2003 San Francisco (tryout) 2003 Broadway 2005 1st U.S. tour 2006 West End 2009 2nd U.S. tour 2013 1st UK/Ireland tour 2017 2nd UK/Ireland tour 2023 3rd UK/Ireland Tour Multiple international productions (see below)
The musical is told from the perspective of two witches of the Land of Oz. Its plot begins before and continues after Dorothy Gale arrives in Oz from Kansas. Wicked tells the story of two unlikely friends, Elphaba (later known as the Wicked Witch of the West) and Galinda (later known as Glinda the Good), whose friendship struggles through their opposing personalities, viewpoints, same love interest, reactions to the Wonderful Wizard's corrupt government, and, ultimately, Elphaba's fall from grace.
Produced by Universal Stage Productions, in coalition with Marc Platt, Jon B. Platt, and David Stone, with direction by Joe Mantello and choreography by Wayne Cilento, the original production of Wicked premiered on Broadway at the Gershwin Theatre in October 2003, after completing pre-Broadway tryouts at San Francisco's Curran Theatre in May and June of that year. Its original stars included Idina Menzel as Elphaba, Kristin Chenoweth as Glinda, and Joel Grey as the Wizard.[1] The original Broadway production won three Tony Awards and seven Drama Desk Awards, while its original cast album received a Grammy Award. On April 11, 2023, with its 7,486th performance, it surpassed Cats to become Broadway's fourth-longest running show.[2] A typical performance of the show takes about two hours and 30 minutes, including an intermission.[3]
The success of the Broadway production has spawned many productions worldwide, including a long-running West End production. Wicked has broken box-office records around the world, holding weekly-gross-takings records in Los Angeles, Chicago, St. Louis, and London. In the week ending January 2, 2011, the London, Broadway, and both North American touring productions simultaneously broke their respective records for the highest weekly gross.[4][5] In the final week of 2013, the Broadway production broke this record again, earning $3.2 million.[6] In 2016, Wicked surpassed $1 billion in total Broadway revenue, joining The Phantom of the Opera and The Lion King as the only Broadway shows to do so. In 2017, Wicked surpassed The Phantom of the Opera as Broadway's second-highest grossing musical, trailing only The Lion King.[7]
Composer and lyricist Stephen Schwartz discovered Maguire's 1995 novel Wicked: The Life and Times of the Wicked Witch of the West while on vacation, and saw its potential for a dramatic adaptation.[8] However, Maguire had released the rights to Universal Pictures, which had planned to develop a live-action feature film.[9] In 1998, Schwartz persuaded Maguire to release the rights to a stage production[10] while also making what Schwartz himself called an "impassioned plea" to Universal producer Marc Platt to realize Schwartz's own intended adaptation. Persuaded, Platt signed on as joint producer of the project with Universal and David Stone.[9]
The novel, described as a political, social, and ethical commentary on the nature of good and evil, takes place in the Land of Oz, in the years surrounding Dorothy's arrival. The story centers on Elphaba, a misunderstood, smart, and fiery girl with emerald-green skin, who grows up to become the notorious Wicked Witch of the West and Galinda, the beautiful, blonde, popular girl who grows up to become Glinda the Good. The story is divided into five scenes based on the location and presents events, characters, and situations adapted from L Frank Baum's The Wonderful Wizard of Oz (1900) and its 1939 film adaptation in new ways. It is designed to set the reader thinking about what it really is to be "Wicked", and whether good intentions with bad results are the same as bad intentions with bad results. Schwartz considered how best to condense the novel's dense and complicated plot into a sensible script.[10] To this end, he collaborated with Emmy Award-winning writer Winnie Holzman to develop the outline of the plot over the course of a year,[11] while meeting with producer Marc Platt to refine the structural outline of the show, creating an original stage piece rather than a strict adaptation of Maguire's work.[10]
While the draft followed Maguire's idea of retelling the story of the 1939 film from the perspective of its main villain, the storyline of the stage adaptation "goes far afield" from the novel. Holzman observed in an interview with Playbill that: "It was [Maguire's] brilliant idea to take this hated figure and tell things from her point of view, and to have the two witches be roommates in college, but the way in which their friendship develops—and really the whole plot—is different onstage."[12] Schwartz justified the deviation, saying: "Primarily we were interested in the relationship between Galinda—who becomes Glinda—and Elphaba... the friendship of these two women and how their characters lead them to completely different destinies."[13] Other major plot modifications include Fiyero's appearance as the scarecrow, Elphaba's survival at the end, Nessarose using a wheelchair instead of being born without arms, Boq having a continuing love interest for Glinda and eventually becoming the Tin Woodman instead of Nick Chopper, cutting Elphaba's years in the Vinkus, the deletion of Liir's birth, Fiyero not having a wife and children, Doctor Dillamond being fired instead of being murdered, and Madame Morrible going to prison instead of dying.[14]
The Curran Theatre in San Francisco, where Wicked made its debut
The book, lyrics, and score for the musical were developed through a series of readings.[10] In these developmental workshops, Kristin Chenoweth, the Tony Award–winning actress whom Schwartz had in mind while composing the music for the character,[15] joined the project as Glinda. Stephanie J. Block played Elphaba in the workshops (she played Elphaba in the first national tour and later as a Broadway cast replacement) before Idina Menzel was cast in the role in late 2002. Earlier that year, the creators recruited New York producer Stone, who began planning the Broadway production. Joe Mantello was engaged as director and Wayne Cilento as choreographer, while designer Eugene Lee created the set and visual style for the production inspired by W. W. Denslow's original illustrations for Baum's novels and Maguire's concept of the story being told through a giant clock.[15] Costume designer Susan Hilferty created a "twisted Edwardian" style in building more than 200 costumes, while lighting designer Kenneth Posner used more than 800 lights to give each of the 54 distinct scenes and locations "its own mood".[15] By April 2003, the show was in rehearsals.[15]
Following the out-of-town tryout in San Francisco in May and June 2003, which received mixed critical reception, the creative team made extensive changes before its transfer to Broadway.[15] Holzman recalled:
Stephen [Schwartz] wisely had insisted on having three months to rewrite in between the time we closed in San Francisco and when we were to go back into rehearsals in New York. That was crucial; that was the thing that made the biggest difference in the life of the show. That time is what made the show work.[16]
Elements of the book were rewritten, while several songs underwent minor changes.[15] "Which Way is the Party?", the introductory song to the character Fiyero, was replaced by "Dancing Through Life".[17] Concern existed that Menzel's Elphaba "got a little overshadowed" by Chenoweth's Glinda,[18] with San Francisco Chronicle critic Robert Hurwitt writing, "Menzel's brightly intense Elphaba the Wicked Witch [needs] a chance of holding her own alongside Chenoweth's gloriously, insidiously bubbly Glinda."[19] As a result, the creative team set about making Elphaba "more prominent".[18] In making the Broadway revisions, Schwartz recalled, "It was clear there was work to be done and revisions to be made in the book and the score. The critical community was, frankly, very helpful to us."[18]
Synopsis
Act One
Fabi Bang making Glinda's Act One entrance in the original Brazilian production
In the land of Oz, people are celebrating the recent death of the Wicked Witch of the West. Glinda the Good then arrives and reveals the Wicked Witch's story: her mother had an affair with a traveling salesman while her father, the governor of Munchkinland, was away. As a result, Elphaba Thropp was born; except she had green skin. Her father rejected her, cursing Elphaba to have a troubled childhood ("No One Mourns the Wicked"). When a citizen asks her if she was the Witch's friend, Glinda begins to reminisce about their past.
