Indian classical dance or Shastriya Devesh is an umbrella term for various performance arts rooted in Hindu musical theatre styles, whose theory and practice can be traced to the Sanskrit text Natya Shastra. The number of classical dances range from eight to more, depending on the source and scholar. The Sangeet Natak Academy recognizes eight – Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Gaudiya Nritya, Sattriya, Manipuri and Mohiniyattam. Scholars such as Drid Williams add Chhau, Yakshagana and Bhagavata Mela to the list. Additionally, the Indian Ministry of Culture includes Chhau in its classical list. These dances are traditionally regional. They consist of compositions in Telugu, Tamil, Sanskrit, Kannada,Malayalam, Hindi, or any other Indian language and they represent a unity of core ideas in a diversity of styles, costumes and expression. Currently, there are 9 official classical dances in India.
The Natya Shastra is the foundational treatise for classical dances of India, and this text is attributed to the ancient scholar Bharata Muni. Its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance (Shiva), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are a form of expression of spiritual ideas, virtues and the essence of scriptures.
Performance arts and culture
Let Nātya (drama and dance) be the fifth vedic scripture.
Combined with an epic story,
tending to virtue, wealth, joy and spiritual freedom,
it must contain the significance of every scripture,
and forward every art.
While the Natya Shastra is the revered ancient text in the Hindu tradition, there are numerous other ancient and medieval Sanskrit dance-drama related texts that further discuss and expand on the classical repertoire of performance arts, such as the Abhinaya Darpana, Abhinava Bharati, Natya Darpana, Bhava Prakasa and many others. The term "classical" (Sanskrit: "Shastriya") denotes the ancient Indian Shastra-based performing arts.
The text Natya Shastra describes religious arts as a form as margi, or a "spiritual traditional path" that liberates the soul, while the folk entertainment is called desi, or a "regional popular practice".
Indian classical dances are traditionally performed as an expressive drama-dance form of religious performance art, related to Vaishnavism, Shaivism, Shaktism, pan-Hindu Epics and the Vedic literature, or a folksy entertainment that includes story-telling from Sanskrit or regional language plays. As a religious art, they are either performed inside the sanctum of a Hindu temple, or near it. Folksy entertainment may also be performed in temple grounds or any fairground, typically in a rural setting by travelling troupes of artists; alternatively, they have been performed inside the halls of royal courts or public squares during festivals.
However, this is not the case for Kathak and Manipuri as it has their own uniqueness. Kathak can be also performed on courtyards of mosques and had Muslim elements while Manipuri had the huyen langlon genre which focuses on combat.
The Natya Shastra mentions four Pravrittis (traditions, genres) of ancient dance-drama in vogue when it was composed – Avanti (Ujjain, central), Dakshinatya (south), Panchali (north, west) and Odra-Magadhi (east).
Sources differ in their list of Indian classical dance forms. Encyclopædia Britannica mentions six dances. The Sangeet Natak Akademi has given recognition to nine Indian dances. The Indian government's Ministry of Culture includes eleven dance forms. Scholars such as Drid Williams and others include Chhau, Yaksagana and Bhagavata Mela to the eight classical Indian dances in the Sangeet Natak Akademi list.
The classical dance forms recognised by the Sangeet Natak Akademi and the Ministry of Culture are:
There have been many famous dancers in each Indian classical Dance form. Some of them include;
Indian classical dancing started around 200 BCE in India. People in India loved art in India so they developed dancing into their culture, and they would dance at any events like weddings and Diwali. Indian classical dancing is a very joyful and celebratory thing for people to do in the Indian culture. The style of Indian classical dancing is very vibrant and motivational. It is a style of dance that is like a communication with the gods. Indian classical dancing usually happens at festivals and cultural events. The dancers who perform this kind of dance usually is a professional dancer that has had a lot of practice in that specific style of Indian classical dancing. In Indian classical dancing the professional dancers usually dance to beat of the song or sound that is playing. They move their body to rhythm of the music and they flow. They movement and coordination usually sync up with whatever sound or song they are listening to. The dancer takes the role of the character that they hear in the song or sound and become emotionally connected with the story and the audience.
When dancers perform classical Indian dancing they wear traditional clothes. They wear sarees, lenghas and kurtas (Traditional Indian clothing).Usually females are the people performing Indian classical dancing. The costume consists of a long colourful material with a beautiful pattern on it, wrapped around her body, she usually wears a lot of jewellery like necklaces, hand bracelet and leg bracelets the female also wears a head ornamental piece, she usually has a lot of makeup applied to her to make her seem vibrant and attract attention from the crowd, and her outfit is usually custom made by hand. The costume will have a special design on it that consists of many beads and other spectacular designed things attached to the costume. The female wears foot shakers which jingles as she dances.
Quote: "A summation of the signal importance of the Natyasastra for Hindu religion and culture has been provided by Susan Schwartz, "In short, the Natyasastra is an exhaustive encyclopedic dissertation of the arts, with an emphasis on performing arts as its central feature. It is also full of invocations to deities, acknowledging the divine origins of the arts and the central role of performance arts in achieving divine goals (...)".