkshire Museum, MA
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Francis Picabia, 1915,
Fille née sans mère (
Girl Born Without a Mother), work on paper, 47.4 x 31.7 cm,
Musée d'Orsay
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Francis Picabia, (Left)
Le saint des saints c'est de moi qu'il s'agit dans ce portrait, 1 July 1915; (center)
Portrait d'une jeune fille americaine dans l'état de nudité, 5 July 1915: (right)
J'ai vu et c'est de toi qu'il s'agit, De Zayas! De Zayas! Je suis venu sur les rivages du Pont-Euxin, New York, 1915
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Francis Picabia, "Ici, c'est ici Stieglitz, foi et amour", cover of 291, No 1, 1915
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Francis Picabia, 1915,
Voilà Haviland (
La poésie est comme lui), Portrait mécanomorphe de
Paul B. Haviland
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Francis Picabia, 1916-17,
Prostitution Universelle (
Universal Prostitution), black ink, tempera, metallic paint on cardboard, 74.5 x 94.2 cm,
Yale University Art Gallery
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Francis Picabia,
Flamenca, 391, n. 3, March 1, 1917
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Francis Picabia, Francis chante le Coq, 391, n. 14, November 1920
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Francis Picabia, Ce numéro est entouré d'une dentelle rose. Page from 391, n. 13, July 1920
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Francis Picabia, Lampe Illusion, 391, n. 3, March 1, 1917
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Francis Picabia, Marie, Barcelone, 391, n. 3, March 1, 1917
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Francis Picabia, Molèculaire, 391, No. 8, February 1919
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Francis Picabia, Peigne, Miroir de l'Apparence, 391, n. 2, February 10, 1917
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Francis Picabia, Phosphate, Littérature, No. 6, New Series, Paris, 1 November, 1922
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Francis Picabia, Américaine, 391, n. 6, July 1917
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Francis Picabia, Âne (English: Donkey), 391, July 1917
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Francis Picabia, 1919, inside Danse de Saint-Guy, The Little Review, Picabia number, Autumn 1922
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Francis Picabia, Dame!, Illustration for the cover of the periodical Dadaphone n. 7, Paris, March 1920
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Francis Picabia, Réveil Matin (Alarm Clock), Dada 4-5, Number 5, 15 May 1919
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Francis Picabia, 1919, Réveil Matin (Alarm Clock), ink on paper, 31.8 x 23 cm, Tate, London
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Francis Picabia, Dada Movement, Dada, Number 5, 15 May 1919
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Francis Picabia and F.M. Mansfield with 2 women and a man at outdoor café table in Cassis, France
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Francis Picabia, 1920, Portrait of Cézanne, Portrait of Renoir, Portrait of Rembrandt, Toy monkey and oil on cardboard, dimensions and whereabouts unknown. Reproduced in Cannibale, Paris, n. 1, April 25, 1920
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Francis Picabia, 1920,
La Sainte Vierge (
The Blessed Virgin), ink and graphite on paper, 33 x 24 cm,
Musée National d'Art Moderne, Paris
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Francis Picabia, 1921,
L'oeil cacodylate, oil and collage on canvas, 148.6 x 117.4 cm,
Musée National d'Art Moderne, Paris
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Francis Picabia, c. 1921-22, Optophone I, encre, aquarelle et mine de plomb sur papier, 72 x 60 cm. Reproduced in Galeries Dalmau, Picabia, exhibition catalogue, Barcelona, November 18 - December 8, 1922
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Francis Picabia, 1922,
Aviation, ink, crayon, watercolor on paper, 79.9 x 54 cm,
RISD Museum
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Francis Picabia, Astrolabe, Galeries Dalmau exhibition catalogue, 1922
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Francis Picabia, Thermomètre pour aveugles (Thermometer for the Blind), Galeries Dalmau exhibition catalogue 1922
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Francis Picabia, 1922, Femme Espagnole (Espagnole à la cigarette), watercolor, gouache and pencil on paper, 72 x 51 cm, private collection
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Pablo Picasso, 1901,
Old Woman (Woman with Gloves, Woman With Jewelry), oil on cardboard, 67 x 52.1 cm,
Philadelphia Museum of Art
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Pablo Picasso, 1901,
Harlequin and his Companion (
Les deux saltimbanques), oil on canvas, 73 x 60 cm,
Pushkin Museum, Moscow
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Pablo Picasso, 1901, Portrait de Mateu Fernández de Soto, oil on canvas, 61.3 x 46.5 cm, Bundesmuseen, Vienna
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Pablo Picasso, 1901-02,
Femme au café (Absinthe Drinker), oil on canvas, 73 x 54 cm,
Hermitage Museum, Saint Petersburg, Russia
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Pablo Picasso, 1901-02,
Femme aux Bras Croisés, Woman with Folded Arms (Madchenbildnis), oil on canvas, 81 × 58 cm (32 × 23 in), private collection
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Pablo Picasso, 1901-02,
Le bock (Portrait de Jaime Sabartes), The Glass of Beer (Portrait of the Poet Sabartes), oil on canvas, 82 x 66 cm,
Pushkin Museum, Moscow
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Pablo Picasso, 1901-02,
Le bock (Portrait de Jaime Sabartes), 82 x 66 cm,
Pushkin Museum, Moscow
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Pablo Picasso, 1901-02, Maternité (Motherhood), Private collection
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Pablo Picasso, 1902,
La buveuse assoupie (
The Absinthe drinker), oil on panel, 80 x 62 cm,
Kunstmuseum Bern
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Pablo Picasso, 1902,
Woman with Bangs, 61.3 x 51.4 cm, The
Baltimore Museum of Art, Maryland
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Pablo Picasso, 1902-03,
Femme assise (Melancholy Woman), oil on canvas, 100 x 69.2 cm,
Detroit Museum of Art, Michigan
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Pablo Picasso, 1902-03,
Femme accroupie, Crouching Woman (
Woman Sitting, with Hood), oil on canvas, 90 x 71 cm,
Staatsgalerie Stuttgart
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Pablo Picasso, 1902-03,
La soupe (The soup), oil on canvas, 38.5 x 46.0 cm,
Art Gallery of Ontario, Toronto, Canada
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Pablo Picasso, 1903,
La Famille Soler, oil on canvas, 150 x 200 cm,
Musée des Beaux-Arts de Liège
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Pablo Picasso, 1903,
Desemparats (Maternité, Mère et enfant au fichu, Motherhood), pastel on paper, 47.5 x 41 cm,
Museu Picasso, Barcelona
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Pablo Picasso, 1903, L'Étreinte, pastel
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Pablo Picasso, 1904,
Le repas frugal (
The Frugal Repast), etching,
Hammer Museum, University of California
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Pablo Picasso, 1904,
Woman with a Helmet of Hair, gouache on tan wood pulp board, 42.7 x 31.3 cm,
Art Institute of Chicago
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Pablo Picasso, 1904-05, Les Baladins (Mother and Child, Acrobats), gouache on canvas, 90 x 71 cm Staatsgalerie, Stuttgart
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Pablo Picasso, 1904-05,
l'Acteur (The Actor), oil on canvas, 196.2 x 115.3 cm,
Metropolitan Museum of Art
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Pablo Picasso, 1905, Maternité (Mother and Child)
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Pablo Picasso, 1905,
Au Lapin Agile (
At the Lapin Agile), oil on canvas, 99.1 x 100.3 cm,
Metropolitan Museum of Art
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Pablo Picasso, 1905,
Lady with a Fan (Femme à l'éventail), oil on canvas, 100.3 x 81 cm, The
National Gallery of Art, Washington, DC.