Years earlier, Elphaba had arrived at Shiz University ("Dear Old Shiz") with her sister, Nessarose, who uses a wheelchair. The school's headmistress, Madame Morrible, assigns Elphaba to share a dormitory room with the popular, bubbly Galinda Upland. Elphaba, anxious, uses magic to pull Nessarose's wheelchair back to her after Madame Morrible attempts to depart. Madame Morrible recognizes Elphaba's potential and decides to teach Elphaba sorcery. Madame Morrible tells Elphaba she has the chance to work with Wonderful Wizard of Oz, something Elphaba has dreamed of her whole life ("The Wizard and I").
Galinda already hates Elphaba, and Elphaba grows to hate Galinda just as much; they clash with each other constantly ("What Is This Feeling?"). In a history class taught by Doctor Dillamond, the only Animal professor at Shiz University, Dillamond begins to suffer from discrimination, even from the students. Dillamond informs Elphaba of a conspiracy to stop all Animals from speaking, and she vows to tell the Wizard of the conspiracy and help him stop it if she ever meets him ("Something Bad").
Meanwhile, a roguish prince, Fiyero, begins attending Shiz. Galinda is charmed by Fiyero's good looks and shallow philosophy. Fiyero arranges a party for his fellow Shiz students later that evening. Boq, a Munchkin who has a crush on Galinda, tries to invite her to the party. Galinda convinces Boq to instead invite Nessarose out of pity, leaving her free to go with Fiyero. Nessa becomes enamored with Boq and tells Elphaba to thank Galinda for her "help". At the party, Madame Morrible stops by to tell Galinda that Elphaba had asked her to admit Galinda into her sorcery class. Elphaba arrives wearing a hat that Galinda gave her as a practical joke; the other students laugh at her. Galinda has a change of heart and decides to dance with Elphaba, and soon everyone joins them, finally allowing the girls to bond ("Dancing Through Life").
In their dormitory room, Galinda decides to give Elphaba a makeover ("Popular"). The next day, Dr. Dillamond tells the class that he is leaving because he is no longer permitted to teach. Elphaba is the only student who objects. A human professor introduces the students to the technical advantages of "the cage", which is designed to prevent any animal from speaking. Elphaba refuses to contain her anger, and, in the ensuing chaos, she escapes alongside Fiyero, taking with them the lion cub that was imprisoned within the cage. Elphaba and Fiyero share a private moment; Fiyero then leaves. Elphaba laments that Fiyero will never love her as much as he loves Galinda ("I'm Not That Girl"). Madame Morrible arrives and tells Elphaba that the Wizard wants to meet her. Boq, Nessa, Fiyero, and Galinda say goodbye to Elphaba at the train station. Galinda tries to impress Fiyero by changing her name to Dr. Dillamond's pronunciation of her name, "Glinda", in solidarity with Dillamond, but Fiyero barely notices as he says goodbye to Elphaba. Elphaba invites Glinda to go with her to the Emerald City ("One Short Day").
Elphaba and Glinda meet the Wizard of Oz, who is not as scary as they thought ("A Sentimental Man"). He promises to grant Elphaba her request if she proves herself. Madame Morrible appears and explains she is the Wizard's new "press secretary." She gives Elphaba a book of spells, the Grimmerie, which only the magically gifted can read. Elphaba is asked to perform a levitation spell on the Wizard's monkey servant, Chistery. Her attempt does allow him to fly, but only by making him sprout wings painfully. She discovers that the Wizard is behind the suppression of the Animals and that he is a fraud who uses simple parlor tricks and lies so that he can stay in power. She flees the Wizard's chamber, and Madame Morrible spreads a message throughout Oz that Elphaba is a wicked witch who cannot be trusted. Glinda finds Elphaba and advises her to go back and apologize, but Elphaba refuses and declares she must do what is right. She then offers to take Glinda with her. Glinda declines but decides to secretly support Elphaba. Elphaba repeats the levitation spell on a broom and flies away from the Emerald City, leaving Glinda behind ("Defying Gravity").
Act Two
Myra Ruiz as Elphaba in the original Brazilian production
Some time later, Elphaba's opposition of the Wizard's regime has earned her the title "The Wicked Witch of the West." Glinda has become the lead spokesperson for the Wizard's regime, given the title "Glinda the Good" and positioned by Morrible as the nation's defender against the Witch. A press conference to celebrate Fiyero's appointment as Captain of the Guard (a position he has accepted in order to find Elphaba) is hijacked by the public's panicked rumors about Elphaba, one of them claiming that she can be melted by water. Fiyero is furious at the absurdity of the rumors. Glinda unsuccessfully tries calming Fiyero by insisting that Elphaba does not want to be found. Fiyero is further shocked when Morrible announces that he and Glinda are engaged. Fiyero abruptly leaves, angry with Glinda for not informing him of the announcement before the press conference. Glinda attempts to act cheerful for the press, but she knows her dream life has come at a great price ("Thank Goodness").
Elphaba visits Nessarose, who is now the governor of Munchkinland following the death of their father. Nessa has taken away the Munchkins' rights so Boq will not be able to leave her. Elphaba tries to convince Nessa to join her fight against the Wizard, but Nessa refuses; she is resentful that Elphaba never used her magic powers to help her. Elphaba tries to help by enchanting Nessa's shoes, giving her the ability to walk. Nessa is thrilled and now believes Boq will truly love her. To Nessa's shock, Boq sees this as proof that she no longer needs him. Boq declares he intends to tell Glinda of his love for her before she marries Fiyero. Nessa takes the Grimmerie in order to cast a love spell on Boq to make him fall in love with her. She pronounces the incantation wrong and accidentally shrinks his heart. She cries to Elphaba to save him and prevent her from having to "live a life of loneliness" ("The Wicked Witch of the East"). Elphaba casts another spell to save Boq's life, transforming him into a Tin Man who does not need a heart to live. Boq is horrified by his new body, and Nessa tells him Elphaba is responsible.
