An adze (//; alternative spelling: adz) is an ancient and versatile cutting tool similar to an axe but with the cutting edge perpendicular to the handle rather than parallel. They have been used since the Stone Age. Adzes are used for smoothing or carving wood in hand woodworking, and as a hoe for agriculture and horticulture. Two basic forms of an adze are the hand adze (short hoe)—a short-handled tool swung with one hand—and the foot adze (hoe)—a long-handled tool capable of powerful swings using both hands, the cutting edge usually striking at foot or shin level. A similar tool is called a mattock, which differs by having two blades, one perpendicular to the handle and one parallel.
The adze is depicted in ancient Egyptian art from the Old Kingdom onward. Originally the adze blades were made of stone, but already in the Predynastic Period copper adzes had all but replaced those made of flint. While stone blades were fastened to the wooden handle by tying, metal blades had sockets into which the handle was fitted. Examples of Egyptian adzes can be found in museums and on the Petrie Museum website.
A depiction of an adze was also used as a hieroglyph, representing the consonants stp, "chosen", and used as: ...Pharaoh XX, chosen of God/Goddess YY...
The ahnetjer (Manuel de Codage transliteration: aH-nTr) depicted as an adze-like instrument, was used in the Opening of the Mouth ceremony, intended to convey power over their senses to statues and mummies. It was apparently the foreleg of a freshly sacrificed bull or cow with which the mouth was touched.
As Iron Age technology moved south into Africa with migrating ancient Egyptians, they carried their technology with them, including adzes. To this day, iron adzes are used all over rural Africa for various purposes - from digging pit latrines, and chopping firewood, to tilling crop fields - whether they are of maize (corn), coffee, tea, pyrethrum, beans, Millett, yams or a plethora of other cash and subsistence crops.
Prehistoric Māori adzes from New Zealand (called toki in Māori) were for wood carving, typically made from pounamu sourced from the South Island. During the Māori Archaic period found on the North Island were commonly made from greywacke from Motutapu Island or basalt from Ōpito Bay in the Coromandel, similar to adzes constructed on other Pacific Islands. Early period notched adzes found in Northland were primarily made of argillite quarried from locations around the Marlborough and Nelson regions. At the same time on Henderson Island, a small coral island in eastern Polynesia lacking any rock other than limestone, native populations may have fashioned giant clamshells into adzes.
American Northwest coast native peoples traditionally used adzes for both functional construction (from bowls to canoes) and art (from masks to totem poles). Northwest coast adzes take two forms: hafted and D-handle. The hafted form is similar in form to a European adze with the haft constructed from a natural crooked branch which approximately forms a 60% angle. The thin end is used as the handle and the thick end is flattened and notched such that an adze iron can be lashed to it. Modern hafts are sometimes constructed from a sawed blank with a dowel added for strength at the crook. The second form is the D-handle adze which is basically an adze iron with a directly attached handle. The D-handle, therefore, provides no mechanical leverage. Northwest coast adzes are often classified by size and iron shape vs. role. As with European adzes, iron shapes include straight, gutter and lipped. Where larger Northwest adzes are similar in size to their European counterparts, the smaller sizes are typically much lighter such that they can be used for the detailed smoothing, shaping and surface texturing required for figure carving. Final surfacing is sometimes performed with a crooked knife.
Ground stone adzes are still in use by a variety of people in Irian Jaya (Indonesia), Papua New Guinea and some of the smaller Islands of Melanesia and Micronesia. The hardstone is ground on a riverine rock with the help of water until it has got the desired shape. It is then fixed to a natural grown angled wood with resin and plant fibers. The shape and manufacture of these adzes is similar to those found from the Neolithic Stone Age in Europe. A variety of minerals are used. Their everyday use is on a steady decline, as it is much more convenient to cut firewood using imported steel axes or machetes. However, certain ceremonial crafts such as making canoes, ceremonial shields, masks, drums, containers or communal houses etc. may require the use of traditional-made stone adzes.
Modern adzes are made from steel with wooden handles, and enjoy limited use: occasionally in semi-industrial areas, but particularly by "revivalists" such as those at the Colonial Williamsburg cultural center in Virginia, USA. However, the traditional adze has largely been replaced by the sawmill and the powered-plane, at least in industrialised cultures. It remains in use for some specialist crafts, for example by coopers. Adzes are also in current use by artists such as Northwest Coast American and Canadian Indigenous sculptors doing pole work, masks and bowls.
"Adzes are used for removing heavy waste, leveling, shaping, or trimming the surfaces of timber..." and boards. Generally, the user stands astride a board or log and swings the adze downwards between his feet, chipping off pieces of wood, moving backwards as they go and leaving a relatively smooth surface behind.
Foot adzes are most commonly known as shipbuilder's or carpenter's adzes. They range in size from 00 to 5 being 3+1/4 to 4+3/4 pounds (1.5–2.2 kg) with the cutting edge 3 to 4+1/2 inches (75–115 mm) wide. On the modern, steel adze the cutting edge may be flat for smoothing work to very rounded for hollowing work such as bowls, gutters and canoes. The shoulders or sides of an adze may be curved called a lipped adze, used for notching. The end away from the cutting edge is called the pole and be of different shapes, generally flat or a pin pole.
A statue of the third dynasty boat builder Ankhwah is showing him holding an adze