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Pablo Picasso, 1905, Nus (Nudes), pencil on paper
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Pablo Picasso, 1905,
Acrobat's Family with a Monkey (Famille au Singe), collage, gouache, watercolor, pastel and india ink on cardboard, 104 x 75 cm, Göteborgs Konstmuseum, Goteburg
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Pablo Picasso, 1905, Les Saltimbanques (The Acrobats)
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Pablo Picasso, 1905,
Acrobate à la Boule (Acrobat on a Ball), oil on canvas, 147 x 95 cm, The
Pushkin Museum, Moscow
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Pablo Picasso, 1905, Fillette nue au panier de fleurs (Le panier fleuri), oil on canvas, 155 x 66 cm, private collection, New York
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Pablo Picasso, 1905, Arlequin (Harlequin's head), oil on panel, private collection
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Pablo Picasso, 1905,
La Belle Hollandaise, gouache on cardboard mounted on wood, 77.1 x 65.8 cm,
Queensland Art Gallery, Brisbane
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Pablo Picasso, 1905,
Les Trois Hollandaises, peinture à la colle sur carton, 77 x 67 cm,
Musée Picasso, Paris
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Pablo Picasso, 1905-06,
Les deux frères (
The two brothers), oil on canvas, 141.4 x 97.1 cm,
Kunstmuseum Basel
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Pablo Picasso, 1906, La Mort d'Arlequin (Death of Harlequin), gouache and pencil on board, 68.5 x 96 cm, private collection
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Pablo Picasso, 1906,
Nu aux mains serrées, gouache on canvas, 96.5 x 75.6 cm,
Art Gallery of Ontario
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Pablo Picasso, 1906, Femme se coiffant (Woman Combing her Hair), crayon, charcoal on paper. Dimensions and whereabouts unknown
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Pablo Picasso, 1906,
Seated Male Nude (
Homme nu assis), oil on canvas, 34.9 x 24.1 cm,
Barnes Foundation
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Pablo Picasso, 1907, Nu à la serviette, oil on canvas, 116 x 89 cm
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Pablo Picasso, 1907, Femme nue, oil on canvas, 92 x 43 cm, Museo delle Culture, Milano
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Pablo Picasso, 1907, Nu aux bras levés (Nude)
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Pablo Picasso, 1907,
Head of a Sleeping Woman (Study for Nude with Drapery), oil on canvas, 61.4 x 47.6 cm, The
Museum of Modern Art, New York
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Pablo Picasso, 1907,
Les Demoiselles d'Avignon (detail, figure upper right)
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Pablo Picasso, 1907,
Les Demoiselles d'Avignon (detail, figure lower right)
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Pablo Picasso, 1907-08,
Vase of Flowers, oil on canvas, 92.1 x 73 cm,
Museum of Modern Art
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Pablo Picasso, 1907-08,
Two Trees (
Les Arbres), watercolor on paper, 47.9 x 62.7 cm,
Philadelphia Museum of Art
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Pablo Picasso, 1908,
Woman's Head (
Tête de femme), oil on canvas, 73.6 x 60.6 cm,
Museum of Modern Art
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Pablo Picasso, 1908,
Bols et flacons (Pitcher and Bowls), oil on canvas, 66 x 50.5 cm,
Hermitage Museum, Saint Petersburg
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Pablo Picasso, 1908,
Seated Woman, oil on canvas, 150 x 99 cm,
Hermitage Museum, Saint Petersburg
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Pablo Picasso, 1908, L'amitié (Friendship, Two Nudes), oil on canvas, 151.3 x 101.8 cm, Hermitage Museum
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Pablo Picasso, 1908,
Dryad, oil on canvas, 185 x 108 cm, The State
Hermitage Museum, St Petersburg
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Pablo Picasso, 1908,
Trois femmes (Three Women), oil on canvas, 200 x 185 cm,
Hermitage Museum, Saint Petersburg
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Pablo Picasso, 1908,
Paysage aux deux figures (Landscape with Two Figures), oil on canvas, 60 x 73 cm, Musée Picasso, Paris
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Pablo Picasso, 1908-09,
Poissons et bouteilles, oil on canvas, 73.5 x 60 cm,
Lille Métropole Museum of Modern, Contemporary and Outsider Art
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Pablo Picasso, 1909,
Man with Arms Crossed, watercolor, gouache and charcoal on paper pasted on cardboard, 65.2 x 49.2 cm,
Hermitage Museum, St. Petersburg
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Pablo Picasso, 1909, Two Nude Figures (Deux figures nues), steel-faced drypoint on Arches laid paper, 13 x 11 cm, printed by Delâtre, Paris, published by Daniel-Henry Kahnweiler
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Pablo Picasso, 1909, Nature morte à la brioche
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Pablo Picasso, 1909,
Brick Factory at Tortosa (L'Usine, Horta de Ebro), oil on canvas, 50.7 x 60.2 cm, The State
Hermitage Museum, Saint Petersburg
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Pablo Picasso, 1909,
Maisons à Horta (Houses on the Hill, Horta de Ebro), oil on canvas, 65 x 81 cm,
Berggruen Museum
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Pablo Picasso, 1909,
The Oil Mill (
Moulin à huile), oil on canvas, 38.1 x 45.7 cm (15 x 18 in),
Metropolitan Museum of Art
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Pablo Picasso, 1909,
Still Life, Casket, Cup, Apples and Glass,
Bologna Gallery of Modern Art
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Pablo Picasso, 1909, Nature morte au compotier (Still Life with Fruit Dish), drypoint
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Pablo Picasso, 1909, Harlequin (L'Arlequin)
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Pablo Picasso, 1909,
Femme à l'éventail (
Woman with a Fan), oil on canvas, 101 x 81 cm,
Pushkin Museum, Moscow
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Pablo Picasso, 1909,
Buste de femme (Femme en vert, Femme assise), oil on canvas, 100.3 x 81.3 cm,
Van Abbemuseum, Netherlands. This painting from the collection of
Wilhelm Uhde was confiscated by the French state and sold at the Hôtel Drouot in 1921
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Pablo Picasso, 1909,
Head of a Woman (Tête de femme), oil on canvas, 60.3 x 51.1 cm, The
Art Institute of Chicago
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Pablo Picasso, 1909,
Head of a Woman, gouache on paper, 62.2 x 48 cm,
Museum of Modern Art
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Pablo Picasso, 1909,
Femme assise (Sitzende Frau), oil on canvas, 100 x 80 cm,
Staatliche Museen,
Neue Nationalgalerie, Berlin
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Pablo Picasso, 1909,
Woman with a Mandolin (
Femme à la mandoline), oil on canvas, 92 x 73 cm,
Hermitage Museum
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Pablo Picasso, 1909–10, Head of a Woman (Fernande), modeled on Fernande Olivier. Photographic reproduction of a bronze cast (right side). Dimensions unconfirmed: 40.5 x 23 x 26 cm
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Pablo Picasso, 1909–10, Head of a Woman (Fernande), modeled on Fernande Olivier. Photographic reproduction of a bronze cast. Dimensions unconfirmed: 40.5 x 23 x 26 cm
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Pablo Picasso, 1909-10,
