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The Philosophy Portal

A portal for Wikipedia's philosophy resources • 17,552 articles in English
The Thinker, a statue by Auguste Rodin, is often used to represent philosophy.
The Thinker, a statue by Auguste Rodin, is often used to represent philosophy.

Philosophy (from Greek: φιλοσοφία, philosophia, 'love of wisdom') is the study of general and fundamental questions, such as those about existence, reason, knowledge, values, mind, and language. Such questions are often posed as problems to be studied or resolved. Some sources claim the term was coined by Pythagoras (c. 570 – c. 495 BCE); others dispute this story, arguing that Pythagoreans merely claimed use of a preexisting term. Philosophical methods include questioning, critical discussion, rational argument, and systematic presentation.

Historically, philosophy encompassed all bodies of knowledge and a practitioner was known as a philosopher. From the time of Ancient Greek philosopher Aristotle to the 19th century, "natural philosophy" encompassed astronomy, medicine, and physics. For example, Newton's 1687 Mathematical Principles of Natural Philosophy later became classified as a book of physics. In the 19th century, the growth of modern research universities led academic philosophy and other disciplines to professionalize and specialize. Since then, various areas of investigation that were traditionally part of philosophy have become separate academic disciplines, and namely the social sciences such as psychology, sociology, linguistics, and economics.

Today, major subfields of academic philosophy include metaphysics, which is concerned with the fundamental nature of existence and reality; epistemology, which studies the nature of knowledge and belief; ethics, which is concerned with moral value; and logic, which studies the rules of inference that allow one to derive conclusions from true premises. Other notable subfields include philosophy of religion, philosophy of science, political philosophy, aesthetics, philosophy of language, and philosophy of mind. (Full article...)

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Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Samuel Johnson c. 1772,painted by Sir Joshua Reynolds
    Samuel Johnson c. 1772,
    painted by Sir Joshua Reynolds
  • Image 2Political Animals and Animal Politics is a 2014 edited collection published by Palgrave Macmillan and edited by the green political theorists Marcel Wissenburg and David Schlosberg. The work addresses the emergence of academic animal ethics informed by political philosophy as opposed to moral philosophy. It was the first edited collection to be published on the topic, and the first book-length attempt to explore the breadth and boundaries of the literature. As well as a substantial introduction by the editors, it features ten sole-authored chapters split over three parts, respectively concerning institutional change for animals, the relationship between animal ethics and ecologism, and real-world laws made for the benefit of animals. The book's contributors were Wissenburg, Schlosberg, Manuel Arias-Maldonado, Chad Flanders, Christie Smith, Clemens Driessen, Simon Otjes, Kurtis Boyer, Per-Anders Svärd, and Mihnea Tanasescu. The focus of their individual chapters varies, but recurring features include discussions of human exceptionalism, exploration of ways that animal issues are or could be present in political discourse, and reflections on the relationship between theory and practice in politics.In part, Political Animals and Animal Politics arose from a workshop that Wissenburg and Schlosberg organised at the 2012 European Consortium for Political Research Joint Sessions conference, though not all attendees contributed to the volume and not all contributors presented at the workshop. Footage of the workshop appeared in De Haas in de Marathon (The Pacer in the Marathon), a 2012 documentary about the Dutch Party for the Animals. Political Animals and Animal Politics was published as part of the Palgrave Macmillan Animal Ethics Series, edited by Andrew Linzey and Priscilla Cohn. (Full article...)
    Political Animals and Animal Politics is a 2014 edited collection published by Palgrave Macmillan and edited by the green political theorists Marcel Wissenburg and David Schlosberg. The work addresses the emergence of academic animal ethics informed by political philosophy as opposed to moral philosophy. It was the first edited collection to be published on the topic, and the first book-length attempt to explore the breadth and boundaries of the literature. As well as a substantial introduction by the editors, it features ten sole-authored chapters split over three parts, respectively concerning institutional change for animals, the relationship between animal ethics and ecologism, and real-world laws made for the benefit of animals. The book's contributors were Wissenburg, Schlosberg, Manuel Arias-Maldonado, Chad Flanders, Christie Smith, Clemens Driessen, Simon Otjes, Kurtis Boyer, Per-Anders Svärd, and Mihnea Tanasescu. The focus of their individual chapters varies, but recurring features include discussions of human exceptionalism, exploration of ways that animal issues are or could be present in political discourse, and reflections on the relationship between theory and practice in politics.

