Punjabi language
Bhangra dancers in Punjab, India

Bhangra is a type of traditional folk dance of Punjab area of the Indian subcontinent.[1] It is done in the season of harvesting. According to Manuel (2001), bhangra is especially associated with the vernal Vaisakhi festival.[2]

In a typical performance, several dancers execute vigorous kicks, leaps, and bends of the body—often with upraised, thrusting arm or shoulder movements—to the accompaniment of short songs called boliyan and, most significantly, to the beat of a dhol (double-headed drum).[3] Struck with a heavy beater on one end and with a lighter stick on the other, the dhol imbues the music with a syncopated (accents on the weak beats), swinging rhythmic character that has generally remained the hallmark of bhangra music.[4] An energetic Punjabi dance, bhangra originated with Punjabi farmers as a cultural and communal celebration; its modern-day evolution has allowed bhangra to retain its traditional Punjabi roots, while broadening its reach to include integration into popular music and DJing, group-based competitions, and even exercise[3] and dance programs in schools and studios.[4]

During harvest season

Bhangra was mainly done by Punjabi farmers during the harvesting season. It was mainly performed while farmers did agricultural chores. As they did each farming activity they would perform bhangra moves on the spot.[5] This allowed them to finish their job in a pleasurable way. After harvesting their wheat crops during the Vaisakhi season, people used to attend cultural festivals while dancing bhangra.[5] For many years, farmers performed bhangra to showcase a sense of accomplishment and to welcome the new harvesting season.[6]

Origin and Traditional bhangra folk dance of Majha

Punjabi Bhangra dancer

The Bhangra has origins from the Sialkot District of Punjab dance was founded by Punjabi Jatts and heartly claimed as Jat Art [7] traditionally Performed during harvest season between April and first quarter of May. According to Dhillon (1998), bhangra is related to the Punjabi dance 'Bagaa', which is a martial dance of Punjab.[8] However, the folk dance of Bhangra originated in the Sialkot district of Majha.[8][9][6] The traditional form of bhangra danced in the villages of Sialkot district was regarded as the standard.[10] The community form of traditional bhangra has been maintained in Gurdaspur district, India, and has been maintained by people who have settled in Hoshiarpur, Punjab, India.[8] Traditional bhangra is performed in a circle[11] and is performed using traditional dance steps. Traditional bhangra is now also performed on occasions other than during the harvest season.[12][13] According to Ganhar (1975),[14] bhangra originated in Sialkot of Majha which shares high affinity with Jammu making it part of the heritage of Jammu which is danced on Baisakhi. Other Punjabi folk dances such as Giddha and Luddi have also been heritage of Jammu.[14][15][16][17][18][19] Punjabi language influences can be observed when people dance such dances.[20] Jammu falls within the Punjab region and shares an affinity with Punjab.[21]

Free form traditional bhangra

The 1950s saw the development of the free form traditional bhangra in Punjab, which was patronized by the Maharaja of Patiala, who requested a staged performance of bhangra in 1953. The first significant developers of this style were a dance troupe led by brothers from the Deepak family of Sunam (Manohar, Avtar and Gurbachan) and the dhol player Bhana Ram Sunami.[22] Free form traditional bhangra developed during stage performances which incorporate traditional bhangra moves and also include sequences from other Punjabi dances, namely, Luddi, Jhummar, Dhamaal, and Gham Luddi. The singing of Punjabi folk songs, boliyan, are incorporated from Malwai Giddha.[8] Bhangra competitions have been held in Punjab, India, for many decades, with Mohindra College in Patiala being involved in the 1950s.[22]

Bhangra today

Bhangra connects to a much deeper set of masculine values.[23] Most of these values are set through labour, industry and self-sufficiency in agriculture, loyalty, independence and bravery in personal, political and military endeavours; and the development and expression of virility, vigour, and honour are common themes.[23] Bhangra referred both to formal male performances and to communal dancing among men and women.[23] In the past 30 years, bhangra has been established all over the world. It has become integrated into popular Asian culture after being mixed with hip hop, house and reggae styles of music.[24] Certain bhangra moves have been adapted and changed over time but at its core remains a sense of cultural identity and tradition.[24] We see bhangra take place mainly in the Punjabi culture. Many people tend to showcase bhangra as a source of joy and entertainment at weddings, parties, and all sorts of celebrations.

Many people also do bhangra as a source of exercise, it is an excellent substitution to the gym. Traditionally, bhangra is danced by men but now we see both men and women participating in this dance form. With bhangra competitions all over the world, we see all sorts of people competing in these events.[25]

Women in bhangra

Nowadays, many second-generation Punjabi women are connecting with their culture through bhangra.[26] Many of these young girls tend to bring their bhangra moves into the club scene.[26] D.J. Rekha was one of the first South Asian women to bring popularity to bhangra in the U.S by introducing her Basement Bhangra Parties.[26] Many university and community clubs have started their own bhangra teams. Most of these teams have a wide variety of men and women who come from different backgrounds. Many businesses have created bhangra clubs with the mindset to teach younger kids bhangra. These programs have helped young children stay healthy and connected to the culture of bhangra.[26] Sarina Jain was the very first woman who created the bhangra fitness workout, which is now known as the Masala Bhangra Workout.[26] This workout has taught many people in Iceland the basic steps associated with bhangra, allowing them to learn bhangra in the comfort of their own home.

