Prithviraj Kapoor | |
|---|---|
 Kapoor in the film Ek Raat (1942) | |
| Born | Prithvinath Kapoor November 3, 1906 Peshawar, North Western Frontier Province,[1] British India (present-day Khyber Pakhtunkhwa, Pakistan) |
| Died | 29 May 1972 (aged 65) Bombay, Maharashtra, India |
| Education | Lyallpur Khalsa College |
| Alma mater | Edwardes College Peshawar (BA) |
| Occupation | Actor |
| Years active | 1927–1972 |
| Spouse |
Ramsarni Mehra (m. 1923) |
| Children | 6, including Raj, Shammi and Shashi |
| Relatives | Surinder Kapoor (cousin) Kapoor family |
| Honours |
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| |
| In office 3 April 1952 – 2 April 1960 | |
Prithviraj Kapoor (born Prithvinath Kapoor; 3 November 1906 – 29 May 1972) was an Indian actor who is also considered to be one of the founding figures of Hindi cinema.[2] He was associated with IPTA as one of its founding members and established the Prithvi Theatres in 1944 as a travelling theatre company based in Bombay.
He was the patriarch of the Kapoor family of Hindi films, four generations of which, beginning with him, have played active roles in the Hindi film industry, with the youngest generation still active in Bollywood. His father, Basheshwar Nath Kapoor, also played a short role in his movie Awara. The Government of India honoured him with the Padma Bhushan in 1969 and the Dadasaheb Phalke Award in 1971 for his contributions towards Indian cinema.[2]
Prithviraj Kapoor was born as Prithvinath Kapoor on 3 November 1906[3][4] in Peshawar, North Western Frontier Province,[1] British India, into a Punjabi Hindu Dhai Ghar Khatri family of the Kapoor gotra.[5][4] His father, Dewan Basheshwarnath Kapoor, was a police officer in the Indian Imperial Police, posted in the city of Peshawar. His grandfather, Dewan Keshavmal Kapoor, was a Tehsildar in Samundri near Lyallpur.[6] Kapoor was the eldest of eight siblings, five boys (including Prithviraj and Trilok Kapoor, also an actor) and three girls. Film producer Surinder Kapoor, father of actors and producers Anil, Boney and Sanjay Kapoor, was a cousin of Prithviraj Kapoor.[7]
Kapoor's childhood was largely spent in Lyallpur District, Punjab, where his grandparents and extended family lived. Later, his father was transferred to Peshawar, North West Frontier Province, and after some years, the family moved there, while retaining house and property in Lyallpur. Kapoor studied initially at Lyallpur Khalsa College then in Lyallpur,[8] and later at Edwardes College in Peshawar, where he received his Bachelor of Arts.[9] He also went on to study law for a year before deciding to go into acting.
Kapoor began his acting career in the theatres of Lyallpur and Peshawar. In 1928, he moved to Bombay City, Bombay Presidency, with a loan from an aunt. There he joined the Imperial Films Company and started acting in minor roles in movies.[4][10] In 1929, he made his acting debut as an extra in his first film, Be Dhari Talwar.[11][10] He went on to earn a lead role in his third film, titled Cinema Girl, which released in 1930.[12]
After featuring in nine silent films, including Be Dhari Talwar,[13] Cinema Girl, Sher-e-Arab and Prince Vijaykumar,[14] Kapoor did a supporting role in India's first film talkie, Alam Ara (1931).[15] His performance in Vidyapati (1937) was much appreciated. His best-known performance is perhaps as Alexander the Great in Sohrab Modi's Sikandar (1941). He also joined the Grant Anderson Theater Company, an English theatrical company that remained in Bombay for a year.[12][15] Through all these years, Kapoor remained devoted to the theatre and performed on stage regularly. He developed a reputation as a very fine and versatile actor on both stage and screen.