    In part, Political Animals and Animal Politics arose from a workshop that Wissenburg and Schlosberg organised at the 2012 European Consortium for Political Research Joint Sessions conference, though not all attendees contributed to the volume and not all contributors presented at the workshop. Footage of the workshop appeared in De Haas in de Marathon (The Pacer in the Marathon), a 2012 documentary about the Dutch Party for the Animals. Political Animals and Animal Politics was published as part of the Palgrave Macmillan Animal Ethics Series, edited by Andrew Linzey and Priscilla Cohn. (Full article...)
  • Image 3Atheism, in the broadest sense, is an absence of belief in the existence of deities. Less broadly, atheism is a rejection of the belief that any deities exist. In an even narrower sense, atheism is specifically the position that there are no deities. Atheism is contrasted with theism, which in its most general form is the belief that at least one deity exists.The etymological root for the word atheism originated before the 5th century BCE from the ancient Greek ἄθεος (atheos), meaning "without god(s)". In antiquity, it had multiple uses as a pejorative term applied to those thought to reject the gods worshiped by the larger society, those who were forsaken by the gods, or those who had no commitment to belief in the gods. The term denoted a social category created by orthodox religionists into which those who did not share their religious beliefs were placed. The actual term atheism emerged first in the 16th century. With the spread of freethought, skeptical inquiry, and subsequent increase in criticism of religion, application of the term narrowed in scope. The first individuals to identify themselves using the word atheist lived in the 18th century during the Age of Enlightenment. The French Revolution, noted for its "unprecedented atheism", witnessed the first significant political movement in history to advocate for the supremacy of human reason. In 1967 Albania declared itself the first official atheist country according to its policy of state Marxism. (Full article...)
    Atheism, in the broadest sense, is an absence of belief in the existence of deities. Less broadly, atheism is a rejection of the belief that any deities exist. In an even narrower sense, atheism is specifically the position that there are no deities. Atheism is contrasted with theism, which in its most general form is the belief that at least one deity exists.

    The etymological root for the word atheism originated before the 5th century BCE from the ancient Greek ἄθεος (atheos), meaning "without god(s)". In antiquity, it had multiple uses as a pejorative term applied to those thought to reject the gods worshiped by the larger society, those who were forsaken by the gods, or those who had no commitment to belief in the gods. The term denoted a social category created by orthodox religionists into which those who did not share their religious beliefs were placed. The actual term atheism emerged first in the 16th century. With the spread of freethought, skeptical inquiry, and subsequent increase in criticism of religion, application of the term narrowed in scope. The first individuals to identify themselves using the word atheist lived in the 18th century during the Age of Enlightenment. The French Revolution, noted for its "unprecedented atheism", witnessed the first significant political movement in history to advocate for the supremacy of human reason. In 1967 Albania declared itself the first official atheist country according to its policy of state Marxism. (Full article...)
  • Augustine of Hippo (AD 354–430) as painted by Sandro Botticelli (c. 1445 – 1510). Augustine is credited with developing the first form of the theodicy now named for him.
    Augustine of Hippo (AD 354–430) as painted by Sandro Botticelli (c. 1445 – 1510). Augustine is credited with developing the first form of the theodicy now named for him.
  • Title page from the first English edition of Part I
    Title page from the first English edition of Part I
  • Image 6"Lisa the Skeptic" is the eighth episode of the ninth season of the American animated television series The Simpsons. It first aired on the Fox network in the United States on November 23, 1997. On an archaeological dig with her class, Lisa discovers a skeleton that resembles an angel. All of the townspeople believe that the skeleton actually came from an angel, but skeptical Lisa attempts to persuade them that there must be a rational scientific explanation. The episode's writer, David X. Cohen, developed the idea after visiting the American Museum of Natural History, and decided to loosely parallel themes from the Scopes Monkey Trial. The episode also makes allusions to actual hoaxes, such as the Cardiff Giant. It has been discussed in the context of ontology, existentialism, and skepticism; it has also been used in Christian religious education classes to initiate discussion about angels, science, and faith. (Full article...)
    "Lisa the Skeptic" is the eighth episode of the ninth season of the American animated television series The Simpsons. It first aired on the Fox network in the United States on November 23, 1997. On an archaeological dig with her class, Lisa discovers a skeleton that resembles an angel. All of the townspeople believe that the skeleton actually came from an angel, but skeptical Lisa attempts to persuade them that there must be a rational scientific explanation. The episode's writer, David X. Cohen, developed the idea after visiting the American Museum of Natural History, and decided to loosely parallel themes from the Scopes Monkey Trial. The episode also makes allusions to actual hoaxes, such as the Cardiff Giant.