Elphaba returns to the Emerald City to free the monkey servants and comes across the Wizard himself. He tries once again to convince her to work with him, telling her that he is simply a mediocre man who came into his position by chance and was led to stay by the citizens of Oz who revered him ("Wonderful"). Elphaba is almost won over until she discovers Dr. Dillamond, who has lost the power of speech. Elphaba then vows to fight the Wizard to the end. At that moment, Fiyero and the Guards enter, followed by Glinda. Fiyero helps Elphaba escape and decides to escape with her, leaving Glinda behind. Broken-hearted, Glinda tells the Wizard and Madame Morrible that they can capture Elphaba by spreading a rumor that Nessarose is in trouble, so Elphaba will be forced to show herself to save Nessa. Upset by Fiyero's betrayal, Glinda leaves the room. Morrible and the Wizard decide a rumor will not fool Elphaba; Morrible proposes "a change in the weather". Alone, Glinda laments that Fiyero truly loves Elphaba, and it is unlikely he ever truly loved Glinda herself ("I'm Not That Girl" (Reprise)).
Hidden away in the forest, Elphaba and Fiyero confess their love for each other ("As Long As You're Mine"). Their happiness is interrupted when Elphaba senses Nessarose is in danger. She is right; a house has fallen out of the sky and crushed Nessarose to death. Elphaba arrives at the scene and finds Glinda has given Nessa's shoes to the house's occupant, Dorothy Gale. After a fight between the two witches, the Wizard's guards arrive. Fiyero arrives, holding Glinda hostage to allow to Elphaba escape. Glinda pleads for the guards not to harm him, but they do not listen. At Kiamo Ko castle, Elphaba casts a spell to make Fiyero invincible to any weapon but is unsure how well the spell will work. She realizes that every good deed she tried to do was perceived as evil, and finally accepts her reputation as a wicked witch ("No Good Deed").
Meanwhile, the citizens of Oz, led by Madame Morrible and Boq, set off to capture Elphaba. Glinda realizes Madame Morrible summoned the tornado that brought the house that crushed Nessarose. Morrible threatens Glinda and alleges that Glinda is not as virtuous as she pretends to be. Glinda flees in horror as the crowd calls for Elphaba's death ("March of the Witch Hunters"). Meanwhile, Elphaba has captured Dorothy, refusing to release her until she relinquishes Nessarose's shoes. Glinda arrives to warn Elphaba of the danger she is in, and tries to convince her to release Dorothy. Although Elphaba refuses, the two forgive each other. Elphaba gives the Grimmerie to Glinda, and they embrace for the last time before sharing a tearful goodbye ("For Good"). Elphaba tells Glinda to hide. Glinda watches from the shadows as Dorothy throws a bucket of water on Elphaba, melting her. The only remains of her are her pointy hat and the Green Elixir she had slept with under her pillow.
Back at the Emerald City, Glinda confronts the Wizard with the bottle, which he recognizes as his own; he was the man Elphaba's mother had an affair with, and the Elixir was the cause of Elphaba's green skin. Glinda banishes the Wizard and throws Madame Morrible into prison for murdering Nessarose. Meanwhile, Fiyero, now a scarecrow, arrives at the spot where Elphaba melted. He knocks on the floor; Elphaba steps out from a trap door, having faked her death. They embrace, and Elphaba laments that she will never see Glinda again. Simultaneously, Glinda informs the People of Oz that the Wicked Witch has been killed and that she would like to earn her title as "Glinda the Good". As the citizens of Oz celebrate and Glinda mourns quietly, Elphaba and Fiyero leave Oz ("Finale").
"Finale: For Good (Reprise)" — Glinda, Elphaba and Ozians
Note: "The Wicked Witch of the East" is the only major piece not to be featured on the cast recording, as the producers felt "the song included too much dialogue and would give some of the plot away to people who have not seen the show."
The score of Wicked is heavily thematic, bearing in some senses more resemblance to an opera than a traditional musical score. While many musical scores employ new motifs and melodies for each song with little overlap, Schwartz integrated a handful of leitmotifs throughout the production. Some of these motifs indicate irony – for example, when Glinda presents Elphaba with a "ghastly" hat in "Dancing Through Life", the score reprises a theme from "What Is This Feeling?" a few scenes earlier.[34]
Two musical themes in Wicked run throughout the score. Although Schwartz rarely reuses motifs or melodies from earlier works, the first – Elphaba's theme – came from The Survival of St. Joan, on which he worked as musical director. "I always liked this tune a lot and I never could figure out what to do with it," he remarked in an interview in 2004. The chord progression that he first penned in 1971 became a major theme of the show's orchestration. By changing the instruments that carry the motif in each instance, Schwartz enables the same melody to convey different moods. In the overture, the tune is carried by the orchestra's brass section, with heavy percussion. The result is, in Schwartz' own words, "like a giant shadow terrorizing you." When played by the piano with some electric bass in "As Long As You're Mine", however, the same chord progression becomes the basis for a romantic duet. And with new lyrics and an altered bridge, the theme forms the core of the song "No One Mourns the Wicked" and its reprises.[34]
Schwartz uses the "Unlimited" theme as the second major motif running through the score. Although not included as a titled song, the theme appears as an interlude in several of the musical numbers. In a tribute to Harold Arlen, who wrote the score for the 1939 film adaptation, the "Unlimited" melody incorporates the first seven notes of the song "Over the Rainbow". Schwartz included it as an inside joke as, "according to copyright law, when you get to the eighth note, then people can come and say, 'Oh you stole our tune.' And of course obviously it's also disguised in that it's completely different rhythmically. And it's also harmonized completely differently.... It's over a different chord and so on, but still it's the first seven notes of 'Somewhere Over the Rainbow'."[34] Schwartz further obscured the motif's origin by setting it in a minor key in most instances. This also creates contrast in the songs in which it forms a part, for example in "Defying Gravity", which is written primarily in the key of D-flat major.[35] In the song "The Wicked Witch of the East", however, when Elphaba finally uses her powers to let her sister walk, the "Unlimited" theme is played in a major key.[34]
A cast recording of the original Broadway production was released on December 16, 2003, by Universal Music. All of the songs featured on stage are present on the recording with the exception of "The Wizard and I (Reprise)", "A Sentimental Man (Reprise)" and "The Wicked Witch of the East". The short reprise of "No One Mourns the Wicked" that opens Act II is attached to the beginning of "Thank Goodness".[36] The music was arranged by Stephen Oremus, who was also the conductor and musical director, and James Lynn Abbott, with orchestrations by William David Brohn.[36] The recording received the Grammy Award for Best Musical Show Album in 2005[37] and was certified platinum by the RIAA on November 30, 2006.[38] The album was certified double platinum on November 8, 2010.[39] A fifth-anniversary special edition of the original Broadway cast recording was released on October 28, 2008, with a bonus CD including tracks from the Japanese and German cast recordings, "Making Good" – a song later replaced by "The Wizard and I" – sung by Stephanie J. Block with Schwartz at the piano, "I'm Not That Girl" by Kerry Ellis (featuring Brian May on guitar), Menzel's dance mix of "Defying Gravity" and "For Good" sung by LeAnn Rimes and Delta Goodrem.[40]
A German recording of the Stuttgart production was released on December 7, 2007, featuring a track listing and arrangements identical to those of the Broadway recording.[41] The Japanese cast recording was released on July 23, 2008, featuring the original Tokyo cast. It is notable for being the first (and so far the only) Cast Album of the show that includes Glinda's Finale dialogue.[42]
Productions
Original Broadway production (2003-present)
The original Broadway production has been at the Gershwin Theatre since its opening in 2003.
