Vaidyanath Mishra (11 June 1911 – 5 November 1998), better known by his pen nameNagarjun, was a Hindi and Maithili poet who has also penned a number of novels, short stories, literary biographies and travelogues, and was known as Janakavi- the People's Poet.
He is regarded as the most prominent protagonist of modernity in Maithili.[3][4]
Vaidyanath Mishra was born on 11 June 1911 (Jyeshtha Purnima), in the Gram Panchayat Tarauni and Block Benipur in Darbhanga District of Bihar, India to Uma Devi and Gokul Mishra. He spent most of his days in his mother's village Satlakha of Madhubani district, Bihar. He later converted to Buddhism and got the name Nagarjun. His mother died when he was only four years old, and his father being a vagabond himself, couldn't support him so young Vaidyanath thrived on the support of his relatives, and the scholarships he won on the account of him being an exceptional student. Soon he became proficient in Sanskrit, Pali and Prakrit languages, which he first learnt locally and later at Varanasi and Calcutta, where he was also semi-employed, while pursuing his studies. Meanwhile, he married Aparajita Devi and the couple had six children.[citation needed]
Career
He started his literary career with Maithili poems by the pen-name of Yatri (यात्री) in the early 1930s. By the mid-1930s, he started writing poetry in Hindi. His first permanent job of a full-time teacher, took him to Saharanpur (Uttar Pradesh), though he didn't stay there for long as his urge to delve deeper into Buddhist scriptures, took him to the Buddhist monastery at Kelaniya, Sri Lanka, where in 1935, he became a Buddhist monk, entered the monastery and studied the scriptures, just as his mentor, Rahul Sankrityayan had done earlier, and hence took upon the name "Nagarjun". While at the monastery, he also studied Leninism and Marxism ideologies, before returning to India in 1938 to join 'Summer School of Politics' organised by noted peasant leader, Sahajanand Saraswati, founder of Kisan Sabha.[5] A wanderer by nature, Nagarjun spent a considerable amount of his time in the 1930s and the 1940s travelling across India.
He also participated in many mass-awakening movements before and after independence. Between 1939 and 1942, He was jailed by the British courts for leading a farmer's agitation in Bihar. For a long time after independence he was involved with journalism.
He played an active role in Jayaprakash Narayan's movement prior to the Emergency period (1975–1977), and therefore was jailed for eleven months, during the emergency period. He was strongly influenced by Leninist-Marxist ideology.[citation needed] This was one of the reasons that he never found patronage from the mainstream political establishments.
The subjects of his poetry are varied. Effects of both his wandering tendencies and activism, is evident in his middle and later works. His famous poems like Bādal kō Ghiratē Dēkhā hai (Hindi: बादल को घिरते देखा है), is a travelogue in its own right. He often wrote on contemporary social and political issues. His famous poem Mantra Kavita (मंत्र कविता), is widely considered the most accurate reflection of a whole generation's mindset in India. Another such poem is Āō Rānī Hum Ḍhōēṅgē Pālakī (Hindi: आओ रानी हम ढोएंगे पालकी), which sarcastically humiliates the then prime minister of India, Jawaharlal Nehru, for the extravagant welcome thrown by him for Queen Elizabeth.
Besides these accepted subjects of poetry, Nagarjun found poetic beauty in unconventional subjects. One of his most astonishing works is a poem based on a show called With Sharp Teeth (पैने दाँतो वाली). Another such creation is a series of poems on a full-grown jackfruit.
Because of the breadth of his poetry, Nagarjun is considered the only Hindi poet after Tulsidas to have an audience ranging from the rural sections of society to the elite. He effectively freed poetry from the bounds of elitism.
Languages
Maithili was his mother tongue and he authored many poems, essays and novels in Maithili. He was educated in Sanskrit, Pali, and Hindi. Hindi remained the language of the bulk of his literature. The Hindi of his works varies from highly sanskritized to vernacular forms. He was a poet of the masses, and preferred to write in the language of immediate local impact. Therefore, he never adhered to specific bounds of languages.
He also had good grasp of the Bengali language and used to write for Bengali newspapers. He was close to the Bengali Hungry generation or Bhookhi Peerhi poets and helped Kanchan Kumari in translating Malay Roy Choudhury's long poem Jakham and Chana Jor Garam in Hindi.
Awards
Nagarjun was given the Sahitya Akademi Award in 1968 for his historic book Patarheen Nagna Gachh, and the 'Bharat Bharati Award' by the Uttar Pradesh government for his literary contributions in 1983.[6] He was also honoured by the Sahitya Akademi Fellowship, India's highest literary award for lifetime achievement, in 1994.[citation needed]
Major literary works
Poetry
Yugdharao
Kal aur Aaaj
Satrange Pankhon Wali
Talab ki Machhliyan
Khichri Viplava Dekha Humne
Hazar Hazar Bahon Wali
Purani Juliyon Ka Coras
Tumne Kaha Tha
Akhir Aisa Kya Kah Diya Maine
Is Gubare Ki Chhaya Mein.
"Yeh Danturit Muskaan"
Mein Military Ka Boodha Ghoda
Ratnagarbha
Aise bhi hum kya
Bhool jao purane sapne
Apne Khet Mein Chandana
Fasal
Akal aur Uske bad
Harijan Gatha
Badal ko ghirate Dekha hai
Aaj main beej hoon
Mantra Kavita
Novels
Rati Nath Ki Chachi
Balachnama
Baba Bateshar Nath
Himalaya ki betiya
Nai Paudh
Varun Ke Bete
Dukh Mochan
Ugratara
Jamania Ka Baba
Kumbhi Pak
Paro and Asman Mein Chanda Tare.
Abhinandan
Imaratia
Sita Usko
Navturiya
Essay collections
Ant Hinam Kriyanam.
Bum Bholenath
Ayodhya ka raja
Maithili works
Patrahin Nagna Gachh (collection of poems)
Chitra (collection of poems)
Pparo(novel)
Navturiya(novel)
Balchnma(novel)
His work on culture has been published in the form of books entitled Desh Dashkam and Krishak Dashkam.
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