|Created by||Matt Groening|
|Opening theme||"Theme from Futurama"|
|Country of origin||United States|
|No. of seasons||7|
|No. of episodes||140 (list of episodes)|
|Editors||Paul D. Calder|
|Running time||22 minutes|
|Distributor||20th Television[b] (1999–2013)|
|Original release||March 28, 1999 –|
Futurama is an American animated science fiction sitcom created by Matt Groening for the Fox Broadcasting Company. The series follows the adventures of the professional slacker Philip J. Fry, who is cryogenically preserved for 1000 years and revived on December 31, 2999. Fry finds work at an interplanetary delivery company, working alongside the one-eyed Leela and robot Bender. The series was envisioned by Groening in the mid-1990s while working on The Simpsons; he brought David X. Cohen aboard to develop storylines and characters to pitch the show to Fox.
Following its initial cancelation by Fox, Futurama began airing reruns on Cartoon Network's Adult Swim programming block, which lasted from 2003 to 2007. It was revived in 2007 as four direct-to-video films, the last of which was released in early 2009. Comedy Central entered into an agreement with 20th Century Fox Television to syndicate the existing episodes and air the films as 16 new, half-hour episodes, constituting a fifth season.
In June 2009, Comedy Central picked up the show for 26 new half-hour episodes, which began airing in 2010 and 2011. The show was renewed for a seventh season, with the first half airing in 2012 and the second in 2013. An audio-only episode featuring the original cast members was released in 2017 as an episode of The Nerdist Podcast. On February 9, 2022, Hulu revived the series with a 20-episode order set to premiere in 2023.
Futurama received critical acclaim throughout its run and was nominated for 17 Annie Awards, winning nine, and 12 Emmy Awards, winning six. It was nominated four times for a Writers Guild of America Award, winning for the episodes "Godfellas" and "The Prisoner of Benda". It was nominated for a Nebula Award and received Environmental Media Awards for the episodes "The Problem with Popplers" and "The Futurama Holiday Spectacular". Merchandise includes a tie-in comic book series, video games, calendars, clothes and figurines. In 2013, TV Guide ranked Futurama one of the top 60 Greatest TV Cartoons of All Time.
Main article: List of Futurama characters
Futurama is essentially a workplace sitcom, the plot of which revolves around the Planet Express interplanetary delivery company and its employees, a small group that largely fails to conform to future society. Episodes usually feature the central trio of Fry, Leela, and Bender, though occasional storylines center on the other main characters.
Futurama is set in New New York at the turn of the 31st century, in a time filled with technological wonders. The city of New New York has been built over the ruins of present-day New York City, which has become a catacomb-like space that acts as New New York's sewer, referred to as "Old New York". Various devices and architecture are similar to the Populuxe style. Global warming, inflexible bureaucracy, and substance abuse are a few of the subjects given a 31st-century exaggeration in a world where the problems have become both more extreme and more common. Just as New York has become a more extreme version of itself in the future, other Earth locations are given the same treatment; Los Angeles, for example, is depicted as a smog-filled apocalyptic wasteland.
Numerous technological advances have been made between the present day and the 31st century. The Head Museum, which keeps a collection of heads alive in jars and was invented by Ron Popeil (who has a guest cameo in "A Big Piece of Garbage"), has resulted in many historical figures and current celebrities being present, including Groening himself; this became the writers' device to feature and poke fun at contemporary celebrities in the show. Several of the preserved heads shown are those of people who were already dead well before the advent of this technology; one of the most prominent examples of this anomaly is Earth president Richard Nixon, who died in 1994 and appears in numerous episodes. The Internet, while being fully immersive and encompassing all senses—even featuring its own digital world (similar to Tron or The Matrix)—is slow and largely consists of pornography, pop-up ads, and "filthy" (or Filthy Filthy) chat rooms. Some of it is edited to include educational material ostensibly for youth. Television is still a primary form of entertainment. Self-aware robots are a common sight, and are the main cause of global warming due to the exhaust from their alcohol-powered systems. The wheel is obsolete (no one but Fry even seems to recognize the design), having been forgotten and replaced by hover cars and a network of large, clear pneumatic transportation tubes.
Environmentally, common animals still remain, alongside mutated, cross-bred (sometimes with humans) and extraterrestrial animals. Ironically, spotted owls are often shown to have replaced rats as common household pests. Although rats still exist, sometimes rats act like pigeons, though pigeons still exist, as well. Anchovies have been extinct for 800 years. Earth still suffers the effects of greenhouse gases, although in one episode Leela states that its effects have been counteracted by nuclear winter. In another episode, the effects of global warming have been somewhat mitigated by the dropping of a giant ice cube into the ocean, and later by pushing Earth farther away from the sun, which also extended the year by one week.
