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14th century Chinese Yuan dynasty portrait of King Yama. One of a series of paintings of the "Ten Kings of Hell" by Lu Xinzhong
14th century Chinese Yuan dynasty portrait of King Yama. One of a series of paintings of the "Ten Kings of Hell" by Lu Xinzhong

In East Asian and Buddhist mythology, Yama (sometimes known as the King of Hell, King Yan (Yam) or Yanluo (Yamla) ) is a dharmapala (wrathful god) said to judge the dead and preside over the Narakas ("Hells", "Hell Realm" or "Purgatories") and the cycle of afterlife saṃsāra.

Although based on the god Yama of the Hindu Vedas, the Buddhist Yama has spread and developed different myths and different functions from the Hindu deity. He has also spread far more widely and is known in most countries where Buddhism is practiced, including China, Korea, Japan, Taiwan, Vietnam, Bhutan, Mongolia, Thailand, Sri Lanka, Cambodia, Myanmar and Laos.

Yama in Theravāda Buddhism

In the Pali canon, the Buddha states that a person who has ill-treated their parents, ascetics, holy persons, or elders is taken upon his death to Yama.[1] Yama then asks the ignoble person if he ever considered his own ill conduct in light of birth, deterioration, sickness, worldly retribution and death. In response to Yama's questions, such an ignoble person repeatedly answers that he failed to consider the karmic consequences of his reprehensible actions and as a result is sent to a brutal hell "so long as that evil action has not exhausted its result."[2]

In the Pali commentarial tradition, the scholar Buddhaghosa's commentary to the Majjhima Nikaya describes Yama as a vimānapeta (विमानपेत), a "being in a mixed state", sometimes enjoying celestial comforts and at other times punished for the fruits of his karma. However, Buddhaghosa considered his rule as a king to be just.[3]

Modern Theravādin countries portray Yama sending old age, disease, punishments, and other calamities among humans as warnings to behave well. At death, they are summoned before Yama, who examines their character and dispatches them to their appropriate rebirth, whether to earth or to one of the heavens or hells. Sometimes there are thought to be two or four Yamas, each presiding over a distinct Hell.[4]

Yama in Chinese, Korean, Vietnamese and Japanese mythology

Main article: Yanluo Wang

Yama, 17th c, Tibet
Yama, 17th c, Tibet
Miyazu, Kyoto Prefecture, Japan. Statue of Yama (Enma) at Nariai-ji
Miyazu, Kyoto Prefecture, Japan. Statue of Yama (Enma) at Nariai-ji

In Chinese mythology, King Yan (simplified Chinese: 阎王; traditional Chinese: 閻王; pinyin: Yánwáng) is the god of death and the ruler of Diyu, overseeing the "Ten Kings of Hell". He is also known as Yanluo (阎罗王; 閻羅王; Yánluówáng), a transcription of the Sanskrit for King Yama (यम राज, Yama Rājā). In both ancient and modern times, Yan is portrayed as a large man with a scowling red face, bulging eyes, and a long beard. He wears traditional robes and a judge's cap or a crown which bears the character for "king" (). He typically appears on Chinese hell money in the position reserved for political figures on regular currency.

Yan is not only the ruler but also the judge of the underworld and passes judgment on all the dead. He always appears in a male form, and his minions include a judge who holds in his hands a brush and a book listing every soul and the allotted death date for every life. Ox-Head and Horse-Face, the fearsome guardians of hell, bring the newly dead, one by one, before Yan for judgement. Men or women with merit will be rewarded good future lives or even revival in their previous life. Men or women who committed misdeeds will be sentenced to suffering or miserable future lives. In some versions, Yan divides Diyu into eight, ten, or eighteen courts each ruled by a Yan King, such as King Chujiang, who rules the court reserved for thieves and murderers.

The spirits of the dead, on being judged by Yan, are supposed to either pass through a term of enjoyment in a region midway between the earth and the heaven of the gods or to undergo their measure of punishment in the nether world. Neither location is permanent and after a time, they return to Earth in new bodies.