    It has been discussed in the context of ontology, existentialism, and skepticism; it has also been used in Christian religious education classes to initiate discussion about angels, science, and faith. (Full article...)
  • Mary Wollstonecraft by John Opie, c. 1797
    Mary Wollstonecraft by John Opie, c. 1797
  • Cover of the first edition
    Cover of the first edition
  • Icon of St. Maximus
    Icon of St. Maximus
  • A stamp of Zhang Heng issued by China Post in 1955
    A stamp of Zhang Heng issued by China Post in 1955
  • Portrait of Kepler by an unknown artist in 1620.
    Portrait of Kepler by an unknown artist in 1620.
  • Image 12Eric Alfred Havelock (/ˈhævlɒk/; 3 June 1903 – 4 April 1988) was a British classicist who spent most of his life in Canada and the United States. He was a professor at the University of Toronto and was active in the Canadian socialist movement during the 1930s. In the 1960s and 1970s, he served as chair of the classics departments at both Harvard and Yale. Although he was trained in the turn-of-the-20th-century Oxbridge tradition of classical studies, which saw Greek intellectual history as an unbroken chain of related ideas, Havelock broke radically with his own teachers and proposed an entirely new model for understanding the classical world, based on a sharp division between literature of the 6th and 5th centuries BC on the one hand, and that of the 4th on the other.Much of Havelock's work was devoted to addressing a single thesis: that all of Western thought is informed by a profound shift in the kinds of ideas available to the human mind at the point that Greek philosophy converted from an oral to a literate form. The idea has been controversial in classical studies, and has been rejected outright both by many of Havelock's contemporaries and modern classicists. Havelock and his ideas have nonetheless had far-reaching influence, both in classical studies and other academic areas. He and Walter J. Ong (who was himself strongly influenced by Havelock) essentially founded the field that studies transitions from orality to literacy, and Havelock has been one of the most frequently cited theorists in that field; as an account of communication, his work profoundly affected the media theories of Harold Innis and Marshall McLuhan. Havelock's influence has spread beyond the study of the classical world to that of analogous transitions in other times and places. (Full article...)
    Eric Alfred Havelock (/ˈhævlɒk/; 3 June 1903 – 4 April 1988) was a British classicist who spent most of his life in Canada and the United States. He was a professor at the University of Toronto and was active in the Canadian socialist movement during the 1930s. In the 1960s and 1970s, he served as chair of the classics departments at both Harvard and Yale. Although he was trained in the turn-of-the-20th-century Oxbridge tradition of classical studies, which saw Greek intellectual history as an unbroken chain of related ideas, Havelock broke radically with his own teachers and proposed an entirely new model for understanding the classical world, based on a sharp division between literature of the 6th and 5th centuries BC on the one hand, and that of the 4th on the other.