Figure dans un Fauteuil (Seated Nude, Femme nue assise), oil on canvas, 92.1 x 73 cm,
Tate Modern, London. This painting from the collection of
Wilhelm Uhde was confiscated by the French state and sold at the
Hôtel Drouot in 1921
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Pablo Picasso, 1910,
Woman with Mustard Pot (La Femme au pot de moutarde), oil on canvas, 73 x 60 cm,
Gemeentemuseum Den Haag. Exhibited at the Armory Show, New York, Chicago, Boston 1913
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Pablo Picasso, c.1910,
Studentin, photo Kahnweiler, Paris
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Pablo Picasso, 1910,
Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 x 73.6 cm,
Museum of Modern Art, New York
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Pablo Picasso, 1910, Portrait of Wilhelm Uhde, oil on canvas, 81 x 60 cm, Joseph Pulitzer Collection
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Pablo Picasso, 1910-11,
Guitariste, La mandoliniste (Woman playing guitar or mandolin), oil on canvas
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Pablo Picasso, 1911,
La Femme au Violon, oil on canvas, private collection, on long-term loan to
Bavarian State Painting Collections,
Pinakothek der Moderne, Munich
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Pablo Picasso, 1911, Woman with a Guitar by the Piano, oil on canvas
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Pablo Picasso, c.1911,
Le Guitariste. Reproduced in
Du "Cubisme"
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Pablo Picasso, 1911,
Still Life with a Bottle of Rum, oil on canvas, 61.3 x 50.5 cm,
Metropolitan Museum of Art, New York
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Pablo Picasso, 1911,
Mandolin and Glass of Pernod, oil on canvas,
National Gallery, Prague
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Pablo Picasso, 1911,
The Poet (Le poète), oil on linen, 131.2 × 89.5 cm (51 5/8 × 35 1/4 in), The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice
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Pablo Picasso, 1911,
Clarinet (Still Life with a Clarinet on a Table), oil on canvas, exhibited at Centre for Modern and Contemporary Art (Veletržní Palác), Prague
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Pablo Picasso, 1911-12,
L'Homme à la clarinette (Man with a Clarinet), oil on canvas, 106 x 69 cm,
Museo Thyssen-Bornemisza, Madrid
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Pablo Picasso, 1911-12,
L'homme à la mandoline (The Mandolin Player), oil on canvas, 100.5 x 69.5 cm,
Beyeler Foundation, Riehen, Switzerland
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Pablo Picasso, 1911-12, L'Arlesienne, oil on canvas, 71.3 x 54 cm, private collection
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Pablo Picasso, 1911-12, Buffalo Bill, oil on canvas, 46 x 33 cm
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Pablo Picasso, 1911-12,
Violon (Violin), oil on canvas, 100 x 73 cm (oval), Kröller-Müller Museum, Otterlo, Netherlands. This painting from the collection of
Wilhelm Uhde was confiscated by the French state and sold at the
Hôtel Drouot in 1921
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Pablo Picasso, 1912,
Le Verre d'Absinthe (Absinthe and Cards, Verre de Pernod et cartes), oil on canvas, 35 x 27 cm,
National Gallery, Prague
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Pablo Picasso, 1912,
Violon, verre, pipe et encrier (Souvenir of Le Havre), oil on canvas, 81 x 54 cm,
National Gallery in Prague, Czech Republic
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Pablo Picasso, 1912,
Violon, verre, pipe et encrier (Souvenir of Le Havre), oil on canvas, 81 x 54 cm,
National Gallery in Prague, Czech Republic
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Pablo Picasso, 1912,
Nature morte Espagnole (
Sol y sombra), or
Spanish Still Life (
Sun and Shadow),
Bodegon espanol (
sol y sombra), oil and enamel on canvas, 46 x 63 cm,
Lille Métropole Museum of Modern, Contemporary and Outsider Art
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Pablo Picasso, 1912,
Le violon (
Jolie Eva), oil on canvas, 60 x 81 cm,
Staatsgalerie Stuttgart
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Pablo Picasso, 1912-14,
La bouteille de Bass (
The Bass Bottle), oil on canvas, 107.5 x 65.5 cm,
Museo del Novecento, Milan
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Pablo Picasso, 1912,
Le poète (
The Poet), oil on canvas, 59.9 x 47.8 cm,
Kunstmuseum Basel
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Pablo Picasso, 1912,
Violin and Grapes, oil on canvas, 61 x 50.8 cm,
Museum of Modern Art, New York
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Pablo Picasso, 1912,
Les oiseaux morts (Los pájaros muertos), oil on canvas, 46 x 65 cm,
Museo Nacional Centro de Arte Reina Sofía
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Pablo Picasso, 1912-13,
Guitare (
Guitar), oil and charcoal on canvas, oval, 72.4 x 60 cm,
National Museum of Art, Architecture and Design, Oslo
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Pablo Picasso, 1913,
Violin Hanging on the Wall, oil, spackle with sand, enamel, and charcoal on canvas, 65 x 46 cm,
Museum of Fine Arts Berne
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Pablo Picasso, 1913,
L'Arlequin, Céret (Harlequin), oil on canvas, 120.1 x 77.9 cm,
Gemeentemuseum Den Haag
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Pablo Picasso, 1913-14,
Student with a Newspaper, plaster, oil, Conté crayon, and sand on canvas, 73 x 59.7 cm,
Metropolitan Museum of Art
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Pablo Picasso, 1913-14,
Le guéridon (Nature morte, Guitares), oil on canvas, 130.2 x 89.1 cm,
Kunstmuseum Basel
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Pablo Picasso, 1913-14,
Femme assise dans un fauteuil (Eva), Woman in an Armchair, oil on canvas, 149.9 x 99.4 cm, Leonard A. Lauder Cubist Collection
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Pablo Picasso, 1913-14,
Woman in a Chemise in an Armchair,
Femme en chemise assise dans un fauteuil (Eva), oil on canvas, 149.9 x 99.4 cm,
Leonard A. Lauder Cubist Collection,
Metropolitan Museum of Art
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Pablo Picasso, 1913, Bouteille, clarinette, violon, journal, verre, 55 x 45 cm. This painting from the collection of
Wilhelm Uhde was confiscated by the French state and sold at the Hôtel Drouot in 1921
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Pablo Picasso, 1913,
Compotier avec fruits, violon et verre (Bowl with Fruit, Violin, and Wineglass),mixed media, 64.8 x 49.5 cm,
Philadelphia Museum of Art
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Pablo Picasso, 1913-14,
Head (Tête), cut and pasted colored paper, gouache and charcoal on paperboard, 43.5 x 33 cm,
Scottish National Gallery of Modern Art, Edinburgh
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Pablo Picasso, 1913-14,
L'Homme aux cartes (Card Player), oil on canvas, 108 x 89.5 cm,
Museum of Modern Art, New York
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Pablo Picasso, 1914, Ma Jolie (Pipe, verre, as de trèfle, bouteille de Bass, guitare, dé), oil on canvas, 45 x 41 cm, private collection
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Pablo Picasso, 1914,
Pipe, Glass, Bottle of Rum, 40 x 52.7 cm,
Museum of Modern Art
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Pablo Picasso, 1914,
Instruments de musique et tête de mort, oil on canvas, 43.8 x 61.8 cm,
Lille Métropole Museum of Modern, Contemporary and Outsider Art
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Pablo Picasso, spring 1914,