Religion is a prominent part of society, although the dominant religions have evolved. A merging of the major religious groups of the 20th century has resulted in the First Amalgamated Church, while Voodoo is now mainstream. New religions include Oprahism, Robotology, and the banned religion of Star Trek fandom. Religious figures include Father Changstein-El-Gamal, the Robot Devil, Reverend Lionel Preacherbot, and passing references to the Space Pope, who appears to be a large crocodile-like creature. Several major holidays have robots associated with them, including the murderous Robot Santa and Kwanzaa-bot. While very few episodes focus exclusively on religion within the Futurama universe, they do cover a wide variety of subjects including predestination, prayer, the nature of salvation, and religious conversion.
Futurama's setting is a backdrop, and the writers are not above committing continuity errors if they serve to further the gags. For example, while the pilot episode implies that the previous Planet Express crew was killed by a space wasp, the later episode "The Sting" is based on the crew having been killed by space bees instead. The "world of tomorrow" setting is used to highlight and lampoon issues of today and to parody the science fiction genre.
The television network Fox expressed a strong desire in the mid-1990s for Matt Groening to create a new series after the success of his previous series, The Simpsons, and began conceiving Futurama during this period. In 1996, he enlisted David X. Cohen, then a writer and producer for The Simpsons, to assist in developing the show. The two spent time researching science fiction books, television shows, and films. When they pitched the series to Fox in April 1998, Groening and Cohen had composed many characters and story lines; Groening claimed they had gone "overboard" in their discussions. Groening described trying to get the show on the air as "by far the worst experience of my grown-up life".
Fox ordered thirteen episodes. Immediately after, however, Fox feared the themes of the show were not suitable for the network and Groening and Fox executives argued over whether the network would have any creative input into the show. With The Simpsons, the network has no input. Fox was particularly disturbed by the concept of suicide booths, Doctor Zoidberg, and Bender's anti-social behavior. Groening explains, "When they tried to give me notes on Futurama, I just said: 'No, we're going to do this just the way we did Simpsons.' And they said, 'Well, we don't do business that way anymore.' And I said, 'Oh, well, that's the only way I do business.'" The episode "I, Roommate" was produced to address Fox's concerns, with the script written to their specifications. Fox strongly disliked the episode, but after negotiations, Groening received the same independence with Futurama.
The name Futurama comes from a pavilion at the 1939 New York World's Fair. Designed by Norman Bel Geddes, the Futurama pavilion depicted how he imagined the world would look in 1959. Many other titles were considered for the series, including Aloha, Mars! and Doomsville, which Groening notes were "resoundly rejected, by everyone concerned with it". It takes approximately six to nine months to produce an episode of Futurama. The long production time results in several episodes being worked on simultaneously.
Groening and Cohen served as executive producers and showrunners during the show's entire run, and also functioned as creative consultants. Ken Keeler became an executive producer for Season 4 and subsequent seasons.
The planning for each episode began with a table meeting of writers, who discussed the plot ideas as a group. The writers are given index cards with plot points that they are required to use as the center of activity in each episode. A single staff writer wrote an outline and then produced a script. Once the first draft of a script was finished, the writers and executive producers called in the actors for a table read. After this script reading, the writers collaborated to rewrite the script as a group before sending it to the animation team. At this point the voice recording was also started and the script was out of the writers' hands.
The writing staff held three Ph.D.s, seven master's degrees, and cumulatively had more than 50 years at Harvard University. Series writer Patric M. Verrone stated, "we were easily the most overeducated cartoon writers in history".
See also: List of Futurama guest stars
Futurama had eight main cast members. Billy West performed the voices of Philip J. Fry, Professor Farnsworth, Doctor Zoidberg, Zapp Brannigan, and many other incidental characters. West auditioned for "just about every part", landing the roles of the Professor and Doctor Zoidberg. Although West read for Fry, his friend Charlie Schlatter was initially given the role of Fry. Due to a casting change, West was called back to audition again and was given the role. West claims that the voice of Fry is deliberately modeled on his own, so as to make it difficult for another person to replicate the voice. Doctor Zoidberg's voice was based on Lou Jacobi and George Jessel. The character of Zapp Brannigan was originally created and intended to be performed by Phil Hartman. Hartman insisted on auditioning for the role, and "just nailed it" according to Groening. Due to Hartman's death, West was given the role. West states that his version of Zapp Brannigan was an imitation of Hartman and also "modeled after a couple of big dumb announcers I knew".
Katey Sagal voiced Leela, and is the only member of the main cast to voice only one character. The role of Leela was originally assigned to Nicole Sullivan. In an interview in June 2010, Sagal remarked that she did not know that another person was to originally voice Leela until many years after the show first began.
John DiMaggio performed the voice of the robot Bender Bending Rodríguez and other, more minor, characters. Bender was the most difficult character to cast, as the show's creators had not decided what a robot should sound like. DiMaggio originally auditioned for the role of Professor Farnsworth, using the voice he uses to perform Bender, and also auditioned for Bender using a different voice. DiMaggio described Bender's voice as a combination of a sloppy drunk, Slim Pickens and a character his college friend created named "Charlie the sausage-lover".