"Yan" was sometimes considered to be a position in the celestial hierarchy, rather than an individual. There were said to be cases in which an honest mortal was rewarded the post of Yan and served as the judge and ruler of the underworld.[citation needed] Some said common people like Bao Zheng, Fan Zhongyan, Zhang Binglin became the Yan at night or after death.[5]

He is also regarded as one of the Twenty Devas (二十諸天 Èrshí Zhūtiān) or the Twenty-Four Devas (二十四諸天 Èrshísì zhūtiān), a group of protective Dharmapalas, in Chinese Buddhism.[6]

Some of these Chinese beliefs subsequently spread to Korea and Japan. In Japan, he is called Enma (閻魔, prev. "Yenma"), King Enma (閻魔王, Enma-ō), and Great King Enma (閻魔大王, Enma Dai-Ō). In Korea, Yan is known as Yeom-ra (염라) and Great King Yeom-ra' (염라대왕, Yŏm-ra Daewang). In Vietnam, these Buddhist deities are known as Diêm La or Diêm Vương and are venerated as a council of all ten kings who oversee underworld realm of địa ngục.

"If you lie, Lord Enma will pull out your tongue" (嘘をつけば閻魔様に舌を抜かれる, Uso o tsukeba enmasama ni shita o nukareru) is a superstition in Japan often told to scare children into telling the truth.[citation needed]

A Japanese proverb states "When borrowing, the face of a jizō; when repaying (a loan), the face of Enma" (借りる時の地蔵顔、返す時の閻魔顔). Jizō is typically portrayed with a serene, happy expression whereas Enma is typically portrayed with a thunderous, furious expression. The kotowaza alludes to changes in people's behaviour for selfish reasons depending on their circumstances.[citation needed]

Yama in Tibetan Buddhism

Yama, The Metropolitan Museum of Art
Yama, The Metropolitan Museum of Art

In Tibetan Buddhism Yama occurs in the form of Yama Dharmaraja, also known as Kalarupa,[7][8] Shinje or Shin Je Cho Gyal (Tibetan: གཤིན་རྗེ་, Gshin.rje).[7][9] He is both regarded with horror as the prime mover of the cycle of death and rebirth and revered as a guardian of spiritual practice. In the popular mandala of the Bhavachakra, all of the realms of life are depicted between the jaws or in the arms of a monstrous Shinje. Shinje is sometimes shown with a consort, Yami, and sometimes pursued by Yamantaka (conqueror of death).

19th century kagamibuta netsuke depicting Enma
19th century kagamibuta netsuke depicting Enma

He is often depicted with the head of a buffalo, three round eyes, sharp horns entwined with flame, fierce and angry. In his right hand he often has a stick with a skull and in his left a lasso. On his head he has a crown of skulls. In many depictions he is standing on a recumbent bull crushing a man lying on his back.

In popular culture

See also


  1. ^ See, for example, MN 130 (Nanamoli & Bodhi 2001, pp. 1029–1036) and AN 3.35 (Thera & Bodhi 1999, pp. 51–53), both of which are entitled "Devaduta Sutta" (The Divine Messengers).
  2. ^ Nanamoli & Bodhi 2001, p. 1032.
  3. ^ Nanamoli & Bodhi 2001, p. 1341, n. 1206.
  4. ^ According to (Nanamoli & Bodhi 2001, p. 1341 n. 1206) the Majjhima Nikaya Atthakatha states that "there are in fact four Yamas, one at each of four gates (of hell?)." The paranthetical expression is from the text.
  5. ^ 七 閻羅王信仰[dead link]
    学子 | 真有阎王阴界,虽唯心造,因果丝毫不爽!
  6. ^ A dictionary of Chinese Buddhist terms : with Sanskrit and English equivalents and a Sanskrit-Pali index. Lewis Hodous, William Edward Soothill. London: RoutledgeCurzon. 2004. ISBN 0-203-64186-8. OCLC 275253538.CS1 maint: others (link)
  7. ^ a b Samiksha (3 April 2020). "Interpreting Yama Dharmaraja Thangka". Mandalas Life. Retrieved 14 November 2021.
  8. ^ "Yama Dharmaraja (Buddhist Protector) - Outer (Himalayan Art)". Retrieved 14 November 2021.
  9. ^ "Buddhist Protector: Yama Dharmaraja Main Page". Retrieved 14 November 2021.
  10. ^ "NHKアニメワールド おじゃる丸 ものがたり [NHK Anime World Ojarumaru – Story]" (in Japanese). NHK. Retrieved 31 August 2021.
  11. ^ "NHKアニメワールド おじゃる丸 おじゃる丸となかまたち [NHK Anime World Ojarumaru – Ojarumaru and His Group of Friends]" (in Japanese). NHK. Retrieved 31 August 2021.