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Main article: Prithvi Theatre |
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By 1944, Kapoor had the wherewithal and standing to found his own theatre group, Prithvi Theatres, whose première performance was Kalidasa's Abhijñānaśākuntalam in 1942. His eldest son, Raj Kapoor, by 1946, had struck out on his own; the films he produced had been successful and this was also an enabling factor. Prithviraj invested in Prithvi Theatres, which staged memorable productions across India. The plays were highly influential and inspired young people to participate in the Indian independence movement and the Quit India Movement. [10] In over 16 years of existence, the theatre staged some 2,662 performances. Prithviraj starred as the lead actor in every single show.[citation needed] One of his popular plays was called Pathan (1947), which was performed on stage nearly 600 times in Mumbai. It opened on 13 April 1947, and is a story of a Muslim and his Hindu friend.[16]
By the late 1950s, it was clear that the era of the travelling theatre had been irreversibly supplanted by the cinema and it was no longer financially feasible for a troupe of up to 80 people to travel the country for four to six months at a time along with their props and equipment and living in hotels and campsites. The financial returns, through ticket sales and the rapidly diminishing largesse of patrons from the erstwhile princely class of India, was not enough to support such an effort. Many of the fine actors and technicians that Prithvi Theatres nurtured had found their way to the movies. Indeed, this was the case with all of Prithviraj's own sons. As Kapoor progressed into his 50s, he gradually ceased theatre activities and accepted occasional offers from film-makers, including his own sons. He appeared with his son Raj in the 1951 film Awara as a stern judge who had thrown his own wife out of his house. Later, under his son, Shashi Kapoor, and daughter-in-law Jennifer Kendal, Prithvi Theatre merged with the Indian Shakespeare theatre company, "Shakespeareana", and the company got a permanent home, with the inauguration of the Prithvi Theatre in Mumbai on 5 November 1978.[17]
In 1996, the Golden Jubilee year of the founding of Prithvi Theatre, India Post, issued a special two Rupee commemorative postage stamp.[18] It featured the logo of the theatre, the dates 1945–1995, and an image of Kapoor.[19] The first day cover, (stamped 15-1-95), showed an illustration of a performance of a travelling theatre in progress, on a stage that seems fit for a travelling theatre, as Prithvi theatre was for sixteen years, until 1960.[17] On the occasion of 100 years of the Indian cinema, another postage stamp, bearing his likeness, was released by India Post on 3 May 2013.
His filmography of this period includes Mughal-e-Azam (1960), where he gave his most memorable performance as the Mughal emperor Akbar, Harishchandra Taramati (1963) in which he played the lead role, an unforgettable performance as Porus in Sikandar-e-Azam (1965), and the stentorian grandfather in Kal Aaj Aur Kal (1971), in which he appeared with his son Raj Kapoor and grandson Randhir Kapoor.[10]
Kapoor starred in the legendary religious Punjabi film Nanak Nam Jahaz Hai (1969), a film so revered in Punjab that there were lines many kilometres long to purchase tickets.[citation needed]
He also starred in the Punjabi films Nanak Dukhiya Sub Sansar (1970) and Mele Mittran De (1972).
He also acted in the Kannada movie Sakshatkara (1971), directed by Kannada director Puttanna Kanagal. He acted as Dr. Rajkumar's father in that movie.
In 1954, he was awarded the Sangeet Natak Akademi Fellowship, and in 1969, the Padma Bhushan by the Government of India. He remained Nominated Rajya Sabha Member for eight years.[14]
He was posthumously awarded the Dadasaheb Phalke Award for the year 1971. He was the third recipient of that award, the highest accolade in Indian cinema.
Kapoor was aged 17 when he was married to the 15-year-old Ramsarni Mehra, a girl of his own community and similar background, in a match arranged by their parents. The marriage was harmonious and conventional and lasted all their lives. In fact, the wedding had been held even earlier, a few years prior to this, and it was the gauna ceremony (farewell) which was celebrated when Ramsarni reached the age of 15 and became old enough to leave her parents and reside with her husband and in-laws. Ramsarni's brother, Jugal Kishore Mehra, would later enter films.[citation needed]
The couple's eldest child, Raj Kapoor, was born the following year in Peshawar, North West Frontier Province, on 14 December 1924; making Prithviraj a father at age 18. By the time Prithviraj moved to Bombay City, Bombay Presidency in 1927, the couple were the parents of three children. In 1930, Ramsarni joined Prithviraj in Bombay. The following year, while she was pregnant for the fourth time, two of their sons died in the space of one terrible week. One of their children, Devinder (called Devi), died of double-pneumonia, while the other child, Ravinder (called Binder or Bindie), died of poisoning in a freak incident when he swallowed rat-poison pills strewn in the garden.[21]
The couple went on to have three more children: sons Shamsher Raj (Shammi) and Balbir Raj (Shashi) (who were to become famous actors and filmmakers in their own right), and daughter, Urmila Sial.[citation needed]
After his retirement, Prithviraj settled in a cottage called Prithvi Jhonpra near Juhu Beach, West Bombay. The property was on lease, which was bought by Shashi Kapoor, and later converted into a small, experimental theatre, the Prithvi Theatre. Both Prithviraj and Ramsarni had cancer and died 16 days apart. Prithviraj died on 29 May 1972 and Ramsarni died on 14 June 1972.[22]
A Samadhi (memorial) of Raj Kapoor at their family farm "Rajbaugh", which means the "king of gardens", also houses Privthiraj Kapoor and his wife's memorial. Rajbaugh lies on the banks of Mula-Mutha River in Loni Kalbhor village 30 km east of Pune in Maharshtra. Kapoor family sold part of 125 acres Rajbaugh to MIT World Peace University (MIT WPU) which built and houses the memorial for the Kapoor family on its campus. It has 7 pagodas and a viewing gallery which displays the Kapoor family photographs. Raj Kapoor shot many of his films at this farm, including Satyam Shivam Sundaram, Mera Naam Joker, Bobby, and Prem Rog among others. Kapoor's family bungalow inside the farm has been preserved; the popular song "Hum Tum Ek Kamre Mein Band Ho" was shot inside this bungalow.[23][24][25][26][27]