Phil LaMarr voices Hermes Conrad, his son Dwight, Ethan Bubblegum Tate, and Reverend Preacherbot. Lauren Tom voices Amy Wong, and Tress MacNeille voices Mom and various other characters. Maurice LaMarche voices Kif Kroker and several supporting characters. LaMarche won the Emmy Award for Outstanding Voice-Over Performance in 2011 for his performances as Lrrr and Orson Welles in the episode "Lrrreconcilable Ndndifferences". David Herman voiced Scruffy and various supporting characters. During seasons 1–4, LaMarche is billed as supporting cast and Tom, LaMarr and Herman billed as guest stars, despite appearing in most episodes. LaMarche was promoted to main cast and Tom, LaMarr and Herman to supporting cast in Season 5, and promoted again to main cast in Season 6.
|Main cast members|
|Billy West||Katey Sagal||John DiMaggio||Tress MacNeille||Maurice LaMarche||Lauren Tom||Phil LaMarr||David Herman||Frank Welker|
|Philip J. Fry,
Zapp Brannigan, Richard Nixon's Head, Smitty, Leo Wong
|Leela||Bender, Elzar, URL, Joey Mousepad, Igner, Barbados Slim||Mom, Hattie McDoogal, Tinny Tim, Ndnd, Turanga Munda, Linda||Kif Kroker, Hedonismbot, Dr. Perceptron, Walt, Morbo, Lrrr||Amy Wong, Inez Wong, Jrrr||Hermes Conrad, Robot 1-X, iZac||Scruffy, Roberto, Mayor Poopenmeyer, Dr. Ogden Wernstrom, Turanga Morris, Larry||Nibbler, Seymour, Blorgulax|
In addition to the main cast, Frank Welker voiced Nibbler and Kath Soucie voiced Cubert and several supporting and minor characters. Like The Simpsons, many episodes of Futurama feature guest voices from a wide range of professions, including actors, entertainers, bands, musicians, and scientists. Many guest-stars voiced supporting characters, although many voiced themselves, usually as their own head preserved in a jar. Recurring guest stars included Tom Kenny, Dan Castellaneta (as the Robot Devil), Dawnn Lewis, Nicole St. John, Al Gore, Phil Hendrie, Coolio and George Takei, among others. Bumper Robinson used to be a cast member of the series (who played Hermes' son Dwight), but however left the series after season 4 which caused Phil LaMarr to take over the role afterwards. John Goodman was meant to reprise the role of Robot Santa after "Xmas Story" in future episodes but was unable to reprise the role due to scheduling problems. As a result, John DiMaggio took over that role starting with "A Tale of Two Santas". In that same episode, Dan Castellaneta was unable to reprise the Robot Devil due to his work on The Simpsons. Maurice LaMarche took over that role for that episode only as Castellaneta did reprise the role in future episodes. Following Coolio's death in 2022, David X. Cohen has revealed on TMZ that he recorded new dialogue for Kwanzaabot before his death in an upcoming episode, scheduled to be released in 2023.
Futurama is produced by The Curiosity Company and 20th Century Fox Television (which is credited as 30th Century Fox Television) with the animation being done by Rough Draft Studios. The studio would receive the completed script of an episode and create a storyboard consisting of more than 100 drawings. It would then produce a pencil-drawn animatic with 1,000 frames. Rough Draft's sister studio in South Korea would render the 30,000-frame finished episode.
In addition to traditional cartoon drawing, Rough Draft Studios often used CGI for fast or complex shots, such as the movement of spaceships, explosions, nebulae, large crowds, and snow scenes. The opening sequence was entirely rendered in CGI. The CGI was rendered at 24 frames per second (as opposed to hand-drawn often done at 12 frames per second) and the lack of artifacts made the animation appear very smooth and fluid. CGI characters looked slightly different due to spatially "cheating" hand-drawn characters by drawing slightly out of proportion or off-perspective features to emphasize traits of the face or body, improving legibility of an expression. PowerAnimator and Maya were used to draw the comic-like CGI whilst Toonz was used for digital ink and paint and compositing.
The series began high-definition production in season 6, with Bender's Big Score. The opening sequence was re-rendered and scaled to adapt to the show's transition to 16:9 widescreen format.
For the final episode of season 6, Futurama was completely reanimated in three different styles: the first segment of the episode features black-and-white Fleischer- and Walter Lantz-style animation, the second was drawn in the style of a low-resolution video game, and the final segment was in the style of Japanese anime.
