A handbag, commonly known as a purse in North American English, is a handled medium-to-large bag used to carry personal items.
The term "purse" originally referred to a small bag for holding coins. In many English-speaking countries, it is still used to refer to a small money bag. A "handbag" is a larger accessory that holds objects beyond currency, such as personal items. American English typically uses the terms purse and handbag interchangeably. The term handbag began appearing in the early 1900s. Initially, it was most often used to refer to men's hand-luggage. Women's bags grew larger and more complex during this period, and the term was attached to the accessory. "Pocketbook" is another term for a woman's handbag that was most commonly used on the East Coast of the United States in the mid-twentieth century.
Early modern Europeans wore purses for one sole purpose: to carry coins. Purses were made of soft fabric or leather and were worn by men as often as ladies; the Scottish sporran is a survival of this custom. In the 17th century, young girls were taught embroidery as a necessary skill for marriage; this also helped them make very beautiful handbags.
By the late 18th century, fashions in Europe were moving towards a slender shape for these accessories, inspired by the silhouettes of Ancient Greece and Rome. Women wanted purses that would not be bulky or untidy in appearance, so reticules were designed. Reticules were made of fine fabrics like silk and velvet, carried with wrist straps. First becoming popular in France, they crossed over into Britain, where they became known as "indispensables." Men, however, did not adopt the trend. They used purses and pockets, which became popular in men's trousers.
The modern purse, clutch, pouch, or handbag came about in England during the Industrial Revolution, in part due to the increase in travel by railway. In 1841 the Doncaster industrialist and confectionery entrepreneur Samuel Parkinson (of butterscotch fame) ordered a set of traveling cases and trunks and insisted on a traveling case or bag for his wife's particulars after noticing that her purse was too small and made from a material that would not withstand the journey.
He stipulated that he wanted various handbags for his wife, varying in size for different occasions, and asked that they be made from the same leather that was being used for his cases and trunks to distinguish them from the then-familiar carpetbag and other travelers' cloth bags used by members of the popular classes. H. J. Cave (London) obliged and produced the first modern set of luxury handbags, as we would recognize them today, including a clutch and a tote (named as 'ladies traveling case').
These are now on display in the Museum of Bags and Purses in Amsterdam. H. J. Cave did continue to sell and advertise the handbags, but many critics said that women did not need them and that bags of such size and heavy material would 'break the backs of ladies.' H. J. Cave ceased to promote the bags after 1865, concentrating on trunks instead, although they continued to make the odd handbag for royalty, celebrities or to celebrate special occasions, the Queen's 2012 Diamond Jubilee being the most recent. However, H.J. Cave resumed handbag production in 2010.
When handbags started to become popularized, they were heavily criticized as it was seen as unfeminine. In the early 20th century, Sigmund Freud argued that purses were sexually suggestive as the structure of the purse symbolized female genitalia and sexuality. Before handbags, pockets were secured inside of a woman's dress which held personal items and retrieving items was done discreetly and modestly. Due to handbags being carried in the open, the accessory exposed a woman's personal items. Freud compared women retrieving items from their purse as a representation of masturbation. According to Freud's argument, women who carried purses openly displayed their sexuality due to the sexual symbolism of the purse.
As handbags grew into the mainstream in the 20th century, they began to transform from purely practical items to symbols of the wearer's wealth and worth in society. The styles, materials, prices, and, most importantly, the brand names of purses and handbags became just as (if not more) valuable than the functionality of the bags themselves. Handbags transitioned from being seen as unfeminine, to being seen as specifically feminine and unmasculine. While women's bags served as fashion accessories not meant to hold more than a few personal and beauty items (feminine things), men's bags stayed more in the realm of briefcases: square, hard-edged, plain; containing items pertaining to the “man’s world”: business-related items, documents, files, stationery and pens. The gendered division between the personal bag and the business bag meets in the middle with the unisex alms purse originating in the Middle Ages meant to carry coins to donate to the church or the poor. The charitable symbolism of the alms purse later carried over to women's handbags in general; a woman carrying a bag was seen as upper class and therefore potentially using the bag to hold her donations.