Raaniyan Di Raunaq

Raaniyan Di Raunaq is India's first all-women's bhangra competition.[27] Even with the abundance of female bhangra performers, many see this dance form as only masculine.[25] Historically, women have fought for the right to perform bhangra.[28] Many women that compete in bhangra shows are judged according to a criterion that is made for male performers.[25] Raaniyan Di Raunaq has customized a bhangra competition just for women or for those who identify as transgender or nonbinary.[25] This competition has coveted a safe space for women to have the ability to compete and be judged equally. Aadi


See also


  1. ^ "Bhangra – dance".
  2. ^ Manuel, Peter (2001). doi:10.1093/gmo/9781561592630.article.47339. ((cite web)): Missing or empty |title= (help); Missing or empty |url= (help)
  3. ^ a b Vora, Shivani (2012-01-12). "A Wedding Dance That's Also a Workout". The New York Times. ISSN 0362-4331. Retrieved 2021-05-01.
  4. ^ a b "Bhangra classes offered for high school credit in B.C." CBC News. Jan 23, 2016. Retrieved May 1, 2016.
  5. ^ a b Pandher, Gurdeep. "Bhangra History". Retrieved 28 November 2019.
  6. ^ a b Singh, Khushwant (23 May 2017). Land of Five Rivers. Orient Paperbacks. ISBN 9788122201079 – via Google Books.
  7. ^ Mooney, Nicola (2011-01-01). Rural Nostalgias and Transnational Dreams: Identity and Modernity Among Jat Sikhs. University of Toronto Press. ISBN 978-0-8020-9257-1.
  8. ^ a b c d Dhillon, Iqbal S. (1998). Folk Dances of Punjab. Delhi: National Book Shop.
  9. ^ Ballantyne, Tony. Between Colonialism and Diaspora: Sikh Cultural Formations in an Imperial World [1]
  10. ^ Ballantyne, Tony (2007). Textures of the Sikh Past: New Historical Perspectives [2]
  11. ^ Bedell, J. M. (23 May 2017). Teens in Pakistan. Capstone. ISBN 9780756540432 – via Google Books.
  12. ^ Black, Carolyn (2003). Pakistan: The culture. ISBN 9780778793489.
  13. ^ "Pakistan Almanac". Royal Book Company. 23 May 2017 – via Google Books.
  14. ^ a b Ganhar, J. N. (23 May 1975). "Jammu, Shrines and Pilgrimages". Ganhar Publications – via Google Books.
  15. ^ Harjap Singh Aujla Bhangra as an art is flourishing in India and appears to be on the verge of extinction in Pakistan [3] Archived 2016-04-05 at the Wayback Machine
  16. ^ Indian Council of Agricultural Research, Mohinder Singh Randhawa (1959) Farmers of India: Punjab Himachal Pradesh, Jammy & Kashmir, by M. S. Randhawa and P. Nath [4]
  17. ^ "Gidha Folk Dance". 12 May 2012.
  18. ^ Balraj Puri (1983). Simmering Volcano: Study of Jammu's Relations with Kashmir [5][permanent dead link]
  19. ^ Hāṇḍā, Omacanda (1 January 2006). Western Himalayan Folk Arts. Pentagon Press. ISBN 9788182741959 – via Google Books.
  20. ^ Datta, Amaresh (23 May 1988). Encyclopaedia of Indian Literature. Sahitya Akademi. ISBN 9788126011940 – via Google Books.
  21. ^ Manohar Sajnan (2001). Encyclopaedia of Tourism Resources in India, Volume 1 [6]
  22. ^ a b Gregory D. Booth, Bradley Shope (2014). More Than c1RSVbOFJc607QbAoIOwCg&ved=0CC4Q6AEwAA#v=onepage&q=sunam%20bhangra&f=false]
  23. ^ a b c Mooney, Nicola (2008-09-19). "Aaja Nach Lai [Come Dance]". Ethnologies. 30 (1): 103–124. doi:10.7202/018837ar. ISSN 1708-0401.
  24. ^ a b "What is Bhangra". Bhangra. Retrieved 28 November 2019.
  25. ^ a b c d Sinnenberg, Jackson (August 8, 2019). "Raniyaan di Raunaq, America's first all-women's bhangra competition, shakes up the status quo". The Washington Post.
  26. ^ a b c d e Dhurandhar, S. (2005). Return to Bhangra; From dance clubs to gym clubs, young South Asian women reclaim a dance never meant for them. Colorlines, 54.
  27. ^ McCoy, Maya (23 May 2019). "Raniyaan di Raunaq is America's First All-Women's Bhangra Competition". Kajal Mag. Kajal Media LLC. Retrieved 28 November 2019.
  28. ^ Schreffler, Gibb (August 2012). "Desperately Seekingsammi: Re-Inventing Women's Dance in Punjab". Sikh Formations. 8 (2): 127–146. doi:10.1080/17448727.2012.702416. ISSN 1744-8727. S2CID 144763946.

Further reading