Much like the opening sequence in The Simpsons with its chalkboard gags, Lisa’s sax solo, and couch gags, Futurama has a distinctive opening sequence featuring minor gags. As the show begins, blue lights fill the screen and the Planet Express Ship flies across the screen with the title of the show being spelled out in its wake. Underneath the title is a joke caption such as "Painstakingly drawn before a live audience" or "When you see the robot: DRINK!" After flying through downtown New New York and past various recurring characters, the Planet Express ship crashes through a large screen showing a short clip from a classic cartoon. These have included clips from Quasi at the Quackadero, Looney Tunes shorts, cartoons produced by Fleischer Studios and Famous Studios, a short of The Simpsons from a Tracey Ullman episode, the show's own opening sequence in "The Devil's Hands Are Idle Playthings" or a scene from the episode. Most episodes in Season 6 use an abridged opening sequence, omitting the brief clip of a classic cartoon. "Rebirth", "That Darn Katz!", "Benderama", "Yo Leela Leela", "Decision 3012", "Forty Percent Leadbelly", "T.: The Terrestrial", "Leela and the Genestalk", and "Stench and Stenchability" have been the only episodes since "Spanish Fry" to feature a classic cartoon clip. Several episodes begin with a cold opening before the opening sequence, although these scenes do not always correspond with the episode's plot. The opening sequence has been lampooned several times within the show, in episodes including "That's Lobstertainment!", "The Problem with Popplers", as "Future-roma" in "The Duh-Vinci Code" and as "Futurella" in "Lrrreconcilable Ndndifferences". "Decision 3012" and "The Problem with Popplers" are the only episodes that directly tie into the opening, with Bender deliberately crashing the ship after seeing an advertisement for free beer in "Decision 3012", while in "The Problem with Popplers", Leela crashes through it during an ad for Popplers, with Fry saying "That's the second billboard you've crashed through this week!". "Viva Mars Vegas" features a unique handmade variant of the opening, using cardboard, plastic, and model ships guided by strings and rods.
Series director Scott Vanzo has remarked on the difficulty of animating the sequence. It took four to five weeks to fully animate the sequence, and it consists of over 80 levels of 3D animation composited together. It takes approximately one hour to render a single frame, and each second of the sequence consists of around 30 frames.
Bender's Big Score has an extended opening sequence, introducing each of the main characters. In The Beast with a Billion Backs and Bender's Game the ship passes through the screen's glass and temporarily becomes part of the environment depicted therein—a pastiche of Disney's Steamboat Willie and Yellow Submarine respectively—before crashing through the screen glass on the way out. In Into the Wild Green Yonder, a completely different opening sequence involves a trip through a futuristic version of Las Vegas located on Mars. The theme tune is sung by Seth MacFarlane and is different from the standard theme tune. The end of the film incorporates a unique variation of the opening sequence; as the Planet Express Ship enters a wormhole, it converts into a pattern of lights similar to the lights that appear in the opening sequence.
The Futurama theme was created by Christopher Tyng. The theme is played on the tubular bells but is occasionally remixed for use in specific episodes, including a version by the Beastie Boys used for the episode "Hell Is Other Robots", in which they guest starred as their own heads for both a concert and as part of the Robot Devil's song. The theme also samples a drum break originating from "Amen, Brother" by American soul group The Winstons; however, the drum break is replaced in Season 6. A remixed rendition of the theme is used in Season 5, which features altered instruments and a lower pitch. Season 6 also uses this remix, but it has been reduced again in pitch and tempo. The theme has been noted for its similarities to Pierre Henry's 1967 Psyché Rock.
It was originally intended for the Futurama theme to be remixed in every episode. This was first trialled in the opening sequence for "Mars University", however it was realized upon broadcast that the sound did not transmit well through most television sets and the idea was subsequently abandoned. Despite this, beatbox renditions of the theme performed by Billy West and John DiMaggio are used for the episodes "Bender Should Not Be Allowed on TV" and "Spanish Fry".
There are three alternative alphabets that appear often in the background of episodes, usually in the forms of graffiti, advertisements, or warning labels. Nearly all messages using alternative scripts transliterate directly into English. The first alphabet consists of abstract characters and is referred to as Alienese, a simple substitution cipher from the Latin alphabet. The second alphabet uses a more complex modular addition code, where the "next letter is given by the summation of all previous letters plus the current letter". The codes often provide additional jokes for fans dedicated enough to decode the messages. The third language sometimes used is Hebrew. Aside from these alphabets, most of the displayed wording on the show uses the Latin alphabet.
The show predicts that several English expressions will have evolved by the year 3000. For example, in the show the word Christmas has been replaced with Xmas (pronounced "ex-mas"), and the word ask with aks (pronounced axe). According to David X. Cohen, it is a running joke that the French language is extinct in the Futurama universe (though the culture remains alive), much like Latin is in the present. In the French dubbing of the show, German is used as the extinct language instead.