    Much of Havelock's work was devoted to addressing a single thesis: that all of Western thought is informed by a profound shift in the kinds of ideas available to the human mind at the point that Greek philosophy converted from an oral to a literate form. The idea has been controversial in classical studies, and has been rejected outright both by many of Havelock's contemporaries and modern classicists. Havelock and his ideas have nonetheless had far-reaching influence, both in classical studies and other academic areas. He and Walter J. Ong (who was himself strongly influenced by Havelock) essentially founded the field that studies transitions from orality to literacy, and Havelock has been one of the most frequently cited theorists in that field; as an account of communication, his work profoundly affected the media theories of Harold Innis and Marshall McLuhan. Havelock's influence has spread beyond the study of the classical world to that of analogous transitions in other times and places. (Full article...)
  • Portrait of Rădulescu
    Portrait of Rădulescu
  • Image 14Anarky is a supervillain appearing in comic books published by DC Comics. Co-created by Alan Grant and Norm Breyfogle, he first appeared in Detective Comics #608 (November 1989), as an adversary of Batman. Anarky is introduced as Lonnie Machin, a child prodigy with knowledge of radical philosophy and driven to overthrow governments to improve social conditions. Stories revolving around Anarky often focus on political and philosophical themes. The character, who is named after the philosophy of anarchism, primarily espouses anti-statism and attacks capitalism; however, multiple social issues have been addressed through the character, including environmentalism, antimilitarism, economic inequality, and political corruption. Inspired by multiple sources, early stories featuring the character often included homages to political and philosophical texts, and referenced anarchist philosophers and theorists. The inspiration for the creation of the character and its early development was based in Grant's personal interest in anti-authoritarian philosophy and politics. However, when Grant himself transitioned to the philosophy of Neo-Tech, developed by Frank R. Wallace, he shifted the focus of Anarky from a vehicle for social anarchism and then libertarian socialism, with an emphasis on wealth redistribution and critique of crony capitalism, to a Neo-Tech economy.Originally intended to only be used in the debut story in which he appeared, Grant decided to continue using Anarky as a sporadically recurring character throughout the early 1990s, following positive reception by readers and Dennis O'Neil. The character experienced a brief surge in media exposure during the late 1990s when Breyfogle convinced Grant to produce a limited series based on the character. The 1997 spin-off series, Anarky, was received with positive reviews and sales, and later declared by Grant to be among his "career highlights". Batman: Anarky, a trade paperback collection of stories featuring the character, soon followed. This popular acclaim culminated, however, in a financially and critically unsuccessful ongoing solo series. The 1999 Anarky series, in which even Grant has expressed his distaste, was quickly canceled after eight issues. (Full article...)
    Anarky is a supervillain appearing in comic books published by DC Comics. Co-created by Alan Grant and Norm Breyfogle, he first appeared in Detective Comics #608 (November 1989), as an adversary of Batman. Anarky is introduced as Lonnie Machin, a child prodigy with knowledge of radical philosophy and driven to overthrow governments to improve social conditions. Stories revolving around Anarky often focus on political and philosophical themes. The character, who is named after the philosophy of anarchism, primarily espouses anti-statism and attacks capitalism; however, multiple social issues have been addressed through the character, including environmentalism, antimilitarism, economic inequality, and political corruption. Inspired by multiple sources, early stories featuring the character often included homages to political and philosophical texts, and referenced anarchist philosophers and theorists. The inspiration for the creation of the character and its early development was based in Grant's personal interest in anti-authoritarian philosophy and politics. However, when Grant himself transitioned to the philosophy of Neo-Tech, developed by Frank R. Wallace, he shifted the focus of Anarky from a vehicle for social anarchism and then libertarian socialism, with an emphasis on wealth redistribution and critique of crony capitalism, to a Neo-Tech economy.

    Originally intended to only be used in the debut story in which he appeared, Grant decided to continue using Anarky as a sporadically recurring character throughout the early 1990s, following positive reception by readers and Dennis O'Neil. The character experienced a brief surge in media exposure during the late 1990s when Breyfogle convinced Grant to produce a limited series based on the character. The 1997 spin-off series, Anarky, was received with positive reviews and sales, and later declared by Grant to be among his "career highlights". Batman: Anarky, a trade paperback collection of stories featuring the character, soon followed. This popular acclaim culminated, however, in a financially and critically unsuccessful ongoing solo series. The 1999 Anarky series, in which even Grant has expressed his distaste, was quickly canceled after eight issues. (Full article...)
  • Goldman, c. 1911
    Goldman, c. 1911
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Selected philosopher of the week

Søren Kierkegaard
Søren Kierkegaard

Søren Aabye Kierkegaard (5 May 1813 – 11 November 1855), a 19th century Danish philosopher and theologian, is generally recognized as the first existentialist philosopher. He bridged the gap that existed between Hegelian philosophy and what was to become Existentialism. Kierkegaard strongly criticised both the Hegelian philosophy of his time, and what he saw as the empty formalities of the Danish church. Much of his work deals with religious problems such as the nature of faith, the institution of the Christian Church, Christian ethics and theology, and the emotions and feelings of individuals when faced with existential choices. Kierkegaard's work resists definite interpretation, since he wrote most of his early work under various pseudonyms, and often these pseudo-authors would comment on and critique the works of his other pseudo-authors.