Pipe, Glass, Bottle of Vieux Marc (Pipe, verre, bouteille de Vieux Marc), mixed media, 73.2 x 59.4 cm,
Peggy Guggenheim Collection, Venice
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Pablo Picasso, 1914, Composition à la guitare (lithograph, 47,5 x 36 cm, numbered HC I LX)
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Pablo Picasso, 1914-15,
Nature morte au compotier (Still Life with Compote and Glass), oil on canvas, 63.5 x 78.7 cm (25 x 31 in),
Columbus Museum of Art, Ohio
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Pablo Picasso, 1915,
Musical Instruments (
Instruments de musique), watercolor and charcoal on laid paper, 19.4 x 23.2 cm,
Barnes Foundation
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Pablo Picasso, 1916,
Still-life with Door, Guitar and Bottles, oil on canvas, 152.4 × 205.7 cm,
Statens Museum for Kunst, Copenhagen
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Pablo Picasso, 1916,
L'anis del mono (Bottle of Anis del Mono), oil on canvas, 46 x 54.6 cm,
Detroit Institute of Arts, Michigan
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Pablo Picasso, reproduced in L'Elan, Number 10, 1 December 1916
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Pablo Picasso, Femme assise dans un fauteuil (Woman sitting in an armchair), reproduced in L'Elan, Number 9, 12 February 1916
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Pablo Picasso, 1916,
Guitare, clarinette et bouteille sur une table (
Guitar, Clarinet, and Bottle on a Pedestal Table), dimensions and whereabouts unknown
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Pablo Picasso, 1916,
Nature morte (Still-life), published in
André Salmon, L'Art Vivant, 1920
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Costume design by
Pablo Picasso representing skyscrapers and boulevards, for
Serge Diaghilev's
Ballets Russes performance of
Parade at Théâtre du Châtelet, Paris 18 May 1917
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Costume design by Pablo Picasso for Serge Diaghilev's Ballets Russes performance of Parade at Théâtre du Châtelet in Paris 18 May, 1917
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Pablo Picasso, 1917, Harlequin (Arlequín), oil on canvas, 116 x 90 cm, Museo Picasso, Barcelona
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Pablo Picasso, 1918,
Portrait d'Olga dans un fauteuil (Olga in an Armchair), oil on canvas, 130 x 88.8 cm,
Musée Picasso, Paris
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Pablo Picasso, 1918,
Portrait de Madame Rosenberg et sa fille, 130 x 95 cm,
Musée Picasso, Paris
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Pablo Picasso, 1918, Arlequin (Harlequin)
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Pablo Picasso, 1918,
Arlequin au violon (Harlequin with Violin), oil on canvas, 142 x 100.3 cm,
Cleveland Museum of Art, Ohio
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Pablo Picasso, 1918,
Pierrot, oil on canvas, 92.7 x 73 cm,
Museum of Modern Art
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Pablo Picasso, published in Klingen, Volume 1, Number 10, June 1918
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Pablo Picasso, 1918, Arlequin jouant de la guitare (Harlequin)
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Pablo Picasso, 1918,
Still Life, oil on canvas, 97.2 x 130.2 cm,
National Gallery of Art
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Pablo Picasso, 1919, La table devant la fenêtre (The Table in front of the Window), oil on canvas
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Pablo Picasso, 1919,
Sleeping Peasants, gouache, watercolor and pencil on paper, 31.1 x 48.9 cm,
Museum of Modern Art, New York
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Pablo Picasso, 1919,
Paysage (Landscape with Dead and Live Trees), oil on canvas, 49.4 x 65.4 cm,
Bridgestone Museum of Art, Tokyo
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Pablo Picasso, c.1919, Nature morte au pichet et aux pommes (still-life with a pitcher and apples), work on paper, dimensions and whereabouts unknown
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Pablo Picasso, c.1919, Ballerinas (Three Dancers), work on paper (slightly cropped), dimensions and whereabouts unknown
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Pablo Picasso, 1921,
Nous autres musiciens (Three Musicians), oil on canvas, 204.5 x 188.3 cm,
Philadelphia Museum of Art
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Pablo Picasso, 1921-22, Les baigneurs (The Bathers)
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Pablo Picasso, 1922,
Quatre baigneuses (Four Bathers), egg tempera on vellum, mounted on wood panel, 10.16 x 15.24 cm (4 x 6 in), Collection
Paul Allen
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Pablo Picasso, 1921,
Nu assis s'essuyant le pied (
Seated Nude Drying her Foot), pastel, 66 x 50.8 cm,
Berggruen Museum
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Pablo Picasso, 1921,
Head of a woman, pastel on paper, 65.1 x 50.2 cm,
Metropolitan Museum of Art, New York
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Juan Gris , 1907, El 1 de mayo en el Kursall. Illustration published in the magazine ¡Alegría!, Madrid 1907
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Juan Gris, 1911,
Maisons à Paris (
Houses in Paris), 1911, oil on canvas, 52.4 x 34.2 cm,
Solomon R. Guggenheim Museum, New York
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Juan Gris, 1912, Portrait (Etude pour le Portrait de Germaine Raynal), pencil and charcoal on paper, 36 x 26.5 cm, private collection, reproduced in Les Peintres Cubistes, 1913
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Juan Gris, 1912, Les Cigares (The Packet of Cigars), oil on canvas, 22 x 28 cm, private collection, reproduced in Les Peintres Cubistes, 1913
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Juan Gris, 1912, La Guitare (Guitar and Glasses), oil on canvas, 30 x 58 cm, private collection, reproduced in Les Peintres Cubistes, 1913
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Juan Gris, 1913,
Guitar and Pipe, oil and charcoal on canvas, 64.77 × 50.17 cm,
Dallas Museum of Art
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Juan Gris, 1914,
Glass of Beer and Playing Cards, oil on canvas, 54.9 x 37.8 cm (21 5/8 x 14 7/8 in.), Columbus Museum of Art
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Juan Gris, 1914,
Le Compotier (The Fruit Bowl), chalk and oil on canvas, 92 x 65 cm,
Kröller-Müller Museum, Otterlo, Netherlands
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Juan Gris, 1915,
Still Life before an Open Window, Place Ravignan,
Philadelphia Museum of Art
-
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Juan Gris, September 1915,
Jeu d'échecs (
The Checkerboard), oil on canvas, 92.1 x 73 cm,
Art Institute of Chicago
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Juan Gris, 1916, Woman with Mandolin, after Corot (La femme à la mandoline, d'après Corot), oil on canvas, 92 x 60 cm, Kunstmuseum Basel
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Jean-Baptiste-Camille Corot, 1860–65,
Girl with Mandolin, oil on canvas, 51.4 x 40.3 cm, Saint Louis Art Museum (cropped).jpg
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Juan Gris, October 1916,
Portrait of Josette, oil on canvas, 116 x 73 cm,
Museo Nacional Centro de Arte Reina Sofía, Madrid
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Juan Gris, 1917, Compotier et nappe à carreaux (Fruit Dish on a Checkered Tablecloth), oil on wood panel, 80.6 x 53.9 cm, Guggenheim Museum