At the close of each episode, the 30th Century Fox Television logo is displayed. While it is the same logo as that of 20th Century Fox, it is modified to fit the show's futuristic vibe. Syndicated episodes use the 30th Television closing logo instead of the 20th Television one. Initially, Fox did not want this logo to be used on the show, but when creator Matt Groening purchased the rights to the logo, the network had a change of heart and allowed the altered version to be aired.
Although the series uses a wide range of styles of humor, including self-deprecation, black comedy, off-color humor, slapstick, and surreal humor, its primary source of comedy is its satirical depiction of everyday life in the future and its parodical comparisons to the present. Groening notes that, from the show's conception, his goal was to make what was, on the surface, a goofy comedy that would have underlying "legitimate literary science fiction concepts". The series contrasted "low culture" and "high culture" comedy; for example, Bender's catchphrase is the insult "Bite my shiny metal ass" while his most terrifying nightmare is a vision of the number 2, a joke referring to the binary numeral system (Fry assures him, "there's no such thing as two").
The series developed a cult following partially due to the large number of in-jokes it contains, most of which are aimed at "nerds". In commentary on the DVD releases, David X. Cohen points out and sometimes explains his "nerdiest joke[s]". These included mathematical jokes – such as "Loew's -plex" (aleph-null-plex) movie theater – as well as various forms of science humor – for example, Professor Farnsworth, at a racetrack, complains about the use of a quantum finish to decide the winner, exclaiming "No fair! You changed the outcome by measuring it", a reference to the uncertainty principle of quantum mechanics. In the season six episode "Law and Oracle", Fry and the robot peace officer URL track down a traffic violator who turns out to be Erwin Schrödinger, the 20th-century quantum physicist. On the front seat of the car is a box, and when questioned about the contents, Schrödinger replies "A cat, some poison, and a cesium atom". Fry asks if the cat is alive or dead, and Schrödinger answers "It's a superposition of both states until you open the box and collapse the wave function." When Fry opens the box, the cat jumps out and attacks him. The run is a reference to the Schrödinger's cat thought experiment of quantum mechanics. The series makes passing references to quantum chromodynamics (the appearance of Strong Force-brand glue), computer science (two separate books in a closet labeled P and NP respectively, referring to the possibility that P and NP-complete problem classes are distinct), electronics (an X-ray – or more accurately, an "F-ray" – of Bender's head reveals a 6502 microprocessor), and genetics (a mention of Bender's "robo- or R-NA"). The show often features subtle references to classic science fiction. These are most often to Star Trek – many soundbites are used in homage – but also include the reference to the origin of the word robot made in the name of the robot-dominated planet Chapek 9, and the black rectangular monolith labeled "Out of Order" in orbit around Jupiter (a reference to Arthur C. Clarke's Space Odyssey series). Bender and Fry sometimes watch a television show called The Scary Door, a humorous parody of The Twilight Zone.
Journalist/critic Frank Lovece in Newsday contrasted the humor tradition of Groening's two series, finding that
The Simpsons echoes the strains of American-Irish vaudeville humor – the beer-soaked, sneaking-in-late-while-the-wife's-asleep comedy of Harrigan and Hart, McNulty and Murray, the Four Cohans (which, yes, included George M.) and countless others: knockabout yet sentimental, and ultimately about the bonds of blood family. Futurama, conversely, stems from Jewish-American humor, and not just in the obvious archetype of Dr. Zoidberg. From vaudeville to the Catskills to Woody Allen, it's that distinctly rueful humor built to ward away everything from despair to petty annoyance – the 'You gotta do what you gotta do' philosophy that helps the Futurama characters cope in a mega-corporate world where the little guy is essentially powerless.
Animation maven Jerry Beck concurred:
I'm Jewish, and I know what you're saying. Fry has that [type of humor], Dr. Zoidberg, all the [vocal artist] Billy West characters. I see it. The bottom line is, the producers are trying to make sure the shows are completely different entities.
In an interview with Diego Molano, creator of Victor & Valentino, in April 2019, he said that he found Futurama "incredibly influential", calling the humor smart but "not alienating". He added that it makes him "feel smart" and adding that Groening's "sense of comedic timing is masterful".