Wicked officially opened on June 10, 2003 at the Curran Theatre in San Francisco, after previews began on May 28, in a pre-Broadway tryout presented by SHN.[43] The cast included Kristin Chenoweth as Glinda, Idina Menzel as Elphaba, Robert Morse as the Wizard, Norbert Leo Butz as Fiyero, Michelle Federer as Nessarose, Carole Shelley as Madame Morrible, John Horton as Doctor Dillamond, and Kirk McDonald as Boq.[15][20]Stephanie J. Block, who originally read the role of Elphaba in workshop development, was Menzel's standby during tryouts, but left before the show moved to Broadway to take a role in The Boy from Oz but she would then lead the 1st National Tour opposite Kendra Kassebaum as Glinda.[44] The tryout closed on June 29, 2003, and after extensive retooling,[15] the musical began previews on Broadway at the Gershwin Theatre on October 8, 2003, and made its official premiere on October 30. Most of the original production team and cast members remained with the show. Principal casting changes included Joel Grey as the Wizard, William Youmans as Doctor Dillamond and Christopher Fitzgerald as Boq.[45]
On March 12, 2020, the show temporarily suspended production due to the COVID-19 pandemic. Performances resumed on September 14, 2021 with Lindsay Pearce as Elphaba and Ginna Claire Mason as Glinda. Chenoweth made a pre-curtain speech before the grand reopening of the show.[46][47][48][49]
North American productions (2005-present)
In 2005, the first national tour of Wicked (called the "Emerald City Tour" by the producers)[50] started in Toronto, Ontario, and went on to visit numerous cities throughout the United States and Canada.[15] Previews began on March 8, and officially opened on March 31. The original touring cast included Kendra Kassebaum as Glinda, Stephanie J. Block as Elphaba, Derrick Williams as Fiyero, Jenna Leigh Green as Nessarose, Carol Kane as Madame Morrible, Timothy Britten Parker as Doctor Dillamond, Logan Lipton as Boq, and David Garrison as the Wizard. The tour concluded at the Pantages Theatre in Los Angeles on March 15, 2015 with Jennifer DiNoia as Elphaba and Chandra Lee Schwartz as Glinda[50]
Following a limited engagement of the first national tour from April 29 to June 12, 2005, a sit-down production opened at the Oriental Theatre in Chicago immediately following the tour as the original tour set was left in Chicago so the Chicago sit-down could happen.[51] The cast included Ana Gasteyer as Elphaba, Kate Reinders as Glinda, Rondi Reed as Madame Morrible, Kristoffer Cusick as Fiyero, Telly Leung as Boq, Heidi Kettenring as Nessarose and Gene Weygandt as the Wizard.[23] The production closed on January 25, 2009 with Dee Roscioli as Elphaba and Annaleigh Ashford as Glinda.[52] The tour returned to Chicago in 2010, 2013, 2018, and 2022.[53][54][55]
A San Francisco production of Wicked officially opened February 6, 2009, at SHN's Orpheum Theatre, following previews from January 27.[58] The cast included Teal Wicks as Elphaba, Kendra Kassebaum as Glinda, Nicolas Dromard as Fiyero, Carol Kane as Madame Morrible, David Garrison as the Wizard, Deedee Magno Hall as Nessarose, Tom Flynn as Doctor Dillamond, and Eddy Rioseco as Boq.[59][27] The production closed on September 5, 2010 with Marcie Dodd as Elphaba and Alli Mauzey as Glinda, after 660 performances and 12 previews.[60]
The second national tour of Wicked (called the "Munchkinland Tour")[50] began in 2009 with previews on March 7 and official opening night on March 12 at the Barbara B. Mann Performing Arts Hall in Fort Myers, Florida.[61] The original cast starred Marcie Dodd as Elphaba, Heléne Yorke as Glinda, Colin Donnell as Fiyero, and Tom McGowan as the Wizard.[28] The production was suspended in March 2020 due to the COVID-19 pandemic.[62] It resumed performances on August 3, 2021 with Talia Suskauer as Elphaba, Allison Bailey as Glinda and Curt Hanson as Fiyero.[63] The production celebrated its 5,000th performance on July 30, 2022.[64]
A London production began previews at the Apollo Victoria Theatre from September 7, and with an opening night on September 27, 2006.[65] It celebrated its 10th anniversary in 2016 with a special curtain call featuring former West End cast members.[66] The production was tailored slightly for a British audience, including minor creative changes to dialogue, choreography and special effects. A majority of them were later incorporated into all productions of Wicked, including the Broadway production and the two national tours.[67]
The West End production reunited the show's original creative team. Original London cast members included the return of Menzel as Elphaba,[68]Helen Dallimore as Glinda, Miriam Margolyes as Madame Morrible, Adam Garcia as Fiyero, Martin Ball as Doctor Dillamond, James Gillan as Boq, Katie Rowley Jones as Nessarose and Nigel Planer as the Wizard.[24] After her limited engagement, which ended on December 30, 2006, Menzel was succeeded on January 1, 2007 by Kerry Ellis, who became the first British woman to play Elphaba.[69]
The production suspended performances on March 16, 2020, due to the COVID-19 Pandemic.[70] It resumed performances on September 15, 2021, in time for the production's 15th anniversary.[71]Sophie Evans, who was a maternity cover for Helen Woolf and Laura Pick, reopened the show and left when the cast changed on January 30, 2022.[72] Woolf returned from maternity leave and Lucie Jones took over as Elphaba.[73]
The show, which is already the 11th longest-running West End show in history, celebrated its 6,500th performance on September 10, 2023.[74]
UK/Ireland tours (2013-present)
The show began its first UK/Ireland tour on September 12, 2013 at the Palace Theatre in Manchester, where it is played to November 16. It then toured the UK and Ireland before concluding in Salford on July 25, 2015.[29]
A second UK/Ireland tour began in December 2017 and ended in January 2019.[75] The cast included Amy Ross as Elphaba, Helen Woolf as Glinda, Aaron Sidwell as Fiyero, and Steven Pinder as the Wizard/Dillamond.[76]
A third UK/Ireland tour began on 7 December 2023 at the Edinburgh Playhouse, in Edinburgh where it played to 14 January 2024. It then tours the UK and Ireland before flying into its final location at the Manchester Palace Theatre in Manchester on 3 December 2024 and concluding on 12 January 2025. Laura Pick will return to lead the tour as Elphaba with Sarah O'Connor as Glinda and Carl Man as Fiyero. Simeon Truby will play the Wizard/Dillamond with Donna Berlin as Madame Morrible. Jed Berry will play Boq with Megan Gardiner who will be playing Nessarose.[77]
International tour (2016-2018)
Wicked's international tour opened on July 13, 2016 at the Alhambra Theatre in Bradford, England. Jacqueline Hughes starred as Elphaba, with Carly Anderson as Glinda and Bradley Jaden as Fiyero. Alongside them are Steven Pinder as the Wizard and Dillamond, Kim Ismay as Madame Morrible, Emily Shaw as Nessarose, and Iddon Jones as Boq.[31]
German productions (2007-2011; 2021-2022)
Renamed Wicked: Die Hexen von Oz (Wicked: The Witches of Oz), the German production of Wicked began previews on November 1, 2007 and opened on November 15, at the Palladium Theater in Stuttgart. Willemijn Verkaik played Elphaba, Lucy Scherer played Glinda. The production was produced by Stage Entertainment and closed on January 29, 2010, and transferred to Oberhausen[78] where previews began at the Metronom Theater am CentrO on March 5, 2010, with an opening night of March 8.[79] The show closed on September 2, 2011.