Selected article of the week

Phrenology (from Greek: φρήν, phrēn, "mind"; and λόγος, logos, "knowledge") is a theory which claims to be able to determine character, personality traits, and criminality on the basis of the shape of the head (reading "bumps"). Developed by German physician Franz Joseph Gall around 1800, and very popular in the 19th century, it is now discredited as a pseudoscience. Phrenology has however received credit as a protoscience for having contributed to medical science the ideas that the brain is the organ of the mind and that certain brain areas have localized, specific functions.

Its principles were that the brain is the organ of the mind, and that mind has a set of different mental faculties, each particular faculty being represented in a different part or organ of the brain. These areas were said to be proportional to a given individual's propensities and importance of a mental faculty, and the overlying skull bone to reflect these differences.

Phrenology, which focuses on personality and character, is to be distinguished from craniometry, which is the study of skull size, weight and shape, and physiognomy, the study of facial features. However, these fields have all claimed the ability to predict traits or intelligence. They were once intensively practised in anthropology/ethnology and sometimes utilized to "scientifically" justify racism. While some principles of phrenology are well-established today, the basic premise that personality is determined by skull shape is almost universally considered to be false.

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  • Image 1The hard–easy effect is a cognitive bias that manifests itself as a tendency to overestimate the probability of one's success at a task perceived as hard, and to underestimate the likelihood of one's success at a task perceived as easy. The hard-easy effect takes place, for example, when individuals exhibit a degree of underconfidence in answering relatively easy questions and a degree of overconfidence in answering relatively difficult questions. "Hard tasks tend to produce overconfidence but worse-than-average perceptions," reported Katherine A. Burson, Richard P. Larrick, and Jack B. Soll in a 2005 study, "whereas easy tasks tend to produce underconfidence and better-than-average effects."The hard-easy effect falls under the umbrella of "social comparison theory", which was originally formulated by Leon Festinger in 1954. Festinger argued that individuals are driven to evaluate their own opinions and abilities accurately, and social comparison theory explains how individuals carry out those evaluations by comparing themselves to others. (Full article...)
    The hard–easy effect is a cognitive bias that manifests itself as a tendency to overestimate the probability of one's success at a task perceived as hard, and to underestimate the likelihood of one's success at a task perceived as easy. The hard-easy effect takes place, for example, when individuals exhibit a degree of underconfidence in answering relatively easy questions and a degree of overconfidence in answering relatively difficult questions. "Hard tasks tend to produce overconfidence but worse-than-average perceptions," reported Katherine A. Burson, Richard P. Larrick, and Jack B. Soll in a 2005 study, "whereas easy tasks tend to produce underconfidence and better-than-average effects."

    The hard-easy effect falls under the umbrella of "social comparison theory", which was originally formulated by Leon Festinger in 1954. Festinger argued that individuals are driven to evaluate their own opinions and abilities accurately, and social comparison theory explains how individuals carry out those evaluations by comparing themselves to others. (Full article...)
  • Image 2Hortensius (Latin: [hɔrˈtẽːsi.ʊs]) or On Philosophy is a lost dialogue written by Marcus Tullius Cicero in the year 45 BC. The dialogue—which is named after Cicero's friendly rival and associate, the speaker and politician Quintus Hortensius Hortalus—took the form of a protreptic. In the work, Cicero, Hortensius, Quintus Lutatius Catulus, and Lucius Licinius Lucullus discuss the best use of one's leisure time. At the conclusion of the work, Cicero argues that the pursuit of philosophy is the most important endeavor.While the dialogue was extremely popular in Classical Antiquity, the dialogue only survived into the sixth century AD before it was lost. Today, it is extant in the fragments preserved by the prose writer Martianus Capella, the grammarians Maurus Servius Honoratus and Nonius Marcellus, the early Christian author Lactantius, and the Church Father Augustine of Hippo (the latter of whom explicitly credits the Hortensius with encouraging him to study the tenets of philosophy). (Full article...)
    Hortensius (Latin: [hɔrˈtẽːsi.ʊs]) or On Philosophy is a lost dialogue written by Marcus Tullius Cicero in the year 45 BC. The dialogue—which is named after Cicero's friendly rival and associate, the speaker and politician Quintus Hortensius Hortalus—took the form of a protreptic. In the work, Cicero, Hortensius, Quintus Lutatius Catulus, and Lucius Licinius Lucullus discuss the best use of one's leisure time. At the conclusion of the work, Cicero argues that the pursuit of philosophy is the most important endeavor.