Main article: List of Futurama episodes
|First aired||Last aired||Network|
|1||13||March 28, 1999||November 14, 1999||Fox|
|2||19||November 21, 1999||December 3, 2000|
|3||22||January 21, 2001||December 8, 2002|
|4||18||February 10, 2002||August 10, 2003|
|5||16||March 23, 2008||August 30, 2009||Comedy|
|6||26||13||June 24, 2010||November 21, 2010|
|13||June 23, 2011||September 8, 2011|
|7||26||13||June 20, 2012||August 29, 2012|
|13||June 19, 2013||September 4, 2013|
|Season||Timeslot (ET)||Network||Episodes||First aired||Last aired||TV season||Viewership
|1||Sunday 8:30 pm (1–2)
Tuesday 8:30 pm (3–9)
|Fox||9||March 28, 1999||–||May 18, 1999||–||1998–99||89||8.9|
|2||Sunday 8:30 pm (1–8)
Sunday 7:00 pm (9–20)
|20||September 26, 1999||–||May 21, 2000||–||1999–2000||–||–|
|3||Sunday 7:00 pm||15||November 5, 2000||–||May 13, 2001||–||2000–01||115||5.9|
|4||12||December 9, 2001||–||April 21, 2002||–||2001–02||–||–|
|5||16||November 10, 2002||–||August 10, 2003||–||2002–03||–||–|
|6||Thursday 10:00 pm (1, 3–14, 16–26)
Thursday 10:30 pm (2, 15)
|26||June 24, 2010||2.92||September 8, 2011||1.48||2010–11||–||–|
|7||Wednesday 10:00 pm (1, 3–12, 14, 16–26)
Wednesday 10:30 pm (2, 13, 15)
|26||June 20, 2012||1.57||September 4, 2013||2.21||2012–13||–||–|
The show received critical acclaim. The first season holds an 89% approval rating at review aggregator site Rotten Tomatoes, based on 18 reviews, an average rating of 8.75/10. The critical consensus reads, "Good news, everyone! Futurama is an inventive, funny, and sometimes affecting look at the world of tomorrow." Season 5 holds a rating of 100%, based on seven reviews, and an average score of 8.67/10. Season 6 has an approval rating of 100%, based on 16 reviews, and the average rating is 8.31/10. The website's critical consensus states, "Good news everyone! Futurama is as funny and endearing as ever in its sixth season." The last season received a rating of 92%, and an 8.24/10 average score based on 12 reviews.
Futurama's 7:00 p.m. Sunday time slot caused the show to often be pre-empted by sports and usually have a later-than-average season premiere. It also allowed the writers and animators to get ahead of the broadcast schedule so that episodes intended for one season were not aired until the following season. By the beginning of the fourth broadcast season, all the episodes to be aired that season had already been completed and writers were working at least a year in advance.
When Futurama debuted in the Fox Sunday night lineup at 8:30 p.m. between The Simpsons and The X-Files on March 28, 1999, it managed 19 million viewers, tying for 11th overall in that week's Nielsen ratings. The following week, airing at the same time, Futurama drew 14.2 million viewers. The third episode, the first airing on Tuesday, drew 8.85 million viewers. Though its ratings were well below The Simpsons, the first season of Futurama rated higher than competing animated series: King of the Hill, Family Guy, Dilbert, South Park, and The PJs.
When Futurama was effectively canceled in 2003, it had averaged 6.4 million viewers for the first half of its fourth broadcast season.
In late 2002, Cartoon Network acquired exclusive cable syndication rights to Futurama for a reported $10 million (equivalent to $15 million in 2021). In January 2003, the network began airing Futurama episodes as the centerpiece to the expansion of their Adult Swim cartoon block. In October 2005, Comedy Central picked up the cable syndication rights to air Futurama's 72-episode run at the start of 2008, following the expiration of Cartoon Network's contract. A Comedy Central teaser trailer announced the return of Futurama March 23, 2008, which was Bender's Big Score divided into four episodes followed by the other three movies.
On June 24, 2010, the season 6 premiere, "Rebirth", drew 2.92 million viewers in the 10:00 p.m. time slot on Comedy Central. The second episode of the sixth season, "In-A-Gadda-Da-Leela", aired at 10:30 p.m., immediately following the season premiere. "In-A-Gadda-Da-Leela" drew 2.78 million viewers. This was the series' premiere on the network, with original episodes—the fifth season had previously aired on the network, but it had originally been released in the form of the four direct-to-video films.