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Juan Gris, 1919,
Arlequin à la guitare (
Harlequin with Guitar), oil on canvas, 116 x 89 cm,
Musée National d'Art Moderne, Paris
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Edwin Scharff, before 1920,
Großer Schreitender Mann (Man of the border), sculpture
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Andrew Dasburg, ca. 1912,
Lucifer, plaster of Paris, exhibited at the 1913
Armory show, no. 647 of the catalogue. Dasburg extensively reworked by carving directly into a sculpture of a life-size plaster head by
Arthur Lee.(
American Studies at the University of Virginia)
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Pierre Dumont, c.1912,
Cathédrale de Rouen (Rouen Cathedral), oil on canvas, 192.4 x 138.7 cm,
Milwaukee Art Museum
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Jean Lambert-Rucki, 1919,
La Visite, 65 x 92 cm, Musée des Années 30, Boulogne-Billancourt, Dépôt du
Centre Georges Pompidou, MNAM, Paris
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Morgan Russell, 1913-14,
Synchromy in Orange, To Form, oil on canvas
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Amedeo Modigliani, 1919,
La Femme à l'éventail (Woman with a Fan), oil on canvas, 100 x 65 cm, stolen from
Musée d'Art Moderne de la Ville de Paris
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Emil Nolde, 1915,
The Burial (Die Grablegung, Begravelsen), oil on canvas, 87 x 117 cm, Stiftung Nolde, Seebüll, Nasjonalmuseet,
National Museum of Art, Architecture and Design, Norway
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Max Pechstein, 1911,
Under the Trees (Akte im Freien), oil on canvas, 73.6 x 99 cm (29 x 39 in),
Detroit Institute of Arts
-
-
Lyonel Feininger, 1914,
Benz VI, oil on canvas, 100 x 125 cm (39.3 x 49.2 in)
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František Kupka,
Amorpha, Fugue en deux couleurs (
Fugue in Two Colors), 1912, oil on canvas, 210 x 200 cm, Narodni Galerie, Prague. Published in
Au Salon d'Automne "Les Indépendants" 1912, Exhibited at the 1912 Salon d'Automne, Paris
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Jean Crotti, 1915,
Portrait of Marcel Duchamp (Sculpture made to measure), mixed media. Exhibited Montross Gallery 4-22 April 1916, New York City. Sculpture lost or destroyed. Photo: MoMA
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Jean Crotti, 1915,
Portrait of Marcel Duchamp (Sculpture made to measure), mixed media. Exhibited Montross Gallery 4–22 April 1916, New York City. Sculpture lost or destroyed
-
Ossip Zadkine, 1913,
Maternité, painted elmwood, 81 cm, exhibited
Salon des Indépendants, 1914, Paris. Published in
Montjoie!, 1914
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Ossip Zadkine, 1918,
Femme au violon (Woman with a Violin). Published in Action: Cahiers Individualistes De Philosophie Et D’art, October 1920
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Ossip Zadkine, 1920, Venus, published in Action: Cahiers individualistes de philosophie et d’art, Volume 1, Number 4, July 1920
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Albert Lebourg,
Bords de Seine à Chatou, oil on canvas, 46.4 by 65.1 cm (18.25 by 25.6 in)
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Albert Lebourg, before 1918,
Paris, l'écluse de la Monnaie. Soleil d'hiver, oil on canvas, 81.5 x 115.5 cm,
Musée d'Orsay, Paris
-
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William Didier-Pouget circa 1907 in his studio, 12
Boulevard de Clichy, Paris (Postcard)
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William Didier-Pouget, ca.1909,
Matinée dans le Limousin, Bruyères en fleurs, oil on canvas, 240 x 170 cm. Sale, Tajan Paris, Monday 18 November 2002, Lot 205 (entitled
Bergère).
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William Didier-Pouget, Ajoncs et Bruyères, Salon 1912, postcard
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William Didier-Pouget, ca.1902-1903,
Hauts Plateaux de la Corrèze, oil on canvas, 47.5 x 83.5 cm. (18 3/4 x 32 3/4 in.). Sale, Bonhams London, Tuesday, March 27, 2007, Lot 76 (entitled
Bruyères en fleurs).
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William Didier-Pouget, ca.1907-1908,
Bruyères en Fleurs, Le Matin, oil on canvas, 129.5 x 209.6 cm (51 x 82.5 inches). Sale, Sotheby's New York: Thursday, October 24, 1996, Lot 302 (entitled
Bruyeres en fleurs: Le matin).
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William Didier-Pouget, ca.1907-1908,
Le Matin, Bruyères en Fleurs (
Auvergne), oil on canvas, 182.9 x 251.8 cm (detail). Sale: Sotheby's New York, Wednesday, October 13, 1993, Lot 16 (entitled
Ruins of Crozant (
Creuze)).
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William Didier-Pouget,
Lande aux Bruyères, Plateau de Ger (
Hautes-Pyrénées), oil on canvas, 55 x 85 cm, Collection d'Art de la Ville de Paris, Palais des Beaux-Arts, Paris.
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William Didier-Pouget in his studio, 12 Boulevard de Clichy, Paris, circa 1907, Postcard (detail). This postcard was postmarked and mailed in 1907
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William Didier-Pouget, Le soir dans les Hautes Pyrénées, Salon 1904, postcard
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William Didier-Pouget Matinée dans le Limousin, Bruyères en fleurs, postcard, Salon 1910
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Henri Biva, 1903, The Artist at Villeneuve l'Etang (detail)
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Henri Biva, ca 1905-06,
Matin à Villeneuve (From Waters Edge), oil on canvas, 60 1/2 x 50 inches (153.7 x 127 cm), painted at Villeneuve l'Etang, Marnes-la-Coquette (Seine-et-Oise), France, private collection
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Henri Biva,
By the river, signed Henri Biva (lower left) oil on canvas, 122 by 162 cm.
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Henri Biva,
Bord de rivière ensoleillé, signed Henri Biva (lower left), oil on canvas, 53.3 by 59.7 cm.
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Henri Biva,
A quiet stretch of the river, signed Henri Biva (lower right), oil on canvas, 50 by 61 cm.
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Henri Biva,
Sur le Pont de Villeneuve, Temps couvert before 1914. Postcard for the Salon the Paris, 1914. Location, Marnes-la-Coquette (Seine-et-Oise), France
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Henri Biva,
Le Matin embrumé à Villeneuve-l'Etang, Postcard for the Salon de Paris, 1910
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Henri Biva, ca. 1909,
The artist painting at Villeneuve-l'Etang, Marnes-la-Coquette (Seine-et-Oise), France
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Camille Bouvagne,
Le Bistrot, oil on canvas, 40 x 55 cm
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Gustave Caillebotte, c.1880,
L'homme au balcon, Man on a Balcony, oil on canvas, 116 x 97 cm, private collection
-
Louis Tocqué, c.1758,
Portrait of Anna Stroganova (1743-1769), oil on canvas
-
Jean Carolus,
L'atelier du peintre, oil on panel, 47 x 24.4 cm
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Joachim Patinir,
St Christopher Bearing the Christ Child, oil on panel, 48 x 59.5 cm (18.9 x 23.4 in),
Rockoxhuis, Antwerp, Belgium
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Master of Frankfurt,
Saint Odile and Saint Cecilia, ca. 1503–1506, oil on panel, 113 x 67.9 cm (44 1/2 x 26 3/4 in.),
Historical Museum, Frankfurt. This painting, rendered in
grisaille, forms part of the outer wings of the
Altarpiece of St. Anne commissioned for the Dominican Church of Frankfurt circa 1504.
