Radha Krishna, queen and king of Goloka
Radha Krishna, queen and king of Goloka

Goloka (Sanskrit: गोलोक), or Goloka Vrindavan (गोलोक वृन्दावन, IAST: Goloka Vṛndāvana), is the eternal supreme abode of the Hindu god Krishna and his consort Radha.[1][2] In the Bhagavata Purana, Krishna is portrayed as the highest person who resides in Goloka.[3]

According to the Gaudiya Vaishnava philosopher Jiva Goswami, Goloka, also called Vrindavan, is the highest spiritual planet and can be further manifested into three abodes, called Mathura, Dwarka and Gokula, according to the difference in the pastimes and associates of Krishna.[4]

Goloka is mentioned in Gaudiya Vaishnavism, the Swaminarayan Sampraday, the Pranami Sampraday, Pushtimarg and the Nimbarka Sampradaya, and in scriptures such as the Pancharatra texts,[5] the Garga Samhita,[6] Brahma Samhita, Brahma Vaivarta Purana and Devi-Bhagavata Purana.

Etymology

Goloka literally means "World of cows".[7] The Sanskrit word go refers to "cow" and loka is translated as "realm."

Lord Krishna is also known as Gaulokvihari (vihari means "a resident of") since he is a resident of Goloka and his consort Radha is called Radhika.[8] The Shri Swaminarayan Mandir in Mumbai has two murtis dedicated to this particular form of the gods.

Description

Painting of Radha Krishna
Painting of Radha Krishna

A description of Goloka can be found in the Brahma Samhita, verse 5.29:

"I worship Govinda, the primeval Lord, the first progenitor, who is tending the cows, yielding all desires, in abodes built with spiritual gems and surrounded by millions of purpose trees. He is always served with great reverence and affection by hundreds and thousands of devotees resembling goddesses of fortune."

Sanatana Goswami, an author of a number of important works in the bhakti tradition of Gaudiya Vaishnavism, states, "Sri Goloka is considered the ultimate destination of spiritual endeavour."[9]

The Brahma Vaivarta Purana explicitly describes Goloka Vrindavan to be about 500 million yojanas (4 billion miles) above Vaikuntha loka and expands till 30 million yojanas (240 million miles). The depiction is similar with a verse found in brahma samhita 5.43. [10]

Acharyas of Gaudiya Vaishnavaism explains it to be limitless. Both Vaikuntha and Goloka are considered to be Nitya Dhama (eternal realm of existence) which are not prone to annihilation even after the whole cosmic dissolution. Krishna in his two-armed form eternally reside in the realm of Goloka and in his four-armed form, as Vishnu he eternally resides in the realm of Vaikuntha loka.[citation needed]

Literary sources

Mention of Goloka is also found in other Puranas, such as Skanda Purana and Markandeya Purana. In Brihad-bhagavatamrita, Sanatana Goswami explains this verse is quoted from Skanda Purana and it is spoken by Krishna to Arjuna,

Evam bahu-vidhai rupais caramiha vasundharam brahmalokam ca kaunteya golokam ca sanatanam. "I move about in many forms on earth, in Vaikuntha, and in eternal Goloka, O Kaunteya."[11]

In the Markandeya Purana, Krishna declares,[citation needed]

Golokam ca parityajya lokanam trana-karanat kalau gauranga-rupena lila-lavanya-vigrahah. "In the Kali-Yuga, I will leave Goloka and, to save the people of the world, I will become the handsome and playful Lord Gauranga."

Goloka Structure

All the Vaikuntha planets are said to be like petals of a lotus flower, and the principal part of that lotus, called Goloka Vrindāvana, is the center of all the Vaikunthas. Thus the expansions of Krishna in various forms, as well as His various abodes on the spiritual planets in the spiritual sky, are unlimited. Goloka is divided into three different portions: Gokula, Mathurā and Dvārakā. As stated in Brahma-samhitā (5.43), all the Vaikuntha planets in the spiritual sky (known as Vishnuloka) emanate from the predominating deity of Goloka Vrndāvana, known as Svayam Bhagavan.

See also

References and notes

  1. ^ Asiatic Researches or Transactions of the Society Instituted in Bengal for inquiring into the History and Antiquities, Arts, Sciences and Literature of Asia. 16. Bengal Military Orphans Press. 1828. p. 126.
  2. ^ PRADHAN, SHRIKANT (2008). "A UNIQUE IMAGE OF "ARDHARADHAVENUDHARAMURTI: OR "ARDHANARI KRISHNA"". Bulletin of the Deccan College Research Institute. 68/69: 207–213. ISSN 0045-9801.
  3. ^ G. M. Schweig (2005). Dance of divine love: The Rasa Lila of Krishna from the Bhagavata Purana, India's classic sacred love story (PDF). Princeton, NJ; Oxford: Princeton University Press. p. 10. ISBN 0-691-11446-3.
  4. ^ Francis Bryant, Edwin (2007). Krishna: A Sourcebook. United States of America: Oxford University Press. p. 382. ISBN 978-019-514891-6.
  5. ^ goloko nitya-vaikuntho yathakaso yatha disah
  6. ^ 1.23, 2.14, etc.
  7. ^ Paramahamsa Sri Swami Vishwananda (2017). Shreemad Bhagavad Gita: The Song Of Love. PublishDrive. ISBN 9783940381705.
  8. ^ King, Anna S. (2012). "Krishna's Cows: ISKCON's Animal Theology and Practice". Journal of Animal Ethics. 2 (2): 179–204. doi:10.5406/janimalethics.2.2.0179. ISSN 2156-5414.
  9. ^ Śrĩla Sanãtana Goswãmĩ, Śrĩ Bṛhad Bhãgavatãmṛta, Dig-darśinĩ commentary to Part Two (Śrĩ-goloka-mãhãtmya) 1.24 (tr. Gopiparanadhana Dasa, Bhaktivedanta Book Trust, p. 39) ISBN 0-89213-346-5
  10. ^ "Śrī brahma-saṁhitā 5.43". vedabase.io. Retrieved 2021-08-30.
  11. ^ Sri Brahma Samhita: with the commentary Dig-darsani-tika of Sri Jiva Gosvami. The Bhaktivedanta Book Trust. 2008. ISBN 9789171497093.