On September 5, 2021 a brand new non-replica production opened at the Neue Flora Theatre in Hamburg, produced by Stage Entertainment, which previously had presented the show in Stuttgart, Oberhausen, and The Hague.[80] Vajèn van den Bosch and Jeannine Wacker have been cast as Elphaba and Glinda respectively.[81]
Closing in Melbourne August 9, 2009, the show transferred to Sydney's Capitol Theatre. Previews began on September 5, 2009, with the official opening on September 12. Shortly into the run, Harrison was forced to leave the role of Elphaba due to an illness, so current standby Jemma Rix and Australian theatre veteran Pippa Grandison began to share the role, each appearing in four shows per week.[85] Eventually, it was confirmed that she would not be returning to the cast.[86]
Closing in Sydney September 26, 2010, the production embarked on a national Australian tour which began at the QPAC Lyric Theatre in Brisbane. After a two-week delay due to the Queensland floods, performances began January 25, 2011, and ran until April 2. Rix became the sole lead Elphaba[87] with David Harris joining as the new Fiyero.[88] The touring production then moved to the Festival Centre in Adelaide, running from April 14 until June 4, 2011, with the final leg of the tour playing the Burswood Theatre in Perth, from June 19 to September 11, 2011, wrapping up more than three years of performances in Australia.[89]
An Asian tour began at Singapore's Grand Theater in Marina Bay from December 6, 2011 with Suzie Mathers taking over as Glinda opposite Rix.[90][91][92] After the Singapore engagement of the tour closed April 22, 2012,[93] performances began in Seoul, Korea from May 31 through October 6, 2012. The show then made its premiere in New Zealand, with previews taking place on September 17, 2013, and the official opening night on September 21. The Auckland run concluded on November 24, 2013, where it played the Civic Theatre.[94] The cast then moved on to the Main Theater of the Cultural Center of the Philippines in Manila on a limited run from January 22[95] through March 9, 2014 after having been extended from its original closing date.[96]
At the time of the Wicked's 10th Anniversary on Broadway, the show announced it would return to Australia for a commemorative national tour, beginning in Melbourne on May 10, 2014.[97] Durack returned as Glinda, with Rix continuing as Elphaba.[30] The final cast included Mathers (who had returned once Durack announced her pregnancy)[98][99] as Glinda, Steve Danielsen as Fiyero, Simon Gallaher as the Wizard, Edward Grey as Boq, Emily Cascarino as Nessarose, Glen Hogstrom as Doctor Dillamond and original cast members Rix as Elphaba and Kirkpatrick as Madame Morrible. After seven years and close to 2,000 performances across 8 different cities internationally, Wicked closed indefinitely at the Burswood Theatre in Perth on June 28, 2015.[100] As of the 7th of September, 2023, Wicked has returned to Australia with an exclusive season at the Sydney Lyric Theatre in celebration of the 20th anniversary of the original Broadway production. The cast for which includes Sheridan Adams as Elphaba, Courtney Monsma as Glinda, Robyn Nevin as Madame Morrible, Todd McKenney as the Wizard, Liam Head as Fiyero, Adam Murphy as Dr. Dillamond, Shewit Belay as Nessarose, and Kurtis Papadinis as Boq. In October 2023, it was announced the production would then return to the Regent Theatre in Melbourne in March 2024 [101]
Subsequent international productions
A condensed thirty-minute version of the musical played at Universal Studios Japan in Osaka, Japan. Rix was part of the original cast, alternating the role of Elphaba with Jillian Giaachi and Taylor Jordan. The show, which opened on July 12, 2006, featured the preliminary storyline of Act 1 but Fiyero, Madame Morrible, Boq, Nessarose and Doctor Dillamond were absent and there were considerable changes in sets and costumes.[102] The final performance took place on January 11, 2011.[103] A Japanese production by the Shiki Theatre Company opened in Tokyo, Japan, on June 17, 2007, and subsequently moved to Osaka, Fukoka and Nagoya, before closing in Sapporo on November 6, 2016.[104][105][106]
Another production, which was notable for the first production to not being a replica of the original Broadway staging, opened at the City Theatre in Helsinki, Finland on August 26, 2010 after a preview performance took place on August 24 of that year. Directed by Hans Berndtsson,[107] the cast includes Maria Ylipää as Elphaba, with Tuukka Leppanen as Fiyero. The second non-replicated production ran in Copenhagen, Denmark from January 12 until May 29, 2011, and was presented by Det Ny Teater.[108][109]
A Dutch-language production began previews at the Circustheater in The Hague, The Netherlands on October 26, 2011 and was produced by Joop van den Ende Theaterproducties/Stage Entertainment. The official opening took place on November 6. Verkaik reprised her role of Elphaba from the German productions, becoming the first actress to play the role in two different languages.[110]
The first Spanish-language production opened in Mexico City, Mexico on October 17, 2013, following previews from October 10. Produced by OCESA Teatro, the replica production played at the Teatro Telcel and closed on January 18, 2015.[111]
The first Korean-language production began performances in Seoul on November 22, 2013 and is an all-new replica production. This production, located at the Charlotte Theater in Seoul, ran from November 22, 2013, to October 5, 2014.[112]
In November 2015, the company "Time For Fun", a leading company in the entertainment market in Latin America, announced the adaptation of the musical in Brazil, which debuted in March 2016 at the Renault Theatre in São Paulo. It is the largest stage that the musical has been mounted on yet.[113] Despite the production closing on December 18, 2016, on November 12, 2018, a Brazilian revival production of the show was announced, this time in Rio de Janeiro's entertainment center Cidade das Artes. Though it was expected to begin performances in mid-2019, after the announcement no news was released, and the production was never realized. It wouldn't be until 4 years later that Wicked would return to Brazil.[114]
At the end of 2020, while all Wicked productions worldwide were halted due to the outbreak of the Covid-19 virus, a third Korean replica production of the show was announced on November 14. The show started previews in Seoul's Blue Square Theater 3 months later on February 12, 2021, which was the first Wicked performance after the Covid-19 shutdown. The production opened 4 days later on February 16, 2021, and played until May 2, 2021. It then transferred to Busan's Dream Theater, where it ran from May 20, 2021, until its closing date on June 27, 2021.