|1999||Annie Awards||Outstanding Achievement in an Animated Television Program||Futurama||Nominated|
|Outstanding Individual Achievement for Writing in an Animated Television Production||Ken Keeler ("The Series Has Landed")||Nominated|
|Primetime Emmy Award||Outstanding Animated Program||"A Big Piece of Garbage"||Nominated|
|2000||Annie Awards||Outstanding Individual Achievement for Directing in an Animated Television Production||Brian Sheesley ("Why Must I Be a Crustacean in Love?")||Won|
|Outstanding Achievement in a Primetime or Late Night Animated Television Program||Futurama||Nominated|
|Outstanding Individual Achievement for Directing in an Animated Television Production||Susie Dietter ("A Bicyclops Built for Two")||Nominated|
|Primetime Emmy Award||Outstanding Individual Achievement in Animation||Bari Kumar (color stylist) ("A Bicyclops Built for Two")||Won|
|Environmental Media Awards||TV Episodic – Comedy||"The Problem with Popplers"||Won|
|2001||Annie Awards||Outstanding Individual Achievement for Voice Acting by a Male Performer in an Animated Television Production||John DiMaggio as Bender for "Bendless Love"||Won|
|Outstanding Individual Achievement for Writing in an Animated Television Production||Ron Weiner ("The Luck of the Fryrish")||Won|
|Outstanding Achievement in a Primetime or Late Night Animated Television Production||Futurama||Nominated|
|Primetime Emmy Award||Outstanding Individual Achievement in Animation||Rodney Clouden (storyboard artist) ("Parasites Lost")||Won|
|Outstanding Animated Program||"Amazon Women in the Mood"||Nominated|
|2002||Primetime Emmy Award||Outstanding Animated Program||"Roswell That Ends Well"||Won|
|Annie Awards||Outstanding Directing in an Animated Television Production||Rich Moore ("Roswell That Ends Well")||Won|
|Best Animated Television Production||Futurama||Nominated|
|2003||Annie Awards||Music in an Animated Television Production||Ken Keeler ("The Devil's Hands Are Idle Playthings")||Nominated|
|Writing in an Animated Television Production||Patric Verrone ("The Sting")||Nominated|
|Primetime Emmy Award||Outstanding Animated Program||"Jurassic Bark"||Nominated|
|Writers Guild of America Award||Animation||Ken Keeler ("Godfellas")||Won|
|2004||Primetime Emmy Award||Outstanding Animated Program||"The Sting"||Nominated|
|Outstanding Music and Lyrics||"I Want My Hands Back" ("The Devil's Hands Are Idle Playthings")||Nominated|
|Nebula Award||Best Script||David A. Goodman ("Where No Fan Has Gone Before")||Nominated|
|Writers Guild of America Award||Animation||Patric Verrone ("The Sting")||Nominated|
|2007||Annie Awards||Best Home Entertainment Production||Bender's Big Score||Won|
|2008||Annie Awards||Best Home Entertainment Production||The Beast with a Billion Backs||Won|
|2009||Annie Awards||Best Home Entertainment Production||Into the Wild Green Yonder||Won|
|2010||Annie Awards||Best Animated Television Production||Futurama||Nominated|
|Outstanding Writing in an Animated Television Production||Michael Rowe||Nominated|
|2011||Primetime Emmy Award||Outstanding Animated Program||"The Late Philip J. Fry"||Won|
|Outstanding Voice-Over Performance||Maurice LaMarche as Lrrr and Orson Welles ("Lrrreconcilable Ndndifferences")||Won|
|Annie Awards||Best Writing in an Animated Television Production||Josh Weinstein ("All the Presidents' Heads")||Nominated|
|Editing in Television Production||Paul D. Calder||Nominated|
|Environmental Media Awards||TV Episodic – Comedy||"The Futurama Holiday Spectacular"||Won|
|Writers Guild of America||Animation||Ken Keeler ("The Prisoner of Benda")||Won|
|Patric Verrone ("Lrrreconcilable Ndndifferences")||Nominated|
|2012||Primetime Emmy Award||Outstanding Animated Program||"The Tip of the Zoidberg"||Nominated|
|Outstanding Voice-Over Performance||Maurice LaMarche as Clamps, Donbot, Hyper-Chicken, Calculon, Hedonism Bot and Morbo in "The Silence of the Clamps"||Won|
|Annie Awards||Outstanding Achievement, Writing in an Animated Television or other Broadcast Venue Production||Eric Horsted ("The Bots and the Bees")||Nominated|
|Writers Guild of America||Animation||Eric Rogers ("The Silence of the Clamps")||Nominated|
|2013||Annie Awards||Best General Audience Animated TV/Broadcast Production||Futurama||Won|
|Writing in an Animated TV/Broadcast Production||Lew Morton ("Murder on the Planet Express")||Won|
|Outstanding Achievement, Editorial in an Animated TV/Broadcast Production||Paul D. Calder||Nominated|
|Writers Guild of America Award||Animation||Josh Weinstein ("A Farewell to Arms")||Nominated|
|2014||Primetime Emmy Award||Outstanding Animated Program||"Meanwhile"||Nominated|
|Outstanding Character Voice-Over Performance||Maurice LaMarche as Calculon and Morbo ("Calculon 2.0")||Nominated|
|Writers Guild of America Award||Animation||Lew Morton ("Murder on the Planet Express")||Nominated|
|Michael Rowe ("Game of Tones")||Nominated|
|Patric Verrone ("Saturday Morning Fun Pit")||Nominated|
Main article: Futurama Comics
First started in November 2000, Futurama Comics is a comic book series published by Bongo Comics based in the Futurama universe. While originally published only in the US, a UK, German and Australian version of the series is also available. In addition, three issues were published in Norway. Other than a different running order and presentation, the stories are the same in all versions. While the comics focus on the same characters in the Futurama fictional universe, the comics may not be canonical as the events portrayed within them do not necessarily have any effect upon the continuity of the show.