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Lambda-CDM model, Accelerated Expansion of the Universe. The time-line in this schematic diagram extends from the big bang/inflation era 13.7 Gyr ago to the present cosmological time. (Personal work)
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Georges Seurat, 1891,
Le Cirque (The Circus), oil on canvas, 185 x 152 cm,
Musée d'Orsay, Paris (includes frame painted by Seurat)
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Henri-Edmond Cross, 1907-08,
La Pleine de Bormes, oil on canvas, 73.1 x 91.8 cm. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
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Paul Signac, 1890,
Portrait of Félix Fénéon, Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, oil on canvas, 73.5 x 92.5 cm,
Museum of Modern Art, New York
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Bohumil Kubišta, 1908,
Self portrait (Autoportrét, Vlastní podobizna v haveloku), oil on canvas, 91 x 65 cm, Galerie regionale des arts plastiques (
Krajská galerie výtvarného umění ve Zlíně), Zlin, Czech Republic
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Page of the newspaper Excelsior, article title Au Salon d'Automne, Les Indépendants, printed October 1912. Works by Jean Metzinger, Albert Gleizes, František Kupka, Roger de La Fresnaye and others are reproduced
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The Salon d'Automne of 1912, held in Paris at the Grand Palais from 1 October to 8 November. Metzinger's
Danseuse is exhibited second to the right. Other works are shown by
Joseph Csaky,
František Kupka,
Francis Picabia,
Amedeo Modigliani and
Henri Le Fauconnier
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Étienne-Jules Marey,
Cheval blanc monté, 1886,
locomotion du cheval, expérience 4,
Chronophotography sur plaque fixe, négatif
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Eadweard Muybridge, 1887, Animal Locomotion, Plate 187, Dancing, fancy, no. 12, Miss Larrigan
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Eadweard Muybridge, 1887,
Animal Locomotion, Woman Dancing (fancy), plate 187, animated using still photographs: one of the production experiments that led to the development of motion pictures
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L'Oiseau Bleu,
The Blue Bird (play) by
Maurice Maeterlinck, Moscow Art Theatre MKhT, Photographer Fischer, 1908
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Eadweard Muybridge,
Cockatoo flying, 1887, Collotype process,
Animal Locomotion collection, plate 758. Animated using still photographs: one of the production experiments that led to the development of motion pictures.
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Jacques Villon, 1912,
Girl at the Piano (Fillette au piano), oil on canvas, 129.2 x 96.4 cm (51 x 37.8 in), oval,
Museum of Modern Art, New York. Exhibited at the 1913
Armory Show, New York, Chicago and Boston. Purchased from the Armory Show by
John Quinn
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Jacques Villon, 1913, Portrait of Marcel Duchamp, oil on canvas, 60 x 48.5 cm
-
Jacques Villon, 1914,
Portrait de M. J. B. peintre (
Jacques Bon), oil on canvas, 121.92 x 81.28 cm,
Columbus Museum of Art
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Armory Show, 1913, New York Tribune, February 17, 1913 (p. 7). Left to right:
Raymond Duchamp-Villon,
La Maison Cubiste;
Marcel Duchamp Nude (Study);
Albert Gleizes,
l'Homme au Balcon; Marcel Duchamp,
Nude Descending a Staircase, No. 2;
Alexander Archipenko,
La Vie Familiale
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Armory Show, International Exhibition of Modern Art, Chicago, 1913. The Cubist room, Gallery 53 (northeast view), Art Institute of Chicago, March 24–April 16, 1913
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Installation shot of the
Matisse room, 1913 Armory Show, published in the New York Tribune (p. 7), February 17, 1913
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Armory Show artists and members of the press at the beefsteak dinner given by the Association of American Painters and Sculptors, 8 March 1913
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Othon Friesz, 1907,
Paysage à La Ciotat, oil on canvas, 59.9 x 72.9 cm
-
Othon Friesz, 1907-1908,
Le Travail à l'Automne, oil on canvas, 200.5 x 250 cm,
National Museum of Art, Architecture and Design, Oslo
-
Othon Friesz, 1908,
Les Baigneuses des Andelys (
The Bathers of Andelys), oil on canvas, 97 x 162 cm, Musée du Petit Palais, Geneva
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Robert Winthrop Chanler (American, 1872–1930), 1912, Leopard and Deer, Gouache or tempera on canvas, mounted on wood, 194.3 × 133.4 cm (76.5 × 52.5 in), Rokeby Collection. Exhibited at the
Armory Show, New York, 1913
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Robert Winthrop Chanler, 1905, Giraffes, portion of a screen. Print, published 1922
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Robert Winthrop Chanler, Stained Glass windows (one of seven, and a study drawing) in the Whitney Studio, New York City, 1918-1923. Private Collection
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Otto Gutfreund,
Violoncelliste (
Cellist), 1912–13
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Henri Gaudier-Brzeska, 1914,
Boy with a Coney (Boy with a rabbit), marble
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Léopold Survage, 1920, La Ville (The Town), oil on canvas, 254 x 152 cm (black and white photographic reproduction)
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Léopold Survage,
La Ville (Stadt)
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Pablo Gargallo, 1913,
Masque de Picasso (Portrait of Picasso), sculpture, from Maurice Raynal, 1921
-
Arthur Dove, 1911-12,
Based on Leaf Forms and Spaces, pastel on unidentified support. Now lost
-
Arthur Dove,
Cow, 1914, pastel on canvas, 45.1 x 54.6 cm,
Metropolitan Museum of Art, New York
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Arthur Dove, 1930,
Clouds and Water, oil on canvas, 75.2 x 100.6 cm,
Metropolitan Museum of Art
-
Arthur Dove, 1935,
Moon, oil on canvas, 88.9 x 63.5 cm,
National Gallery of Art, Washington DC
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Albert Bloch, 1916,
Summer Night, oil on canvas, 119 x 114 cm, private collection
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Paul Gauguin, 1889,
Pot Anthropomorphe, partially glazed stoneware, 28.4 cm,
Musée d'Orsay, Paris
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Paul Gauguin, 1894,
Oviri (Sauvage), partially glazed stoneware, 75 x 19 x 27 cm,
Musée d'Orsay, Paris. Photo: Coldcreation
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Paul Gauguin, 1894,
Oviri (Sauvage), partially glazed stoneware, 75 x 19 x 27 cm,
Musée d'Orsay, Paris. Photo: Coldcreation
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Paul Gauguin, 1894,
Oviri (Sauvage), partially glazed stoneware, 75 x 19 x 27 cm,
Musée d'Orsay, Paris
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Paul Gauguin, ca.1891-1893,
Tehura (Teha'amana), polychromed pua wood (Perfume Flower Tree), H. 22.2 cm. Realized during Gauguin's first voyage to Tahiti.
Musée d'Orsay, Paris. Photo: Coldcreation
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After Paul Gauguin,
Oviri, carved wood,
Paul Gauguin Cultural Center, Atuona, on Hiva ‘Oa, in the Marquesas Islands, French Polynesia
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Raoul Dufy, 1914,
Le Cavalier arabe (Le Cavalier blanc), oil on canvas, 66 x 81 cm,
Musée d'Art Moderne de la Ville de Paris. At the outbreak of
World War I this painting was confiscated from the collection of
Wilhelm Uhde by the French state and sold at
Hôtel Drouot in 1921
-
Auguste Herbin, 1911,
Le pont de fer (Iron Bridge), oil on canvas, 63.5 x 80 cm. At the outbreak of World War I this painting was confiscated from the collection of
Wilhelm Uhde by the French state and sold at
Hôtel Drouot in 1921
-
Auguste Herbin, 1912,
Les roses, oil on canvas, 92.1 x 60.3 cm. Exposició d'Art francès d'Avantguarda,
Galeries Dalmau, Barcelona, 1920 (page from the catalogue)
-
Aristide Maillol,
Bas Relief, terracota, Armory Show catalogue image (no. 110 of the catalogue)
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Auguste Rodin, before 1886,
The three shades, plaster, 97 x 91.3 x 54.3 cm. In Dante’s Divine Comedy, the shades, i.e. the souls of the damned, stand at the entrance to Hell, pointing to an unequivocal inscription, “Abandon hope, all ye who enter here”. Rodin assembled three identical figures that seem to be turning around the same point.