    While the dialogue was extremely popular in Classical Antiquity, the dialogue only survived into the sixth century AD before it was lost. Today, it is extant in the fragments preserved by the prose writer Martianus Capella, the grammarians Maurus Servius Honoratus and Nonius Marcellus, the early Christian author Lactantius, and the Church Father Augustine of Hippo (the latter of whom explicitly credits the Hortensius with encouraging him to study the tenets of philosophy). (Full article...)
  • Mao in 1919
    Mao in 1919
  • The Butterfly Dream, by Chinese painter Lu Zhi (c. 1550)
    The Butterfly Dream, by Chinese painter Lu Zhi (c. 1550)
  • Image 7Dreamtime: Concerning the Boundary between Wilderness and Civilization is an anthropological and philosophical study of the altered states of consciousness found in shamanism and European witchcraft written by German anthropologist Hans Peter Duerr. First published in 1978 by Syndikat Autoren-und Verlagsgesellschaft under the German title of Traumzeit: Über die Grenze zwischen Wildnis und Zivilisation, it was translated into English by the Hungarian-American anthropologist Felicitas Goodman and published by Basil Blackwell in 1985.Dreamtime opens with the premise that many of those accused of witchcraft in early modern Christendom had been undergoing visionary journeys with the aid of a hallucinogenic salve which was suppressed by the Christian authorities. Duerr argues that this salve had been a part of the nocturnal visionary traditions associated with the goddess Diana, and he attempts to trace their origins back to the ancient world, before looking at goddesses associated with the wilderness and arguing that in various goddess-centred cultures, the cave represented a symbolic vagina and was used for birth rituals. (Full article...)
    Dreamtime: Concerning the Boundary between Wilderness and Civilization is an anthropological and philosophical study of the altered states of consciousness found in shamanism and European witchcraft written by German anthropologist Hans Peter Duerr. First published in 1978 by Syndikat Autoren-und Verlagsgesellschaft under the German title of Traumzeit: Über die Grenze zwischen Wildnis und Zivilisation, it was translated into English by the Hungarian-American anthropologist Felicitas Goodman and published by Basil Blackwell in 1985.