On June 30, 2022, the Shiki Theatre Company announced that a Japanese revival of the show is scheduled to start performances in October 2023. Not even half a year later, on October 7, it was announced that Wicked will return to Australia for an exclusive 20th-anniversary run, with performances starting in August 2023 at the Sydney Lyric Theatre. They will be the first replica sit-down productions to open after Wicked reopened its main three productions (Broadway, the North American Tour, and West End) post-covid in 2021. Casts for both productions are yet to be announced.
On October 19, 2022, it was announced that Wicked would get a non-replica revival in Brazil through a limited run, starting March 9, 2023, at the Santander Theater, in São Paulo, produced by Atelier de Cultura. Lead actresses from the 2016 run Myra Ruiz and Fabi Bang were announced reprising their roles as Elphaba and Glinda, respectively. Their co-stars include Tiago Barbosa as Fiyero, Marcelo Médici as The Wizard, Diva Menner as Madame Morrible, Cleto Baccic as Doctor Dillamond, Nayara Venancio as Nessarose and Dante Paccola as Boq.
Subsequent productions have received awards and nominations as well. The West End production received five Laurence Olivier Award nominations[119] and later won the Audience Award for Most Popular Show at the 2010 award ceremony.[120] The original Australian production received six Helpmann Awards out of 12 nominations, including Best Musical. Wicked was named the Best Musical of the Decade by Entertainment Weekly magazine and hailed "a cultural phenomenon" by Variety magazine.[121] While not technically an "award", the character of Elphaba was named 79th on Entertainment Weekly's list of The 100 Greatest Characters of the Past 20 Years.[122]
In its out-of-town tryout in San Francisco, audience reaction was generally positive, and although critics tended to compliment the aesthetic and spectacle of the show, they disparaged the state of its book, score, and choreography.[123] Dennis Harvey of Variety praised the production as "sleekly directed", "snazzily designed", and "smartly cast", but disliked its "mediocre" book, "trite" lyrics, and "largely generic" music.[124] Karen D'Souza of the San Jose Mercury News wrote that "style over substance is the real theme in this Emerald City".[123]
The Broadway production opened on October 30, 2003, to mixed reviews.[125][126][127][128] However, Chenoweth and Menzel received acclaim.[128] Richard Zoglin of Time wrote: "If every musical had a brain, a heart and the courage of Wicked, Broadway really would be a magical place."[129] Elysa Gardner of USA Today described it as "the most complete, and completely satisfying, new musical I've come across in a long time".[130] Conversely, Ben Brantley in the New York Times loved the production but panned the show itself, calling it a "sermon" that "so overplays its hand that it seriously dilutes its power", with a "generic" score. He noted that Glinda is such a showy role that the audience ends up rooting for her rather than the "surprisingly colorless" Elphaba, who is "nominally" the hero.[131] Despite these mixed reviews, interest in Wicked spread quickly by word-of-mouth, leading to record-breaking success at the box office. Speaking to The Arizona Republic in 2006, Schwartz said, "What can I say? Reviews are reviews.... I know we divided the critics. We didn't divide the audience, and that's what counts."[130][132]
International productions have opened to different critical receptions. The West End production opened to a slightly more upbeat response. The majority of critics have appreciated the spectacle of the lavish production, and the "powerhouse" performances of actors in the roles of the two witches. However, contemporaries have characterized the production as overblown, occasionally preachy, and suffering from more hype than heart. Although Charles Spencer of The Daily Telegraph described it as "at times... a bit of a mess," he praised Holzman's script, described Kenneth Posner's lighting design as "magical" and lauded Menzel's Elphaba and Helen Dallimore's Glinda.[133] Michael Billington of The Guardian gave it three out of five stars and remarked on the competence of all the lead actors; however, he complained that Wicked was "all too typical of the modern Broadway musical: efficient, knowing and highly professional but more like a piece of industrial product than something that genuinely touches the heart or mind."[134] Paul Taylor of The Independent called the topical political allegory "well-meaning but also melodramatic, incoherent and dreadfully superficial" and criticized the acting, songs and book, concluding that "the production manages to feel at once overblown and empty".[135]
The Japanese version of Wicked by the Shiki Theatre Company (劇団四季) won acclaim in Tokyo, Osaka, Sapporo, and Nagoya. The original Wicked has toured in China with great popularity. A Chinese review by Harvard scholar Hansong Li appeared in the Shanghai Review of Books.[136]
Commercial reception
Playing at the Oriental Theatre for more than three years, the Chicago production continually broke box-office records.
Since its opening in 2003, the original Broadway production of Wicked has broken the house record at the Gershwin Theatre twenty times. It regularly grosses in excess of $1.6 million each week, making it one of the most lucrative productions on Broadway.[137][138] With a $14 million capitalization, the Broadway production took 15 months to break even, earning back its initial investment by December 21, 2004.[15] In its first year, it grossed more than $56 million.[139] In the week ending January 1, 2006, Wicked broke the record, previously held by the musical The Producers, for the highest weekly box office gross in Broadway history, earning $1,610,934.[140] It has gone on to break its own record numerous times, reaching $1,715,155 in November 2006,[141] $1,839,950, during the 2007 Christmas week, $2,086,135 for the week ending November 29, 2009,[142] $2,125,740 just a few weeks later for the eight performances ending January 3, 2010,[143] and over $2.2 million in the week ending January 2, 2011.[144] In the first week of 2012, the Broadway production broke a record again, earning $2.7 million. Wicked once again broke this record in the final week of 2012 when it grossed $2.9 million.[145] In the final weekend of 2013, Wicked became the first musical to gross $3 million in one week.[6]
Wicked's productions across North America and abroad have been equally financially successful. The Los Angeles production took the local weekly gross record, again from a performance of The Producers, bringing in $1,786,110 in the week ending March 4, 2007.[146] The production joined its Broadway counterpart in setting a new record over Christmas 2007 with $1,949,968, with records also set in Chicago ($1,418,363),[147] and St Louis ($2,291,608),[148] to bring the collective gross of the seven worldwide productions to a world record-breaking $11.2 million.[149] A new suite of records were set over Christmas 2010, with house records broken in San Francisco ($1,485,692), Providence ($1,793,764) and Schenectady ($1,657,139) as well as Broadway, bringing the musical's one-week gross in North America alone to $7,062,335.[150]
Wicked played to more than 2 million visitors in Chicago with a gross of over $200 million, making it the highest-grossing show in Chicago history by June 2007.[151][152] With an opening-week gross of $1,400,000, it continually set records and became the longest-running Broadway musical in Chicago history.[153][154] Producer David Stone told Variety, "we thought it [the Chicago production] would run 18 months, then we'd spend a year in Los Angeles and six months in San Francisco... but sales stayed so strong that the producers created another road show and kept the show running in Chicago."[155] In addition, over 2.2 million saw the touring production in its first two years, which grossed over $155 million[156] The Los Angeles production grossed over $145 million and was seen by more than 1.8 million patrons.[157] Over the 672 performances of the San Francisco production, Wicked sold over 1 million tickets with a cumulative gross of over $75 million.[158] While the Broadway production of Wicked welcomed its 5 millionth audience member on September 29, 2010.[159]
The Los Angeles production played at the Pantages Theatre for almost two years, grossing more than $145 million.