Like the TV series, each comic (except US comic #20) has a caption at the top of the cover. For example: "Made In The USA! (Printed in Canada)." Some of the UK and Australian comics have different captions on the top of their comics (for example, the Australian version of #20 says "A 21st Century Comic Book" across the cover, while the US version does not have a caption on that issue). All series contain a letters page, artwork from readers, and previews of other upcoming Bongo comics.
See also: Futurama (season 5)
When Comedy Central began negotiating for the rights to air Futurama reruns, Fox suggested that there was a possibility of also creating new episodes. Negotiations were already underway with the possibility of creating two or three straight-to-DVD films. When Comedy Central committed to sixteen new episodes, it was decided that four films would be produced. On April 26, 2006, Groening noted in an interview that co-creator David X. Cohen and numerous writers from the original series would be returning to work on the movies. All the original voice actors participated. In February 2007, Groening explained the format of the new stories: "[The crew is] writing them as movies and then we're going to chop them up, reconfigure them, write new material and try to make them work as separate episodes."
The first film, Bender's Big Score, was written by Ken Keeler and Cohen, and includes return appearances by the Nibblonians, Seymour, Barbados Slim, Robot Santa, the "God" space entity, Al Gore, and Zapp Brannigan. It was animated in widescreen and was released on standard DVD on November 27, 2007, with a possible Blu-ray Disc release to follow. A release on HD DVD was rumored but later officially denied. Futurama: Bender's Big Score was the first DVD release for which 20th Century Fox implemented measures intended to reduce the total carbon footprint of the production, manufacturing, and distribution processes. Where it was not possible to completely eliminate carbon, output carbon offsets were used, thus making the complete process carbon neutral.
The second movie, The Beast with a Billion Backs, was released on June 24, 2008. The third movie, Bender's Game, was released on DVD and Blu-ray Disc on November 3, 2008, in the UK, November 4, 2008, in the USA, and December 10, 2008, in Australia. The fourth movie, Into the Wild Green Yonder, was released on DVD and Blu-ray Disc on February 24, 2009.
On September 15, 2000, Unique Development Studios acquired the license to develop a Futurama video game for consoles and handheld systems. Fox Interactive signed on to publish the game. Sierra Entertainment later became the game's publisher, and it was released on August 14, 2003. Versions are available for PlayStation 2 and Xbox, both of which use cel-shading technology. However, the game was subsequently canceled on the GameCube and Game Boy Advance in North America and Europe.
In 2012, an app inspired by the head in a jar gag was launched by Matt Groening.
Licensing for mobile games were done in 2016 with Futurama: Game of Drones and in 2017 with Futurama: Worlds of Tomorrow, which was released for Android and iOS in 2017.
Matt Groening: Well, I think that's a good idea– I always wanted to have Bachelor Chow right now and so– this was– Anyway, the network really– really was freaked out by the show, the suicide booths– and lobster creatures and Bender being so anti-social and so– yeah, this was our show to tone things down. This script was written specifically to their specifications.
Matt Groening: This is the third episode in the series. And this is the series that– had a trouble beginning– with the Fox Network, who felt that the show was too outrageous and too much out of space. This was our attempt, the third episode, to bring the show back to Earth.
Matt Groening: And their reaction, David? David X. Cohen: "Worst. Episode. Ever." Groening: Yeah, they really– they really hated this script, and — sorry, Eric — and this was the point at which, we decided we wanted to do the show that we wanted to do. Their notes made no sense anyway, they're completely contradictory. And so– we did what we wanted.
Groening: The original name for this show was not Futurama, by the way. There was a long long list of possible names, the only two I remember which were resoundingly rejected, by everyone concerned with it; Doomsville was my number one choice. And my number two choice — and I don't even know why I thought this was a good idea for a name — somehow, Aloha, Mars! struck me and that was also not particularly...
Scott Vanzo: The final is kinda difficult for us to create, it has over 80 levels of 3D animation that are composited together, a lot of cheats, probably the single biggest scene that we have ever done, or at least we view it as a scene, so... I don't know what else to say. David X. Cohen: How long did it take just to animate that 28 seconds? Vanzo: I think we did it in about four or five weeks, all together.
David X. Cohen: How long does it take – out of curiosity, I don't even the answer to this – how long does it take to render one frame of that kind of degree of computer– 3D computer graphics? Scott Vanzo: We split it into a lot of different levels, because it was taking so long, and that way we can fix things a lot easier. I would say, probably about an hour a frame for that title. Cohen: And 30 frames per second? So that adds up.
In 1964 Henry had a pop hit with 'Psyche Rock'. It has since been remixed by Fatboy Slim and William Orbit, sampled countless times, and used as the basis for the soundtrack to the cartoon Futurama.
Matt Groening: This is the remix theme, we were gonna remix the theme every week and then listened to this one and decided never to do it again.
David X. Cohen: It actually sounds pretty good, if you have a good quality TV stereo system, but it didn't transmit that well on the air. It lost a lot of the dynamic range, so it doesn't sound as good on actual broadcast as we thought it would.