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Auguste Rodin,
The three shades (Les Trois Ombres), for the top of
The Gates of Hell, before 1886, plaster.
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Auguste Rodin, 1881-1904,
L'Ombre (The Shade), bronze,
Jardin des Tuileries, Paris. Photo: Coldcreation
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Auguste Rodin, 1881-ca.1899,
Éve, bronze,
Jardin des Tuilleries, Paris. Photo by Coldcreation
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Auguste Rodin, 1881-ca.1905,
Méditation avec bras, bronze,
Jardin des Tuilleries, Paris. Photo by Coldcreation
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Wilhelm Lehmbruck, 1911,
Femme á genoux (The Kneeling One), cast stone, 176 x 138 x 70 cm (69.2 x 54.5 x 27.5 in),
Armory Show postcard
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Abastenia St. Leger Eberle, 1912-13, The White Slave. Photograph:
The Survey, Journal Publication, Ohio, 3 May, 1913, Exhibited at the
Armory Show
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George Grey Barnard,
The Birth, marble, exhibited at the
Armory Show, 1913
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Vincent van Gogh, c. 1887,
Self-Portrait, oil on canvas, 40 x 34 cm (15 ¾ by 13 ⅜ in),
Wadsworth Athenaeum Museum of Art, Hartford, CT
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Georges Lacombe, 1894, 1896,
L'Existence, carved wood (Bas-relief en bois de noyer), 68.5 x 141.5 x 6 cm,
Musée d'Orsay, Paris. Photo: Coldcreation
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Georges Lacombe,
Femmes Damnées, bas-relief. Published in Gustave Coquiot,
Cubistes, futuristes, passéistes, Essai sur la jeune peinture et la jeune sculpture, 1914. Photo: Coldcreation
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Antoine Bourdelle, 1907,
Bacchante aux raisins, plaster, 82 x 53 x 20 cm,
Musée Ingres, Montauban, France
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Ernesto De Fiori, Nu, sculpture. Image published in 1914, Gustave Coquiot,
Cubistes, futuristes, passéistes, Essai sur la jeune peinture et la jeune sculpture
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Francisco Durrio de Madrón,
Fragment du Monument Arriaga, pour la Ville de Bilbao, sculpture. Image published in
Cubistes, futuristes, passéistes, 1914
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Henri Rousseau, ca.1905-07,
Eve and the Serpent, oil on canvas, 61 x 46 cm,
Kunsthalle Hamburg, Germany
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Andries Cornelius Lens,
Dance of the Maenad (The transformation of an Apulian man into an olive tree), c.1765, oil on canvas, 100 x 118 cm,
Kunsthistorisches Museum, Vienna, Austria
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Georges Rouault, 1905,
Jeu de massacre (Slaughter), (Forains, Cabotins, Pitres), (La noce à Nini patte en l'air), watercolor, gouache, India ink and pastel on paper, 53 x 67 cm,
Centre Georges Pompidou, Paris
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Cover of the Catalogue for the 1911
Salon d'Automne, Paris
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Eugène Carrière, 1899,
Le Réveil, Le Baiser à la mère (Her Mother's Kiss), oil on canvas, 94 x 120 cm,
Pushkin Museum, Moscow
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Paul Cézanne, 1888-90,
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress, oil on canvas, 116.5 x 89.5 cm, The
Metropolitan Museum of Art, New York
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Paul Cézanne, 1890-94,
Madame Cézanne in a Red Dress, oil on canvas, 93.3 × 74 cm (36.7 × 29.1 in), Vermelho,
São Paulo Museum of Art. (Black and white). Reproduced in
Du "Cubisme"
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Tobeen, 1912,
Pelotaris, oil on canvas, 147.5 x 115.5 cm, shown at
Salon des Indépendants 1912, and Moderni Umeni, SVU Mánes, Prague, 1914
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Marcel Duchamp,
Jacques Villon,
Raymond Duchamp-Villon in the garden of Villon's studio, Puteaux, France, c.1913
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Cycles J.B. Louvet, Poster Tour de France 1912, Collection Ivan Bonduelle
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Deer hunting scene. Miniature from the Le Livre de chasse de Gaston Phébus (original work written in 1387-89), 1405-1410,
Musée national du Moyen Âge,
Musée de Cluny, Paris
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Gustave Courbet, 1856,
The Quarry (La Curée), oil on canvas, 210.2 x 183.5 cm,
Museum of Fine Arts, Boston
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Georges Valmier, 1928,
Les Tulipes (The Tulips), oil on canvas, 92 x 65 cm, private collection
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Paul Cézanne
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Joaquim Sunyer, c.1920,
La sandía (The Watermelon), oil on canvas, 59 x 71.5 cm,
Museu Nacional d'Art de Catalunya, Exposició d'Art francès d'Avantguarda,
Galeries Dalmau, Barcelona, 1920
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Paul-Élie Gernez
[fr],
Saint-Claude, Exposició d'Art francès d'Avantguarda,
Galeries Dalmau, Barcelona, 1920 (catalogue)
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Albert Marquet, 1906,
Fécamp (
The Beach at Sainte-Adresse), oil on canvas, 64.5 x 80 cm
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Albert Marquet, 1919,
La femme blonde (Femme blonde sur un fond de châle espagnol), oil on canvas, 98.5 x 98.5 cm,
Musée National d'Art Moderne,
Centre Georges Pompidou, Paris
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Louis Valtat, 1913,
Nu au fauteuil (
Nu sur fond rose), oil on canvas, 81.4 x 65.4 cm, private collection. Exposició d'Art francès d'Avantguarda,
Galeries Dalmau, Barcelona, 1920
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André Dunoyer de Segonzac, 1911,
Les Boxeurs (The Boxers), location unknown, presumed destroyed by the artist. Black and white reproduction in Huntly Carter,
The new spirit in drama & art, 1912
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Ivan Puni, 1914,
Portrait of Artist's Wife (Портрет жены художника), The
Russian Museum, St Petersburg
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Jean Puy, 1905,
Flânerie sous les pins, oil on canvas, 81 x 115 cm,
Musée Paul-Dini de Villefranche-sur-Saône. Exhibited at the 1905
Salon d'Automne
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Ardengo Soffici, 1912-13, Deconstruction of the Planes of a Lamp, oil on panel, 45 x 35 cm,
Estorick Collection, London
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Béla Czóbel,
Portrait de Femme, c. 1908-09
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Jacques Doucet’s hôtel particulier, 33 rue Saint-James, Neuilly-sur-Seine, 1929, photograph
Pierre Legrain
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Maurice de Vlaminck, 1906,
The Seine at Chatou, oil on canvas, 82.6 x 101.9 cm,
Metropolitan Museum of Art, New York
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Maurice de Vlaminck, 1905-06,
Barges on the Seine (
Bateaux sur la Seine), oil on canvas, 81 x 100 cm,
Pushkin Museum, Moscow
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Maurice de Vlaminck, c.1909,
Town on the Bank of a Lake, oil on canvas, 81.3 x 100.3 cm,
Hermitage Museum, Saint Petersburg
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Maurice de Vlaminck, c.1912,
Village, oil on canvas, 73.7 x 92.1 cm (29 x 36 1/4 in.),
Art Institute of Chicago
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Luigi Russolo, 1911,
The Revolt (
La rivolta), oil on canvas, 150.8 x 230.7 cm,