Although West End theatres do not publish audited weekly grosses,[160] the West End production of Wicked said it had set the record for highest one-week gross in December 2006, taking £761,000 in the week ending December 30.[161][162] On June 23, 2008, the producers reported that over 1.4 million people had seen the London production, and grosses had topped £50 million.[163] The same reports stated that the show had consistently been one of the two highest-grossing shows in the West End.[162] For the week commencing December 27, 2010, the London production grossed £1,002,885, the highest single-week gross in West End theatre history,[164] with over 20,000 people attending the nine performances of Wicked that week.[165] The Melbourne production broke Australian box-office records, selling 24,750 tickets in three hours during pre-sales and grossing over $1.3 million on the first business day after its official opening.[166] On April 27, 2009, the production passed the milestone of 500,000 patrons.[167] When it transferred to Sydney, the production broke "all previous weekly box office records for a musical at the Capitol Theatre, grossing $1,473,775.70 in one week during October 2009.[168]
In the week ending October 17, 2010, Wicked became only the third musical in Broadway history to exceed $500 million in total gross. By seats sold on Broadway, it ranks tenth of all time.[169] As of September 2011, Wicked's North American and international companies have cumulatively grossed nearly $2.5 billion and have been seen by nearly 30 million people worldwide.[170] The original production still runs today and currently stands as the fourth longest-running Broadway show in history.[1][171]Wicked celebrated its 1,000th performance on Broadway on March 23, 2006.[172] Several other productions have also reached the 1,000th performance milestone, including the first North American touring company on August 15, 2007,[173] the Chicago company on November 14, 2007,[153] the West End company on February 14, 2009,[174] the Australian company on May 7, 2011[175] and the second North American touring company on August 4, 2011.[176]
Marketing and promotion
The success of the Broadway production has led to the development of an auxiliary show for purposes of marketing and promotion titled Behind the Emerald Curtain. It was created by Sean McCourt—an original Broadway production cast member who played the Witch's Father—and Anthony Galde, who was a long-running swing in the Broadway company from 2004 to 2012. The tour features a ninety-minute behind-the-scenes look at the props, masks, costumes and sets used in the show, and includes a question-and-answer session with the cast members. The Broadway tour is currently led by McCourt and long-running ensemble member, Lindsay K. Northen.[177] The tour also featured in the Los Angeles, San Francisco and Chicago sit-down productions, and were each run by different long-serving cast members of the show. The tour provides a behind-the-scenes look at what goes into putting on the show every day. Participants get a first-hand account of what it is like to be a part of the massive production that Wicked is.[178] To create Elphaba's green skin, 40 pots of the commercially available MAC Chromacake landscape green make-up are used per year. It is water-based for easy removal.[179] As of 2021, it cost $800,000 a week to run the Broadway production.[180]
A film adaptation of Wicked had been discussed since 2004. In July 2010, it was reported that J. J. Abrams, James Mangold, Ryan Murphy, and Rob Marshall were under consideration to direct a potential film adaptation.[181] By July 2012, Universal Studios was reported to be producing the film,[182] with Stephen Daldry as director and Winnie Holzman, who wrote the musical's book, to pen the screenplay.[183] Universal announced in 2016 that the film would be released in theaters on December 20, 2019, with Daldry still attached to direct, and the script to be co-written by the musical's creators, Holzman and Schwartz.[184] In May 2017, Schwartz stated that the film would feature "at least two" new songs.[185] On August 31, 2018, Universal put the film on hold, due to production scheduling, and gave the film adaptation of Cats, which became a box office bomb, the release date formerly held by the film.[186] On February 8, 2019, Universal announced a new release date of December 22, 2021, for the Wicked film.[187] On April 1, 2020, Universal put the film on hold once again due to Universal shifting release dates amidst the COVID-19 pandemic, and gave Sing 2 the 2021 release date.[188] On October 20, 2020, it was announced that Daldry had left the production due to scheduling conflicts.[189] In February 2021, Deadline reported that Jon M. Chu had signed on to direct the film adaptation.[190] In July 2021, Schwartz stated that filming would begin in fall 2021 in Georgia, but filming was later postponed to March 2022 and again to June 2022.[191] In November 2021, Ariana Grande and Cynthia Erivo were cast as Glinda and Elphaba respectively, with production originally set to begin in summer 2022 in the United Kingdom.[192][193]
In April 2022, it was announced the film would be released in two parts, the first one on November 27, 2024 and the second one on November 26, 2025. Jon M. Chu explained why:[194]
As we prepared the production over the last year, it became impossible to wrestle the story of 'Wicked' into a single film without doing some real damage to it ... As we tried to cut songs or trim characters, those decisions began to feel like fatal compromises to the source material that has entertained us all for so many years. We decided to give ourselves a bigger canvas and make not just one 'Wicked' movie but two! With more space, we can tell the story of 'Wicked' as it was meant to be told while bringing even more depth and surprise to the journeys for these beloved characters.
In June 2022, Stephen Schwartz added, while confirming that a new song will be written for one of the two films:[195]
"We found it very difficult to get past 'Defying Gravity' without a break ... That song is written specifically to bring a curtain down, and whatever scene to follow it without a break just seemed hugely anti-climactic ... Even as a very long single movie, it required us cutting or omitting things that we wanted to include and that we think fans of the show and the story will appreciate. What we have discussed is that changes need to be 'additive,' to use (producer) Marc Platt's term. They need to add something to the story or the characters. They can't just be changes to do something different. I feel confident that by the time the movie is made, if we all continue to have the same degree of input, I could have a conversation with anyone who has a question about any of the changes made from the stage show and justify why I think it's better for the movie."