    Dreamtime opens with the premise that many of those accused of witchcraft in early modern Christendom had been undergoing visionary journeys with the aid of a hallucinogenic salve which was suppressed by the Christian authorities. Duerr argues that this salve had been a part of the nocturnal visionary traditions associated with the goddess Diana, and he attempts to trace their origins back to the ancient world, before looking at goddesses associated with the wilderness and arguing that in various goddess-centred cultures, the cave represented a symbolic vagina and was used for birth rituals. (Full article...)
  • Image 8Romanticism in Scotland was an artistic, literary and intellectual movement that developed between the late eighteenth and the early nineteenth centuries. It was part of the wider European Romantic movement, which was partly a reaction against the Age of Enlightenment, emphasising individual, national and emotional responses, moving beyond Renaissance and Classicist models, particularly to the Middle Ages. The concept of a separate national Scottish Romanticism was first articulated by the critics Ian Duncan and Murray Pittock in the Scottish Romanticism in World Literatures Conference held at UC Berkeley in 2006 and in the latter's Scottish and Irish Romanticism (2008), which argued for a national Romanticism based on the concepts of a distinct national public sphere and differentiated inflection of literary genres; the use of Scots language; the creation of a heroic national history through an Ossianic or Scottian 'taxonomy of glory' and the performance of a distinct national self in diaspora. In the arts, Romanticism manifested itself in literature and drama in the adoption of the mythical bard Ossian, the exploration of national poetry in the work of Robert Burns and in the historical novels of Walter Scott. Scott also had a major impact on the development of a national Scottish drama. Art was heavily influenced by Ossian and a new view of the Highlands as the location of a wild and dramatic landscape. Scott profoundly affected architecture through his re-building of Abbotsford House in the early nineteenth century, which set off the boom in the Scots Baronial revival. In music, Burns was part of an attempt to produce a canon of Scottish song, which resulted in a cross fertilisation of Scottish and continental classical music, with romantic music becoming dominant in Scotland into the twentieth century. (Full article...)
    Romanticism in Scotland was an artistic, literary and intellectual movement that developed between the late eighteenth and the early nineteenth centuries. It was part of the wider European Romantic movement, which was partly a reaction against the Age of Enlightenment, emphasising individual, national and emotional responses, moving beyond Renaissance and Classicist models, particularly to the Middle Ages. The concept of a separate national Scottish Romanticism was first articulated by the critics Ian Duncan and Murray Pittock in the Scottish Romanticism in World Literatures Conference held at UC Berkeley in 2006 and in the latter's Scottish and Irish Romanticism (2008), which argued for a national Romanticism based on the concepts of a distinct national public sphere and differentiated inflection of literary genres; the use of Scots language; the creation of a heroic national history through an Ossianic or Scottian 'taxonomy of glory' and the performance of a distinct national self in diaspora.

    In the arts, Romanticism manifested itself in literature and drama in the adoption of the mythical bard Ossian, the exploration of national poetry in the work of Robert Burns and in the historical novels of Walter Scott. Scott also had a major impact on the development of a national Scottish drama. Art was heavily influenced by Ossian and a new view of the Highlands as the location of a wild and dramatic landscape. Scott profoundly affected architecture through his re-building of Abbotsford House in the early nineteenth century, which set off the boom in the Scots Baronial revival. In music, Burns was part of an attempt to produce a canon of Scottish song, which resulted in a cross fertilisation of Scottish and continental classical music, with romantic music becoming dominant in Scotland into the twentieth century. (Full article...)
  • Mathematics in art: Albrecht Dürer's copper plate engraving Melencolia I, 1514. Mathematical references include a compass for geometry, a magic square and a truncated rhombohedron, while measurement is indicated by the scales and hourglass.
    Mathematics in art: Albrecht Dürer's copper plate engraving Melencolia I, 1514. Mathematical references include a compass for geometry, a magic square and a truncated rhombohedron, while measurement is indicated by the scales and hourglass.
  • Image 10Cries and Whispers (Swedish: Viskningar och rop, lit. 'Whispers and Cries') is a 1972 Swedish period drama film written and directed by Ingmar Bergman and starring Harriet Andersson, Kari Sylwan, Ingrid Thulin and Liv Ullmann. The film, set in a mansion at the end of the 19th century, is about three sisters and a servant who struggle with the terminal cancer of one of the sisters (Andersson). The servant (Sylwan) is close to her, while the other two sisters (Ullmann and Thulin) confront their emotional distance from each other.Inspired by Bergman's mother, Karin Åkerblom, and his vision of four women in a red room, Cries and Whispers was filmed at Taxinge-Näsby Castle in 1971. Its themes include faith, the female psyche and the search for meaning in suffering, and academics have found Biblical allusions. Unlike previous Bergman films, it uses saturated colour, crimson in particular. (Full article...)
    Cries and Whispers (Swedish: Viskningar och rop, lit. 'Whispers and Cries') is a 1972 Swedish period drama film written and directed by Ingmar Bergman and starring Harriet Andersson, Kari Sylwan, Ingrid Thulin and Liv Ullmann. The film, set in a mansion at the end of the 19th century, is about three sisters and a servant who struggle with the terminal cancer of one of the sisters (Andersson). The servant (Sylwan) is close to her, while the other two sisters (Ullmann and Thulin) confront their emotional distance from each other.