Gemeentemuseum Den Haag
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Luigi Russolo, 1911, Souvenir d'une nuit (Memories of a Night), oil on canvas, 99 x 99 cm, private collection
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Luigi Russolo, 1912,
Sintesi plastica dei movimenti di una donna (
Synthèse plastique des mouvements d'une femme), oil on canvas, 86 x 65 cm,
Musée de Grenoble
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Joseph Stella, 1919-20,
Brooklyn Bridge, oil on canvas, 215.3 x 194.6 cm,
Yale University Art Gallery
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Joseph Stella, 1913-14,
Battle of Lights, Coney Island, Mardi Gras, oil on canvas, 195.6 × 215.3 cm,
Yale University Art Gallery
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Entartete Kunst,
Degenerate Art Exhibition poster, 1938
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Entartete Kunst poster, Berlin, 1938
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Joan Miró,
Carrer de Pedralbes, drawing, published in
Troços, Segona sèrie, N. 4, March 1918
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Joan Miró, 1918,
La casa de la palmera (
House with Palm Tree), oil on canvas, 65 x 73 cm,
Museo Nacional Centro de Arte Reina Sofía
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Joan Miró, 1918,
Portrait of Heriberto Casany (
Le chauffeur), oil on canvas, 70.2 x 62 cm,
Kimbell Art Museum. Exhibited at Galerie La Licorne, Paris, 1921, reproduced in the catalogue
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Joan Miró, 1919,
Nu au miroir (Nude with a Mirror, Naakt met mirror), oil on canvas, 113 x 102 cm,
Kunstsammlung Nordrhein-Westfalen. Exhibited at Galerie La Licorne, Paris, 1921, reproduced in the catalogue
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Joan Miró, 1920,
Horse, Pipe and Red Flower, oil on canvas, 82.6 x 74.9 cm,
Philadelphia Museum of Art. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
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Joan Miró, 1920,
Les cartes espagnoles (
The Spanish Playing Cards), oil on canvas, 63.5 x 69.5 cm,
Minneapolis Institute of Arts
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Henri Laurens,
Céline Arnauld, Tournevire, 1919
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Henri Laurens, 1920,
Le Petit boxeur, 43 cm, reproduced in Život 2 (1922), p 53
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Henri Manguin, 1905,
La Sieste (
Le repos, Jeanne, Le rocking-chair), oil on canvas, 88.9 x 116.84 cm, Villa Flora, Winterthur
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Henri Manguin, 1906,
Baigneuse (
Woman Bather), oil on canvas,
Pushkin Museum, Moscow
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Henri Manguin, 1906,
Le Rocher (
La Naïade, Cavalière), oil on canvas, 71 × 89 cm, private collection
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George Grosz,
Daum marries her pedantic automaton George in May 1920, John Heartfield is very glad of it,
Berlinische Galerie
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Emil Filla, c.1912,
Nude, watercolor on board, 43.18 x 62.23 cm
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Jean Arp, reproduced in
391, No. 8, Zurich, February 1919
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Olaf Rude, 1918,
Sankt Georg og dragen (
Saint George and the dragon), oil on canvas, 99.7 x 79.9 cm,
ARoS Aarhus Kunstmuseum
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Chana Orloff, 1915,
Amazone, bronze, 73.5 cm
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Wyndham Lewis, 1912,
The Dancers
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Joan Rebull, sculpture, stone, approximately 170 x 300 cm, Passeig de Sant Joan 102, Barcelona. Photo: Coldcreation
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Vicenç Navarro Romero, sculpture, stone, approximately 240 cm, Passeig de Sant Joan 102, Barcelona. Photo: Coldcreation
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Enric Monjo, sculpture, stone, approximately 240 cm, Location, Passeig de Sant Joan 102, Barcelona. Photo: Coldcreation
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Rafael Atché i Ferré, 1888,
Catalunya, Monument to Columbus, Two workers cleaning the Monument to Columbus, Catalunya (detail). Photo: Coldcreation
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Rossend Nobas, Quadriga de l'Aurora, fosa de ferro colat originalment daurat, Parc de la Ciutadella, Cascada, Barcelona. Photo: Coldcreation
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Alfredo Lanz, 2004, Homenatge a la natació, sculpture, Barcelona
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Roy Lichtenstein,
Cap de Barcelona, sculpture, mixed media, Barcelona. This is technically the verso (back) of the sculpture. Photo: Coldcreation
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Ricardo Bofill (Ricard Bofill Leví) Richard Bofill,
Les quatre barres de la senyera catalana, circa 2010, near Hotel W Barcelona, Plaça de la Rosa del Vents 1, Barcelona. The Senyera ("flag" in Catalan), is a vexillological symbol based on the coat of arms of the Crown of Aragon. Photo: Coldcreation
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Ricardo Bofill (Ricard Bofill Leví),
Les quatre barres de la senyera catalana, circa 2010, near Hotel W Barcelona, Plaça de la Rosa del Vents 1, Barcelona. The Senyera ("flag" in Catalan), is a vexillological symbol based on the coat of arms of the Crown of Aragon. Photo: Coldcreation
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Ricardo Bofill,
Les quatre barres de la senyera catalana, circa 2010, Hotel W Barcelona, Plaça de la Rosa del Vents 1, Barcelona. The Senyera ("flag" in Catalan), is a vexillological symbol based on the coat of arms of the Crown of Aragon. Photo: Coldcreation
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Josep Llimona, 1903,
Desconsol, white marble, copy from 1984, Parc de la Ciutadella, Barcelona. Photo: Coldcreation
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Josep Llimona, 1903,
Desconsol, white marble, copy from 1984, Parc de la Ciutadella, Barcelona. Photo: Coldcreation
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Antoine Bourdelle, ca.1922,
Monument La France, H. 9 m, bronze, fondue par Hohwiller, érigée le 18 juin 1948 sur le parvis du
Musée d'art moderne de la Ville de Paris,
Palais de Tokyo. Photo: Coldcreation
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Théâtre des Champs-Élysées, 15 Avenue Montaigne, Paris. Opened in 1913, designed by French architect
Auguste Perret, with bas-reliefs
Antoine Bourdelle. Photo: Coldcreation
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Antoine Bourdelle, 1910-12,
Apollon et sa méditation entourée des 9 muses (The Meditation of Apollon and the Muses), bas-relief,
Théâtre des Champs Elysées. Photo: Coldcreation
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Antoine Bourdelle, 1910-12,
Apollon et sa méditation entourée des neuf muses, bas-relief, Théâtre des Champs-Élysées. Photo: Coldcreation
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Antoine Bourdelle, 1910-12,
Apollon et sa méditation entourée des neuf muses, bas-relief, Théâtre des Champs-Élysées, Paris. Photo: Coldcreation
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Antoine Bourdelle, 1910-12,
Apollon et sa méditation entourée des neuf muses, bas-relief, Théâtre des Champs-Élysées, Paris. Photo: Coldcreation
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Antoine Bourdelle, 1910-12,
La Musique, bas-relief,
Théâtre des Champs-Élysées, Paris. Photo: Coldcreation