On July 18, 2022, it was revealed that with the filming process settled at the newly-built Sky Studios in Elstree, England, rehearsals will begin in August with principal photography beginning in November.[196] By September 2022, Jonathan Bailey was confirmed to have been cast as Fiyero.[197] The following month, Jeff Goldblum was reported to be in final talks to play the Wizard.[198]
In November 2022, Schwartz revealed that Part 2 of the movie will include two new songs "to meet the demands of the storytelling."[199] Then, on December 7, 2022, it was revealed that Ethan Slater will be playing Boq.[200] On December 8, 2022, it was announced that Michelle Yeoh will be playing Madame Morrible, and Goldblum was confirmed to be playing the Wizard.[201] On December 9, 2022, it was reported that Keala Settle, Bowen Yang, Bronwyn James, Aaron Teoh, Colin Michael Carmichael, and Marissa Bode had also joined the cast as Miss Coddle, Pfannee, ShenShen, Avaric, Nikidik, and Nessarose, respectively. Bode's casting as Nessarose makes her the first wheelchair-assisted actor to play the part.[202] On December 9, 2022, Chu confirmed on Twitter that filming had begun.[203]
Queer interpretations of Wicked encompass various perspectives regarding the sexualities of the main characters, Elphaba and Glinda. These interpretations predominantly depict one or both characters as harboring homoromantic feelings for each other.[206]
The lyrics and placement of the song “What Is This Feeling?” evoke a tone reminiscent of common Golden Age duets between couples, such as “People Will Say We're in Love” from Oklahoma! and "If I Loved You" from Carousel.[207] This has led to the interpretation of Elphaba and Glinda as a couple. The subsequent sequence in “Dancing Through Life,” has been likened to a modern version of the “lilting waltzes” seen in romantic scenes from musicals like My Fair Lady, West Side Story, and The Sound of Music.[207]
Moreover, the line “I think we've found the place where we belong!" from “One Short Day” is seen as reflective of the theme of finding acceptance, a sentiment many LGBT+ individuals aspire to achieve.[207] A remix of the song “Defying Gravity,” known for its themes of resisting expectations, served as the anthem at the 2007 Gay Pride Parade and Festival in Los Angeles and is featured on the official CD from the event.
Additional arguments supporting a homoromantic interpretation of Wicked include Glinda’s potential compulsory heterosexuality toward Fiyero and the suggestion that Glinda and Elphaba’s relationship mirrors a common lesbian butch/femme pairing.[208]Stephen Schwartz, the composer and lyricist of Wicked, has stated that rather than presenting the pair as rivals, the musical is essentially “a love story between two women."[209]Gregory Maguire, the author of The Life and Times of the Wicked Witch of the West and a gay man himself, prefers to leave the narrative open to interpretation.[206]
The Wicked production capitalized on this interpretation and began selling “Friend of Elphaba” (a play on “Friend of Dorothy” ) merchandise during Pride Month.[210]
This interpretation has been critiqued stating that the show stands as a testament that "friendships can be equally as important as romantic relationships" and does not require a romance, homosexual or heterosexual, to find power.[211]
In popular culture
The success of Wicked has made several of the show's songs popular and has resulted in references to the show, characters, and songs in popular culture. The Broadway production has been featured in episodes of television programs, including Brothers & Sisters and The War at Home.[212] For filming purposes, the Pantages Theatre in Los Angeles doubled for the Gershwin Theatre on Broadway in Ugly Betty[213] in an episode titled "Something Wicked This Way Comes" in which Betty, the show's protagonist, goes to see Wicked on a date and accidentally stops the show.[214] In the previous episode "Brothers", Betty gets tickets to see Wicked and discusses with a friend how much she relates to Elphaba's outcast status in a popularity and beauty-oriented environment.[215]
Entertainer John Barrowman sang a version of "The Wizard and I" (retitled "The Doctor and I") on his 2008 tour of the UK, with adapted lyrics referring to his Doctor Who and Torchwood character Jack showing affection for The Doctor. Kerry Ellis, who played Elphaba in the West End and on Broadway, recorded "I'm Not That Girl" for the fifth anniversary edition of the original Broadway cast recording. She also recorded her own rock version of "Defying Gravity". Both songs were produced by British musician Brian May and were featured on her extended play Wicked in Rock (2008) and debut album Anthems (2010). She performed her version of "Defying Gravity" at the 2008 Royal Variety Performance, alongside May on guitar. A dance remix of her rock version of "Defying Gravity" was later released in 2011. Louise Dearman, who has played both Elphaba and Glinda in the West End, released an acoustic version of "Defying Gravity" for the Wicked edition of her album Here Comes the Sun. Her former co-star and London Elphaba Rachel Tucker also covered "Defying Gravity" on her debut album The Reason (2013). Rapper Drake and singer Mika both sampled the musical's song in their songs "Popular" and "Popular Song" respectively.[216]
The closing song of Act I, Defying Gravity, is featured in the Glee episode Wheels, where Rachel (Lea Michele) and Kurt (Chris Colfer) sing it separately in a competition for the lead solo from the first season.[217] It was featured again in the season five episode 100, the hundredth episode in the series, this time sung by the characters from the series, Rachel, Kurt and Mercedes (Amber Riley). Media as diverse as the anime series Red Garden, the daytime drama Passions and the Buffy the Vampire Slayer graphic novels have all parodied Wicked's songs and characters.[218][219]
The end of the song "Killer Instinct" in Bring It On the Musical parodies the closing notes of "No One Mourns the Wicked".[220] The Oscar-winning song "Let It Go" from the successful 2013 Disneycomputer-animated musical feature film Frozen, that also won the Academy Award for Best Animated Feature, had been compared to "Defying Gravity" due to its similar theme and similar singing style,[221] and was sung by the original Elphaba Idina Menzel. Willemijn Verkaik voiced the Dutch and German versions of the role of Elsa in Frozen and sang "Let It Go" in these two languages. This became another role originally played by Menzel that Verkaik played, following her success in the German, Dutch and English language productions of Wicked. When Frozen came to Broadway, the song "Monster" (sung by Caissie Levy, who also played Elphaba) was compared to "No Good Deed"[222] In Lego Dimensions, when Unikitty interacts with the Wicked Witch, she says "If you spent more time singing, then maybe you wouldn't be so 'wicked', witch."
^Wicked: Die Hexen von Oz (CD liner). Ensemble Palladium Theater Stuttgart. Universal Music. 2007.((cite AV media notes)): CS1 maint: others in cite AV media (notes) (link)
^ abIsherwood, Charles (August 21, 2014). "It's Still Popular Being Green". The New York Times. Retrieved August 31, 2021. ... reviews for this Stephen Schwartz-Winnie Holzman show skewed mixed to negative. But the notices for the stars, Kristin Chenoweth and Idina Menzel, were rapturous.