    Inspired by Bergman's mother, Karin Åkerblom, and his vision of four women in a red room, Cries and Whispers was filmed at Taxinge-Näsby Castle in 1971. Its themes include faith, the female psyche and the search for meaning in suffering, and academics have found Biblical allusions. Unlike previous Bergman films, it uses saturated colour, crimson in particular. (Full article...)
  • Photograph of Marx taken by John Mayall in 1875
    Photograph of Marx taken by John Mayall in 1875
  • Title page from the first edition (1848)
    Title page from the first edition (1848)
  • The unity of the intellect thesis was proposed by Averroes, painted here by the 14th century artist Andrea Bonaiuto.
    The unity of the intellect thesis was proposed by Averroes, painted here by the 14th century artist Andrea Bonaiuto.
  • Image 14The denomination effect is a form of cognitive bias relating to currency, suggesting people may be less likely to spend larger currency denominations than their equivalent value in smaller denominations. It was proposed by Priya Raghubir, professor at the New York University Stern School of Business, and Joydeep Srivastava, professor at University of Maryland, in their 2009 paper "Denomination Effect".Raghubir and Srivastava conducted three studies in their research on the denomination effect; their findings suggested people may be more likely to spend money represented by smaller denominations and that consumers may prefer to receive money in a large denomination when there is a need to control spending. The denomination effect can occur when large denominations are perceived as less exchangeable than smaller denominations. (Full article...)
    The denomination effect is a form of cognitive bias relating to currency, suggesting people may be less likely to spend larger currency denominations than their equivalent value in smaller denominations. It was proposed by Priya Raghubir, professor at the New York University Stern School of Business, and Joydeep Srivastava, professor at University of Maryland, in their 2009 paper "Denomination Effect".

    Raghubir and Srivastava conducted three studies in their research on the denomination effect; their findings suggested people may be more likely to spend money represented by smaller denominations and that consumers may prefer to receive money in a large denomination when there is a need to control spending. The denomination effect can occur when large denominations are perceived as less exchangeable than smaller denominations. (Full article...)
  • The supreme god is Shiva, Shiva is Brahman, Brahman is Atman, Know your Atman, Know yourself to be that Brahman, states the Kaivalya Upanishad
    The supreme god is Shiva, Shiva is Brahman, Brahman is Atman, Know your Atman, Know yourself to be that Brahman, states the Kaivalya Upanishad
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Academic Branches of Philosophy

Philosophy ponders the most fundamental questions humankind has been able to ask. These are increasingly numerous and over time they have been arranged into the overlapping branches of the philosophy tree:

  • Aesthetics: What is art? What is beauty? Is there a standard of taste? Is art meaningful? If so, what does it mean? What is good art? Is art for the purpose of an end, or is "art for art's sake?" What connects us to art? How does art affect us? Is some art unethical? Can art corrupt or elevate societies?
  • Epistemology: What are the nature and limits of knowledge? What is more fundamental to human existence, knowing (epistemology) or being (ontology)? How do we come to know what we know? What are the limits and scope of knowledge? How can we know that there are other minds (if we can)? How can we know that there is an external world (if we can)? How can we prove our answers? What is a true statement?
  • Ethics: Is there a difference between ethically right and wrong actions (or values, or institutions)? If so, what is that difference? Which actions are right, and which wrong? Do divine commands make right acts right, or is their rightness based on something else? Are there standards of rightness that are absolute, or are all such standards relative to particular cultures? How should I live? What is happiness?
  • Logic: What makes a good argument? How can I think critically about complicated arguments? What makes for good thinking? When can I say that something just does not make sense? Where is the origin of logic?
  • Metaphysics: What sorts of things exist? What is the nature of those things? Do some things exist independently of our perception? What is the nature of space and time? What is the relationship of the mind to the body? What is it to be a person? What is it to be conscious? Do gods exist?
  • Political philosophy: Are political institutions and their exercise of power justified? What is justice? Is there a 'proper' role and scope of government? Is democracy the best form of governance? Is governance ethically justifiable? Should a state be allowed? Should a state be able to promote the norms and values of a certain moral or religious doctrine? Are states allowed to go to war? Do states have duties against inhabitants of other states?

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