During the 1940s, the rationing of textiles for World War II led to the manufacturing of handbags made in materials like raffia or crocheted from yarn. Some women crocheted their own small handbags from commercial patterns during this period.
"Man purse" redirects here. For the JPEGMafia song, see JPEGMafia discography.
The oldest known purse dates back more than 5000 years, and was a pouch worn by a man, Ötzi the Iceman. Men once carried coin purses. In early modern Europe, when women's fashions moved in the direction of using small ornamental purses, which evolved into handbags, men's fashions were moving in another direction. Men's trousers replaced men's breeches during the course of the 18th and 19th centuries, and pockets were incorporated in the loose, heavy material. This enabled men to continue carrying coins, and then paper currency, in small leather wallets. Men's pockets were plentiful in the 19th century and 20th century trousers and coats, to carry possessions, such as pipes, matches, and knives, and they were an item frequently mended by their wives.
Men's purses were revived by designers in the 1970s in Europe. Since the 1990s, designers have marketed a more diverse range of accessory bags for men. The names man bag, man-purse and murse have been used. The designs common in the U.S. are typically variations on backpacks or messenger bags, and have either a masculine or a more unisex appearance, although they are often more streamlined than a backpack and less bulky than a briefcase. These bags are often called messenger bags or organizer bags. In many other countries, it is common for men to carry small rectangular shoulder bags, often made of leather. The leather satchel is also common. Men's designer bags are produced by well-known companies such as Prada, Louis Vuitton, Coach, and Bottega Veneta in a variety of shapes and sizes. The global men's bag and small leather goods trade is a $4-billion-a-year industry. Sales of men's accessories including "holdall" bags are increasing in North America.
As a fashion accessory, handbags can be categorized according to the silhouette of the bag, as well as the type of handle.
According to the type of handle, handbags are often categorized as:
Handbags that are designed for specific utilitarian needs include:
A distinction can also be made between soft-body handbags or frame handbags, where a metal frame supports the textile or leather of the bag. Frame bags often use a kissing lock closure, with two interlocking metal beads set on the top of the frame. Kissing locks were popular on handbags during the early- to mid-20th century, and remain popular with vintage collectors and in "retro" designs. These locks are still seen on smaller coin purses.
The verb "to handbag" and its humorous usage was inspired in the 1980s by UK prime minister Margaret Thatcher having “weaponized” the handbag in the opinion of British biographer and historian David Cannadine. As “her most visible symbol of her power to command” the bag became an emphatic prop that she produced at meetings to show she meant business. She would invariably bring out of the bag a crucial document from which she would quote, her speech notes often being cut to size to fit inside. Because Thatcher was Britain's first female prime minister, former Daily Telegraph editor Charles Moore wrote in his authorised biography of 2013, “her handbag became the sceptre of her rule”.
The verb's more general meaning of "treating ruthlessly" came to symbolize Thatcher's whole style of government. Victims of her handbaggings, from political leaders to journalists, have testified to what the German chancellor Helmut Kohl perceived as her “ice-cold pursuit of her interests”. US secretary of state James Baker recalled her standby ploy: “When negotiations stall, get out the handbag! The solution is always there.”
Julian Critchley, one of her biggest Tory backbench critics, once said, "Margaret Thatcher and her handbag is the same as Winston Churchill and his cigar." Thatcher's bag was almost as newsworthy an item as she was herself and on the day she died, one of her handbag-makers saw a sharp rise in sales of her favorite structured design. The original bag Thatcher asserts on a signed card was the one “used every day in my time at Downing Street” is archived at Churchill College, Cambridge. Made of dark blue leather “in mock-croc style”, it was a gift from friends on her birthday in 1984.